View allAll Photos Tagged ExperimentalCinema
Experimental film using only 35mm film cinema stock, flashlight and a clear plastic frog. No camera, no lens, no edits. Each frame exposed one at a time with a flashlight. It was very slow film, (ISO 5).
My title "psychofrog" is sort of a small tribute to another avant-garde film called "Psycho Porpoise" by Rock Ross, which is an inspiration to me.
Kebyar Cosmic Dance youtu.be/a_ttUgiy9uE Half a way to say happy new year despite it’s tricky with all the 2020 shit. Half a way to say thanks to the javanese people who seems enjoying a lot one album of the netlabel. And… another half I was waiting for a while to do a video art clip with Phil Morton early computer generated video art, also creator of the copy-it-right an exemple for everybody who believe in free(share)culture.
Thanks so much to every friends helping me this year in projects such as
PIKADON archive.org/details/How_To_Download_Free_Music_Unusual_Al...
The World is Over! necktar.info/Over/Or/
rADio eNd horsnorme.org/rADio_eNd/rADio_eNd_english.html
or just sharing life moment or chatting with me. I wanted to do a dvd of my last films but it will be done only later…
And of course any others supporting the netlabel with radioshow, podcast°, compilation², postshare or anything with help the distribution of our underground outsider art.
Instead of doing any uncertain wishes, I just hope this year each one we will do choices and make them live.
More than ever this world need it.
² Few Compilations with our tracks
Evilfrance tribute by Earsheltering include Yoshiwaku, PIRATE Tapes, PARRHESIA Sound System… archive.org/details/earsheltering100
PIRATE Tapes summer hit is in the winter compilation of l’abeille cool in free download here labeillecool.bandcamp.com/album/les-tubes-de-lhiver-vol-1
Yoshiwaku track on the perfect christmas chill out compilation christmasisnotyourfriend.bandcamp.com/album/christmas-is-...
rADio eNd track on Cian Orbe Netlabel tribute to Lain Serial Experiments archive.org/details/va-tribut-to-serial-experiments-lain/
also a track which will pop out the 32 december here camembertelectrique.bandcamp.com/album/hear-xmas-see-xmas...
and also on shorty music “The Bottom Line” vpoiskahdodofriends.bandcamp.com/
° two podcasts with few tracks also here
hearthis.at/tlg/through-the-looking-glass-7-output-stereo...
“No Spaces, No Exit” will be released as a series of scenes on Instagram and YouTube.
Upon completion, the scenes will be compiled into a finished film.
#NoSpacesNoExit #IndieFilm #ExperimentalCinema #ArtFilm #Filmmaking #DirectorLife #SurrealCinema #MovieMagic #IndieCinema #PsychologicalThriller #SupernaturalThriller #Surrealism #LiminalSpace #ExistentialHorror #Dreamlike #DarkCinema #AvantGardeFilm #CinematicArt #ViralFilm #Filmmaker #CreativeVision #SupportIndieFilm #NewRelease #NatBradley
Manifesto della rassegna di proiezioni cinematografiche sulle "Visioni" delle Avanguardie e dell' Underground negli "statuniti".
Dal dopoguerra agli anni '80.
Molto interessante.
Ogni giovedì dal 9 al 30 novembre '06
Per maggiori info SEE IT LARGER! and the web site
SOUND ON
Flashing Images
“No Spaces, No Exit”
A New Video Art Series
By Nat Bradley
Scene 2
“The Coroner’s Report”
This clip is longer than the standard 90 seconds, making it an IG Reel.
Because of this, the Instagram app may time out on some devices.
If so, here is a link to the video on Youtube.
www.youtube.com/watch?v=-FXAC9XSKg0
If more convenient, send me a DM for a link.
“No Spaces, No Exit” will be released as a series of scenes on Instagram and YouTube.
Upon completion, the scenes will be compiled into a finished film.
#NoSpacesNoExit #IndieFilm #ExperimentalCinema #ArtFilm #Filmmaking #DirectorLife #SurrealCinema #MovieMagic #IndieCinema #PsychologicalThriller #SupernaturalThriller #Surrealism #LiminalSpace #ExistentialHorror #Dreamlike #DarkCinema #AvantGardeFilm #CinematicArt #ViralFilm #Filmmaker #CreativeVision #SupportIndieFilm #NewRelease #NatBradley
Ya que estamos, y viendo que no nunca está de más, recomendaré una película que en su día me movió mucho. Y hacia muchos sitios.
