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The NASA Extreme Environment Mission Operations (NEEMO) 21 mission began on July 21, 2016, as an international crew of aquanauts splashed down to the undersea Aquarius Reef Base, located 62 feet below the surface of the Atlantic Ocean in the Florida Keys National Marine Sanctuary. The NEEMO 21 crew will perform research both inside and outside the habitat during a 16-day simulated space mission. During simulated spacewalks carried out underwater, they will evaluate tools and mission operation techniques that could be used in future space missions. Inside the habitat, the crew's objectives include testing a DNA sequencer, a medical telemetry device, and HoloLens operational performance for human spaceflight cargo transfer.

 

Pictured at the end of Mission Day 1 are the NEEMO 21 aquanauts, clockwise from top: Matthias Maurer (ESA), Marc O Griofa (Teloregen/VEGA/AirDocs), NASA astronaut Megan McArthur, NASA astronaut Reid Wiseman, Dawn Kernagis (Institute for Human & Machine Cognition), and Noel Du Toit (Naval Postgraduate School). Inside the Aquarius habitat are Florida International University Habitat Technicians Hank Stark (left) and Sean Moore (right).

 

For more information about NEEMO, click here.

 

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These official NASA photographs are being made available for publication by news organizations and/or for personal use printing by the subject(s) of the photographs. The photographs may not be used in materials, advertisements, products, or promotions that in any way suggest approval or endorsement by NASA. All Images used must be credited. For information on usage rights, click here.

A Complex Beautiful Mesh Of Virtual Reality & Tech To Simplify Complexities Of Real Life - IMRAN™

Do you remember the movie Minority Report? Do you remember the days when airline travel was actually fun? Do you want to experience lots of things without danger or going broke?

All those things are coming together. Read on. I enjoyed a great article “Microsoft just revealed the future of Teams (You may love it, airlines won't)” by Chris Matyszczyk in ZDNet. Bad puns and tongue in cheek opinions on serious topics are what I am addicted to as well. 😉

I love technology, including Microsoft Teams that this article mentioned. (Full disclosure, my current {non-sales} day job is with helping global banks do modern work and collaboration using Teams and new tech). Microsoft just demoed some revolutionary new tools enabling holograms and VR to be used in real life and work. Then you’ll love Microsoft Mesh.

I have loved flying since my first trip as a solo-child traveler, at age 7 in Pakistan. And I have been a 3D & VR fan (View Master got me hooked on it) since childhood too.

Every year (except during the pandemic of course) I am able to fly airlines more and more but enjoy it less and less. Here’s why.

I LOVE the “flying in the air, looking out the window” part. I often ABHOR the “sitting in the plane as an airline passenger” part. IMHO, the biggest enemies of the joys of flying have been... drum roll... the airlines themselves.

So when my beloved technologies like computing, networking, software, user interfaces, and virtual reality converge it is a beautiful thing. If futuristic “Minority Report” type technology takes the "necessity of business" part out of airline travel, it is something I celebrate.

I bet I would travel a lot more — even at my own expense — if airlines became sources of unique, great, comfortable, fun customer experiences instead of learning how a UPS package feels packed on a truck. If only airlines learn the lesson that eventually all painful user experiences are replaced by alternates, and it’s their turn next. Maybe they will understand that the only way to survive is to provide customers such great experiences that they are willing to pay for it by choice, not necessity.

Check out youtu.be/Jd2GK0qDtRg . What do you think?

 

Imran Anwar

 

© 2021 IMRAN™

 

ZDnet article: www.zdnet.com/article/microsoft-just-revealed-the-future-... .

 

#tech #technology #engineering #software #VR #3D #flying #writing #travel #Microsoft #Teams #ViewMaster #holographic #HoloLens

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That gentleman gave us the permission to publish this photo.

 

AUGMENTED GROUNDS, 2020

Soomeen Hahm, Jaeheon Jung, Yumi Lee

Seoul, South Korea

Soomeen Hahn obtained her Bachelor of Architecture degree at the Beijing Tsinghua University and her Master of Architecture degree from the Architecture Association where she studied in the Design Research Lab (DRL). Jaeheon Jung was educated at the Southern California Institute of Architecture and obtained an MS in Urban Design and Planning program from the University of Seoul (South Korea). Yumi Lee received a Master degree in Landscape Architecture from the University of Pennsylvania.

The team consists of architects and landscape architects, expert in design research and practice interested in exploring harmonious ecology of human computer and machine. They are currently focusing on ways of constructing complex forms by augmented human builders to develop unique construction processes that cannot be done entirely by automation nor by human labour. Pursuing various expertise in both academia and practice the team collaborates on various projects such as design workshops, research papers and competitions to pursue their research agenda.

The proposed design will be floated virtually over a real site using Microsoft Hololens and the leader of the team will utilize the holographic model as an augmented instruction for the on-site construction. The Augmented Group garden takes visitors through a playful and colourful rope display of topography that reflects the pride of Métis culture and identity. In the garden, visitors can walk along the colorful contours of ropes, sit and lie down on the coiled seating or run up and down on the mounds and pools.

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From Wikipedia:

 

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

 

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

  

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

 

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

 

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

 

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

 

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

 

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

 

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

 

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

 

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

 

Visit : en.wikipedia.org/wiki/Elsie_Reford

 

Visit : www.refordgardens.com

 

LES JARDINS DE MÉTIS

 

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

 

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

 

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

 

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

ISS046e043637 (02/20/2016) --- NASA astronaut Scott Kelly tweeted out this image to his followers Feb 20, 2016 with the tag: "This #Saturday morning checked out the @Microsoft #HoloLens aboard @Space_Station! Wow! #YearInSpace ". The device is part of NASA's project Sidekick which is exploring the use of augmented reality to reduce crew training requirements and increase the efficiency at which astronauts can work in space.

Apple has one of the leading experts engaged in the field of virtual and augmented reality : scientist Doug Bowman of the Virginia Tech university.

It therefore seems only a matter of time before Apple also presents a prestigious project as HoloLens or Oculus Rift .

Bowman specializes in making...

 

thevexit.com/news/apple-brings-in-virtual-reality-expert/

A dark pattern is "a user interface that has been carefully crafted to trick users into doing things, such as buying insurance with their purchase or signing up for recurring bills." The neologism dark pattern was coined by Harry Brignull on July 28, 2010 with the registration of darkpatterns.org, a "pattern library with the specific goal of naming and shaming deceptive user interfaces.Bait-and-switch patterns advertise a free (or greatly reduced) product or service which is wholly unavailable or stocked in small quantities. After it is apparent the product is no longer available, they are exposed to other priced products similar to the one advertised. This is common in software installers, where a button will be presented in the fashion of a typical continuation button. It is common that one has to accept the program's terms of service, so a dark pattern would show a prominent "I accept these terms" button on a page where the user is asked to accept the terms of a program unrelated to the program they are trying to install. Since the user will typically accept the terms by force of habit, the unrelated program can subsequently be installed. The installer's authors do this because they are paid by the authors of the unrelated program for each install that they procure. The alternative route in the installer, allowing the user to skip installing the unrelated program, is much less prominently displayed or seems counter-intuitive (such as declining the terms of service).

