View allAll Photos Tagged KodakTMAX100TMX,
scans from the archives. scenes of decay from the salton sea. nikon n90s + sigma 24-70mm f/2.8. film: kodak TMAX 100 film. lab: photoimpact west, santa monica, ca. scan: nikon coolscan 4000.
thowback thursday, scans from the archives. the abandoned north shore motel, demolished in 2009. nikon n90s + sigma 24-70mm f/2.8. film: kodak TMAX 100 film. . lab: photoimpact west, santa monica, ca. scan: nikon coolscan 4000.
rusty van sinking into the bombay beach salt flats. scans from the archives. nikon n90s + kodak TMAX 100 film. lab: photoimpact west, santa monica, ca. scan: nikon coolscan 4000.
Digging through the archive, film I've developed, scanned and left waiting.
It was one of the drives through the countryside my father and I take every December. Here, an old house on a hill. December 2011.
Taken with borrowed Fujica G690BL medium format 6×9 film camera, its EBC Fujinon S 100mm F3.5 lens, on Kodak T-Max 100 Professional film.
Developed in Kodak Xtol, 1+1 dilution.
Scanned with Canon CanoScan 8800F flatbed scanned, using VueScan.
scans from the archives. nikon N90s + nikkor 28-80mm + kodak TMAX 100. lab: photoimpact west, santa monica, ca. scan: nikon coolscan 4000. EXIF tags: filmtagger.
Digging through the archive, film I've developed, scanned and left waiting.
It was one of the drives through the countryside my father and I take every December. Here, a spring water pool in a middle of a village. December 2011.
Taken with borrowed Fujica G690BL medium format 6×9 film camera, its EBC Fujinon S 100mm F3.5 lens, on Kodak T-Max 100 Professional film.
Developed in Kodak Xtol, 1+1 dilution.
Scanned with Canon CanoScan 8800F flatbed scanner, using VueScan.
See what this place looked like in:
📷 August 2008.
We’re back again and this time we’re sitting down with Craig Pindell, native of Cheyenne, Wyoming and (mostly) 8×10 nut philosopher. Despite offering us an 8×10 selfie via Twitter (a promise he has yet to keep!), we think Craig has some pretty interesting work and thoughts...
Large version at: emulsive.org/interviews/i-am-craig-pindell-and-this-is-wh...
Filed under: #Interviews #120/MediumFormatFilm #4X5FormatFilm #8X10FormatFilm #CraigPindell #Fuji #FujiAcros100 #Interview #Kodak #KodakT-MAX100(TMX)
scans from the archives. nikon FA + 50mm f/1.4 AIS + red #25 filter + kodak TMAX 100 film. imperial dunes north of el centro, ca.
scans from the archives. nikon n90s + kodak TMAX 100 film. lab: photoimpact west, santa monica, ca. scan: nikon coolscan 4000.
scans from the archives. nikon n90s + kodak TMAX 100 film. the ruins of the abandoned sundowner motel on the west shore of the salton sea. the motel burned in 1998 and was bulldozed several years later.
Overlooking the pond in High-Park. I tried to get some IR shots here, but unfortunately I think I failed with giving the film proper exposure.. Another time.. perhaps?
Zeiss Ikon Nettar 517/16 M/F Pocket Folder
Zeiss Novar-Anastigmat 75mm ƒ/6.3 Fixed Lens @ƒ/11
Vario Shutter @ 1/75s
Kodak TMAX 100
HC-110 Dil. B
scans from the archives. nikon n90s + kodak TMAX 100 film. the ruins of the abandoned salton bay yacht club on the west shore of the salton sea. the structure was flooded and ruined by elevated water levels in the 1980s. the site was bulldozed in mid 2000.
scans from the archives. nikon n90s + sigma 24-70mm f/2.8. film: kodak TMAX 100 film. lab: photoimpact west, santa monica, ca. scan: nikon coolscan 4000.
scans from the archives. nikon n90s + kodak TMAX 100 film. the ruins of the abandoned sundowner motel on the west shore of the salton sea. the motel burned in 1998 and was bulldozed several years later.
scans from the archives. nikon FA + 50mm f/1.4 AIS + red #25 filter + kodak TMAX 100 film. imperial dunes north of el centro, ca.
Here we are with another interview for you all. This time we’re sitting down with the incredibly passionate Antonio Biagiotti. Hailing from Northern Italy, Antonio is a moslty medium format photographer working in 6×7 using his Pentax 67ii. Antonio is as enthusiastic about photography ...
Read on at: emulsive.org/interviews/interview-6i-am-antonio-biagiotti...
