View allAll Photos Tagged FilmIsNotDead

Taken with my new/used Nikon N80 film camera, first roll of black and white. Kodak film 400 ISO, Tamron lens 17-50mm. Not a whole lot of post processing done I added a little bit more contrast and I used the red slider it adds more contrast sometimes. This was off of the CD!

Shot in large format film. Ilford FP4+, Schneider 58mm XL.

MK Hardy

Adox HR-50 at iso 50

Minolta X-700

Minolta MD 50mm f/1.7

Kood IR720nm Filter

HC-110 dilution H 9 mins at 20 celcius

Scanned with Ion Slides2PC 35mm Scanner

processed with Affinity Photo

Canon AE1, Kodak Portra 160

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Window light from the left and a white sheet to the right.

 

Kiev 88cm

CZJ Biometar 120/2.8

Extensiontube

Rollei RPX10

Rodinal 1:25 9 min.

Minolta AF-C, Fuji Superia 400, Scan, bnw in Photoshop

Pentax K1000 - Ektar 100 - Idaho

Canon AE1, Kodak Portra 160

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Canon AE1, Kodak Portra 160

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Causeway Coast, Northern Ireland

 

Leica MP, Fujicolor PRO 400H

Canon AE1, Kodak Portra 160

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Y sin desfallecer nos vamos hacía un Nuevo horizonte..

Feliz Año Nuevo a tod@s..!!!

Pentax ME Super Ilford Delta 100

Satellite dish friday

 

Insinger, Saskatchewan, Canada

 

Canon P

Svema FN-64 (fresh batch, not expired)

Dev; Adox Rodinal

 

Developed and scanned at home

Busker on the Southbank in London, playing a Kora, a beautiful west African stringed instrument.

 

Some of you will have noticed that I'm off more than on Flickr these days, posting only sporadically. Just not feeling it at the moment but I do hope to post more again at some stage in the not too distant future.

 

35mm film photography

Pentax MZ50 SLR

Pentax-A 50mm f1.7

Fujifilm 200 colour film (converted to B&W)

Leica M2, Voigtländer Color Skopar 35mm 1:2.5, Ilford FP4

 

linktr.ee/stefankamert

No AI here just surf sand clouds and a floating tree.

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Some times you just stumble on a magical setting.

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Nikon F3

Micro Nikkor 55mm f2,8 lens

Kodak Ekatrachrom

Canon AE1, Kodak Portra 160

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Canon AE1, Kodak Portra 400

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This is shot on film (can you tell?) on a day out shooting in central London last March. It was shot on a 35mm SLR so the aspect ratio was 3x2 when it was shot but everything above the Eye was more blue sky so I cropped it down to a square from the top to contain the main subjects a little more. I know people will be thinking why didn’t he crop it in from the left as well, but I just love that little cloud on the left side!

 

There are some film stocks that when given good light produce the most gorgeous colour. A favourite for me is Kodak Ektar 100 (I know all you old film shooters remember it right?) which can be wonderful. It reminds me slightly of the colour that I see produced by the Fujifilm 'X' lineup of digital cameras with those slightly paler blue skies and pink tinted clouds. I haven't touched this by the way in post other than the crop. It comes back from the processing lab looking exactly as you see it here.

 

Leica 6.2, Ektar 100, Leica Summicron-R 50mm f/2.0

Bouquet for a bleak midwinter

 

Repost from January 9 2024. I don’t iG

I don’t often repost but this was a good way to end the series of bottled peonies.

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Nikon F3

Micro Nikkor 55mm f:2.8

Across 100

Mamiya 645 Pro TL

Sekor C 150 mm 3.5

Ilford FP4

Canon EOS 3000, Kodak Portra 160

Contax T3

Zeiss Sonnar 2.8/35 T*

Fujichrome Sensia 100

 

listen to:

 

Oneohtrix Point Never - D.I.S.

Canon AE1, Kodak Portra 160

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Analogica con Leica M3 - Voightlander 21mm f4 - fomapan 400 sviluppata in Bellini Hydrofen 1+39. Scansione con reflex digitale eos 60D ed elaborazione/inversione con negative lab pro.

Canon AE1, Kodak Portra 160

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Canon AE1, Kodak Portra 160

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Canon AE1, Kodak Portra 160

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Indre-et-Loire, 2021

 

Instagram || Tumblr || Website

Canon AE1, Kodak Portra 160

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Canon EOS 3000, Kodak portra 400

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