"Dancer in the Dark" (2000) - Lars Von Trier
MARCH 13 2019/13 MARZO 2019
18:00 - 19:00
Room 135/Aula 135 (terzo piano)
Università IULM (IULM 1)
Via Carlo Bo, 1
20143 Milan
gamedesign.university/jenna-ng
MACHINIMA AND THE ALLURE OF EPHEMERALITY: GAMEPLAY, LIVE STREAMS & DIGITAL CULTURE
LANGUAGE: ENGLISH
In this talk, Jenna Ng will address the explosion of interest in the live streaming of gameplay as witnessed in the popularity of Twitch, whose latest number of daily active users has reached 15 million, as well as other major platforms such as YouTube Gaming, Mixer, and Facebook Live. Specifically, the talk will link the current phenomenon of video game live streams with machinima and its origins in game demos and captured videogame play, arguing not only for live streams to be the next logical evolution for machinima, but also for a critical theorisation of screen media that pursues a realist trajectory, one which potentially works its way from neorealist cinema to drone culture.
Jenna Ng first trained as a finance lawyer in Singapore and London before switching to film studies, in which she obtained a PhD from University College London (UCL), and currently teaches film and interactive media at the University of York, UK. She is the editor of Understanding Machinima: Essays on Filmmaking in Virtual Worlds (Bloomsbury, 2013) and her current book project, Undoing the Screen: Space, Spectacle, Surface (Palgrave), explores the effacing of screen boundaries in relation to contemporary display technologies and the resulting erasure between images, objects, surfaces and spaces.
“No Spaces, No Exit”
A New Video Art Series
By Nat Bradley
“No Spaces, No Exit” will be released as a series of scenes on Instagram and YouTube.
Upon completion, the scenes will be compiled into a finished film.
> The Teaching and Learning Cinema presents '16mm from the '70s', a screening of films by artist Malcolm Le Grice at Belconnen Arts Centre, 13 April, 6pm.
>
> On Saturday 13 April, 7 artworks on 16mm film by Malcolm Le Grice will screen at Belconnen Arts Centre.
>
> The works are on loan from the National Film and Sound Archive and the Lux in London.
>
> In the 1960s, some artists started experimenting with film. They explored the medium in new ways, thinking about what happened if you threw the pieces of cinema in the air - the projector, the screen, the room, the audience - and reorganised them. Malcolm's work explored the physical aspects of the film strip - what happens when you use a film printer to reprint, recolour in lots of permutations. What happens when you think of film as an event and a performance - when the attention of the audience is drawn to the time it actually took for the film to be exposed to light - a very slow cinema. What happens when the film in the projector is just one part of the experience for the audience?
>
> The films demonstrate to us the power of cinema when it turns its back on narrative.
>
> These works come to us from a time when telephones had bells in them and typing pools prepared letters that travelled only by post. Yet these concerns of real time vs mediated time, the physical foundation to the image vs its power to transport us had a lucidity and an urgency about them that is as relevant now as it was then.
>
> On the bill are:
> Academic Still Life (Cezanne)
> Blind White Duration
> L'arroseur Arrose = After Lumiere
> Little Dog for Roger
> Threshold
> Whitchurch Down
> Castle 1
Total running time 80 mins.
Entry by gold coin donation.
>
> For further info contact Louise Curham
> louise@teachingandlearningcinema.org
> 0412 271 612
>
“No Spaces, No Exit”
A New Video Art Series
By Nat Bradley
Scene 5 “Telephone Booth #3 / No Spaces”
“No Spaces, No Exit” will be released as a series of scenes on Instagram and YouTube.
Upon completion, the scenes will be compiled into a finished film.
#NoSpacesNoExit #IndieFilm #ExperimentalCinema #ArtFilm #Filmmaking #DirectorLife #SurrealCinema #MovieMagic #IndieCinema #PsychologicalThriller #SupernaturalThriller #Surrealism #LiminalSpace #ExistentialHorror #Dreamlike #DarkCinema #AvantGardeFilm #CinematicArt #ViralFilm #Filmmaker #CreativeVision #SupportIndieFilm #NewRelease #NatBradley
“No Spaces, No Exit”
A New Video Art Series
By Nat Bradley
This is the final scene of the series.
The completed short film will be released soon.
Scene 6
A New Clinic / Fragmentation / No Exit
#NoSpacesNoExit #IndieFilm #ExperimentalCinema #ArtFilm #Filmmaking #DirectorLife #SurrealCinema #MovieMagic #IndieCinema #PsychologicalThriller #SupernaturalThriller #Surrealism #LiminalSpace #ExistentialHorror #Dreamlike #DarkCinema #AvantGardeFilm #CinematicArt #ViralFilm #Filmmaker #CreativeVision #SupportIndieFilm #NewRelease #NatBradley
Hello Friends,
“NO SPACES, NO EXIT”
The completed short film is now streaming on YouTube!
