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Sometimes, the songs know before the songwriter does. That was certainly the case with LP's newest release, 'Death Valley,' a heartrending collection mined from the deepest reaches of her subconscious. Without fully realizing it at the time, the New York native was grappling with the fallout from a crumbling relationship in her music, putting together the pieces and learning to navigate a trying time of loss and struggle before she'd actually even embarked on the journey.
"I was feeling uneasy, like I knew that something was wrong," reflects LP, who now calls LA home. "I got a lot of material out of that ominous, foreboding feeling I had."
The 'Death Valley' EP, a preview of her forthcoming full-length on Vagrant Records, follows LP's 2014 major label debut, 'Forever For Now.' With its instantly recognizable single "Into The Wild," which was omnipresent as the soundtrack to a Citibank ad campaign and racked up nearly 10 million streams on Spotify alone, the record was a breakout critical smash. The Wall Street Journal raved that she was "knocking on stardom's door," Elle dubbed her "rock's next big thing," and USA Today praised her "serious pipes," while Vogue hailed her "penetrating voice and Dylan-goes-electric swagger," and BuzzFeed offered simple instructions: "buckle up and press play." She made the rounds on late night television, with performances everywhere from Letterman and Kimmel to Craig Ferguson and Carson Daly, and she wowed festival crowds from Austin City Limits and Bonnaroo to Hard Rock Calling and Lollapalooza, showcasing what the LA Times described as "the kind of show-stopping, booming voice that draws standing ovations." Martin Guitar even invited her to become the first woman—and the first ukulele player—to join their prestigious Ambassador program.
Though the album was her debut for a major label, LP was by no means a stranger to the music business. She had a track record of hits to her name as a songwriter, penning tunes for Rihanna, Christina Aguilera, Rita Ora, the Backstreet Boys and more. But 'Forever For Now' showed a new side of her artistry: more personal, more intimate, and fueled by her singular, stop-you-dead-in-your-tracks vocals.
"Writing songs for other people, when you get that right, you make a connection with the artist and you help them connect to the world," she reflects. In an interview with CNN, though, LP explained the difference in writing for herself, describing 'Forever For Now' as "a bunch of songs I feel only I can sing."
The same can be said of the five tracks on 'Death Valley': any writer would kill to have penned these songs, but only LP could sing them. And if she learned anything from her debut, it was to trust her instincts about what makes her own music so unique.
"I did this record much like I did the last record, except this time around, we just fine- tuned and sculpted what was already there in the demos rather than starting from scratch and re-recording everything," she explains. "I work with such amazing people that the level of talent is so high from the get-go, and I didn't want to lose that initial burst of what makes the songs special or risk overproducing them. We built off of the palpable energy and the initial thrust of the tracks instead of ripping them apart and examining them so hard that they lost their spontaneity."
It's a formula that pays off in spades on 'Death Valley,' which finds LP teaming up with her longtime collaborators Mike Del Rio of POWERS, who produced most of the tracks, and Nate Campany, who co-wrote several songs. The EP begins with an ominous, rhythmic rattling chain that sucks you deep into opener "Muddy Waters" and sets the stage for the journey to follow. Co-written with British singer/songwriter Josh Record, "Muddy Waters" rises up into a dark spiritual, a twisted gospel of confusion and desolation embodying the anxious sense of dread that presages the end of a relationship. In the infectious, atmospheric "Lost On You," LP alternates between an understated verse and a soaring chorus, belting out, "Let's raise a glass or two / To all the things I've lost on you" in a poignant moment of self reflection, while the title track channels her love of the Replacements' brand of reckless rock and roll, and the shuffling, whistle-fueled "Other People" is a sardonic kiss-off to an ex.
It's not all so bittersweet, though, as the uplifting "Strange" moves beyond heartbreak to a joyous, triumphant celebration of self-acceptance and love, with LP blissfully singing, "We are all strange / And it ain't never never ever gonna change."
"My natural propensity is toward being an upbeat person and writing in an inclusive, 'we're all in this together' kind of way," she explains. "I like the idea of music uniting people and galvanizing them. That song just kind of wrote itself in that way."
Perhaps that’s the humility speaking (LP is, after all, a remarkably hard worker, constantly bouncing between her own breakout career as an artist and the cadre of stars who count on her inimitable perspective as a writer), but the idea that songs can write themselves is central to 'Death Valley.' This was music that poured out of her before she knew what it was about, before she lived through the heartbreak and pain and ultimate redemption that inspired it. The songs on 'Death Valley' may have known what was coming before LP did, but you don't need to be clairvoyant to see the future awaiting an artist this charismatic and gifted.
Article from the Sun today: www.ottawasun.com/news/ottawa/2011/03/02/17471556.html Everybody post some comments on there!
