View allAll Photos Tagged FrontMan

Frontman James Skelly looking a bit more angelic than usual, thanks to the spotlight.

Gojira - Joe Duplantier, Mario Duplantier

On the Main Stage at Hellfest Open Air 2022 Part 1 - Day 3

15th Anniversary Edition

Clisson, France | 19/06/2022

Live report soon on MusicWaves

Philippe Bareille

Scorpions - Klaus Meine

Rock Believer Tour

Accor Arena, Paris, France | 17/05/2022

Live report soon on MusicWaves

Philippe Bareille

Hyrgal

On the Temple Stage

Hellfest Open Air 2019 - Day 3

14th edition

Clisson, France | 23/06/2019

Live report soon on MusicWaves

Philippe Bareille

Frontman for Marshall Dylan and a wall of Marshall amplifiers at Frankenbike

Guitar;

Frontman of the Gilad Hekselman Trio;

Mijke & Co Live @ Sugarfactory;

Sugarfactory, Amsterdam,

November 26th, 2015;

 

© co broerse

Ufomammut - Urlo

On the Valley Stage at Hellfest Open Air 2022 Part 2 - Day 4

15th Anniversary Edition

Clisson, France | 26/06/2022

Live report soon on MusicWaves

Philippe Bareille

Guitar;

Frontman of the Ruben Hoeke Band;

ntr: npo Radio 6 Soul & Jazz: Mijke & Co Live;

Sugarfactory, Amsterdam,

March 18th, 2015;

 

© co broerse

#Brugge #Belgium #bruges🇧🇪 #Bruges #BelgiëBrugge #BruggeBelgië #Bruggia #Fiandre #Belgio #patrimoniodellumanotàunesco #JoelSe #JoelSepel #JoeleSepel #joelse #joelsepel #joelesepel #JOELSE #JOELSEPEL #JOELESEPEL #SingerSongWriter #CrumbleNot #Musician #performer #frontman🎼 #musician #thetraveller #TheOne #CompositorDeMusica #europe🇪🇺 @joel_sepel @joelsepel

youtu.be/Dj6SZ3TEPPg

youtu.be/RMKpEUGtP1o

youtu.be/A2ExYKUHT08

youtu.be/qFidTDmuZfw

youtu.be/f6crz4OgM_g

youtu.be/l3_A0zjf8eI

Nothing More - Jonny Hawkins

On the Main Stage at Hellfest Open Air 2023 - Day 2

Clisson, France | 16/06/2023

Live report soon on MusicWaves

Philippe Bareille

ANGEL NUMBERS - HAMISH HAWK

Once Upon an Acid Glance

Think of Us Kissing

Elvis Look-alike Shadows

Bridget St. John

Frontman

Desperately

Bill

Angel Numbers

Money

Dog-eared August

Rest & Veneers

Grey Seals

 

COWBOY CARTER - BEYONCÉ

Ameriican Requiem

Blackbiird

16 Carriages

Protector

My Rose

Smoke Hour ★ Willie Nelson

Texas Hold ‘EM

Bodyguard

Dolly P

Jolene

Daughter

Spaghettii

Alliigator Tears

Smoke Hour II

Just for Fun

II Most Wanted

Levii’s Jeans

Flamenco

The Linda Martell Show

Ya Ya

Oh Louisiana

Desert Eagle

Riiverdance

II Hands II Heaven

Tyrant

Sweet ★ Honey ★ Buckiin’

Amen

 

DISINTEGRATION - THE CURE

Plainsong

Pictures Of You

Closedown

Lovesong

Last Dance

Lullaby

Fascination Street

Prayers For Rain

The Same Deep Water As You

Disintegration

Homesick

Untitled

 

MTV UNPLUGGED - 10,000 MANIACS

These Are Days (live)

Eat For Two (live)

Candy Everybody Wants (live)

I’m Not The Man (live)

Don’t Talk (live)

Hey Jack Kerouac (live)

What’s The Matter Here? (live)

Gold Rush Brides (live)

Like The Weather (live)

Trouble Me (live)

Jezebel (live)

Because The Night (live)

Stockton Gala Days (live)

Noah’s Dove (live)

 

