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Teak mirror frame with more lightly stained shelf/bowl for keys, etc.
I believe that I shall get some retro fabric and turn the centre into a pin-cushion noteboard instead of having mirror put back in.
Visitor at the Cottonwood Art Festival, Richardson, TX, with matted and framed painting in the background.
A "Vittorio Strada" with rusted out chainstays. I was asked to remove the existing chainstays and swap them out with some new Max chainstays.
This photo of framed fall colors (by a willow tree) was taken at Old Mill Park, consisting of 20 acres along Lake Chelan, outside of Manson, Washington. The image was captured with a tripod vertically holding the DSLR (digital single lens reflex) camera with vertical grip set at a hyperfocal distance (that is, near and distant objects are sharp in the photo), ISO 400 and f/22 using a wide-angle zoom lens (12 to 24).
GPS: Approximate location, latitude 47° 52' 42.92" N, longitude 120° 7' 40.04" W.
Keywords: Flora, Nature, Landscape, Trees, and USA.
I am cracked,
under the exterior that illusions in the light as a diamond;
I am cubic zirconia.
Desolately prefect,
Suffering in the confines of the imagination.
Finding confidence in material things;
Absorbed in the idea of love instead of the loving what is inside and out.
I am Marble,
With one push off the proper pedestal I am dust.
Small microscopic compositions of endless matter,
All deteriorating into its original source, defining new laws of science,
I am made up of nothing.
I am built of insecurities,
That latch onto my soul like leeches.
Sucking the light out of all of my contrasting complexions and veins.
Only leaving fragile bones that propel in gravity’s black hole of silence.
Alone.
I am a hypocritical disgust,
Finding beauty in everything but the mirror which propels my real self.
I am…false smiles,
the puppet to the puppeteer,
Plastered with an everlastingly distorted connection between the exterior and interior.
I am a conscious disappointment,
With the knowledge that beauty is not a obtainable tangible item but a self projection of inner confidence.
I am a river,
looking for an estuary to hide in,
So I can no longer face the true problems that I face,
Stabbing my heart with false hope,
Killing myself with judgment,
Diluting my mind with comparisons…
I am easily broken,
With no frame to place these fragile pieces of glass into,
I am…
Who
I stumbled upon a whole mess of what appeared to be old, rusted air ducts. At first I didn't give this find much thought. But I stuck around and came up with this shot. It is the corner of one of the air ducts framing the other rusted piece of duct behind it.
Allawah Court demolition, Cooyong Street, Canberra.
Nikon L35AF camera, Lomography 100 colour negative film.
Frame Up
Models: Kia Villamor, Maika Lim, Peter Villena, Chad Garrovillo
Styling: Issa Gequillo Laya-og
MUA: Kael Bontia Hernandez
Accessories: Bel Le
Location: Camp Marina, Cebu City
Caught this angle by chance while talking to the owner in the kitchen. Bit of cheating with some HDR used - too easy to cut in with four straight edges to work to like that. Its the view to the park across the road that you'll see in some images to come.
This photo meets the project goals by how the bar on the left and the surface frame the snow globe. The composition of my photo is how I made the globe in the rule of thirds on the right. My greatest strength is how my lighting hits one side of the globe and how I put it in the rule of thirds so it's not straight in the middle. Something that I would change would be have a frame on both sides of the globe and take the glare of the glass part.
Framing Hanley live in Glasgow's Garage
Monday 20th September 2010.
All photos by Stacey
Please do not remove credit.
Thanks!
A rusty, and deteriorating, frame on a diesel locomotive undergoing restoration at the Monticello Railway Museum in Monticello, Illinois. Parts of the frame will be cut out, replaced with new stock, and the steel skin of the engine replaced and/or refabricated in order to complete restoration. Mechanical details are also a consideration, as is apparent from the other rusty structures inside. The actual diesel engine is forward from this cavity, and the drivers (engineers) would have occupied the very front of the train. There is a man's-width walkway between the vertical frame and the interior machinery.
Fountain display in Darling Harbour, Sydney, as part of the Vivid festival -- www.vividsydney.com
Canon Rebel 2000, Agfa Precisa 100 slide film, EF 17-40mm f/4L lens, Manfrotto 190pro tripod with 486rc2 ball head.
St Peter & St Paul's church in Kingsbury stands atop a small hill, with it's proud west tower a landmark as one approaches the village. However as one nears the churchyard all seems to disappear behind a screen of foliage!
The church itself is incorporates much 12th century work, but all the details are the result of 14th century remodelling and extension (including the stately west tower). The porch is partially timber-framed.
Sadly no random visitor gets in this church as it is one of the many kept locked and impregnable in this area. This hasn't stopped the church being attacked, as a half boarded north aisle window testifies (only locked churches seem to suffer damage to stained glass from break-ins!)
On the north side of the churchyard is visible a crumbling sandstone fortified wall, part of Kingsbury Hall *or Castle) which is now a farm.
Frame grab from my first documentary film ESCAPE.
Watch the teaser now:
Online debut soon!
Follow me to get all the updates.
Leica M6, Voigtlander Nokton Classic 35mm f/1.4, Agfa Vista 400 Film
Find me at: www.snapby.me
Instagram: @hisham_snapbyme