Louise Huebner Seduction through Witchcraft Occult Record Lp. Warner Real life witch teaches her craft.
Uno de los problemas que aparecen cuando se ponen varias cámaras a hacer una misma foto, es el de luces que se escapan... gracias Chin [http://www.flickr.com/photos/chinau/] por ese bello sol incandescente xD. Estoy totalmente en contra de retocar esos errores digitalmente con PS. No deja de ser un error, la foto es mejorable, y espero repetir esta foto correctamente. y sentirme satisfecho.
This is a fail shot. There is that anoying burnt red light at the left of the orb due to having two cameras set for the same shot. I disagree correcting this kind of light fails with PS. The photo could and should have been done better. I'll have to repeat it until I feel enough satisfied with it
14/10/2011 - LP Nitrastur (w.Titi.Aida.Carol.Jernes.Chin)
Festival LP autographed by Carlos Santana. View more memorabilia on our website - Autographed Memorabilia
This is 45rpm LP of Rainbowman by Asahi Sonorama Record. Though there is no mark for the release date I guess it is circa 1972.
The music is ok when you're in the mood to listen to it, however I have to admit that I bought this LP because of the cool cover. It shows the '38 Phantom Corsair built by Bohman & Schwartz for 'Rusty' Heinz (that ketchup guy) on a Cord 810 chassis.
durante a construção de móbiles de disco de vinil :)
ficou bacana a sala do meu novo apto o/
e siiiiim, eu tenho lp's da xuxa
shauidhasuidhusihdu
parte da infância né?!
shdusiahdusiahdusa
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Coachmen Freelander FL 3150 SS for sale - $19,999
Very Very Good Condition
One Owner/Non-Smoking
Stored in an Indoor Facility during winter
DOCTOR DRUIDS HAUNTED SEANCE HALLOWEEN RECORD LP. Electric Lemon PLP 1911, year 1973. Came with insleave instructions on how to conduct a seance party. The record is recorded so the ghost voice would only come through one speaker. This speaker was to be put under the table to appear as if the ghost was right in front of you.
Hookah pipes represent an ancient, well preserved tradition. It mirrors the oriental tradition of social smoking and leisure. History reveals that Indians, Chinese, Babylonians used to smoke hookahs while burning the incense sticks as part of their religious rituals. Its mention can be found even in the shamanistic rituals. Yes, lots of things have changed since then. Visit www.pipesdaddy.com/Glass-Gandalf-Pipes-s/52.htm
Sometimes, the songs know before the songwriter does. That was certainly the case with LP's newest release, 'Death Valley,' a heartrending collection mined from the deepest reaches of her subconscious. Without fully realizing it at the time, the New York native was grappling with the fallout from a crumbling relationship in her music, putting together the pieces and learning to navigate a trying time of loss and struggle before she'd actually even embarked on the journey.
"I was feeling uneasy, like I knew that something was wrong," reflects LP, who now calls LA home. "I got a lot of material out of that ominous, foreboding feeling I had."
The 'Death Valley' EP, a preview of her forthcoming full-length on Vagrant Records, follows LP's 2014 major label debut, 'Forever For Now.' With its instantly recognizable single "Into The Wild," which was omnipresent as the soundtrack to a Citibank ad campaign and racked up nearly 10 million streams on Spotify alone, the record was a breakout critical smash. The Wall Street Journal raved that she was "knocking on stardom's door," Elle dubbed her "rock's next big thing," and USA Today praised her "serious pipes," while Vogue hailed her "penetrating voice and Dylan-goes-electric swagger," and BuzzFeed offered simple instructions: "buckle up and press play." She made the rounds on late night television, with performances everywhere from Letterman and Kimmel to Craig Ferguson and Carson Daly, and she wowed festival crowds from Austin City Limits and Bonnaroo to Hard Rock Calling and Lollapalooza, showcasing what the LA Times described as "the kind of show-stopping, booming voice that draws standing ovations." Martin Guitar even invited her to become the first woman—and the first ukulele player—to join their prestigious Ambassador program.
Though the album was her debut for a major label, LP was by no means a stranger to the music business. She had a track record of hits to her name as a songwriter, penning tunes for Rihanna, Christina Aguilera, Rita Ora, the Backstreet Boys and more. But 'Forever For Now' showed a new side of her artistry: more personal, more intimate, and fueled by her singular, stop-you-dead-in-your-tracks vocals.
"Writing songs for other people, when you get that right, you make a connection with the artist and you help them connect to the world," she reflects. In an interview with CNN, though, LP explained the difference in writing for herself, describing 'Forever For Now' as "a bunch of songs I feel only I can sing."
The same can be said of the five tracks on 'Death Valley': any writer would kill to have penned these songs, but only LP could sing them. And if she learned anything from her debut, it was to trust her instincts about what makes her own music so unique.
