View allAll Photos Tagged MEXICO

2 minutes into Algodones (really Vicente Guerrero) , Mexico after crossing the border down one the side streets. I have never seen a town with so many dentists... 5 or 6 on this street alone. I am hoping to develop 8-10 images from my excursion.

Mexican restaurant in a former Dairy Queen. Wellington KS.

Parroquia de Sanctorum

Calz.México-Tacuba 1420

Col. Nueva Argentina

C.P. 11230

Miguel Hidalgo

Tel. 5386-4197

Ciudad de México

@city of mexico

in 2006 summer

 

ルイス・バラガン邸など。原色の占める割合が多い。

Rich Lesser, Global Chief Executive Officer and President, The Boston Consulting Group, USA, at the World Economic Forum on Latin America in Riviera Maya, Mexico 2015. Copyright by World Economic Forum / Benedikt von Loebell

Paseando en Hermosillo - una Vista sencilla de la ciudad

© Album 0122

By Cathedrals and Churches

Archdiocese of Mexico

www.catedraleseiglesias.com

 

Mary Help of Christians Parish Sanctuary

Fr Miguel Agustin Aguilar Medina Pastor Fr: Eutimio Cerda Berlanga

Salesian College 61

Col. Anahuac

C.P. 11320

Del. Miguel Hidalgo

Phone 5396-3341

Phone 5341-1822

Fax. 5396-3341

 

www.mariaauxiliadora.org.mx

 

The Shrine of Mary Help ¨ ¨ erected as a parish by Bishop Dario Miranda, in 1969, looks splendid and a sense of praise, the supernatural and the divine, with its pointed arches, rose windows, minarets and ribs, stained glass, combined with the mole vast central nave produced the characteristic movement of the Gothic style of S. XIX. Mary Help ¨ ¨, initial work of the Salesians in Mexico, is no stranger to the historical moment of the revolution that gripped the country and let people feel the brunt of instability, persecution, invasion, expropriation of property, expulsion and deportation of priests foreign Salesians and their construction made ​​a slow but sure. Today the neo-Gothic parish as a national monument of artistic style, facing the ravages of climate, weather and adversity, causing the breakdown of some moldings of the facade and towers pose a risk to the community so that for remodeling work done with permits.

  

© Álbum 0122

By Catedrales e Iglesias

Arquidiócesis de México

www.catedraleseiglesias.com

 

Santuario Parroquial María Auxiliadora

Pbro : Miguel Agustín Aguilar Medina Parroco Pbro: Eutimio Cerda Berlanga

Colegio Salesiano 61

Col. Anáhuac

C.P. 11320

Del. Miguel Hidalgo

Tel. 5396-3341

Tel. 5341-1822

Fax. 5396-3341

 

www.mariaauxiliadora.org.mx

 

El Santuario de ¨Maria Auxiliadora¨ erigido como parroquia por Monseñor Dario Miranda, en 1969, luce esplendorosa y con un sentido de alabanza, de lo sobrenatural y lo divino, con sus ojivas, rosetones, minaretes y nervaduras, vitrales; aunados a la mole inmensa de la nave central producen el movimiento característico del estilo neogótico del S. XIX. ¨María Auxiliadora¨, obra inicial de los Salesianos en México, no es ajena al momento histórico de la revolución que convulsionó al país y en quienes dejó sentir los embates de la inestabilidad, persecución, allanamiento, expropiación de bienes, expulsión y deportación de sacerdotes Salesianos extranjeros y que hicieron de su construcción una tarea lenta pero segura. Hoy la parroquia de estilo neogótico considerada monumento nacional de estilo artístico, hace frente a los embates del clima, el tiempo y las adversidades, provocando el resquebrajamiento de algunas molduras de su fachada y torres, representan un riesgo, para la comunidad por lo que se realizan trabajos correspondientes de remodelación, con los permisos correspondientes.

   

Patzcuaro Michoacán México

Museo Nacional de Antropología, Mexico

@san luis potosi,mexico

in 2006 summer

 

びっくりするくらいに平和な街。日本人はめずらしい?

A musical and dance performance featuring the Mariachi “Quetzal” band followed the inauguration of an exhibition entitled “Contemporary Mexican Design with a Vision towards the Future”.

