View allAll Photos Tagged FreshFruit
They arrived yesterday to pose for Stillleben No. 3. Didn't get everything we ordered but enough to be happy even though the proverbial grapes in still life didn't show.
I hope I'm forgiven: this is the first time I've been able to put a shot meant for MM in early for another group or two.
Similar taken with my Nikon D80,
www.flickr.com/photos/komotini49/14309090067/in/photolist...
My hometown in Greece was big producer of Cherries.
To all Americas have a blessed fourth!
Happy 4th of July to all Americans,
Most will go away for a long weekend, others will have Barbecue, and the shores will be full at our beaches.
www.flickr.com/photos/komotini49/14309090067/in/photolist...
This one is with my Nikon D80 from 2014.
When we buy Cherries usually in 2 Lb bags they finish in about one week, I just love them especially the dark ones.
Generated By Midjourney V8.2
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> Une grande **fenêtre ancienne en bois patiné** s’ouvre sur un jardin d’été baigné de lumière, avec feuillages verts, fleurs roses et jaunes, profondeur naturelle et bokeh photographique doux. La fenêtre présente un bois vieilli crédible, fibres irrégulières, petites fissures, patine subtile et réactions mates à la lumière.
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> Au premier plan, sur une **table rustique en bois ancien**, repose un grand **pichet blanc en céramique sculptée**, décoré de délicats reliefs floraux. Sa surface est légèrement satinée, avec reflets doux et diffus, petites variations de matière et ombres fines dans les reliefs. Le pichet est rempli d’un bouquet extrêmement généreux mais naturel : roses pêche, roses corail, pivoines roses, lys pâles, petites fleurs rouges, fleurs orange, hortensias crème et feuillages irréguliers.
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> Les fleurs doivent présenter une **naturalité botanique élevée** : pétales de tailles, courbures, épaisseurs et orientations différentes, stades d’ouverture variés, quelques pétales légèrement froissés ou imparfaits, transparence subtile des pétales traversés par la lumière, densités irrégulières et chevauchements organiques. Aucun effet de fleurs clonées ou distribuées trop régulièrement.
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> Les tiges et feuillages doivent montrer nervures fines, variations de vert, petites courbures, feuilles partiellement cachées, quelques zones légèrement sèches ou plus mates, orientations naturelles et réactions crédibles au contre-jour.
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> Sur la table, disposer naturellement des **grappes de raisin blanc, rosé et noir**, des **oranges entières et coupées**, des **pêches ou nectarines**, quelques **baies rouges et noires**, et de petits fruits dispersés. Les fruits doivent être biologiquement crédibles : tailles légèrement différentes, formes pas parfaitement sphériques, peau finement poreuse, pruine subtile sur certains raisins, variations de maturité, micro-imperfections naturelles, petites différences de brillance et translucidité selon la peau.
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> Une demi-orange fraîchement coupée révèle une chair juteuse réaliste, fibres internes visibles, pulpe légèrement translucide et humidité naturelle sans effet plastique.
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> Ajouter un **verre ancien transparent** à facettes ou reliefs subtils, présentant vraie transparence, réfraction, microreflets et déformations optiques cohérentes. À gauche ou au premier plan, un **linge ancien crème brodé ou imprimé de motifs floraux rouges** repose en plis souples, avec texture textile crédible, petites fibres et poids naturel.
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> La lumière vient de la fenêtre en **Golden Hour estivale**, avec une intensité chaude et dorée riche mais sélective. La lumière doit frapper certaines fleurs, feuilles, fruits, le pichet et le bois selon leur orientation, tout en conservant des ombres plus neutres et profondes dans les zones protégées. Les pétales doivent réagir par une légère translucidité, les fruits par de petits reflets spéculaires localisés, la céramique par des reflets doux, le verre par réfraction et éclats ponctuels, le bois restant principalement mat.
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> Préserver une vraie profondeur photographique : premier plan très détaillé, bouquet dominant, fruits légèrement plus bas, fenêtre comme transition, puis jardin plus flou et lumineux en arrière-plan. Le bokeh extérieur doit présenter différentes tailles et intensités, sans cercles identiques ni répétition artificielle.
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> Palette riche mais naturelle : corail, pêche, rose poudré, rouge profond, orange, jaune doré, vert tendre, crème et brun chaud du bois. Aucun excès de saturation uniforme. L’image doit rester lumineuse, estivale, chaleureuse et généreuse, avec une impression de fin d’après-midi d’août.
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> A large **antique weathered wooden window** opens onto a summer garden bathed in light, filled with green foliage, pink and yellow flowers, natural depth, and soft photographic bokeh. The window should feature convincingly aged wood, irregular fibers, tiny cracks, subtle patina, and predominantly matte reactions to the light.