Thanks so much to everyone who followed along during the making of this film.
While it's been optimized for viewing on a cellphone, I highly recommend watching it on a larger screen like a computer or tablet, with headphones if possible.
Runtime: 20 minutes
Watch it here:
www.youtube.com/watch?v=kSsrjM6J8_g
Please share the link with friends who might be interested. I'd really appreciate it.
MARCH 13 2019/13 MARZO 2019
18:00 - 19:00
Room 135/Aula 135 (terzo piano)
Università IULM (IULM 1)
Via Carlo Bo, 1
20143 Milan
gamedesign.university/jenna-ng
MACHINIMA AND THE ALLURE OF EPHEMERALITY: GAMEPLAY, LIVE STREAMS & DIGITAL CULTURE
LANGUAGE: ENGLISH
In this talk, Jenna Ng will address the explosion of interest in the live streaming of gameplay as witnessed in the popularity of Twitch, whose latest number of daily active users has reached 15 million, as well as other major platforms such as YouTube Gaming, Mixer, and Facebook Live. Specifically, the talk will link the current phenomenon of video game live streams with machinima and its origins in game demos and captured videogame play, arguing not only for live streams to be the next logical evolution for machinima, but also for a critical theorisation of screen media that pursues a realist trajectory, one which potentially works its way from neorealist cinema to drone culture.
Jenna Ng first trained as a finance lawyer in Singapore and London before switching to film studies, in which she obtained a PhD from University College London (UCL), and currently teaches film and interactive media at the University of York, UK. She is the editor of Understanding Machinima: Essays on Filmmaking in Virtual Worlds (Bloomsbury, 2013) and her current book project, Undoing the Screen: Space, Spectacle, Surface (Palgrave), explores the effacing of screen boundaries in relation to contemporary display technologies and the resulting erasure between images, objects, surfaces and spaces.
MARCH 13 2019/13 MARZO 2019
18:00 - 19:00
Room 135/Aula 135 (terzo piano)
Università IULM (IULM 1)
Via Carlo Bo, 1
20143 Milan
gamedesign.university/jenna-ng
MACHINIMA AND THE ALLURE OF EPHEMERALITY: GAMEPLAY, LIVE STREAMS & DIGITAL CULTURE
LANGUAGE: ENGLISH
In this talk, Jenna Ng will address the explosion of interest in the live streaming of gameplay as witnessed in the popularity of Twitch, whose latest number of daily active users has reached 15 million, as well as other major platforms such as YouTube Gaming, Mixer, and Facebook Live. Specifically, the talk will link the current phenomenon of video game live streams with machinima and its origins in game demos and captured videogame play, arguing not only for live streams to be the next logical evolution for machinima, but also for a critical theorisation of screen media that pursues a realist trajectory, one which potentially works its way from neorealist cinema to drone culture.
Jenna Ng first trained as a finance lawyer in Singapore and London before switching to film studies, in which she obtained a PhD from University College London (UCL), and currently teaches film and interactive media at the University of York, UK. She is the editor of Understanding Machinima: Essays on Filmmaking in Virtual Worlds (Bloomsbury, 2013) and her current book project, Undoing the Screen: Space, Spectacle, Surface (Palgrave), explores the effacing of screen boundaries in relation to contemporary display technologies and the resulting erasure between images, objects, surfaces and spaces.
"21st Century Psychedelic", live cinema performance by Potter-Belmar Labs at the San Antonio Museum of Art, as part of their Psychedelic show. April 6, 2010.
Potter-Belmar Labs (Leslie Raymond and Jason Jay Stevens) test out their equipment setup before the performance.
MARCH 13 2019/13 MARZO 2019
18:00 - 19:00
Room 135/Aula 135 (terzo piano)
Università IULM (IULM 1)
Via Carlo Bo, 1
20143 Milan
gamedesign.university/jenna-ng
MACHINIMA AND THE ALLURE OF EPHEMERALITY: GAMEPLAY, LIVE STREAMS & DIGITAL CULTURE
LANGUAGE: ENGLISH
In this talk, Jenna Ng will address the explosion of interest in the live streaming of gameplay as witnessed in the popularity of Twitch, whose latest number of daily active users has reached 15 million, as well as other major platforms such as YouTube Gaming, Mixer, and Facebook Live. Specifically, the talk will link the current phenomenon of video game live streams with machinima and its origins in game demos and captured videogame play, arguing not only for live streams to be the next logical evolution for machinima, but also for a critical theorisation of screen media that pursues a realist trajectory, one which potentially works its way from neorealist cinema to drone culture.