NEW SKIN FOR THE OLD CEREMONY - LEONARD COHEN

Is This What You Wanted

Chelsea Hotel No. 2

Lover Lover Lover

Field Commander Cohen

Why Don’t You Try

There Is A War

A Singer Must Die

I Tried To Leave You

Who By Fire

Take This Longing

Leaving Green Sleeves

 

THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS - DAVID BOWIE

Five Years

Soul Love

Moonage Daydream

Starman

It Ain’t Easy

Lady Stardust

Star

Hang On To Yourself

Ziggy Stardust

Suffragette City

Rock ‘N’ Roll Suicide

 

RUM, SODOMY & THE LASH - THE POGUES

The Sick Bed of Cúchulainn

The Old Main Drag

Wild Cats Of Kilkenny

I’m A Man You Don’t Meet Every Day

A Pair Of Brown Eyes

Sally MacLennane

A Pistol For Paddy Garcia

Dirty Old Town

Jesse James

Navigator

Billy’s Bones

The Gentleman Soldier

The Band Played Waltzing Matilda

Frontman Paul Banks, Guitarist Daniel Kessler, new Bassist Dave Pajo and Keyboardist Brandon Curtis of Interpol performing in the loading dock of Milk Studios for The Creator's Project on June 26, 2010.

 

www.thecreatorsproject.com/

www.interpolnyc.com

Frontman Ricky Wilson of The Kaiser Chiefs performs live on stage at Wembley Arena on March 6, 2009 in London, England. (Photo by Simone Joyner/Getty Images)

Hypocrisy - Peter Tägtgren

Opening act for Amon Amarth on the Berserker World Tour 2019

Le Zénith de Paris, Paris, France | 25/11/2019

Live report soon on MusicWaves

Philippe Bareille

Glenn Hughes & Jesper Bo Hansen

Classic Deep Purple Live Tour 2018

L'Elysée Montmartre, Paris, France | 06/11/2018

Live report soon on MusicWaves

Philippe Bareille

Anvil frontman Lips performs at Loud Park 06 festival - October 14, 2006 at the Makuhari Messe International Exhibition Halls in Tokyo, Japan. This performance is featured in the movie "Anvil! The Story of Anvil" directed by Sacha Gervasi. Photo by Brent J. Craig

he sang some pretty nice renditions of old prayers

Devin Townsend

Opening act for Dream Theater on the Top of the World Tour 2022

Le Palais des Sports, Paris, France | 25/04/2022

Live report soon on MusicWaves

Philippe Bareille

Hier ein Foto von meinem Frontman. Ausnahmsweise mit Volume auf 1 :-)

Frontman Art Alexakis and Portland-based Everclear perform a benefit concert for the homeless Saturday, April 5, 2008 in Seattle.

Frontman Paul Banks, Guitarist Daniel Kessler, new Bassist Dave Pajo and Keyboardist Brandon Curtis of Interpol performing in the loading dock of Milk Studios for The Creator's Project on June 26, 2010.

 

www.thecreatorsproject.com/

www.interpolnyc.com

#Bertinoro🇮🇹 #BertinoroEmiliaRomagna🇮🇹 #Italy🇮🇹 #Bertinoro #BertinoroItaly🇮🇹 #JoelSe #joelsepel #JOELESEPEL #js #cn #gg #CrumbleNot #GIUSEPPEGUARINO #guarinogiuseppe #JoeleSepelInBertinoro #sonodotatoventiquattrocentimetri #frontman🎼 #Roquero🎼 #rockero🎼 #bestmusician #SINGER #BESTSINGER #GIFTEDXXL #sondotato #AnimalOfTheStage #Sognatore #WhatABoy #TheMusician🎼 #performer🎤 twitter.com/JoelSepelJOELSE joele-sepel-joelse.tumblr.com/ joelse-joelesepel.tumblr.com/ vero.co/joelsejoelesepel twitter.com/JSepel www.instagram.com/joelsepel_joelse/?hl=it www.instagram.com/joelsepel/?hl=it www.pinterest.it/joelejoelsepel/ www.flickr.com/people/188550413@N05/ www.flickr.com/photos/185144450@N06/ www.flickr.com/photos/185462329@N06/ www.flickr.com/photos/146695172@N03/ vero.co/joelsepeljoelse