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> In the foreground, resting on an **old rustic wooden table**, stands a large **white sculpted ceramic pitcher**, decorated with delicate floral reliefs. Its surface is subtly satin-finished, with soft diffused reflections, slight material variations, and delicate shadows within the embossed details. The pitcher overflows with an extremely generous yet natural bouquet of peach roses, coral roses, pink peonies, pale lilies, tiny red flowers, orange blossoms, cream hydrangeas, and irregular foliage.
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> The flowers must display a **high degree of botanical naturalism**: petals of different sizes, curvatures, thicknesses, and orientations; varied stages of blooming; a few subtly wrinkled or imperfect petals; delicate translucency where sunlight passes through them; irregular densities; and organic overlaps. No cloned flowers or excessively regular distribution.
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> The stems and foliage should reveal fine veins, variations of green, subtle curves, partially hidden leaves, a few slightly dry or more matte areas, natural orientations, and physically credible reactions to backlighting.
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> Naturally arranged across the table are **clusters of white, pink, and dark grapes**, **whole and sliced oranges**, **peaches or nectarines**, several **red and dark berries**, and a scattering of smaller fruits. The fruits must be biologically credible: subtly different sizes, imperfectly rounded forms, finely porous skins, delicate natural bloom on some grapes, variations in ripeness, tiny organic imperfections, and subtle differences in gloss and translucency according to each type of skin.
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> A freshly sliced orange reveals realistic juicy flesh, visible internal fibers, subtly translucent pulp, and natural moisture without any plastic appearance.
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> Include an **antique transparent glass** with faceted or subtly embossed detailing, displaying true transparency, refraction, micro-reflections, and physically coherent optical distortions. To the left or in the foreground, an **antique cream-colored cloth embroidered or printed with red floral motifs** rests in soft folds, with credible textile texture, visible fine fibers, and natural weight.
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> The light enters through the window during a **summer Golden Hour**, with a rich, warm golden intensity that remains selective rather than uniform. The light should strike certain flowers, leaves, fruits, areas of the pitcher, and sections of the wood according to their actual orientation, while protected areas retain deeper, more neutral shadows. Petals should display subtle translucency, fruits localized specular highlights, ceramic soft reflections, glass realistic refraction and occasional highlights, while the wood remains predominantly matte.
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> Preserve genuine photographic depth: an extremely detailed foreground, the bouquet as the dominant subject, fruits arranged slightly lower in the composition, the window acting as a visual transition, followed by a softer and brighter garden in the background. The exterior bokeh should contain circles of confusion with varied sizes and intensities, avoiding identical shapes or artificial repetition.
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> Use a rich yet natural palette of coral, peach, powder pink, deep red, orange, golden yellow, tender green, cream, and the warm brown tones of aged wood. Avoid uniformly excessive saturation. The image should remain luminous, summery, warm, and generous, evoking the atmosphere of a late August afternoon.
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This all fresh fruit flan was made on a crumb base, with a layer of chocolate, then cream and followed by the all fresh fruit. I bought this for a special birthday celebration and it was as delicious as it looked!
7DWF : Crazy Tuesday Theme [26/06/2017] " Appetizing"
Many thanks to all those who view, comment and or fave my photoes.....It is greatly appreciated ......Chandana
Good for what ails you, they say......
A low cal antioxidant to improve skin tone, memory, heart function, GI issues, gums and avoid cancer.
Pass the blackberries, please!
#20 - Fruit, 52 in 2017
Apples growing for future cider preparation at a farm in Llandovery, Brecon, Wales, UK.
Blogging and Photography in Wales
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Chocolates will be great but some Cherries would do just fine, or maybe a diamond ring inside a bouquet of roses!
Fresh oranges from sandwich vendor at china town. She claimed that these came from her own tree. It's sweet and juicy for sure !
You want them...we got them...cheap, cheap.
Phsar Samaki Huy Keang (often referred to as Samaki Market or Samaky Market) is a vibrant, local fresh produce market located in Krong Siem Reap, Cambodia. It is known for being a bustling hub for fresh fruits, vegetables, and local Khmer goods. (AI Overview)
This stall is one of many in the street adjacent to the market and everything is fresh and mostly local...and cheap.
#Flickr Friday" 'Phases'
Crazy Tuesday 'Water Droplets'
Cherry Time Down Under
Four Seasons: Four Phases Of the Year. Oh and it rains indoors: honest:)
This is part of what's left of a large box of fruit from M&S that my lovely friend Jan sent me for my birthday.