F22Sunrisers
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Still trying to work out how best to process a photo so that jelly-air stands out, and failing miserably lol !
The front of the Leitz Elmar (collapsible) 4/90 lens with an aperture of F22. This is not a fast lens, in fact you would need good light to operate it with profit. If there is plenty of light, you can close the aperture down to F32. This is vintage lens (over 60 years old) and still fully functional. For a 90mm lens it is also very small and very light (manual of course, so no motor) with a solid mechanical performance. Optically, there are more advanced lenses today, but the Elmar 4/90 has enough 'character' to remain desirable. Shot done with Fuji X-Pro3.
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Copyright © Juan Beas, All rights reserved. Spain
Do not use this photographs without my consent. If you are interested in this picture, please contact me. Thanks.
juanbeas@juanbeas.com
RECOMIENDO VER EN TAMAÑO GRANDE.
¡Un abrazo!
Esta foto pertenece a los álbumes:
TODO EN B&W y SEPIA.:
www.flickr.com/photos/juanbeas/sets/72157651304042734
EL HOMBRE: RETRATOS, URBANA Y SOCIAL.
Fun to compare the f22 flare of this image with the wide open round flare of 2008. Sellwood Bridge, Willamette River, Portland, ORegon N31590-94HDR - Happy Flare Fridays!
Analogica con Leica M3 - Voightlander 21mm f4 con filtro giallo - fomapan 400 sviluppata in Hydrofen semi stand 1+59. Scansione con reflex digitale eos 60D ed elaborazione/inversione con negative lab pro.
for the Macro Mondays challenge “Sweet Spot Squared” (September 19th 2016)
I like a little sharp and tangy taste with my sugar, so I chose raspberries ;o)
Finding and shooting the sweet spot!
I've got 3 macro 1:1 lenses now - but when I started out there was only one to fit my new Sony NEX-6, and it was Sony's eMount 30mm/3.5. That was March 2013, and I learned macro work through that lens for the next 2 years. So that was the lens I chose for this challenge.
I shoot macro in Manual, and have never explored the 'sweet spot' before - so I followed Janet's directions and used Aperture mode and shot all 17 F stop settings the lens has on two 2cm raspberries. I scattered sugar granules of various sizes both in front and behind the raspberries, to give me an idea of just how the overall image sharpness changes with the F/stop change.
Comparing the shots I used Janet's direction again: "You will be looking for the shot that has the sharpest details with as little blurring as possible". I thought it would be simple - F22 is the inevitable choice to offer minimal blurring, while keeping the subject in focus.
But I found a puzzling oddity. From F16 through to F22 the sharpness of the background elements increased, but the sharpness of the 'in focus' elements fell off. I repeated the experiment with a strawberry (a much larger subject) and the same result emerged - past F16 the 'in focus' elements of the shot suffered!
I went online to see if I could find an explanation. And the trusty B&H website came through with an article:
www.bhphotovideo.com/explora/content/rules-thumb-finding-...
I needed to compromise and take 2 or 3 stops back from F22 to find the best balance. There was little to choose between F16 and F18. This shot uses F16. And yes - I did then crop the original shot I used, to highlight the main raspberry, and leaving out most of the background sugar 'scatter'.
I hope it hits the sweet spot with you too :o)
Following on from the discussion Where do you draw the line? I've taken an old credit card as my guide, which is 3"x2" and added measures in cm too. I do SO hope that this will become the standard for Macro Mondays! My 2 raspberries are set on this 'new' format for my regular establishing shot in the first comment field
My 2016 Macro Mondays set: 2016 Macro Mondays
My Food and drink set: Food and Drink
Come into my parlour said the spider to the fly. Shot on manual exposure of f22 and 1\250 with an off camera hand held Speedlite 430EXII flash on full power, triggered using the Canon Speedlite transmitter ST-E2.
On Explore : Highest position: 29 on Saturday, September 12, 2009
I bet you have NEVER seen a sim pose with an F-22. EVER. Okay, maybe you have; I never claimed to be good with the whole originality thing. And yeah, I know the pose is kind of boring, but... F-22. It was for a contest and the requirement was "pose with a vehicle." I knew everyone was going to do a car, so I decided to do something different, very different. I was wrong - one person did a motorcycle - but you can bet your bottom that my sim was the only one posing with an F-22.
well we have to practice, practice, practice playing in shutter priority mode and aperture mode .... so this is the result of playing with the settings.
Thanks for stopping by and taking a peek. I hope you all know that I appreciate your comments however, awards and invites aren't necessary.
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USAF F22 Raptor Originating from the 95th Fighter Squadron at Tyndall Air Force Base, Florida based at RAF Lakenheath, seen in the Mach Loop as 'MONGOL 02' part of a Mixed Formation of 2 F15E's 2 F22's and 1 F15C.