Manual photography only
View allAll Photos Tagged Manual+
A couple of MPD operatives read through the Duty Maintenance manuals for the loco they are working on.
If you like my pics, follow me on Instagram
Ingredients:
Sony ILCE-7M2
The BEAST
Manual setup and focus, available light, handheld. Hope, you enjoy! All visits, faves and comments are appreciated!
trying to clean out some files and found this image of my Hyacinth Bean Vine that I fell in love with...
My tiny little helpers from little world gave me once more a helping hand. They did the presets for my last manual focus shooting. :)
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Die kleinen Helferlein aus little world haben mir ein weiteres Male geholfen. Diesesmal stellten Sie für mich die Blende an einer MF Linse ein. :)
#macromondays #numbers
Macro-Monday
Theme: Zipper
HMM and a nice week
mit Apochromat Leitz ELPRO 2 (4,92 Dpt.)
(Format reduced)
Zoom in: Click on the picture
Glistening Inkcap | Coprinellus micaceus | Psathyrellaceae
Samsung NX1 & Helios 44-2 - 58mm f/2
10mm Macro Tube | Wide Open | Manual Focus | Available Light | Handheld
All Rights Reserved. © Nick Cowling 2019.
Since I posted so many images of my Bridal Wreath, I have disabled the comments...
but I thank everyone that came to take a look and hope you like this image!
Have a great day and Happy June!!!!
shot with a fujifilm x-s10 and a venus optics laowa 65mm f/2.8 2x macro lens
my review of this lens: www.fujixpassion.com/2023/03/14/laowa-65mm-f-2-8-super-ma...
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Dati Tecnici
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a) Fujifilm X-H1+ Anello adattatore FRINGER-EF-FXPRO2 + Canon Zoom Lens EF 24/70mm f.2,8 L USM:
b) Tempo 1/65s con apertura diaframma a f.4,8 +1,5 di stop in manuale (a mano libera);
c) Lettura Esposimetrica effettuata con esposimetro della macchina impostata su "Media a Prevalenza Centrale" ( ho effettuato 5 misurazioni a luce incidente con il Sekonic Dual Spot F-L778 con lettura impostata a 1° per confrontarla con la lettura che mi dava l’esposimetro della macchina, ho effettuato quella correzione di +1,5 di stop per recuperare alcun particolare nelle ombre e nelle penombre.
d) Impostazione nel corpo camera ISO/ASA 6400, DR (100%), Modalità AF (Area), WB Bilanciamento del Bianco (Auto), Simulazione Film (Provia Standard), Colore (+2), Nitidezza (0), Tono Alte luci (0), Tono Ombre (0), Riduzione disturbo (+1), Gamma Dinamica (Auto), Qualità Immagine (Fine), Filtro ND (On), Dimensione Immagine (3:2 - L);
e) Tecnica di ripresa esposimetrica con il sistema dell”Esposizione a Destra;
f) Prima Post-Produzione (leggerissima file quasi perfetto) per la correzione del bilanciamento cromatico/tonale (dopo la desaturazione) delle varie aree e zone di colore per compensare l’intensità di luce (ore 12,30 di ripresa) con Nikon Capture NX 2;
g) Seconda Post-Produzione con Adobe Photoshop CC per il bilanciamento delle zone d’ombra (Lievissima file quasi perfetto);
h) Post-Produzione di completamento con Nikon Capture NX 2 e CorelPhoto-Paint X5 per il completamento e la sistemazione finale del "Sistema Zonale".
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Mio breve Curriculum Vitae su LinkedIn: - My Brief Curriculum Vitae on LinkedIn:
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Visualizza il profilo di Luigi Mirto/ArchiMlFotoWord
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Tutti i diritti riservati ©2022©2030 da ArchiMlFotoWord/Luigi Mirto/Photography
Nessuna immagine o parte di essa può essere riprodotta o trasmessa in qualsiasi forma e con qualsiasi mezzo senza preventiva autorizzazione.
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All rights reserved ©2022©2030 by ArchiMlFotoWord/Luigi Mirto/Photography
No images or part thereof may be reproduced or transmitted in any form or by any means Without prior permission.
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Luigi Mirto/ArchiMlFotoWord's most interesting photos on Flickriver
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Da Ascoltare guardando l’immagine e leggendo Ia poesia
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Letter from a Friend - Carlos Viola
www.youtube.com/watch?v=8vEFnzC69Wk
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Nella penombra tu sei la luce
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Trattenerti non posso come vorrei in questo
abbraccio
chiudo gli occhi
mi lascio cullare
dal battito del tuo cuore
mi perdo nella tua dolcezza
tieni aperti i tuoi fari figlia mia io sarò qui al tuo
fianco nella penombra.
Ti lascerò viaggiare nella luce
tu sei la stella più fulgida. Nel cammino della vita i
passi ti condurranno lontano da questo abbraccio.
ma niente ci terrà distanti
io sentirò ancora il tuo odore di buono rimasto
tatuato nel mio cuore bambino
abbracciato al tuo.