 

en.wikipedia.org/wiki/Dark_pattern

 

This pattern is also used by some websites, where the user is shown a page where information is asked that is not required. For example, one would fill out a username and password on one page, and after clicking the "next" button the user is asked for their email address with another "next" button as the only option. It is not apparent that the step can be skipped. When simply pressing "next" without entering their personal information, however, the website will just continue. In some cases, a method to skip the step is visible but not shown as a button (instead, usually, as a small and greyed-out link) so that it does not stand out to the user. Other examples that often use this pattern are inviting friends by entering someone else's email address, uploading a profile picture, or selecting interests.

 

”This is a civilizational moment in a way I’m not sure we’re all reckoning with,” Harris said on stage. “It’s a historical moment when a species that is intelligent builds technology that ... can simulate a puppet version of its creator, and the puppet can control the master. That’s an unprecedented situation to be in. That could be the end of human agency, when you can perfectly simulate not just the strengths of people but their weaknesses.”

 

Where does technology exploit our minds weaknesses?

 

I learned to think this way when I was a magician. Magicians start by looking for blind spots, edges, vulnerabilities and limits of people’s perception, so they can influence what people do without them even realizing it. Once you know how to push people’s buttons, you can play them like a piano.

  

That’s me performing sleight of hand magic at my mother’s birthday party

And this is exactly what product designers do to your mind. They play your psychological vulnerabilities (consciously and unconsciously) against you in the race to grab your attention.

 

I want to show you how they do it.

 

Hijack #1: If You Control the Menu, You Control the Choices

 

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Western Culture is built around ideals of individual choice and freedom. Millions of us fiercely defend our right to make “free” choices, while we ignore how we’re manipulated upstream by limited menus we didn’t choose.

 

This is exactly what magicians do. They give people the illusion of free choice while architecting the menu so that they win, no matter what you choose. I can’t emphasize how deep this insight is.

 

When people are given a menu of choices, they rarely ask:

 

“what’s not on the menu?”

“why am I being given these options and not others?”

“do I know the menu provider’s goals?”

“is this menu empowering for my original need, or are the choices actually a distraction?” (e.g. an overwhelmingly array of toothpastes)

Photo by Kevin McShane

 

How empowering is this menu of choices for the need, “I ran out of toothpaste”?

For example, imagine you’re out with friends on a Tuesday night and want to keep the conversation going. You open Yelp to find nearby recommendations and see a list of bars. The group turns into a huddle of faces staring down at their phones comparing bars. They scrutinize the photos of each, comparing cocktail drinks. Is this menu still relevant to the original desire of the group?

 

It’s not that bars aren’t a good choice, it’s that Yelp substituted the group’s original question (“where can we go to keep talking?”) with a different question (“what’s a bar with good photos of cocktails?”) all by shaping the menu.

 

Moreover, the group falls for the illusion that Yelp’s menu represents acomplete set of choices for where to go. While looking down at their phones, they don’t see the park across the street with a band playing live music. They miss the pop-up gallery on the other side of the street serving crepes and coffee. Neither of those show up on Yelp’s menu.

 

Yelp subtly reframes the group’s need “where can we go to keep talking?” in terms of photos of cocktails served.

The more choices technology gives us in nearly every domain of our lives (information, events, places to go, friends, dating, jobs) — the more we assume that our phone is always the most empowering and useful menu to pick from. Is it?

 

The “most empowering” menu is different than the menu that has the most choices. But when we blindly surrender to the menus we’re given, it’s easy to lose track of the difference:

 

“Who’s free tonight to hang out?” becomes a menu of most recent people who texted us (who we could ping).

“What’s happening in the world?” becomes a menu of news feed stories.

“Who’s single to go on a date?” becomes a menu of faces to swipe on Tinder (instead of local events with friends, or urban adventures nearby).

“I have to respond to this email.” becomes a menu of keys to type a response (instead of empowering ways to communicate with a person).

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All user interfaces are menus. What if your email client gave you empowering choices of ways to respond, instead of “what message do you want to type back?” (Design by Tristan Harris)

When we wake up in the morning and turn our phone over to see a list of notifications — it frames the experience of “waking up in the morning” around a menu of “all the things I’ve missed since yesterday.”

  

A list of notifications when we wake up in the morning — how empowering is this menu of choices when we wake up? Does it reflect what we care about? (credit to Joe Edelman)

By shaping the menus we pick from, technology hijacks the way we perceive our choices and replaces them new ones. But the closer we pay attention to the options we’re given, the more we’ll notice when they don’t actually align with our true needs.

 

Hijack #2: Put a Slot Machine In a Billion Pockets

 

If you’re an app, how do you keep people hooked? Turn yourself into a slot machine.

 

The average person checks their phone 150 times a day. Why do we do this? Are we making 150 conscious choices?

  

How often do you check your email per day?

One major reason why is the #1 psychological ingredient in slot machines:intermittent variable rewards.

 

If you want to maximize addictiveness, all tech designers need to do is link a user’s action (like pulling a lever) with a variable reward. You pull a lever and immediately receive either an enticing reward (a match, a prize!) or nothing. Addictiveness is maximized when the rate of reward is most variable.

 

Does this effect really work on people? Yes. Slot machines make more money in the United States than baseball, movies, and theme parkscombined. Relative to other kinds of gambling, people get ‘problematically involved’ with slot machines 3–4x faster according to NYU professor Natasha Dow Shull, author of Addiction by Design.

 

But here’s the unfortunate truth — several billion people have a slot machine their pocket:

 

When we pull our phone out of our pocket, we’re playing a slot machineto see what notifications we got.

When we pull to refresh our email, we’re playing a slot machine to see what new email we got.

When we swipe down our finger to scroll the Instagram feed, we’replaying a slot machine to see what photo comes next.

When we swipe faces left/right on dating apps like Tinder, we’re playing a slot machine to see if we got a match.

When we tap the # of red notifications, we’re playing a slot machine to what’s underneath.

 

Apps and websites sprinkle intermittent variable rewards all over their products because it’s good for business.

