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Shibuya.js is the JavaScript's first developer/user-based commnunity in Japan.

This April, we will have a conference at Tokyo.

Hackspace at FullStack 2014. If you missed FullStack this year, check out the SkillsCast recordings of most sessions here: skillsmatter.com/conferences/6361-fullstack-node-and-java...

My copy of JavaScript: The Good Parts. Finished reading it today. Oh, what an awesome book it is! One of the best books in my collection.

11th APRIL, LONDON - Damjan Vujnovic shares when he decided to build mindmup.com. The two main goals, to learn cool stuff and have fun. What went right? What went wrong? What was most surprising? How did they test, monitor & troubleshoot? See the SkillsCast recording (film, code, slides) at bit.ly/16V3t3p

Taken at dotJS 2016 in Paris on December 5, 2016 by Nicolas Ravelli

Amsterdam and the Next Web 2009, Eric A. Meyer, JavaScript will save us all

Taken at 2012.dotjs.eu on Nov 30, 2012 by Maurice Svay

Impressions from the first nz.js(con); conference.javascript.org.nz/ organized by the JavaScript Society of New Zealand. javascript.org.nz/ Robert Pearce talked about "Behaviour & Your Team"

Editing javascript files from within umbraco

wip.. colors are shit right now, but will get better

Conference for the EU community

Taken at 2012.dotjs.eu on Nov 30, 2012 by Maurice Svay

FullStack 2016 - the conference on JavaScript, Node & Internet of Things, Wednesday, 13th - Friday, 15th July at CodeNode, London. Images Copyright www.edtelling.com. skillsmatter.com/conferences/7278-fullstack-2016-the-conf...

11th APRIL, LONDON - Damjan Vujnovic shares when he decided to build mindmup.com. The two main goals, to learn cool stuff and have fun. What went right? What went wrong? What was most surprising? How did they test, monitor & troubleshoot? See the SkillsCast recording (film, code, slides) at bit.ly/16V3t3p

在萬能的 Google 大神指導下我的 JS Calendar 又好了

a sketch, done in canvas, playing with canvas blend modes

Taken at dotJS 2016 in Paris on December 5, 2016 by Nicolas Ravelli

11th APRIL, LONDON - Damjan Vujnovic shares when he decided to build mindmup.com. The two main goals, to learn cool stuff and have fun. What went right? What went wrong? What was most surprising? How did they test, monitor & troubleshoot? See the SkillsCast recording (film, code, slides) at bit.ly/16V3t3p

xuanjitu, 2020 (work in progress). Web app (Ruby on Rails, JavaScript, HTML5, and Canvas). Courtesy of the artist.

 

Project statement from Rory Ou:

xuanjitu is an online, web-based implementation of Xuanji tu(璇玑图), an ancient palindrome poem by Chinese poet Su Hui. "One of the earliest extant poems by a woman—also among the most complex and unsung—the Xuanji tu takes the form of a 29 x 29 character grid, embroidered or woven in five colors in silk, written in classical Chinese in the fourth century." (—Jen Bervin)

 

As the poem can be read horizontally, vertically, or diagonally, in either direction, there are thousands and thousands of ways through the grid that can form rhyming poems of various line lengths. Plenty of scholars have published books and papers about how to read it, over the thousand+ years since it was created, but mostly in the form of text and printed diagrams to show the paths through the grid.

 

This app animates those readings proposed by scholars, and (eventually, I hope) will allow visitors to discover new readings of their own.

 

Demo mode:

The app is still a work in progress. So far, it only has a non-interactive demo mode, where it runs in a continuous loop, about an hour long. The loop consists of over 500 readings (distinct poems) proposed by Michèle Métail in her book Wild Geese Returning: Chinese Reversible Poems (translated by Jody Gladding). For all colors other than red, the loop includes every reading listed in Métail's book (with minor exceptions); for red--which has such a disproportionately large number of possible readings that Métail doesn't list them in the book--the loop contains a sampling of readings that would be valid according to Métail's system.

 

Pinyin is provided in the sidebar.

 

Book citations:

Wild Geese Returning: Chinese Reversible Poems, Michèle Métail, trans. Jody Gladding, Penguin Random House, 2017.

诗苑珍品--璇玑图 (roughly "Poetry Garden Treasures: Xuanji tu"), Li Wei (李蔚), 东方出版社 (roughly "Eastern Publishing Co."), 1996.

 

Installation view of Jen Bervin: Shift Rotate Reflect, curated by Kendra Paitz, and on view at University Galleries of Illinois State University from August 15 through December 13, 2020. Photo credit: Lyndsie Schlink.

 

but finally we took a less heavy one, Borders at Rockville, Maryland

Taken at dotJS 2016 in Paris on December 5, 2016 by Nicolas Ravelli

130511 html, javascript 객체지향 프로그래밍 세미나

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