………………………………..Maria Sapienza
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In the twilight you are the light
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I can't hold you as I would like in this
hug
I close my eyes
I let myself be cradled
from the beat of your heart
I get lost in your sweetness
keep your headlights open my daughter i will be here at yours
side in the dark.
I will let you travel in the light
you are the brightest star. On the journey of life i
steps will lead you away from this embrace.
but nothing will keep us apart
I will still feel your smell of good left
tattooed on my heart baby
hugged to yours.
………………………………..Maria Sapienza
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Si ringrazia la scrittrice e poetessa Maria Sapienza per la concessione dei bellissimi versi.
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We thank the writer and poet Maria Sapienza for the concession of the beautiful verses..
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Winter of the Past - Crows Over The City (By Carlos Viola)
www.youtube.com/watch?v=tMrPiYc93Fk
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Italiano
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Questa immagine è tratta da un reportage in continua evoluzione che sto effettuando nella ricerca di particolari volti che esprimano particolari sensazioni, scene di particolare enfasi ambientale, espressioni e sentimenti profondi trasmessi attraverso semplici sguardi, di particolari posture del corpo o anche dai semplici abiti e decorazioni fisiche.
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Tali immagini verranno raccolte in un “Manuale Artistico Tecnico Fotografico” nella quale saranno descritte le particolari tecniche di ripresa, i materiali impiegati, l’attrezzatura fotografica, i luoghi e le condizioni sceniche ambientali.
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English
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This image is from a report in continuous evolution that I am making in the search for specific faces expressing particular feelings, scenes of environmental emphasis, expressions and deep feelings conveyed through simple look, a particular posture of the body or even from simple clothes and decorations individuals.
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These images will be collected in a "Artistic Photography Technical Manual" which will describe the special filming techniques, materials, photographic equipment, sites and scenic environmental conditions.
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Though I do have technologically advanced cameras, I tend to prefer older cameras (all these are second-hand cameras with a 16MP sensor) and use them manually. I am not rejecting technological excellence and sophisticated algorithms. All I am saying is that I have more joy when working manually and that Fuji's old 16MP sensor is really good enough for my purposes. This shot was done with my new (ten year old) Fuji X-Pro1.
♫ Alessandra Amoroso, DB Boulevard - Camera 209
♫ Olivia Ruiz - My Lomo & Me (Jacqueline)
♫ Depeche Mode - Photographic (Paco)
A close-up done with the 7Artisans manual lens at F1.2. The photographic discussion sometimes refers to "dream lenses", often super-fast vintage lenses that produce soft and rich images. I found that this little Chinese lens does similar things when used wide-open, in particular when backlit. If sharp focus is not your primary aim, then this tiny and inexpensive piece of glass would be an option.
Comparto un apilado realizado a partir de una selección de 47 fotos. Probé a montarlo automáticamente con PS, pero el resultado no me gustaba, así que he cogido foto a foto y he ido aplicando una máscara de capa una a una sobre las zonas con más detalle. Para realizarlo dejo invisibles todas las capas menos la de más abajo, entonces cojo la inmendiatamente superior y le aplico una máscara de capa (blanca), a continuación pinto en negro sobre las zonas enfocadas y después invierto la selección de la máscara (comando+I en Mac), así sucesivamente hasta la capa superior. En el trayecto dejo algunas capas sin utilizar si no me aportan información. No es todo lo perfecta que yo quisiera, pero... (_3120280-a-26-APIL-MANUAL-VP)
I share a stack made from a selection of 47 photos. I tried to assemble it automatically with PS, but I didn't like the result, so I took photo by photo and applied a layer mask one by one on the areas with more detail. To do this I make all the layers invisible except the bottom one, then I take the one immediately above it and apply a layer mask (white) to it, then paint black over the focused areas and then invert the mask selection (command+I on Mac), so on up to the top layer. Along the way I leave some layers unused if they don't give me information. It is not as perfect as I would like, but... (_3120280-a-26-APIL-MANUAL-VP)
Another attempt with this old manual lens. There are some C/A tracks on contours, but the total result is good. (Small white points are by light rain drops, not lens fault)
{35 mm: ƒ/14 | 1/500 s | ISO 250 | manual White Balance | manual exposure | manual focus | slightly cropped}
I'm very grateful for all your visits and would like to thank you now for stopping by, and any comments you may leave. Much appreciated, John...
©2020 John Baker. All rights reserved.
{35 mm: ƒ/13 | 1/40 s | ISO 800 | manual White Balance | manual exposure | manual focus | Composite Raw Noise Reduction shooting of 8 images}
Talat Noi is a working class neighbourhood in Bangkok that houses a range of workshops which deal with used car parts. Here's another worker meticulously cleaning these parts.
It looks best full-screen so please press "L" and check it