View allAll Photos Tagged FOMAS
Pentacon Six TL
Mir-26B (W) 3.5/45 (S/N: 911233)
Foma Fomapan 400 Action at 3200 ISO
Foma Fomadon P stock 50 min. (at 21 C)
Mountains on Foma 200.
The 2nd roll, Foma 200 this time, with the R60 filter a lot of light is needed - some of the telephoto shots I spoiled with camera shake - I just didn't pay attention to the slow shutter speeds ...
Mountains on Foma 200.
The 2nd roll, Foma 200 this time, with the R60 filter a lot of light is needed - some of the telephoto shots I spoiled with camera shake - I just didn't pay attention to the slow shutter speeds ...
This is just a small part of an experimental BIG Illustration, for an future Advertising of our Designers Collective called "Weeneeds", This was designed and produced by Me at my Design Studio called FOMA. Cricolina give me a little hand on making the buildings.
Hope you like it...
UPDATED 27FEV 2008
All done in Adobe Illustrator CS3 - All vector, not pixel art.
I just don't post the Full City cos it's too big, ok! Sorry!
ByeBye!
Di quel che è stato e mai più sarà.
Vi è un nodo alla base della gola che pulsa e che non si scioglie in nessun modo, mentre fallisce il tentativo di aggrapparsi al controllo che sfugge dalle mani, da ogni fessura, da ogni dove, da dove riesce. E abbandonarsi al dolore risulta essere un tale lusso – per me: equivale a cadere in pezzi e doversi ricostruire, ancora e ancora, sperando di aver riposizionato al meglio ogni arto e pensiero e di non aver lasciato, qua e là, crepe troppo evidenti.
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On what has been and won't ever be again.
There is a lump in the throat that throbs and does not untie in any way, while the attempt to cling to the control, that escapes from the hands, every crevice, everywhere, from where it succeeds, fails. And surrendering to pain turns out to be such a luxury - for me: it is equivalent to breaking into innumerable pieces that need to be rebuilded, again and again, hoping to have repositioned every limb and thought in the best possible way and to have not left, here and there, too prominent cracks.
Olympus OM2 - Ars Imago Monobath
Print on ILFORD MULTIGRADE FB Matt
ILFORD MULTIGRADE developer - ILFORD RAPID FIXER
DURST M601
While wandering through a forest and crossing some streams a few years back, I discovered this magical Ent like tree. Today I went back to shoot an 8x10 paper negative. As this was one of my first images with the Entrepid 8x10 it took me a while to set up the shot, but I enjoyed every minute of it.
Next time I will shoot it in ‘portrait mode’ (forget about that), but for now I was happy everything went well.
"Old Tree"
Camera: Intrepid 8x10
Lens: Fujinon 250 mm f/6,7
Film: Paper Negative - FOMASPEED Variant 312 @2.45 min – f/45
Process: Foma Universal Developer @90 seconds Tube development
In the darkroom.
Leica M3 9cm Elmar
Fomatone 532 in Easy Lith 25a+25b+950 water
2 stops over dev for 8.30
29-03-2026
OLYMPUS OM-2n
ZUIKO 21 mm f 3,5
FOMAPAN 200@200
SVIL. GRADUAL ST20 1+9 20° 6':00"
FISS. ADOX 04':30" - 1+4 - 20°
Scanner EPSON V600 - 2400 dpi
Film: Foma Fomapan 400 @ 200 ISO | Develop: Rodinal 1+50, 11:00 mins @ 20°C | Scan: Plustek OpticFilm 8200i
Foma 100 - more Countryside.
I am a bit behind, photos from last week. But not I can show the film photos first, because I got the film back already. Foma 100 again, not a lot of processing. Next some digital pictures from the same walk. I keep telling myself I shouldn't shoot both at the same time, but do it never the less. Actually I still find it interesting how different the "feel" is.
A Roll of Foma 100.
This is a roll I shot in maybe 2 hours more or less in my vicinity. Nothing great - I just post this like this because I really did no editing here, these are "out of scanner" entirely. I know scanning is editing in a way, too, but I didn't use fancy settings here as well. Seeing these made me think about editing (again): Maybe I should consider just to leave the photos as they are, more often.