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Citizen, Light is Time. Exhibition during the 2014 Milano Design Week at La Triennale di Milano.
DGT Architects for Citizen
No photo-touch_Original image.
Windowscape_Installation during the 2014 Design Week in Milan_Project by Atelier Bow-Bow con YKK AP.
Mirror reflections.
Cortile D'Onore Università degli Studi di Milano
#ArtLeather #SaloneDelMobile #Milano #2016 #luxury #design #interiordesign #furniture #living #isaloni # tuscany # madeinitaly #sofa #leather #milanodesignweek
Demo for euroluce & iSaloni in Milaan 9-14 april
This halogen floorlamp has a electronic no touch dimmer.
The design is from Pieter Adam
and it we be presented this week at the Salone Internazionale del Mobile in Milan.
[IT] Tra le lavorazioni che vengono con più attenzione recuperate, ricordiamo anche il capitonné. Le citazioni oscillano tra la semplice riproposizione e una libera rilettura come quella proposta da Patricia Urquiola nella poltrona 'Foliage' per Kartell...
[ENG] Among the techniques more attentively reproposed, let’s not forget capitonné. References oscillate between simple revisitation and unrestricted rereading, like Patricia Urquiola’s 'Foliage' armchair for Kartell...
“Preciousness” is the concept that has taken the place of “luxury” this year. But preciousness refers not so much to precious materials as to difficulty of execution. Not, as has been the case up until recently, difficulty of execution tout court (the cost of a single mould, for example) as the variety of processes required to create a single object: some purely manual, others completely industrial. A pairing that demands different skills, and therefore different suppliers. The result is an absolute particularity that becomes difficult to imitate. Also interesting is the way industry is availing itself of ancient artisanal practices.
By Marco Romanelli
''It would be difficult to deny the presence, in many of the presentations at iSaloni 2013, of a subtle propensity towards a nostalgia – for comfort, and for a convivial attitude that the economic crisis seems to place increasingly in question. This would explain why, in the so-called ‘classic’ pavilions as well as the ‘contemporary’ ones, we heard the names of traditional techniques like intarsia (wood) and Florentine mosaic (pietre dure) or of typologies, particularly the bergère, which have seemed obsolete for some time now.''
By Marco Romanelli
“The realm of the dream, which dominates the Classic Furniture pavilions where Louis XVI mingles comfortably with Alice in Wonderland, and where Baroque frames are juxtaposed with Neoclassical forms without a trace of historicist hesitation, extends curiously into the Contemporary pavilions as well. Here, the dream is translated into a desire for escape, postulating a sort of nest-house, a shelter from the storm, far removed from reality.” By Marco Romanelli
[IT] Qualche scatto della location della conferenza stampa di presentazione de iSaloni 2013. Settimo piano di uno dei tre edifici che ospiteranno gli uffici di Unicredit e che hanno trasformato lo skyline di Porta Nuova, a Milano.
[ENG] Some shots of iSaloni’s 2013 press conference presentation location. Seventh floor of one of the three buildings that will host the Unicredit’s new offices and that have transformed the Porta Nuova’s skyline in Milan.