Skindred - Benji Webbe

On the Main Stage

Hellfest Open Air 2019 - Day 2

14th edition

Clisson, France | 22/06/2019

Live report soon on MusicWaves

Philippe Bareille

In 2008 trad Joe Sumner, frontman van Fiction Plane, in de voetsporen van zijn vader (Sting) en speelde hij met zijn band op Pinkpop. Destijds had Fiction Plane een grote hit met 'Two Sisters'. Na 3 jaar radio-stilte volgt er begin 2015 een nieuw album waarvan ze op 11 oktober 2014 een voorproefje gaven in poppodium NIEUWE NOR in Heerlen. Support-act was Atlantic Attraction. Fotograaf: Roel Janssen

Electric Pyramid - Ol Beach, Christian Mendoza, Linus Taylor, Luigi Casanova, Chris Brice

Opening act for Queen Extravaganza on the Celebrating 50 years of Bohemian Rhapsody

La Seine Musicale, Boulogne-Billancourt, France | 06/03/2025

Live report soon on MusicWaves

Philippe Bareille

Former Squeeze frontman and guitarist Glenn Tilbrook plays an acoustic set on stage at Wexford Arts Centre, Wexford Ireland on Saturday 22nd November, 2008

The 23 Year old singer and frontman of the band "Flak Jacket". Dave, or more commenly called "Flint", has been the singer and one of the founders of the death metal band Flak Jacket for some years now, mainly as spokesperson and songwriter.

 

Flint earned his nickname due to the fact he always seems to start("ignite") a fight or two, especially when he's been drinking.

 

Dave "Flint" McCoy and Flak Jacket (c) Me.

The Cure frontman Robert Smith played an impromptu acoustic set at Spain's Bilbao BBK Festival after keyboardist Roger O'Donnell's equipment failed.

 

Three Imaginary Boys

MAIS FOTOS DESSE SHOW: correiatiago.blogspot.com.br/

 

Fanpage: www.facebook.com/tiagocorreiafotografia

Twitter: twitter.com/correiatiago_

Instagram: instagram.com/tiagocorreiafotografia/

 

© Todas as imagens protegidas e propriedades do fotógrafo Tiago Correia. Ao utilizar, dê os devidos créditos.

Devin Townsend

Opening act for Dream Theater on the Top of the World Tour 2022

Le Palais des Sports, Paris, France | 25/04/2022

Live report soon on MusicWaves

Philippe Bareille

Hypocrisy - Peter Tägtgren, Horgh

Opening act for Amon Amarth on the Berserker World Tour 2019

Le Zénith de Paris, Paris, France | 25/11/2019

Live report soon on MusicWaves

Philippe Bareille

Trumpet;

Frontman of the Laurie Carpenter Quintet;

Jazz at the Plantage;

Hermitage, Amsterdam,

July 7th, 2018;

 

© co broerse

In March 1970, most of Brown's mid-to-late 1960s road band walked out on him due to financial disputes, a development augured by the prior disbandment of the Famous Flames singing group for the same reason in 1968. Brown and erstwhile Famous Flames singer Bobby Byrd, who chose to remain in the band during this tumultuous period as co-frontman, effectively serving as a proto-hype man in live performances, recruited several members of the Pacemakers, a Cincinnati-based ensemble that included bassist Bootsy Collins and his brother, guitarist Phelps "Catfish" Collins; augmented by the remaining members of the 1960s road band, including Fred Wesley, who rejoined Brown's outfit in December 1970, and other newer musicians, they formed the nucleus of the J.B.'s, Brown's new backing ensemble.[58]

 

Shortly following their first performance together, the band entered the studio to record the Brown-Byrd composition, "Get Up (I Feel Like Being a) Sex Machine". The song—with its off the beat play Brown called "The One"[58]—and other contemporaneous singles further cemented Brown's influence in the nascent genre of funk music. This iteration of the J.B.'s dissolved after a March 1971 European tour (documented on the 1991 archival release Love Power Peace) due to additional money disputes and Bootsy Collins's use of LSD; a new lineup of the J.B.'s coalesced around Wesley, St. Clair Pinckney and drummer John Starks.