 

The event was held on the sidelines of the Assemblies of WIPO Member States, which met from October 2-11, 2017. WIPO co-organized the event with the Government of Mexico.

 

Copyright: WIPO. Photo: Violaine Martin. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License.

from Atliaca, Guerrero, Mexico

Museo de Arte Popular

  

mexico

 

mexico

 

mexico

 

mexico

 

mexico

 

mexico

 

mexico

 

mexico

 

mexico

 

mexico

 

mexico

 

mexico

LA CATRINA SU LEYENDA E HISTORIA

 

La versión original es un grabado en metal autoría del caricaturista, Jose Guadalupe Posada el nombre original es “La Calavera Garbancera”. “Garbancera” es la palabra con que se conocía entonces a las personas que vendían Garbanza que teniendo sangre indígena pretendían ser europeos, ya fueran españoles o franceses (este último más común durante el porfiriato) y renegaban de su propia raza, herencia y cultura.

 

La Catrina fue creada por artistas mexicanos para hacer una representación metafórica de la alta clase social de México, que prevalecía antes de la Revolución Mexicana.

 

A “ La Catrina” y a ”El Catrìn” los asociamos también, paradójicamente, con el placer de vivir ante la inminencia de la muerte.

 

La doble identidad de La Catrina nos recuerda que la vida es aquí, ahora y eternamente.

 

www.facebook.com/notes/soy-mi-fan/mitos-y-leyendas-mexica...

 

MEXICO

11-50-ZNT

Cabo San Lucas

28 December 2010

(c) Paul A. Bateson

Mahamandaleshwar Sri Swami #Vishwananda visited many places on his #Mexico Tour such as #PuertoVallarta, #Guadalajara, #MexicoCita where he blessed many new devotees.

 

The people there we very sweet and loving with an open heart ready to receive #Guruji's #grace.

  

Find out more about Sri Swami Vishwananda and #BhaktiMarga:

www.bhaktimarga.org

© Album 0122

By Cathedrals and Churches

Archdiocese of Mexico

www.catedraleseiglesias.com

 

Mary Help of Christians Parish Sanctuary

Fr Miguel Agustin Aguilar Medina Pastor Fr: Eutimio Cerda Berlanga

Salesian College 61

Col. Anahuac

C.P. 11320

Del. Miguel Hidalgo

Phone 5396-3341

Phone 5341-1822

Fax. 5396-3341

 

www.mariaauxiliadora.org.mx

 

The Shrine of Mary Help ¨ ¨ erected as a parish by Bishop Dario Miranda, in 1969, looks splendid and a sense of praise, the supernatural and the divine, with its pointed arches, rose windows, minarets and ribs, stained glass, combined with the mole vast central nave produced the characteristic movement of the Gothic style of S. XIX. Mary Help ¨ ¨, initial work of the Salesians in Mexico, is no stranger to the historical moment of the revolution that gripped the country and let people feel the brunt of instability, persecution, invasion, expropriation of property, expulsion and deportation of priests foreign Salesians and their construction made ​​a slow but sure. Today the neo-Gothic parish as a national monument of artistic style, facing the ravages of climate, weather and adversity, causing the breakdown of some moldings of the facade and towers pose a risk to the community so that for remodeling work done with permits.

  

© Álbum 0122

By Catedrales e Iglesias

Arquidiócesis de México

www.catedraleseiglesias.com

 

Santuario Parroquial María Auxiliadora

Pbro : Miguel Agustín Aguilar Medina Parroco Pbro: Eutimio Cerda Berlanga

Colegio Salesiano 61

Col. Anáhuac

C.P. 11320

Del. Miguel Hidalgo

Tel. 5396-3341

Tel. 5341-1822

Fax. 5396-3341

 

www.mariaauxiliadora.org.mx

 

