View allAll Photos Tagged FilmComparison,
Normal Washi X look and color shifted Lomo Turquoise look McDonough, Georgia
Leica II with Elmar 50mm f/3.5 lens and Washi X film (left).
Holga 120N with Lomo Turquoise film (right).
left:
Agfa APX 100 (new) @ ISO 100
Canon EOS 500N
Canon EF 35mm f/2
right:
Ilford HP5+ @ ISO 1600
Praktica DTL3
Carl Zeiss Jena Flektogon MC 35mm f/2.4
both developed in Kodak D76 @ 20°
scanned from negative
model: Reni
silk dress: provided by Hallhuber
make-up: as is
nail polish: essie lilacism
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No typo in the title ;)
If you're interested take a look at a similar shot with Ektar 100 or the digital complement.
One light setup: Elinchrom quadra ranger head into 70cm deep octa (inner diffusor only) slightly above camera.
Hasselblad 500c/m Carl Zeiss CF 150mm Sonnar
Kodak Portra 160 (C41)
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EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross processing development)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm f/1.2 AI-S (E-6 development)
View the full-sized images at: emulsive.org/photography/35mm-format/kodak-ektachrome-e10...
Filed under: #35mmformat, #Photography, #2018November, #ColorReversalSlideFilm, #CrossProcessing, #EI100, #EI200, #EMULSIVEDailyPhoto, #FilmComparison, #Kodak, #KodakEKTACHROME100E100, #Nikon, #NikonF100, #NikonFM3A, #NikonNikkor50MmF12AIS, #PushProcessing, #PushingFilm, #Ricoh, #RicohGR1S, #XPRO
#shootfilmbenice #filmphotography #believeinfilm
#fujifilm400 #filmcomparison #torontophotographer #torontofilmphotographer #35mm #fujifilm400shotat200
FUJIFILM X-TRA 400 SHOT AT 200 ISO VS 400 ISO (S'UP WITH THAT?)
Note: All these shots on the same roll of film, shot with my Nikon FM2 with 85mm f1.4D lens/scanned with my Nikon D850 (ES2/95 light source).
For a range of photos see my Instagram post @vintagecameras.ca
So a while ago I heard about people shooting this one particular film (and only this one), Fujifilm X-TRA 400 ISO at one stop less light, at 200 ISO.
This is not the same as "push/pull photography" because all the photos exampled here came from the same roll of film and I developed them as though it was all shot at "box speed" of 400 ISO (same developing time).
I have done absolutely nothing to the contrast or post editing except to crop 2 photos as some were conflicting aspect ratios.
So the argument is (again with only this film) that the Fujifilm 400 shot at 200 gives a more pastel color pallet making it somewhat more "campy" such as say a Lomography acetate would render. This because this film colors are already heavily saturated by default when Fuji 400 is shot at its intended 400 ISO box speed.
I will let you be the judge as it would be a mistake for me to to claim one is better than the other. The whole point of this exercise in posting all these film examples is to help YOU find YOUR personal film "flavor".
Your comments and own experience is welcome :-)
Robin
PS: SHOOT FILM!
model: Reni
silk dress: provided by Hallhuber
make-up: as is
nail polish: essie lilacism
---
I am still comparing various negative films for different applications. This time I was using Ektar 100 as a "non-portrait-film" for portraits. If you're interested take a look at a similar shot with a more modest Portra 160 or the digital complement.
One light setup: Elinchrom quadra ranger head into 70cm deep octa (inner diffusor only) slightly above camera.
Hasselblad 500c/m Carl Zeiss CF 150mm Sonnar
Kodak Ektar 100 (C41)
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EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross processing development)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm f/1.2 AI-S (E-6 development)
View the full-sized images at: emulsive.org/photography/35mm-format/kodak-ektachrome-e10...
Filed under: #35mmformat, #Photography, #2018November, #ColorReversalSlideFilm, #CrossProcessing, #EI100, #EI200, #EMULSIVEDailyPhoto, #FilmComparison, #Kodak, #KodakEKTACHROME100E100, #Nikon, #NikonF100, #NikonFM3A, #NikonNikkor50MmF12AIS, #PushProcessing, #PushingFilm, #Ricoh, #RicohGR1S, #XPRO
#shootfilmbenice #filmphotography #believeinfilm
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EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross processing development)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm f/1.2 AI-S (E-6 development)
View the full-sized images at: emulsive.org/photography/35mm-format/kodak-ektachrome-e10...