In 1971, Brown began recording for Polydor Records in a deal with Starday-King Records which included music publishing and Brown's back catalog.[59] Many of his sidemen and supporting players, including Fred Wesley & the J.B.'s, Bobby Byrd, Lyn Collins, Vicki Anderson and former rival Hank Ballard, released records on the People label.

  

During the 1972 presidential election, James Brown openly proclaimed his support of Richard Nixon for reelection to the presidency over Democratic candidate George McGovern.[60] The decision led to a boycott of his performances and, according to Brown, cost him a big portion of his black audience.[61] As a result, Brown's record sales and concerts in the United States were in a lull in 1973, as he failed to land a number-one R&B single that year. In 1973 he also faced problems with the IRS for failure to pay back taxes, charging he hadn't paid upwards of $4.5 million; five years earlier, the IRS had claimed he owed nearly $2 million.[62]

 

In 1973, Brown provided the score for the blaxploitation film Black Caesar. In 1974 he returned to the No. 1 spot on the R&B charts with "The Payback", with the parent album reaching the same spot on the album charts. He reached No. 1 two more times in 1974, with "My Thang" and "Papa Don't Take No Mess".[citation needed]

 

"Papa Don't Take No Mess" was his final single to reach the No. 1 spot on the R&B charts. His other Top Ten R&B hits during this latter period included "Funky President" (R&B No. 4) and "Get Up Offa That Thing" (R&B No. 4).

  

1975-2006: Later career

James Brown, 1977

Although his records were mainstays of the vanguard New York underground disco scene, exemplified by DJs such as David Mancuso and Francis Grasso, from 1969 onwards, Brown did not consciously yield to the trend until 1975's Sex Machine Today. By 1977, he was no longer a dominant force in R&B. After "Get Up Offa That Thing", thirteen of Brown's late 1970s recordings for Polydor failed to reach the Top 10 of the R&B chart, with only "Bodyheat" in 1976 and the disco-oriented "It's Too Funky in Here" in 1979 reaching the R&B Top 15 and the ballad "Kiss in '77" reaching the Top 20.

After 1976's "Bodyheat", he failed to appear on the Billboard Hot 100. As a result, Brown's concert attendance began dropping and his reported disputes with the IRS caused his business empire to collapse. In addition, several longtime bandmates, including Wesley and Maceo Parker, had gradually pivoted to Parliament-Funkadelic, which reached its critical and commercial apogee in the mid-to-late 1970s. The emergence of disco forestalled Brown's success on the R&B charts, because its slicker, more commercial style had superseded his rawer, one-chord funk productions.

 

By the release of 1979's The Original Disco Man, Brown seldom contributed to the songwriting and production processes, leaving most of it to producer Brad Shapiro. This resulted in the song "It's Too Funky in Here" becoming Brown's most successful single in this period. After two more albums failed to chart, Brown left Polydor in 1981. It was around this time that Brown changed the name of his band from the J.B.'s to the Soul Generals, or Soul G's. The band retained that name until his death.

 

Despite Brown's declining record sales, promoters Gary LoConti and Jim Rissmiller helped Brown sell out a string of residency shows at the Reseda Country Club in Los Angeles in early 1982. Brown's compromised commercial standing prevented him from charging a large fee. However, the great success of these shows marked a turning point for Brown's career, and soon he was back on top in Hollywood. Movies followed, including appearances in Doctor Detroit (1983) and Rocky IV (1985). He guest-starred in the Miami Vice episode "Missing Hours" (1987). Previously, Brown appeared alongside a litany of other Black musical luminaries in The Blues Brothers (1980).

In 1984, he teamed with rap musician Afrika Bambaataa on the song "Unity". A year later he signed with Scotti Brothers Records and issued the moderately successful album Gravity in 1986 with a popular song "How Do You Stop". It included Brown's final Top Ten pop hit, "Living in America", marking his first Top 40 entry since 1974 and his first Top Ten pop entry since 1968. Produced and written by Dan Hartman, it featured prominently on the Rocky IV film and soundtrack. Brown performed the song in the film at Apollo Creed's final fight, shot in the Ziegfeld Room at the MGM Grand in Las Vegas, and was credited in the film as the Godfather of Soul. 1986 also saw the publication of his autobiography, James Brown: The Godfather of Soul, co-written with Bruce Tucker. In 1987, Brown won the Grammy for Best Male R&B Vocal Performance for "Living in America".