 

But in other cases, slot machines emerge by accident. For example, there is no malicious corporation behind all of email who consciously chose to make it a slot machine. No one profits when millions check their email and nothing’s there. Neither did Apple and Google’s designers want phones to work like slot machines. It emerged by accident.

 

But now companies like Apple and Google have a responsibility to reduce these effects by converting intermittent variable rewards into less addictive, more predictable ones with better design. For example, they could empower people to set predictable times during the day or week for when they want to check “slot machine” apps, and correspondingly adjust when new messages are delivered to align with those times.

 

Hijack #3: Fear of Missing Something Important (FOMSI)

 

Another way apps and websites hijack people’s minds is by inducing a “1% chance you could be missing something important.”

 

If I convince you that I’m a channel for important information, messages, friendships, or potential sexual opportunities — it will be hard for you to turn me off, unsubscribe, or remove your account — because (aha, I win) you might miss something important:

 

This keeps us subscribed to newsletters even after they haven’t delivered recent benefits (“what if I miss a future announcement?”)

This keeps us “friended” to people with whom we haven’t spoke in ages (“what if I miss something important from them?”)

This keeps us swiping faces on dating apps, even when we haven’t even met up with anyone in a while (“what if I miss that one hot match who likes me?”)

This keeps us using social media (“what if I miss that important news story or fall behind what my friends are talking about?”)

But if we zoom into that fear, we’ll discover that it’s unbounded: we’ll always miss something important at any point when we stop using something.

 

There are magic moments on Facebook we’ll miss by not using it for the 6th hour (e.g. an old friend who’s visiting town right now).

There are magic moments we’ll miss on Tinder (e.g. our dream romantic partner) by not swiping our 700th match.

There are emergency phone calls we’ll miss if we’re not connected 24/7.

But living moment to moment with the fear of missing something isn’t how we’re built to live.

 

And it’s amazing how quickly, once we let go of that fear, we wake up from the illusion. When we unplug for more than a day, unsubscribe from those notifications, or go to Camp Grounded — the concerns we thought we’d have don’t actually happen.

 

We don’t miss what we don’t see.

 

The thought, “what if I miss something important?” is generated in advance of unplugging, unsubscribing, or turning off — not after. Imagine if tech companies recognized that, and helped us proactively tune our relationships with friends and businesses in terms of what we define as “time well spent” for our lives, instead of in terms of what we might miss.

 

Hijack #4: Social Approval

  

Easily one of the most persuasive things a human being can receive.

We’re all vulnerable to social approval. The need to belong, to be approved or appreciated by our peers is among the highest human motivations. But now our social approval is in the hands of tech companies (like when we’re tagged in a photo).

 

When I get tagged by my friend Marc (above), I imagine him making aconscious choice to tag me. But I don’t see how a company like Facebook orchestrated him doing that in the first place.

 

Facebook, Instagram or SnapChat can manipulate how often people get tagged in photos by automatically suggesting all the faces people should tag (e.g. by showing a box with a 1-click confirmation, “Tag Tristan in this photo?”).

 

So when Marc tags me, he’s actually responding to Facebook’s suggestion, not making an independent choice. But through design choices like this,Facebook controls the multiplier for how often millions of people experience their social approval on the line.

  

Facebook uses automatic suggestions like this to get people to tag more people, creating more social externalities and interruptions.

The same happens when we change our main profile photo — Facebook knows that’s a moment when we’re vulnerable to social approval: “what do my friends think of my new pic?” Facebook can rank this higher in the news feed, so it sticks around for longer and more friends will like or comment on it. Each time they like or comment on it, I’ll get pulled right back.

 

Everyone innately responds to social approval, but some demographics (teenagers) are more vulnerable to it than others. That’s why it’s so important to recognize how powerful designers are when they exploit this vulnerability.

  

Hijack #5: Social Reciprocity (Tit-for-tat)

 

You do me a favor, now I owe you one next time.

You say, “thank you”— I have to say “you’re welcome.”

You send me an email— it’s rude not to get back to you.

You follow me — it’s rude not to follow you back. (especially for teenagers)

We are vulnerable to needing to reciprocate others’ gestures. But as with Social Approval, tech companies now manipulate how often we experience it.

 

In some cases, it’s by accident. Email, texting and messaging apps are social reciprocity factories. But in other cases, companies exploit this vulnerability on purpose.

 

LinkedIn is the most obvious offender. LinkedIn wants as many people creating social obligations for each other as possible, because each time they reciprocate (by accepting a connection, responding to a message, or endorsing someone back for a skill) they have to come back through linkedin.com where they can get people to spend more time.

 

Like Facebook, LinkedIn exploits an asymmetry in perception. When you receive an invitation from someone to connect, you imagine that person making a conscious choice to invite you, when in reality, they likely unconsciously responded to LinkedIn’s list of suggested contacts. In other words, LinkedIn turns your unconscious impulses (to “add” a person) into new social obligations that millions of people feel obligated to repay. All while they profit from the time people spend doing it.

  

Imagine millions of people getting interrupted like this throughout their day, running around like chickens with their heads cut off, reciprocating each other — all designed by companies who profit from it.

 

Welcome to social media.

  

After accepting an endorsement, LinkedIn takes advantage of your bias to reciprocate by offering *four* additional people for you to endorse in return.

Imagine if technology companies had a responsibility to minimize social reciprocity. Or if there was an “FDA for Tech” that monitored when technology companies abused these biases?

  

Hijack #6: Bottomless bowls, Infinite Feeds, and Autoplay

  

YouTube autoplays the next video after a countdown

Another way to hijack people is to keep them consuming things, even when they aren’t hungry anymore.

 

How? Easy. Take an experience that was bounded and finite, and turn it into a bottomless flow that keeps going.

 

Cornell professor Brian Wansink demonstrated this in his study showing you can trick people into keep eating soup by giving them a bottomless bowl that automatically refills as they eat. With bottomless bowls, people eat 73% more calories than those with normal bowls and underestimate how many calories they ate by 140 calories.

 

Tech companies exploit the same principle. News feeds are purposely designed to auto-refill with reasons to keep you scrolling, and purposely eliminate any reason for you to pause, reconsider or leave.

 

It’s also why video and social media sites like Netflix, YouTube or Facebookautoplay the next video after a countdown instead of waiting for you to make a conscious choice (in case you won’t). A huge portion of traffic on these websites is driven by autoplaying the next thing.

  

Facebook autoplays the next video after a countdown

Tech companies often claim that “we’re just making it easier for users to see the video they want to watch” when they are actually serving their business interests. And you can’t blame them, because increasing “time spent” is the currency they compete for.