Filed under: #FilmPhotographerInterviews, #Interviews, #AntonioBiagiotti, #EMULSIVEInterview, #FilmPhotographerInterviews, #Fomapan100Classic, #ILFORD, #ILFORDFP4PLUS, #Interview, #KodakTMAX100TMX, #KodakTMAX400TMY2, #Pentax, #Pentax67, #Pentax67II, #Pentax6X7
#shootfilmbenice #filmphotography # believeinfilm
Digging through the archive: I've completely forgotten about this film, it was developed back in the last decade, scanned a year ago and left that way. Until now.
Here, remnants of a forest, copse actively being reduced to nothing.
Taken with Hasselblad 500c/m medium format film camera and Carl Zeiss Distagon T* 50mm F4 wide-angle lens, on Kodak T-Max 100 TMX film developed in Kodak Xtol.
Scanned with Canon CanoScan 8800F flatbed scanner, using VueScan.
2016-05-19 – Elbow grease
Kodak T-MAX 100 shot at EI 800
Black and white film in 120 format shot as 6×6
Push processed 3 stops
2016-05-19 – Elbow grease – Kodak T-MAX 100 shot at EI 800. Black and white film in 120 format shot as 6×6. Push processed 3...
Large version at: emulsive.org/photography/elbow-grease-kodak-t-max-100-120
Filed under: #Mediumformat #Photography #2016May #BlackAndWhiteNegativeFilm #EI100 #EI800 #EMULSIVEDailyPhoto #ISO100 #ISO800 #Kodak #KodakT-MAX100(TMX) #PushingFilm
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Up until the day I was able to call it “mine” I had never heard about the Burnett-Combo or David Burnett and I was completely unaware of the cult status of Kodak’s Aero Ektar lens.
So why did I buy it? The answer is simply impulse and intuition.
I think it makes sense to pause...
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Read on at: emulsive.org/reviews/lens-reviews/lens-love-shooting-the-...
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Filed under: #Articles #LensReviews #Reviews #Fuji #FujiVelvia100(RVP100) #Graflex #GraflexAnniversarySpeedGraphic #GraflexPacemakerSpeedGraphic #Kodak #KodakAeroEktar178/2.5 #KodakAeroEktar7"F/2.5 #KodakT-MAX100(TMX)
kodak tmax 100 in tmax
zuiko lens
processed at Nation Photo, Paris.
Scanned at home on Nikon D750 + skier sunray copy box + 3D- printed holder + kaiser RS2XA copy stand.
Inversion in Capture NX-D
start 20190615
end 20190628
:flag-nl:
scans from the archives. nikon n90s + kodak TMAX 100 film. the ruins of the abandoned sundowner motel on the west shore of the salton sea. the motel burned in 1998 and was bulldozed several years later.
scans from the archives. nikon n90s + kodak TMAX 100 film. lab: photoimpact west, santa monica, ca. scan: nikon coolscan 4000.
kodak tmax 100 in tmax
zuiko lens
processed at Nation Photo, Paris.
Scanned at home on Nikon D750 + skier sunray copy box + 3D- printed holder + kaiser RS2XA copy stand.
Inversion in Capture NX-D
start 20190615
end 20190628
Life’s a beach
Shot on Kodak T-MAX 100 at EI 100
Black and white negative film in 35mm format
Life’s a beachShot on Kodak T-MAX 100 at EI 100.Black and white negative film in 35mm format.
Like this photo?
Digital and physical media are available on request. Please share this...
Read on at: emulsive.org/photography/35mm-format/lifes-a-beach-kodak-...
Filed under: #35mmformat, #Photography, #2015September, #35MmFormatFilm, #EMULSIVEDailyPhoto, #ISO100, #Kodak, #KodakTMAX100TMX
#shootfilmbenice #filmphotography # believeinfilm
Have you ever seen an image that stopped you dead in your tracks?
It last happened to me about a year ago, maybe more, maybe less.
I was browsing an online gallery of desktop wallpapers, looking for something a little abstract to fill my monitors when I stumbled on a picture of an industrial ...
Read on at: emulsive.org/interviews/interview-18-i-am-joseph-gamble-a...
Filed under: #FilmPhotographerInterviews, #Interviews, #EMULSIVEInterview, #FilmPhotographerInterviews, #Hasselblad, #HasselbladXPan, #Interview, #JosephGamble, #Kodak, #KodakEktar100, #KodakTMAX100TMX, #NASA, #StreetPhotography
#shootfilmbenice #filmphotography # believeinfilm
scans from the archives. nikon n90s + kodak TMAX 100 film. the ruins of the abandoned sundowner motel on the west shore of the salton sea. the motel burned in 1998 and was bulldozed several years later.