  

Brown performing in 1998

In 1988, Brown worked with the production team Full Force on the new jack swing-influenced I'm Real. It spawned his final two Top 10 R&B hits, "I'm Real" and "Static", which peaked at No. 2 and No. 5, respectively. Meanwhile, the drum break from the second version of the original 1969 hit "Give It Up Or Turnit A Loose", the recording included on the compilation album In the Jungle Groove, became so popular at hip hop dance parties, especially for breakdance, during the early 1980s that hip hop pioneer Kurtis Blow called the song "the national anthem of hip hop".After his stint in prison during the late 1980s, Brown met Larry Fridie and Thomas Hart who produced the first James Brown biopic, entitled James Brown: The Man, the Message, the Music, released in 1992.[64] He returned to music with the album Love Over-Due in 1991. It included the single "(So Tired of Standing Still We Got to) Move On", which peaked at No. 48 on the R&B chart. His former record label Polydor released the four-CD box set Star Time, spanning Brown's career to date. Brown's release from prison prompted his former record labels to reissue his albums on CD, featuring additional tracks and commentary by music critics and historians.

 

In 1991, Brown appeared on rapper MC Hammer's video for "Too Legit to Quit". Hammer had been noted, alongside Big Daddy Kane, for bringing Brown's unique stage shows and their own energetic dance moves to the hip-hop generation. Both listed Brown as their idol. Both musicians sampled his work, with Hammer having sampled the rhythms from "Super Bad" for his song "Here Comes the Hammer", from his best-selling album Please Hammer, Don't Hurt 'Em. Big Daddy Kane sampled many times.

On June 10, 1991, James Brown and a star-filled line up performed before a crowd at the Wiltern Theatre in Los Angeles for a live pay-per-view at-home audience. James Brown: Living in America – Live! was the brainchild of Indiana producer Danny Hubbard. It featured M.C. Hammer as well as Bell Biv Devoe, Heavy D & the Boys, En Vogue, C+C Music Factory, Quincy Jones, Sherman Hemsley and Keenen Ivory Wayans. Ice-T, Tone Loc and Kool Moe Dee performed paying homage to Brown. This was Brown's first public performance since his parole from the South Carolina prison system in February. He had served two-and-a-half years of two concurrent six-year sentences for aggravated assault and other felonies.

 

ROCK MELONS

Rockmelons, often referred to as the Rockies, were an Australian pop/dance/R&B group formed in 1983 in Sydney.[1] Primary members are Bryon Jones, his brother Jonathon Jones and Raymond Medhurst.[1][2] They had two Australian top five hit singles in the early 1990s with "Ain't No Sunshine" and "That Word (L.O.V.E.)",[3] both sung by Deni Hines.[1] The associated album, Form 1 Planet, peaked at number 3 on the ARIA albums chart in 1992,[3] and was certified platinum in Australia.[4]

 

Career

1983–1986: Formation and early singles

The group concept was formed in 1983 at a warehouse party in Sydney when Raymond Medhurst (keyboards)[2] wanted a band to perform for a private party.[5] He contacted the Jones brothers Bryon (keyboards, bass guitar, backing vocals)[2] and Jonathon (keyboards, guitar, drums)[2] and Medhurst's schoolmate, Vincent Dale (keyboards)[2] to join.[1][5]

 

Sandi Chick (lead vocals) and Peter Kennard (guitar, percussion) entered in late 1983 and were followed closely by Geoffrey Stapleton (keyboards, guitar, percussion) (later in GANGgajang) in early 1984.[1][2] Stapleton had worked with the Jones brothers when they were in Les Ukeleles and No Heavy Lifting by recording their songs.[6] Vocalists Peter Blakeley and John Kenny (known to Stapleton in Adelaide) were brought in and with Stephen Allkins (operated turntables at gigs) made them a ten-piece.[1][2]

 

The group's first single, "Time Out (For Serious Fun)", was released on Phantom Records on 4 February 1985 with lead vocals by Chick. A second single, "Sweat It Out" was released in September of the same year with vocals by Blakeley. Chick and Stapleton left that year.