Filed under: #35mmformat, #Photography, #2018November, #ColorReversalSlideFilm, #CrossProcessing, #EI100, #EI200, #EMULSIVEDailyPhoto, #FilmComparison, #Kodak, #KodakEKTACHROME100E100, #Nikon, #NikonF100, #NikonFM3A, #NikonNikkor50MmF12AIS, #PushProcessing, #PushingFilm, #Ricoh, #RicohGR1S, #XPRO
#shootfilmbenice #filmphotography #believeinfilm
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EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross processing development)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm f/1.2 AI-S (E-6 development)
View the full-sized images at: emulsive.org/photography/35mm-format/kodak-ektachrome-e10...
Filed under: #35mmformat, #Photography, #2018November, #ColorReversalSlideFilm, #CrossProcessing, #EI100, #EI200, #EMULSIVEDailyPhoto, #FilmComparison, #Kodak, #KodakEKTACHROME100E100, #Nikon, #NikonF100, #NikonFM3A, #NikonNikkor50MmF12AIS, #PushProcessing, #PushingFilm, #Ricoh, #RicohGR1S, #XPRO
#shootfilmbenice #filmphotography #believeinfilm
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This whole project started when I realized I had been blindly allegiant to certain black and white films for a number of years without any particular rhyme or reason. Although with color film, I had a pretty good idea of which films suited my needs for various projects through years of...
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Read on at: emulsive.org/reviews/film-reviews/film-review-comparing-f...
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Filed under: #Articles, #Experiments, #FilmReviews, #FujiFilms, #ILFORDFilms, #KodakFilms, #DanMarinelli, #FilmComparison, #FilmReview, #Fuji, #FujiAcros100, #ILFORD, #ILFORDDelta100Professional, #Kodak, #KodakTMAX400
#shootfilmbenice #filmphotography # believeinfilm
Here’s probably the last of the side-by-side film comparisons. This time photos of dahlias from the garden at the Conservatory of Flowers in Golden Gate Park. Again, Kodak Ektar, Kodak Gold, and Kodak ColorPlus. Probably the most reasonable of the Ektar shots so far. More true-to-life colors than the previous ones.
Alright, here is the first of the side-by-side color film comparisons. These are all of classic roses taken in the Golden Gate Park Rose Garden. First is Kodak Ektar 100, followed by Kodak Gold 200, and lastly Kodak ColorPlus 200. I’m not sure why I’m getting such bizarre results with the Ektar. This kind of looks like a psychedelic flower, or maybe one from outer space. I guess the lighting must have been really dim. I noticed the shadows on Ektar were generally going red/magenta when scanning. I’m not sure why and had trouble correcting. It certainly is fine-grained, though. The Gold and ColorPlus both look pretty good. The coloring seems to be accurate.
Alright, here is the first of the side-by-side color film comparisons. These are all of classic roses taken in the Golden Gate Park Rose Garden. First is Kodak Ektar 100, followed by Kodak Gold 200, and lastly Kodak ColorPlus 200. I’m not sure why I’m getting such bizarre results with the Ektar. This kind of looks like a psychedelic flower, or maybe one from outer space. I guess the lighting must have been really dim. I noticed the shadows on Ektar were generally going red/magenta when scanning. I’m not sure why and had trouble correcting. It certainly is fine-grained, though. The Gold and ColorPlus both look pretty good. The coloring seems to be accurate.
Alright, here is the first of the side-by-side color film comparisons. These are all of classic roses taken in the Golden Gate Park Rose Garden. First is Kodak Ektar 100, followed by Kodak Gold 200, and lastly Kodak ColorPlus 200. I’m not sure why I’m getting such bizarre results with the Ektar. This kind of looks like a psychedelic flower, or maybe one from outer space. I guess the lighting must have been really dim. I noticed the shadows on Ektar were generally going red/magenta when scanning. I’m not sure why and had trouble correcting. It certainly is fine-grained, though. The Gold and ColorPlus both look pretty good. The coloring seems to be accurate.
Here’s probably the last of the side-by-side film comparisons. This time photos of dahlias from the garden at the Conservatory of Flowers in Golden Gate Park. Again, Kodak Ektar, Kodak Gold, and Kodak ColorPlus. Probably the most reasonable of the Ektar shots so far. More true-to-life colors than the previous ones.
Here’s probably the last of the side-by-side film comparisons. This time photos of dahlias from the garden at the Conservatory of Flowers in Golden Gate Park. Again, Kodak Ektar, Kodak Gold, and Kodak ColorPlus. Probably the most reasonable of the Ektar shots so far. More true-to-life colors than the previous ones.