"I did this record much like I did the last record, except this time around, we just fine- tuned and sculpted what was already there in the demos rather than starting from scratch and re-recording everything," she explains. "I work with such amazing people that the level of talent is so high from the get-go, and I didn't want to lose that initial burst of what makes the songs special or risk overproducing them. We built off of the palpable energy and the initial thrust of the tracks instead of ripping them apart and examining them so hard that they lost their spontaneity."
It's a formula that pays off in spades on 'Death Valley,' which finds LP teaming up with her longtime collaborators Mike Del Rio of POWERS, who produced most of the tracks, and Nate Campany, who co-wrote several songs. The EP begins with an ominous, rhythmic rattling chain that sucks you deep into opener "Muddy Waters" and sets the stage for the journey to follow. Co-written with British singer/songwriter Josh Record, "Muddy Waters" rises up into a dark spiritual, a twisted gospel of confusion and desolation embodying the anxious sense of dread that presages the end of a relationship. In the infectious, atmospheric "Lost On You," LP alternates between an understated verse and a soaring chorus, belting out, "Let's raise a glass or two / To all the things I've lost on you" in a poignant moment of self reflection, while the title track channels her love of the Replacements' brand of reckless rock and roll, and the shuffling, whistle-fueled "Other People" is a sardonic kiss-off to an ex.
It's not all so bittersweet, though, as the uplifting "Strange" moves beyond heartbreak to a joyous, triumphant celebration of self-acceptance and love, with LP blissfully singing, "We are all strange / And it ain't never never ever gonna change."
"My natural propensity is toward being an upbeat person and writing in an inclusive, 'we're all in this together' kind of way," she explains. "I like the idea of music uniting people and galvanizing them. That song just kind of wrote itself in that way."
Perhaps that’s the humility speaking (LP is, after all, a remarkably hard worker, constantly bouncing between her own breakout career as an artist and the cadre of stars who count on her inimitable perspective as a writer), but the idea that songs can write themselves is central to 'Death Valley.' This was music that poured out of her before she knew what it was about, before she lived through the heartbreak and pain and ultimate redemption that inspired it. The songs on 'Death Valley' may have known what was coming before LP did, but you don't need to be clairvoyant to see the future awaiting an artist this charismatic and gifted.
LP Koon 2517 WAT BAN RAI Lun Sorng (own collection)
Effect: Strong business luck to be successful in many ways, improve money luck day by day, protect from danger, get rid of evil and obstacles and bad luck, for strong metta and leadership, you will attract good opportunity where ever you go, fortune fetching and unimaginable wealth.
"Luang Pow Khun - Wat Banrai" - "Construction Monk's Dwelling at Wat Suan Keaw"; copper medal oval-shaped, 3 Oct. BE2517. (1).
"Temple farmhouse multiplied father" model "building measure Sa Kaeo Buddhist monk's cell" He Wgri installed copper loop dated 2517 BC
HALLOWEEN RECORD, LP, VINYL.
NEW CHILLING THRILLING SOUNDS OF THE HAUNTED HOUSE, DISNEY 2507. Year 1970's. This is a completely different version than the orange covered Disney Chilling Thrilling Sounds of the Haunted House.
T-Five T-Set by TEE-SET
33rpm 30cm 12" vinyl record LP
Negram ELS 921
5 Years TEE-SET 1966-1971 comp. LP
Mi amiga Pat quería probar esto del LP, no sólo mostró un gran interés sino que no se le daba nada mal!
My friend Pat wanted to try this thing called LP. She was very enthusiastic while lightpainting and she didn't do it any wrong!
This photo goes to Script (April 2011) LIGHTPAINTING COMPETITION
13/04/2010
Bosque de Lugones
Primer día de mi amiga Carol pintando con luz. Segundo intento de lightwoman... resulta otro sensacional gallifante en bikini!
Second attempt of a lightman by my friend Carol in her first day lightpainting..
14/10/2011 - LP Nitrastur (w.Titi.Aida.Carol.Jernes.Chin)
Lp kasem 2517(Own collection)
Story behind this amulet and its design:
There was a really poor family in Lampag. They were growing watermelons on a small field they didn't even own. They were hardly able to make money to stay alive. As they were good people - happy despite their destiny - they often went to visit LP Kasem to bring him some food and to simply pay respect to him. On one day LP Kasem gave them a piece of paper with a number and told them to bet the number on the next draw of the national lottery. They did as he said and the number hit the jackpot. Grateful family, who indeed received a whole fortune, decided to patronize a new batch of amulets and thus immortalize LP Kasem's astounding help. This batch was designed to bear a picture of a watermelon on the backside to remind of their time of poverty.
Express Teleport Little People
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