 

Instead, imagine if technology companies empowered you to consciously bound your experience to align with what would be “time well spent” for you. Not just bounding the quantity of time you spend, but the qualities of what would be “time well spent.”

 

Hijack #7: Instant Interruption vs. “Respectful” Delivery

 

Companies know that messages that interrupt people immediately are more persuasive at getting people to respond than messages delivered asynchronously (like email or any deferred inbox).

 

Given the choice, Facebook Messenger (or WhatsApp, WeChat or SnapChat for that matter) would prefer to design their messaging system to interrupt recipients immediately (and show a chat box) instead of helping users respect each other’s attention.

 

In other words, interruption is good for business.

 

It’s also in their interest to heighten the feeling of urgency and social reciprocity. For example, Facebook automatically tells the sender when you “saw” their message, instead of letting you avoid disclosing whether you read it(“now that you know I’ve seen the message, I feel even more obligated to respond.”) By contrast, Apple more respectfully lets users toggle “Read Receipts” on or off.

 

The problem is, while messaging apps maximize interruptions in the name of business, it creates a tragedy of the commons that ruins global attention spans and causes billions of interruptions every day. This is a huge problem we need to fix with shared design standards (potentially, as part of Time Well Spent).

 

Hijack #8: Bundling Your Reasons with Their Reasons

 

Another way apps hijack you is by taking your reasons for visiting the app (to perform a task) and make them inseparable from the app’s business reasons(maximizing how much we consume once we’re there).

 

For example, in the physical world of grocery stories, the #1 and #2 most popular reasons to visit are pharmacy refills and buying milk. But grocery stores want to maximize how much people buy, so they put the pharmacy and the milk at the back of the store.

 

In other words, they make the thing customers want (milk, pharmacy) inseparable from what the business wants. If stores were truly organized to support people, they would put the most popular items in the front.

 

Tech companies design their websites the same way. For example, when you you want to look up a Facebook event happening tonight (your reason) the Facebook app doesn’t allow you to access it without first landing on the news feed (their reasons), and that’s on purpose. Facebook wants to convert every reason you have for using Facebook, into their reason which is to maximize the time you spend consuming things.

 

In an ideal world, apps would always give you a direct way to get what you want separately from what they want.

 

Imagine a digital “bill of rights” outlining design standards that forced the products that billions of people used to support empowering ways to navigate towards their goals.

 

Hijack #9: Inconvenient Choices

 

We’re told that it’s enough for businesses to “make choices available.”

 

“If you don’t like it you can always use a different product.”

“If you don’t like it, you can always unsubscribe.”

“If you’re addicted to our app, you can always uninstall it from your phone.”

Businesses naturally want to make the choices they want you to make easier, and the choices they don’t want you to make harder. Magicians do the same thing. You make it easier for a spectator to pick the thing you want them to pick, and harder to pick the thing you don’t.

 

For example, NYTimes.com let’s you “make a free choice” to cancel your digital subscription. But instead of just doing it when you hit “Cancel Subscription,” they force you to call a phone number that’s only open at certain times.

  

NYTimes claims it’s giving a free choice to cancel your account

Instead of viewing the world in terms of choice availability of choices, we should view the world in terms of friction required to enact choices.

 

Imagine a world where choices were labeled with how difficult they were to fulfill (like coefficients of friction) and there was an FDA for Tech that labeled these difficulties and set standards for how easy navigation should be.

 

Hijack #10: Forecasting Errors, “Foot in the Door” strategies

  

Facebook promises an easy choice to “See Photo.” Would we still click if it gave the true price tag?

People don’t intuitively forecast the true cost of a click when it’s presented to them. Sales people use “foot in the door” techniques by asking for a small innocuous request to begin with (“just one click”), and escalating from there (“why don’t you stay awhile?”). Virtually all engagement websites use this trick.

 

Imagine if web browsers and smartphones, the gateways through which people make these choices, were truly watching out for people and helped them forecast the consequences of clicks (based on real data about what it actually costs most people?).

 

That’s why I add “Estimated reading time” to the top of my posts. When you put the “true cost” of a choice in front of people, you’re treating your users or audience with dignity and respect.

 

In a Time Well Spent internet, choices would be framed in terms of projected cost and benefit, so people were empowered to make informed choices.

  

TripAdvisor uses a “foot in the door” technique by asking for a single click review (“How many stars?”) while hiding the three page form behind the click.

Summary And How We Can Fix This

 

Are you upset that technology is hijacking your agency? I am too. I’ve listed a few techniques but there are literally thousands. Imagine whole bookshelves, seminars, workshops and trainings that teach aspiring tech entrepreneurs techniques like this. They exist.

 

The ultimate freedom is a free mind, and we need technology to be on our team to help us live, feel, think and act freely.

 

We need our smartphones, notifications screens and web browsers to be exoskeletons for our minds and interpersonal relationships that put our values, not our impulses, first. People’s time is valuable. And we should protect it with the same rigor as privacy and other digital rights.

 

Tristan Harris was Product Philosopher at Google until 2016 where he studied how technology affects a billion people’s attention, wellbeing and behavior.

 

For more information and get involved, check out timewellspent.io. This piece is cross-posted on Medium.

  

MARCH 7, 2016 by TRISTAN HARRIS

Tech Companies Design Your Life, Here’s Why You Should Care

 

UNCATEGORIZED

5 COMMENTS

 

Four years ago, I sold my company to Google and joined the ranks there. I spent my last three years there as Product Philosopher, looking at the profound ways the design of screens shape billions of human lives – and asking what it means for them to do so ethically and responsibly.

 

What I came away with is that something’s not right with how our screens are designed, and I’m writing this to help you understand why you should care, and what you can do about it.

 

I shouldn’t have to cite statistics about the central role screens play in our lives. Billions of us turn to smartphones every day. We wake up with them. We fall asleep with them. You’re looking at one right now.

 

Of course, new technologies always reshape society, and it’s always tempting to worry about them solely for this reason. Socrates worried that the technology of writing would “create forgetfulness in the learners’ souls, because they [would] not use their memories.” We worried that newspapers would make people stop talking to each other on the subway. We worried that we would use television to “amuse ourselves to death.”

 

hFKu8yj

 

“And see!” people say. “Nothing bad happened!” Isn’t humanity more prosperous, more technically sophisticated, and better connected than ever? Is it really that big of a problem that people spend so much time staring at their smartphones? Isn’t it just another cultural shift, like all the others? Won’t we just adapt?

 

Invisibility of the New Normal

 

I don’t think so. What’s missing from this perspective is that all these technologies (books, television, radio, newspapers) did change everything about society, we just don’t see it. They replaced our old menus of choices with new ones. Each new menu eventually became the new normal – “the way things are” – and, after our memories of old menus had faded into the past, the new menus became “the way things have always been.”