We’re incredibly pleased to have gotten some time to talk with Andrea Taurisano about his reasons for shooting film and the evolution his photography has undergone in the 30 or so years that’s he’s been latched to his various film cameras.
Thought provoking, gritty and...
Large version at: emulsive.org/interviews/i-am-andrea-taurisano-and-this-is...
Filed under: #Interviews #AndreaTaurisano #Fomapan #Fujica #Hasselblad #Hasselblad500CM #Kodak #KodakTMAX100TMX #KodakTMAX400TMY2 #Leica #LeicaM6 #LeicaM7 #LeicaM9 #Nikon #Nikon35TI #NikonF100 #NikonF6 #Pentax #PentaxMX #Rollei
Haunting, ethereal, dark, primal. These are all words that spring to mind when the work of Krist Mort. Based in Austria and active for the past three years or so, Kirst is a self taught photographer who brings experimentation to the forefront of her work – something you can see clearly in t...
Read on at: emulsive.org/interviews/film-photographer-interviews/inte...
Filed under: #FilmPhotographerInterviews, #Interviews, #Austria, #EMULSIVEInterview, #FilmPhotographerInterviews, #Interview, #Kodak, #KodakTMAX100TMX, #KristMort
#shootfilmbenice #filmphotography # believeinfilm
scans from the archives. the view from font's point in the anza-borrego desert badlands looking east towards the salton sea. nikon n90s + kodak TMAX 100 film. lab: photoimpact west, santa monica, ca. scan: nikon coolscan 4000.
"thats some pretty poor photoshoppin' there norm"
yeah, not the best job of stitching these images together but you can get the idea I hope :)
Big www.flickr.com/photos/josh_larsen/4591122724/sizes/o/in/s...
Contax G1 - 6 frames manually stitched
45mm 2/f
Tmax 100
Rodinal 1+50, 10 minutes
Epson 4490
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Shot on Kodak T-MAX 100 at EI 100.
Black and white negative film in 120 format shot as 6x6.
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Large version at: emulsive.org/photography/medium-format/dried-out-kodak-t-...
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Filed under: #Mediumformat #Photography, #120/MediumFormatFilm #2017May #6X6 #BlackAndWhiteNegativeFilm #EI100 #EMULSIVEDailyPhoto #Hasselblad #Hasselblad2000FCW #HasselbladPlanarF80/2.8 #ISO100 #Kodak #KodakT-MAX100(TMX)
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This camera came out of left field to me. I have run the #halfframeclub for almost 2 years, but this camera never fit my ideal of what a half frame cameras should be. It’s big and clunky with full auto, zoom, weird bridge design SLR, it looks like an old mini camcorder and unlike the majority of ...
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Read on at: emulsive.org/photography/5-frames-with/5-frames-with-koda...
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Filed under: #5FramesWith, #Articles, #FilmReviews, #KodakFilms, #5FramesWith, #Kodak, #KodakTMAX100TMX, #Yashica, #YashicaSamuraiX30
#shootfilmbenice #filmphotography # believeinfilm
Some of us take up a photographic study of a particular form of photography; perhaps focusing on macro images, animals, insects, portraiture. What’s the longest time you’ve spend on a singular study? A few weeks? A few months? Perhaps a year?
How about eight years…and...
Read on at: emulsive.org/interviews/film-photographer-interviews/inte...
Filed under: #FilmPhotographerInterviews, #Interviews, #EMULSIVEInterview, #FilmPhotographerInterviews, #Hasselblad, #Hasselblad500CM, #HasselbladMasters, #Interview, #Kodak, #KodakTMAX100TMX, #MichaelJackson, #PoppitSands, #Wales
#shootfilmbenice #filmphotography # believeinfilm
Certain readers may recognise today’s interviewee as the man behind www.nikonf6.net. I prefer to call him John. It’s easy to downplay john’s contribution to both film photography and the the film photography community but you won’t find any of that here.
There’s...
More at: emulsive.org/interviews/i-am-john-crane-and-this-is-why-i...
Filed under: #Interviews
scans from the archives. abandoned north shore marina on the northeast shore of the salton sea. all of the letters are gone now. nikon n90s + kodak TMAX 100 film. lab: photoimpact west, santa monica, ca. scan: nikon coolscan 4000.
Have you ever seen an image that stopped you dead in your tracks?
It last happened to me about a year ago, maybe more, maybe less.
I was browsing an online gallery of desktop wallpapers, looking for something a little abstract to fill my monitors when I stumbled on a picture of an industrial...
Large version at: emulsive.org/interviews/i-am-joseph-gamble-and-this-is-wh...
Filed under: #Interviews #Hasselblad #HasselbladXPan #JosephGamble #Kodak #KodakEktar100 #KodakTMAX100TMX #NASA #StreetPhotography