View allAll Photos Tagged MadeInItaly
Nikon D90
VR 18-105mm F/3,5-5,6G
105mm;F/5,6; 1/160sec.
ISO 200
Nitidezza:9
Contrasto:+3
Luminosità:+1
Saturazione:+3
Tinta:0
A classic scene in a sunny morning: newspaper and a glass of wine!
For unreleased photos on Flickr: www.giuliomagnifico.it
Thanks for your comments and favs!
#alfa #romeo #gt #1300 #junior #giulia #arese #blackandwhite #b/n #canon #eos #classic #car #madeinitaly #biscione #autodepoca #race #power #corse #sixties #annisessanta
Handcrafted 925 sterling silver bracelets... Original and modern-styled design.
For shipping information and other inquiries please PM us.
Bracciali unici realizzati su ordinazione con la vostra misura
e larghezza desiderata. Sono rifiniti, lavorati e lucidati a mano.
Per l'acquisto e info scriveteci in PM,
spediamo in Italia e nel mondo!
Pol Sberzè Jewels * Made in Italy
elaborazione da originale a colori.
isernia, molise. -italy-
Please don't use this image on websites, blogs or other media without my explicit permission.
© All rights reserved.
©Photography & edit by Fernandez-World
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A thoughtful man with a glass of wine and surrounded by ancient wood. Captured inside "Frasca da Susanna", near Udine.
Thanks for your comments and favs!
For unreleased photos on Flickr: www.giuliomagnifico.it
16/05/2026, Het Scheur, Rozenburg, Netherlands.
Keel laid on 20/03/2017, launched on 06/12/2017, and completed on 30/11/208, by Fincantieri Breda, Marghera, Italy (6244)
99,902 g.t. & 9,509 dwt., as:
'Nieuw Statendam'.
Lift in Rozzol Melara, een groot en smaakgevoelig wooncomplex in Trieste, Italië, gebouwd in de brutalistische stijl.
A man is eating maccheroni in osteria in Udine (Italy).
For unreleased photos on Flickr: www.giuliomagnifico.it
Thanks for your comments and favs!
Gilera 150 "turismo", particolare.
Tra gli esemplari esposti alla manifestazione "auto e moto del passato" presso la Cittadella dell’Economia di Campobasso -22 e 23 maggio 2010-.
Sulla storia della Gilera:
www.registrostoricogilera.org/
Please don't use this image on websites, blogs or other media without my explicit permission.
© All rights reserved.
When I gaze at the facades of old buildings, I’m always filled with a subtle sense of a mysterious, almost tangible history. What have they witnessed, how many families once lived there? How many secrets do these walls keep? How much happiness, drama, love, and suffering is hidden behind those stone facades?
In moments like these, you feel your own insignificance especially sharply — as if you were a grain of sand in the vast desert of time. And somewhere, decades from now, someone else will be sitting in front of these same facades, having the same thoughts and drowning in similar feelings.
_________
Когда я всматриваюсь в фасады старых домов, меня всегда наполняет едва уловимое чувство таинственной, почти осязаемой истории. Думаешь о том, сколько всего они видели: сколько семей здесь жило, сколько секретов хранят эти стены, сколько счастья, драм, любви и страданий скрыто за их каменными лицами.
В такие моменты особенно остро ощущаешь собственную незначительность. Будто ты — песчинка в бескрайней пустыне времени. И где-то спустя десятки лет кто-то другой будет сидеть напротив этих же фасадов, думать о том же самом и погружаться в похожие чувства.
An intaglio is an engraving cut deeply into the surface of a hard material (as stone) and is very much where the idea of cameos came from. In Georgian times through until the mid Nineteenth Century, young English men of wealth and privilege who had come of age, did what was known in society as "The Grand Tour": a tour of Europe with Italy as a key destination, undertaken with a tutor or responsible adult to further educate the young man in classical art. They often returned to England with many treasures including one or more Italian intaglios, which usually featured either a classical scene or a classical male profile.
In truth, this intaglio is a Victorian cameo from the 1860s. It is a recent acquisition and in order for it to come into my possession it really was all about being in the right place at the right time. I quite enjoy fossicking through charity shops, looking for overlooked treasures. A few weeks before Christmas I happened to be in just such a pursuit when, in a cabinet full of pretty but fairly worthless costume jewellery and cheap silver pieces, I came across a real treasure! This cameo, mounted in gold, is hand carved from agate, and features the profile of a Victorian gentleman, which is far less common than the ladies you usually see. I thought it might have been Shakespeare at first, but after some research on this piece, it is mid-Victorian (circa 1860). It would have been made in Italy as a keepsake of the journey there.
A cameo is a material that is carved with a raised relief that often depicts a profile of a face or a mythical scene. Cameos are commonly made out of shell, coral, stone, lava, or glass. Cameo jewellery has varying quality factors including the intricacy of the carving to the quality of the setting. This one would have been in the top range for its fine details.
Even though its original ornate gold surrounding setting has been removed and probably sold for scrap after the cameo was damaged (you can see a crack across the agate from his nose), the most important part of the piece (for me anyway) has survived.
Igor Mitoraj (26 March 1944 – 6 October 2014) was a Polish artist and sculptor.
Mitoraj's sculptural style is rooted in the classical tradition with its focus on the well modelled torso. However, Mitoraj introduced a post-modern twist with ostentatiously truncated limbs, emphasising the damage sustained by most genuine classical sculptures. Often his works aim to address the questions of human body, its beauty and fragility, its suffering as well as deeper aspects of human nature, which as a result of the passing of time undergo degeneration.
The Basilica of St. Mary of the Angels and the Martyrs (Latin: Beatissimae Virgini et omnium Angelorum et Martyrum, Italian: Santa Maria degli Angeli e dei Martiri) is a basilica and titular church in Rome, Italy, built inside the ruined frigidarium of the Roman Baths of Diocletian in the Piazza della Repubblica.
It was constructed in the 16th century following an original design by Michelangelo Buonarroti. Other architects and artists added to the church over the following centuries. During the Kingdom of Italy, the church was used for religious state functions.
A meeting between old friends in front of a glass of wine and a deck of cards. Qualso, Udine (Italy).
For unreleased photos of my "Osterie/Frasche 2016 reportage": www.giuliomagnifico.it/osterie-friulane
Thanks for your comments and favs!