 

gold-fish-in-waterASK A FISH ABOUT WATER AND THEY’LL RESPOND, “WHAT’S WATER?”

Consider that the average American now watches more than 5.5 hours of television per day. Regardless of whether you think TV is good or bad, hundreds of millions of people spend 30% of their waking hours watching it. It’s hard to overstate the vast consequences of this shift– for the blood flows of millions of people, for our understanding of reality, for the relational habits of families, for the strategies and outcomes of political campaigns. Yet for those who live with them day-to-day, they are invisible.

 

So what best describes the nature of what smart phones are “doing” to us?

 

A New “Perfect” Choice on Life’s Menu

 

If I had to summarize it, it’s this: Our phone puts a new choice on life’s menu, in any moment, that’s “sweeter” than reality.

 

If, at any moment, reality gets dull or boring, our phone offers something more pleasurable, more productive and even more educational than whatever reality gives us.

 

And this new choice fits into any moment. Our phone offers 5-second choices like “checking email” that feel better than waiting in line. And it offers 30-minute choices like a podcast that will teach you that thing you’ve been dying to learn, which feels better than a 30-minute walk in silence.

 

Once you see your phone this way, wouldn’t you turn to it more often? It always happens this way: when new things fill our needs better than the old, we switch:

 

When cheaper, faster to prepare food appears, we switch: Packaged foods.

When more accurate search engines appear, we switch: Google.

When cheaper, faster forms of transportation appear, we switch: Uber.

756612-b6f6919a-555a-11e3-b451-c2835887c2f5

 

So it goes with phones.

 

But it also changes us on the inside. We grow less and less patient for reality as it is, especially when it’s boring or uncomfortable. We come to expect more from the world, more rapidly. And because reality can’t live up to our expectations, it reinforces how often we want to turn to our screens. A self-reinforcing feedback loop.

 

And because of the attention economy, every product will only get more persuasive over time. Facebook must become more persuasive if it wants to compete with YouTube and survive. YouTube must become more persuasive if it wants to compete with Facebook. And we’re not just talking about ‘cheap’ amusement (aka cat videos). These products will only get better at giving us choices that make every bone in our body say, “yeah I want that!”

 

So what’s wrong about this? If the entire attention economy is working to fill us up with more perfect-feeling things to spend time on, which outcompete being with the discomfort of ourselves or our surroundings, shouldn’t that be fantastic?

 

wall-e

 

Clearly something is missing from this picture. But what is it?

 

Maybe it’s that “filling people up,” even with incredible choices on screens somehow doesn’t add up to a life well lived. Or that those choices weren’t what we wished we’d been persuaded to do in the bigger sense of our lives.

 

With design as it is today, screens threaten our fundamental agency. Maybe we are “choosing,” but we are choosing from persuasive menus driven by companies who have different goals than ours.

 

And that begs us to ask, “what are our goals?” or how do we want to spend our time? There are as many “good lives” as there are people, but our technology (and the attention economy) don’t really seem on our team to give us the agency to live according to them.

 

A Whole New Persuasive World

 

And it’s about to get a lot worse. Virtual Reality and Augmented Reality will offer whole new immersive realities that are even more persuasive than physical reality.

 

zuck-virtual-reality

 

When you could have sex with the person of your dreams, or fly through jungles in the Amazon rainforest while looking over at your best friend flying next to you, who would want to stick with reality?

 

By the way, this isn’t your usual “look, VR is coming!” prediction. This is the real deal. Facebook recently spent $2 billion to buy Oculus Rift, and hopes to put them in every home for this holiday season. Just like the late 1980’s when suddenly everyone you knew had a Nintendo.

 

Acknowledging the Problem

 

So we have a fundamental misalignment– between what the attention economy is competing to produce (more perfect, persuasive choices that fit into any moment), the design of our phones, and the aspirations people have for their lives (their definition of “the good life”).

 

AttentionEconomyMisalignment

 

So what’s missing from the design of our phones? I like to use the metaphor of ergonomics. When you think of ergonomics, you might think of boring things like how a cup fits into someone’s hand, but it’s way more than that.

 

If regular design is about how we want things to work, ergonomics is concerned with failure modes and extremes: how things break under repetition, stress or other limits. And the goal of ergonomics is to create an alignment between those limits, and the goals people have for how they want to use it.

 

10 Handle diameter

 

For example, an ergonomically designed coffee mug aligns the natural fatigue of forearm muscles during use (as a person “lifts” it to sip) with how frequently people want to use it, so they still can lift it successfully with repetition.

 

What does this have to do with phones?

 

Our minds urgently need a new “ergonomics,” based on the mind’s limited capacities, biases, fatigue curves and the ways it forms habits. The attention economy tears our minds apart. With its onslaught of never-ending choices, never-ending supply of relationships and obligations, the attention economy bulldozes the natural shape of our physical and psychological limits and turns impulses into bad habits.

 

Just like the food industry manipulates our innate biases for salt, sugar and fat with perfectly engineered combinations, the tech industry bulldozes our innate biases for Social Reciprocity (we’re built to get back to others), Social Approval (we’re built to care what others think of us), Social Comparison (how we’re doing with respect to our peers) and Novelty-seeking (we’re built to seek surprises over the predictable).

 

Millions of years of evolution did a great job giving us genes to care about how others perceive us. But Facebook bulldozes those biases, by forcing us to deal with how thousands of people perceive us.

 

This isn’t to say that phones today aren’t designed ergonomically, they are just ergonomic to a narrow scope of goals:

 

for a single user (holding the phone)

for single tasks (opening an app)

for individual choices

And a narrow scope of human physical limits:

 

how far our thumb has to reach to tap an app

how loud the phone must vibrate for our ear to hear it

So what if we expanded the scope of ergonomics for a more holistic set of human goals:

 

a holistic sense of a person

a holistic sense of how they want to spend their time (and goals)

a holistic sense of their relationships (interpersonal & social choices)

an ability to make holistic choices (including opportunity costs & externalities)

an ability to reflect, before and after

…and what if we aligned these goals with a more holistic set of our mental, social and emotional limits?

 

A New Kind of Ergonomics

 

Let’s call this new kind of ergonomics “Holistic Ergonomics”. Holistic Ergonomics recognizes our holistic mental and emotional limits [vulnerabilities, fatigue and ways our minds form habits] and aligns them with the holistic goals we have for our lives (not just the single tasks). Holistic Ergonomics is built to give us back agency in an increasingly persuasive attention economy.

 

Joe Edelman and I have taught design workshops on this, calling it EmpoweringDesign.org, or designing to empower people’s agency.

