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A Javanese Bedhaya dancer has her costume fitted before a performance in Solo (Surakarta), Java, Indonesia
Potret diri mbah Wo Kucing di ruang tamu. MBah Wo Kucing dalam foto kenegaraan, sewaktu mendapat medali dari kraton Surakarta Hadiningrat karena jasa-jasanya mengembangkan kesenian reog.
www.visualcomplexity.com/vc/project_details.cfm?id=165&am...
SoNIA (Social Network Image Animator) is a java package for making animations of dynamic networks. Networks in SoNIA are not limited to the standard notion of a set of relations among a set of entities at a given point in time. Instead, consider the entities (or nodes and individuals) as a stream of events. Every event has a real-valued time coordinate indicating when it occurs. If the event is not instantaneous, it also has an ending coordinate to indicate its duration. A node-event, for example, can describe a company that comes into existence on Jan 1, 1990 and then dissolves on June 1, 1996. Alternatively, a node event might describe a single observation of a node, such as an individual in a friendship survey wave done in 1995. These images represent a movie of a classroom attention network built from a streaming record of interactions collected by Dan McFarland. The dataset consists of repeated observations of social interactions in over 150 high school classrooms during the 1996-97 school-year. In the network movie, the interaction was depicted from one of these class periods using 2.5 minute time slices (average tie value in each), a .5 minute delta, and multi-component Kamada-Kawai layout process. As such, there is a sliding window of 2.5 minutes of interaction always being shown. The authors selected this time-window because it is wide enough to capture enough of the interaction to represent fluid patterns or network forms, and narrow enough so as to not merge a variety of interaction routines together, thereby confounding meaningful configurations.
The palace (keraton) of Surakarta, where its sultans and their families have and still lived, although nowadays they have a more ceremonial function locally. The large palace complex beautifully integrates various artistic influences, such as: Javanese, Hindu-Buddhist, Islamic, colonial Dutch and even Chinese.
Pangandaran, Java
The Rafflesia is a parasitic plant with the largest single flower of any flowering plant
A makeup artist sprinkles flower petals into the skirt of a Javanese Bedhaya dancer before a performance in Solo (Surakarta), Java, Indonesia
9 Jul 2005 Nederlands-Indische Spoorweg Maatschappij (NISM) Hartmann 0-4-2T B.2209 (1898 Chemnitz) 3ft 6in gauge. Inside cylinder compound.
Taman Mini Railway Museum, Jakarta, Java, Indonesia.
Semarang est une ville d'Indonésie située sur la côte nord de Java, le Pasisir. C'est la capitale de la province de Java central. Elle a le statut de kota et est distincte du kabupaten de Semarang.
Avec près d'1,3 million d'habitants (2006), Semarang est la 5e ville d'Indonésie.
Javanese dancers practice a Bedhaya dance form in readiness for a performance in Solo (Surakarta), Java, Indonesia
A group of young Javanese dance students practice traditional dance movements in Solo (Surakarta), Java, Indonesia
14th MAY, LONDON – Nick Zeeb talks on how LMAX solved the problem of having to push out the latest prices to clients ASAP when trading volumes spike by using TDD and understanding how modern processors are designed. See the SkillsCast (Film, Code, Slides) at: skillsmatter.com/podcast/java-jee/high-performance-design...
Borobudur is a ninth-century Mahayana Buddhist monument in Magelang, Central Java, Indonesia. The monument comprises six square platforms topped by three circular platforms, and is decorated with 2,672 relief panels and 504 Buddha statues.
A main dome, located at the center of the top platform, is surrounded by 72 Buddha statues seated inside perforated stupa.
The monument is both a shrine to the Lord Buddha and a place for Buddhist pilgrimage. The journey for pilgrims begins at the base of the monument and follows a path circumambulating the monument while ascending to the top through the three levels of Buddhist cosmology, namely Kāmadhātu (the world of desire), Rupadhatu (the world of forms) and Arupadhatu (the world of formlessness). During the journey the monument guides the pilgrims through a system of stairways and corridors with 1,460 narrative relief panels on the wall and the balustrades.