 

1987–1990: Tales of the City

1987 saw the arrival of Mary Azzopardi (backing vocals) and Wendy Matthews (vocals). The pattern of using different vocalists continued during the recording of their debut album. In June 1987, the group released "Rhymes", a cover of a 1974 song by Al Green with vocals by John Kenny. In November 1987, the group released "New Groove", which was followed by "What's It Gonna Be" in February 1988. All three singles peaked inside the Australian top 50. The album Tales of the City was released in May 1988 and peaked at number 9 on the Australian charts. Three further singles were released from the album in 1988.

 

At the ARIA Music Awards of 1989, Rockmelons shared the ARIA Award for Breakthrough Artist – Album with 1927's album ...ish.[7] The album peaked at number 6 on the Australian charts.[3][8]

 

By 1990 the Rockmelons were down to Medhurst and the Jones brothers after all others including founding member Dale had left.[1]

 

1991–2000: Form 1 Planet

In 1991, Rockmelons recruited vocalist Deni Hines and recorded their cover of Bill Withers' "Ain't No Sunshine", which reached number 5 in Australia in January 1992,[3] and was certified gold.[4] Their follow-up single "That Word (L.O.V.E.)" (written by B. Jones, J. Jones, Medhurst and Robin Smith)[9] reached number 4 in Australia,[3] and was also certified gold.[4] By 1992, Doug Williams had joined as a vocalist whilst Hines left to have success as a solo artist, with the "It's Alright" single (1995) peaking at #4 in Australia.[10] Rockmelons were nominated for ARIA Album of the Year award in 1993 for Form 1 Planet,[7] which peaked at number 3 in Australia in August 1992[3] and was certified platinum by ARIA.[4]

 

2001–2005: Rockies 3

Rockmelons' third album, Rockies 3 was released in October 2002. Rockmelons used eight different vocalists on the album.[8] The Jeremy Gregory lead single "All I Want Is You" was nominated for 2003 APRA Most Performed Dance Work.[11] Other vocalist were: Roxane LeBrasse, Darren Paul, Doug Williams, Emma Morton, Sydney Bouchaniche, and Evelyn Rubuen.[12]

 

In 2008 trad Joe Sumner, frontman van Fiction Plane, in de voetsporen van zijn vader (Sting) en speelde hij met zijn band op Pinkpop. Destijds had Fiction Plane een grote hit met 'Two Sisters'. Na 3 jaar radio-stilte volgt er begin 2015 een nieuw album waarvan ze op 11 oktober 2014 een voorproefje gaven in poppodium NIEUWE NOR in Heerlen. Support-act was Atlantic Attraction. Fotograaf: Roel Janssen

Exclusive: Fozzy Frontman Chris Jericho @ Heroes Comics (Woodbridge Ontario) for Book Signing on December 14, 2014

Legendary frontman Glenn Danzig (Danzig, Misfits, Samhain) will be hitting the North American road this summer, with punk rock stalwarts Pennywise and Cancer Bats.

Danzig is currently in an L.A. studio writing the follow up to 2010’s Deth Red Sabaoth. He is also readying a series of cat...

 

www.hellhoundmusic.com/danzig-announces-summer-tour-dates...

Devin Townsend

Opening act for Dream Theater on the Top of the World Tour 2022

Le Palais des Sports, Paris, France | 25/04/2022

Live report soon on MusicWaves

Philippe Bareille

Gogol Bordello frontman Eugene Hutz performs at the Drake Hotel (Feb 15/06).

 

Shot on Fuji Superia 800 pushed one stop. Hence the crazy grain and contrast.

Tattoo Talk: Atala Frontman Kyle Stratton and Drummer Jeff Tedtaotao Share Stories Behind Their Ink

Hypocrisy - Peter Tägtgren

Opening act for Amon Amarth on the Berserker World Tour 2019

Le Zénith de Paris, Paris, France | 25/11/2019

Live report soon on MusicWaves

Philippe Bareille

1 2 ••• 71 72 74 76 77 ••• 79 80