 

It includes an interpersonal ergonomics, to “align” our social psychological instincts with how and when we want to make ourselves available to others (like in my TED talk), so that we can reclaim agency over how we want to relate to others.

 

Just like an ergonomic coffee mug is safe to live by, even under repetition, over and over again, without causing harm to ourselves or others, in a Time Well Spent world our phones would be designed with Holistic Ergonomics, so that even under repetition, over and over again, our phones do not cause harm to ourselves or others — our phones become safe to live by. They support our Agency.

 

How to Change the Game

 

Android.Apple_.001

 

Right now, two companies are responsible for the primary screens that a billion people live by. Apple and Google make the two dominant smartphone platforms. Facebook and Microsoft make leading Virtual and Augmented Reality platforms, Oculus and Hololens.

 

You might think that it’s against the business models of Apple and Google to facilitate people’s agency, which might include making it easier to spend time off the screen, and use apps less. But it’s not.

 

Apple and Google, like all companies, respond to what consumers demand.

 

When Privacy became important to you, they responded. They developed new privacy and security features, and it sparked a whole new public conversation and debate. It’s now the most popular concern about technology discussed in media.

 

When Organic food became important to you, they responded too. Walmart added it to their stores.

 

We need to do the same thing with this issue. Until now, with this experience of distraction, social media, and this vague sense that we don’t feel good when we use our phones for too long, there’s been nothing to rally behind. It’s too diffuse. We receive so many incredible benefits from tech, but we’ve also been feeling like we’ve been losing ourselves, and our humanity?

 

But we’re naming it now.

 

What’s at stake is our Agency. Our ability to live the lives we want to live, choose the way we want to choose, and relate to others the way we want to relate to them – through technology. This is a design problem, not just a personal responsibility problem.

 

If you want your Agency, you need to tell these companies that that’s what you want from them– not just another shiny new phone that overloads our psychological vulnerabilities. Tell them you want your Agency back, and to help you spend your time the way you want to, and they will respond.

 

I hope this helps spark that bigger conversation.

 

www.tristanharris.com/essays/

7342-470

This gentleman gave us the permission to publish that photo.

 

From the plaque:

 

AUGMENTED GROUNDS 2020

Soomeen Hahm, Jaeheon Jung, Yumi Lee

Seoul, South Korea

Soomeen Hahn obtained her Bachelor of Architecture degree at the Beijing Tsinghua University and her Master of Architecture degree from the Architecture Association where she studied in the Design Research Lab (DRL). Jaeheon Jung was educated at the Southern California Institute of Architecture and obtained an MS in Urban Design and Planning program from the University of Seoul (South Korea). Yumi Lee received a Master degree in Landscape Architecture from the University of Pennsylvania.

The team consists of architects and landscape architects, expert in design research and practice interested in exploring harmonious ecology of human computer and machine. They are currently focusing on ways of constructing complex forms by augmented human builders to develop unique construction processes that cannot be done entirely by automation nor by human labour. Pursuing various expertise in both academia and practice the team collaborates on various projects such as design workshops, research papers and competitions to pursue their research agenda.

The proposed design will be floated virtually over a real site using Microsoft Hololens and the leader of the team will utilize the holographic model as an augmented instruction for the on-site construction. The Augmented Group garden takes visitors through a playful and colourful rope display of topography that reflects the pride of Métis culture and identity. In the garden, visitors can walk along the colorful contours of ropes, sit and lie down on the coiled seating or run up and down on the mounds and pools.

LES JARDINS DE MÉTIS | REFORD GARDENS

  

Visit : www.refordgardens.com/

 

From Wikipedia:

 

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

 

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

  

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

 

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

 

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

 

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

 

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

 

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

 

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

 

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

 

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

 

Visit : en.wikipedia.org/wiki/Elsie_Reford

 

---------------------------------------------------------------------------------------

 

Visit : www.refordgardens.com/

 

--------------------------------------------------------------------------------------

 

LES JARDINS DE MÉTIS

 

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

 

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

 

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

 

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

   

REFORD GARDENS | LES JARDINS DE MÉTIS

  

From Wikipedia:

 

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

 

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

  

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

 

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

 

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

 

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

 

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

 

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

 

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

 

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

 

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

 

Visit : en.wikipedia.org/wiki/Elsie_Reford

 

Visit : www.refordgardens.com/

  

LES JARDINS DE MÉTIS

 

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

 

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

 

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

 

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

 

See: www.refordgardens.com/

   

7343-210

From the plaque:

AUGMENTED GROUNDS 2020

Soomeen Hahm, Jaeheon Jung, Yumi Lee

Seoul, South Korea

Soomeen Hahn obtained her Bachelor of Architecture degree at the Beijing Tsinghua University and her Master of Architecture degree from the Architecture Association where she studied in the Design Research Lab (DRL). Jaeheon Jung was educated at the Southern California Institute of Architecture and obtained an MS in Urban Design and Planning program from the University of Seoul (South Korea). Yumi Lee received a Master degree in Landscape Architecture from the University of Pennsylvania.

The team consists of architects and landscape architects, expert in design research and practice interested in exploring harmonious ecology of human computer and machine. They are currently focusing on ways of constructing complex forms by augmented human builders to develop unique construction processes that cannot be done entirely by automation nor by human labour. Pursuing various expertise in both academia and practice the team collaborates on various projects such as design workshops, research papers and competitions to pursue their research agenda.

The proposed design will be floated virtually over a real site using Microsoft Hololens and the leader of the team will utilize the holographic model as an augmented instruction for the on-site construction. The Augmented Group garden takes visitors through a playful and colourful rope display of topography that reflects the pride of Métis culture and identity. In the garden, visitors can walk along the colorful contours of ropes, sit and lie down on the coiled seating or run up and down on the mounds and pools.

 

LES JARDINS DE MÉTIS | REFORD GARDENS

  

Visit : www.refordgardens.com/

 

From Wikipedia:

 

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

 

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

  

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

 

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

 

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

 

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

 

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

 

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

 

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

 

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

 

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

 

Visit : en.wikipedia.org/wiki/Elsie_Reford

 

---------------------------------------------------------------------------------------

 

Visit : www.refordgardens.com/

 

--------------------------------------------------------------------------------------

 

LES JARDINS DE MÉTIS

 

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

 

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

 

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

 

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

   

REFORD GARDENS | LES JARDINS DE MÉTIS

  

From Wikipedia:

 

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

 

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

  

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

 

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

 

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

 

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

 

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

 

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

 

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

 

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

 

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

 

Visit : en.wikipedia.org/wiki/Elsie_Reford

 

Visit : www.refordgardens.com/

  

LES JARDINS DE MÉTIS

 

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

 

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

 

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

 

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

 

See: www.refordgardens.com/

   

HoloLens Augmented Reality is essentially a holographic computer built into a headset that allows you to see, hear and interact with hologram 3D graphics within an environment in the real world experiences.

