View allAll Photos Tagged Knight
KNIGHT ARTIST-IN-RESIDENCE
SPHERES OF IMPACT: SOCIAL JUSTICE, HEALTH + WELLNESS
JANUARY 12 to MARCH 25, 2015
Newcastle Nights 24 to 22 win over the New Zealand Warriors
A game that the Knights tried hard to throw away.
Oww my knee
11 Likes on Instagram
6 Comments on Instagram:
jensthelander: This photo is available in my Instacanvas gallery at: instacanv.as/jensthelander
jensthelander: #collaboration_edit
jensthelander: My take on the knight
bubbelbruden: Grymt Jens Och välkommen i familjen✨✨ Underbart att se att den tag @hakemo skapade börjar fyllas med olika stilar och tolkningar på gemensamma bilder. Nu väntar jag vara med spänning på om @randomsnubben tar sig an denna
jensthelander: Tycker är väldigt givande att tvinga sig själv att jobba med andras bilder...
hakemo: Kanon det här!
The Lewis Chessmen, c1150-1200
Uig, Scotland
Walrus ivory
'A hoard of 78 pieces was found in 1831 in the parish of Uig on the Isle of Lewis in the Outer Hebrides in what was described as a 'subterranean' chamber. Eleven pieces from the same find are in the National Museum of Antiquities of Scotland in Edinburgh. From the pieces it is clear that the hoard was not made up of a number of complete sets, and as none of the carving is incomplete, a workshop hoard is most unlikely. Perhaps they formed part of the stock of a merchant ship wrecked on the shores of the island, subsequently hidden and not recovered. The pieces show virtually no signs of wear.
The form of the chessmen and the decoration on the back of the thrones on which the kings, queens and some of the bishops are seated, have led to pieces being dated from the middle to the end of the 12th century and to their being attributed to either Britain or Scandinavia. It is difficult to find a parallel for the figure style, except in other gaming pieces, and even amongst these the Lewis pieces are more stylized and rigid than any others that survive. It is unlikely that they were carved later than the middle of the century, unless they were produced in a very remote centre, but their very high quality and especially the subtlety of their decorative carving would not support this. They belong to a group of carvings whose style is found in both Scandinavia and East Anglia: at, for example, Lund Cathedral and Ely Abbey, regions that were linked by trading and by political and close ecclesiastical contacts. The actual carving of such pieces of walrus ivory could have been carried on either side of the North Sea.'
[British Museum]
Taken in the British Museum