El Santuario de ¨Maria Auxiliadora¨ erigido como parroquia por Monseñor Dario Miranda, en 1969, luce esplendorosa y con un sentido de alabanza, de lo sobrenatural y lo divino, con sus ojivas, rosetones, minaretes y nervaduras, vitrales; aunados a la mole inmensa de la nave central producen el movimiento característico del estilo neogótico del S. XIX. ¨María Auxiliadora¨, obra inicial de los Salesianos en México, no es ajena al momento histórico de la revolución que convulsionó al país y en quienes dejó sentir los embates de la inestabilidad, persecución, allanamiento, expropiación de bienes, expulsión y deportación de sacerdotes Salesianos extranjeros y que hicieron de su construcción una tarea lenta pero segura. Hoy la parroquia de estilo neogótico considerada monumento nacional de estilo artístico, hace frente a los embates del clima, el tiempo y las adversidades, provocando el resquebrajamiento de algunas molduras de su fachada y torres, representan un riesgo, para la comunidad por lo que se realizan trabajos correspondientes de remodelación, con los permisos correspondientes.

   

Zombie Walk México.

Don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved

  

México - Chiapa De Corzo, Chiapas,

 

Fecha gregoriana: martes 22 de noviembre de 2011

Cuenta larga: 12.19.18.16.03

Rueda calendárica: 10 akbal - 11 ceh

The Catedral Metropolitana holds the distinction of being the largest church in Latin America. Like so many of the city's older, weightier structures, the cathedral has settled over the years into the soft, wet ground beneath – the tilt is quite plain to see, despite extensive work to stabilize the building. The first church on this site was constructed only a couple of years after the Conquest, using stones torn from the Temple of Huitzilopochtli, but the present structure was begun in 1573 to provide Mexico City with a cathedral more suited to its wealth and status as the jewel of the Spanish empire. The towers weren't completed until 1813, though, and the building incorporates a plethora of architectural styles throughout. Even the frontage demonstrates this: relatively austere at the bottom where work began in the years soon after the Conquest, it flowers into full Baroque as you look up, and is topped by Neoclassical cornices and clock tower.

 

Inside, although the size of the cathedral is striking, the chief impression is that it's a rather gloomy space, with rows of dimly lit side chapels. It is enlivened mostly by the Altar de los Reyes, a vast gilt reredos built of wood between 1718 and 1737 behind the main altar that features effigies of European kings and queens as well as two oil paintings, the Assumption of the Virgin and Adoration of the Kings. Fans of ornate handiwork will also appreciate the detailed work in gold and wood on the central coro (choir).

Late afternoon capture..

Mexico vs independiente de Medellin, partido de la seleccion mexicana jugado en el estadio Caliente de Tijuana, mas info videos y fotos en www.vivodefutbol.com

Antimony from Mexico. (Carnegie Museum of Natural History, Pittsburgh, Pennsylvania, USA)

 

A mineral is a naturally-occurring, solid, inorganic, crystalline substance having a fairly definite chemical composition and having fairly definite physical properties. At its simplest, a mineral is a naturally-occurring solid chemical. Currently, there are over 4900 named and described minerals - about 200 of them are common and about 20 of them are very common. Mineral classification is based on anion chemistry. Major categories of minerals are: elements, sulfides, oxides, halides, carbonates, sulfates, phosphates, and silicates.

 

Elements are fundamental substances of matter - matter that is composed of the same types of atoms. At present, 118 elements are known (four of them are still unnamed). Of these, 98 occur naturally on Earth (hydrogen to californium). Most of these occur in rocks & minerals, although some occur in very small, trace amounts. Only some elements occur in their native elemental state as minerals.

 

To find a native element in nature, it must be relatively non-reactive and there must be some concentration process. Metallic, semimetallic (metalloid), and nonmetallic elements are known in their native state as minerals.

 

The semimetal/metalloid antimony (Sb) is not common in its native state. It has a metallic luster, silvery-gray color, is somewhat soft (H=3 to 3.5), and is moderately heavy for its size. Other semimetals that occur as native elements are arsenic (As) and bismuth (Bi). The semimetals/metalloids resemble metals in luster, but they break along fractures - they’re brittle. True metals are malleable.

 

Le bâtiment 7 du Valentin Imperial Maya (2017)

the pink line headed to Pantitlan

 

DSC06721

After performing and dancing on the streets, these poor mexicans from the slums take

a break and take the masks off! Revealing aspects of their everyday life. A mixed of intensity, youth, poverty, violent, and an artistic spirit!!

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