  

What is HoloLens Augmented Reality?

Click To Tweet

  

View In Larger Image

Download As...

 

blog.visualpathy.com/hololens-augmented-reality/

Situé à vingt mètres sous le musée, le poste de commandement utilisé pendant la Libération de Paris par le Colonel Henri Rol-Tanguy, chef des FFI (Forces Françaises de l'Intérieur) d’Ile-de-France, est ouvert au public.

Il se trouvait dans un ancien abri de la défense passive, installé en 1935 place Denfert-Rochereau, en prévision de bombardements toxiques sur Paris.

C'est de là que l'insurrection parisienne a été coordonnée contre les forces allemandes d'occupation du 20 au 28 août 1944.

 

La visite virtuelle sur des casques Hololens de réalité mixte n'est actuellement pas accessible au public en raison des contraintes sanitaires.

www.club-innovation-culture.fr/nouveau-musee-liberation-p...

  

Sous-sol du musée de la libération de Paris, musée du général Leclerc, musée Jean Moulin à Paris

Ce musée a ouvert ses portes en août 2019 place Denfert-Rochereau à Paris

www.museeliberation-leclerc-moulin.paris.fr/

Albert Kim, le fondateur et directeur informatique de la société DoubleMe portant le casque HoloLens de Microsoft

 

Sur son stand du salon Viva Technology à Paris, la société DoubleMe (San Jose, Californie, USA) proposait une démonstration de réalité mixte sur un casque HoloLens de Microsoft.

 

A travers les lunettes, on voyait une danseuse classique faisant des pirouettes fouettées, en divers points de l'espace environnant du salon. La restitution holographique est de qualité photographique ce qui est l'atout premier de cette technologie encore peu utilisée.

 

Démonstration sur un casque HoloLens à Futur en Seine par la société française Opuscope

www.flickr.com/photos/dalbera/27554873661/in/album-721576...

 

Le site de la société DoubleMe

www.doubleme.me/technology/

 

Le site du salon VivaTech

www.vivatechnologyparis.com/

So I keep using the same Rainmeter skins, apparently. I'm currently studying an MA course in which I focus on developing on Augmented Reality interfaces and the UX of such a computer. I want to transfer my basic minimal approach from the 2D screen to something fitting the 3D holographic interfaces proposed by HoloLens, Meta 2 and other devices.

 

I wonder if it's even compatible...

 

The skins used are:

- Timewords by jsmorley

- Encoded by ~lilshizzy

- Social Launcher by ~twistlemon

Wallpaper comes from Facets

 

A downloadable installer is available on my DeviantArt profile

Microsoft in January 2015 announced their Hololens Virtual Reality and Augmented Reality glasses. These glasses will allow people to break out of the usual way of interacting with technology. Instead of being confined to sitting in front of your computer the hololens seems to be able to let you...

 

3d-car-shows.com/virtual-reality-and-augmented-reality-in...

Visitors to NASA's Journey to Mars exhibit at the White House Frontiers Conference take a photo wearing a pair of HoloLenses, which allow you to see the surface of Mars, Thursday, October 13, 2016 at the University of Pittsburgh in Pennsylvania. The White House Frontiers Conference, hosted by President Obama, and co-hosted by the University of Pittsburgh and Carnegie Mellon University, explores the future of innovation with a focus on building U.S. capacity in science and technology. Photo Credit: (NASA/Aubrey Gemignani)

automedia.mk/wp-content/uploads/maxresdefault60-587x330.jpg

 

Volvo ќе ја користи технологијата HoloLens за на купувачите да им понуди ново доживување при конфигурирањето на возилото, а воедно ја избегнува и потребата од големи и скапи продажни салони.

Volvo и Microsoft планираат заеднички развој на нови автомобилски техники, вклучувајќи автономни систеим ...

 

automedia.mk/volvo-%d1%9c%d0%b5-%d0%bf%d1%80%d0%b8%d0%b2%...

Automedia

See the video here: zerodriftmedia.com/top-10-gadgets-of-2015-time-com/

  

Top 10 Gadgets of 2015 | Time.com

time.com/4105591/top-10-gadgets/?xid=homepage

10. Light L16

9. Samsung 16TB SSD

8. LittleBits Gizmos & Gadgets kit

7. Garmin Varia

6. The DJI Inspire

5. OnePlus 2

4. New Horizons Probe

3. Google self-driving car

2. Self-balancing scooters

1....

 

zerodriftmedia.com/top-10-gadgets-of-2015-time-com/

Macropic Hologon front elements. Ultrawide 15mm 1:8

It's what you get when you don't post-produce your 360 video clips.

Un dispositif de réalité virtuelle est proposé dans la salle de la Tribune du palais Grimani, réaménagée depuis mai dernier, pour voir les sculptures qui étaient posées sur le sol à l'époque de Giovanni Grimani

 

La société ETT a réalisé une présentation de la salle de la tribune pour un casque de réalité virtuelle (Oculus Go) afin de montrer aux visiteurs la totalité des sculptures qui s'y trouvaient il y a 400 ans.

 

Si la plupart des sculptures antiques ont retrouvé leurs places dans les niches et contre les murs, celles qui étaient posées au sol n'ont pas été réinstallées par les commissaires de l'exposition. L'application de réalité virtuelle permet de les voir en position.

 

Il est peu convaincant de développer ce type d'application en réalité virtuelle in situ dans un espace aussi exceptionnel et de substituer des images numériques à celles que peut voir le visiteur par lui-même.

 

Dans une telle situation, c'est la réalité mixte qui aurait du être mise en oeuvre, par exemple sur des casques Hololens qui permettent de superposer des images à ce que voit réellement le visiteur à travers le casque. Seul inconvénient, le prix du casque Hololens bien plus élevé que celui de l'Oculus Go.

 

ettsolutions.com/la-realta-virtuale-di-ett-a-venezia-per-...

www.thekingslayer.com/wp-content/uploads/2016/03/PlayStat... www.thekingslayer.com/2016/03/16/playstation-vr-motion-ca...

  

Up until yesterday motion controls were all but dead and gone. The idea that playing a game with your hands, and waving around like a silly person is now in vogue. Ask Sony, and gamers looking forward to the Playstation 4 VR experience motion controls are now necessary for you to fully play. In...