Jenna Ng first trained as a finance lawyer in Singapore and London before switching to film studies, in which she obtained a PhD from University College London (UCL), and currently teaches film and interactive media at the University of York, UK. She is the editor of Understanding Machinima: Essays on Filmmaking in Virtual Worlds (Bloomsbury, 2013) and her current book project, Undoing the Screen: Space, Spectacle, Surface (Palgrave), explores the effacing of screen boundaries in relation to contemporary display technologies and the resulting erasure between images, objects, surfaces and spaces.
"21st Century Psychedelic", live cinema performance by Potter-Belmar Labs at the San Antonio Museum of Art, as part of their Psychedelic show. April 6, 2010.
Audience before the show. The auditorium got completely full, some people were turned away. To these people we offer our condolences. Come to the next one!
SOUND ON
Flashing Images
“No Spaces, No Exit”
A New Video Art Series
By Nat Bradley
Scene 4
“Hugo - A Negotiation With Fire”
“No Spaces, No Exit” will be released as a series of scenes on Instagram and YouTube.
Upon completion, the scenes will be compiled into a finished film.
#NoSpacesNoExit #IndieFilm #ExperimentalCinema #ArtFilm #Filmmaking #DirectorLife #SurrealCinema #MovieMagic #IndieCinema #PsychologicalThriller #SupernaturalThriller #Surrealism #LiminalSpace #ExistentialHorror #Dreamlike #DarkCinema #AvantGardeFilm #CinematicArt #ViralFilm #Filmmaker #CreativeVision #SupportIndieFilm #NewRelease #NatBradley
MARCH 13 2019/13 MARZO 2019
18:00 - 19:00
Room 135/Aula 135 (terzo piano)
Università IULM (IULM 1)
Via Carlo Bo, 1
20143 Milan
gamedesign.university/jenna-ng
MACHINIMA AND THE ALLURE OF EPHEMERALITY: GAMEPLAY, LIVE STREAMS & DIGITAL CULTURE
LANGUAGE: ENGLISH
In this talk, Jenna Ng will address the explosion of interest in the live streaming of gameplay as witnessed in the popularity of Twitch, whose latest number of daily active users has reached 15 million, as well as other major platforms such as YouTube Gaming, Mixer, and Facebook Live. Specifically, the talk will link the current phenomenon of video game live streams with machinima and its origins in game demos and captured videogame play, arguing not only for live streams to be the next logical evolution for machinima, but also for a critical theorisation of screen media that pursues a realist trajectory, one which potentially works its way from neorealist cinema to drone culture.
Jenna Ng first trained as a finance lawyer in Singapore and London before switching to film studies, in which she obtained a PhD from University College London (UCL), and currently teaches film and interactive media at the University of York, UK. She is the editor of Understanding Machinima: Essays on Filmmaking in Virtual Worlds (Bloomsbury, 2013) and her current book project, Undoing the Screen: Space, Spectacle, Surface (Palgrave), explores the effacing of screen boundaries in relation to contemporary display technologies and the resulting erasure between images, objects, surfaces and spaces.
MARCH 13 2019/13 MARZO 2019
18:00 - 19:00
Room 135/Aula 135 (terzo piano)
Università IULM (IULM 1)
Via Carlo Bo, 1
20143 Milan
gamedesign.university/jenna-ng
MACHINIMA AND THE ALLURE OF EPHEMERALITY: GAMEPLAY, LIVE STREAMS & DIGITAL CULTURE
LANGUAGE: ENGLISH
In this talk, Jenna Ng will address the explosion of interest in the live streaming of gameplay as witnessed in the popularity of Twitch, whose latest number of daily active users has reached 15 million, as well as other major platforms such as YouTube Gaming, Mixer, and Facebook Live. Specifically, the talk will link the current phenomenon of video game live streams with machinima and its origins in game demos and captured videogame play, arguing not only for live streams to be the next logical evolution for machinima, but also for a critical theorisation of screen media that pursues a realist trajectory, one which potentially works its way from neorealist cinema to drone culture.
Jenna Ng first trained as a finance lawyer in Singapore and London before switching to film studies, in which she obtained a PhD from University College London (UCL), and currently teaches film and interactive media at the University of York, UK. She is the editor of Understanding Machinima: Essays on Filmmaking in Virtual Worlds (Bloomsbury, 2013) and her current book project, Undoing the Screen: Space, Spectacle, Surface (Palgrave), explores the effacing of screen boundaries in relation to contemporary display technologies and the resulting erasure between images, objects, surfaces and spaces.