At WPC 2016 Day 2 keynote, PGA TOUR CIO Steve Evans and Vice President of Digital Operations, Scott Gutterman came to stage to show how the PGA Tour is embracing Windows 10 and Microsoft HoloLens.

With the use of HoloLens, golfers, caddies, announcers and sportscasters will have a 3D visual of...

 

www.ms-hololens.com/hololens-future-pga-tour-golf-analytics/

At TED 2016, Microsoft’s Alex Kipman gave the clearest demo to date showing the potential of its HoloLens augmented reality glasses to meld the physical and virtual worlds. Full video of this demonstration not available yet. It is going to public soon.

In a talk at the TED conference in...

 

www.ms-hololens.com/alex-kipman-demos-hololens-at-ted-2016/

Microsoft’s HoloLens is a pretty impressive device which runs on the Windows Holographic platform. With the HoloLens, users can use Universal Windows Apps, which means, many of the new Windows 10 apps are able to run on the HoloLens. Back in July, Microsoft showed off Microsoft Edge and some o...

 

www.ms-hololens.com/here-are-some-of-the-gestures-for-mic...

State-of-the-art HoloLens® glasses are used in a plant for intermediate products at the Ludwigshafen site in order to plan and implement plant modifications in a fast and cost-efficient manner. Andreas Ernst (right), Assistant Asset Manager, and Felix Volkmann (left), Asset Manager, can see a digital 3D model of the plant in their glasses, which is superimposed on their real field of vision. This allows them to check planned modifications, such as changes to piping, directly in the plant. They can see whether all parts fit together precisely or whether they still need to be adapted. The plant for intermediate products is made up of 16 plant sections and manufactures a broad portfolio of around 50 intermediate products such as amines or diols. BASF customers need these products for applications including the production of coatings for the automotive industry, pharma or crop protection products.

The modern control station in the intermediate products plant at the Ludwigshafen site is where all information relating to the plant comes together. Using numerous screens, the plant operators control and monitor the highly complex chemical processes. On the “Collaboration Board” (right), a large touchscreen in the center of the room, the employees call up all the important information at the same time and can thus work in an effective and concentrated manner. The employees also use the “Collaboration Board” for training, as the large, interactive screen is ideal for conveying learning contents. The plant for intermediate products is made up of 16 plant sections and manufactures a broad portfolio of around 50 intermediate products such as amines or diols. BASF customers need these products for applications including the production of coatings for the automotive industry, pharma or crop protection products.

We took a demo of the latest Magic Leap headsets for augmented reality.

 

They have a wider field of view than the others (e.g., Microsoft HoloLens 2) by incorporating 32 lenses and some imprint nano-lithography gradients to trick the eye.

 

But, as with every demo I have done, in my opinion, it is not a comfortable experience anyone would seek to prolong unless they had to.

Casque de réalité mixte, HoloLens de Microsoft.

 

Ce dispositif sorti en 2015 destiné au public et au monde professionnel met en oeuvre des technologies militaires et spatiales (NASA). La visière permet de voir l'environnement mais des informations ou des images 3D sous forme holographique peuvent s'intégrer dans le champ visuel.

La société Opuscope qui a pu disposer d'un casque HoloLens (ces casques sont encore difficiles à acquérir) a présenté des sculptures de Maillol et de Rodin modélisées en 3D qui apparaissaient dans l'environnement de la salle du musée des arts et métiers où se déroulait la démonstration.

 

Les numérisations 3D, ayant été effectuées avec un smartphone et sans soin particulier faute de temps (comme me l'ont indiqué les démonstrateurs), la qualité du rendu des sculptures était extrêmement médiocre mais permettait néanmoins de tester les capacités de ce casque révolutionnaire beaucoup plus léger et fonctionnel que les casques de réalité virtuelle commercialisés actuellement (Oculus Rift, HTC Vive, Samsung Gear ou encore Google Cardboard en carton).

 

Ces casques de réalité virtuelle, qui isolent l'utilisateur de son environnement et surtout des autres humains, apparaissent en comparaison du casque HoloLens comme des systèmes technologiques de transition.

 

Le site Hololens de Microsoft

www.microsoft.com/microsoft-hololens/en-us

 

Site de la société Opuscope

www.opuscope.com/?lang=fr

 

Démonstrations organisées par le Club Innovation & Culture, CLIC France

Manifestation parallèle à Futur en Seine 2016 au musée des arts et métiers à Paris

www.club-innovation-culture.fr/weekend-patrimoines-immers...

Microsoft is apparently cutting more of its team members, as a new report says that it has laid off 60 workers in Israel that helped to develop it’s HoloLens augmented reality technology. 30 of the team members were contracted workers and were laid off immediately while the other 30...

 

www.ms-hololens.com/microsoft-reportedly-lays-off-60-holo...

An analyst of Goldman Sachs explains how Virtual Reality will explode. Instead of flopping like it did in the 90’s.

Reason? Technology…

Nobody remembers the Nintendo Virtual Boy or Virtuality arcade machines. That’s because in the 90’s there weren’t powerful m...

 

thevexit.com/news/goldman-sachs-analyst-about-virtual-rea...

What might it look like if you were walking around on Mars? A group of researchers at NASA’s Jet Propulsion Laboratory, Pasadena, California, has been working on methods to take this question from the realm of imagination to the mind-bending domain of mixed reality.

As a result, NASA and...

 

www.ms-hololens.com/hololens-destination-mars-mixed-reali...

Having some candid fun with some coworkers at our recent team building event.

 

Nikon F5 - AF DC-Nikkor 105mm 1:2D - Kodak Tri-X 400 @ ASA-1600

Ilford Microphen (Stock) 12:00 @ 20C

Scanner: Nikon Coolscan V ED

Editor: Adobe Photoshop CC

Having some candid fun with some coworkers at our recent team building event.

 

Nikon F5 - AF DC-Nikkor 105mm 1:2D - Kodak Tri-X 400 @ ASA-1600

Ilford Microphen (Stock) 12:00 @ 20C

Scanner: Nikon Coolscan V ED

Editor: Adobe Photoshop CC

Apollo 11 astronaut Buzz Aldrin, left and Erisa Hines of NASA’s Jet Propulsion Laboratory (JPL) in Pasadena, California, speak to members of the news media during a preview of the new Destination: Mars experience at the Kennedy Space Center Visitor Complex. Destination: Mars gives guests an opportunity to “visit” several sites on Mars using real imagery from NASA’s Curiosity Mars Rover. Based on OnSight, a tool created by JPL, the experience brings guests together with a holographic version of Aldrin and Curiosity rover driver Hines as they are guided to Mars using Microsoft HoloLens mixed reality headset.

Photo credit: NASA/Charles Babir

NASA image use policy.

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