Equipment
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Autumn is in the air, in the trees, and on my mind. And like others, in their cameras by now. Trout Lake is only about 20 minutes away and unveils itself in different ways depending on the season. With the sun now lower in the sky, and winds barely present, the mirror-like surface can provide terrific reflections.
Fall colors also present themselves for view, while Lillie Pads suddenly appear. The shadow that split the scene nicely framed the two distinctly different elements. This too created depth and a polarizing filter both removed glare, and released those vivid colors.
In order to get this shot, it was necessary to prop up against a Birch tree that was leaning about 45 degrees toward the lake. There was nowhere to place my tripod and achieve the same shot, short of submersing it and settling for something different. For me, that is just not an option; be nice to your equipment.
photographycoach.ca
Taking photos at -35C is always a challenge (both for the photographer and the equipment), but making time-lapses adds to the difficulty to have the equipment working for 4 to 5 hours straight in the frigid cold. This is one frame of a time-lapse I captured a few days ago. Check it out on YouTube or Vimeo:
You can check my other time-lapses and videos at m.youtube.com/channel/UCSsSRAPCiE2WCqIKdIUaNiw
For the 4th of July celebration and 250 years, a step back to 1980 with the red-white-blue equipment of the Pittsburg and Shawmut RR.
P&S painted caboose 196 in a red-white-blue scheme for the nation's Bicentennial in 1976. Caboose is on the southbound coal train that is working at Reesedale, PA. A scale test car is ahead of P&S 196.
The Armstrong power plant is behind the train. It was working this hot July day in 1980. Today the plant is closed and has been for some time. Color negative scan.
Yesterday, I had to borrow my dad's photo equipment to take some pictures. When I downloaded my files from his memory card today, I came across a number of stunning shots that he had taken some years ago. This is one of them.
The photo shows the industrial part of the Austrian city of Linz at sunset.
All credit for this picture goes to my dad.
These are the big chicks, getting ready to fledge. I've been watching them for a few days, but they've either been flapping on cloudy days or sitting in the nest like bumps on a log on sunny days. I finally got them flapping on a sunny morning even if with the distance away, the partly cloudy sky behind, and the shady nest, the photos aren't the best. This may have been my best chance given that they'll leave soon and cloudy conditions are coming up do to frequent thunderstorms. Great Blue Herons, Siskiyou County, California
Tripod mounted downside. Focusing rail. Self made 3d printed feeding unit with embedded adjusting screw. Feeding steps of round about 0,05mm can be achieved. Tamron 90mm Macro lens is mounted. But also my old lenses are usable for the focus stacking purpose. Sony A7II is used.
Photos shot with this lens can be found here --> Mushroom - Focus Stacking or here --> Tiny Tree Fungis - Focus Stacking Details
For all my new Flickr friends! One of my fav shots in my stream.
The moon presents a real challenge in photography. This is one of the only shots that had nice exposure as well as sharpness.
This picture was taken after dark on California's central coast (San Simeon). Equipment used: Sony DSLR-A500 and a SAL 70-300G lens.
Original Date Taken: 01/30/2010 19:00:33
Original Upload Date: 02/18/2010 08:47:58
What ever this piece of equipment was/is must have been pretty heavy as it is place on a cement structure. Maybe a part of a heavy-duty motor?
before the performance
Sina on Kamancheh and Mashid on Oud.
Tirgān, an evening of Kurdish & Azari Folk Music and Persian Traditional Classical Music
An NJ Transit equipment extra is shoved east through Hillside behind a pair of geeps. Today, 4149 is out of service and 4210 is the Erie heritage unit.
NJTR 4149 GP40PH-2 (ex-PC/CR 3132 GP40)
NJTR 4210 GP40PH-2B (ex-PC/CR 3182 GP40)
Zimmerman Farm, PA I'm not sure what this is. A tiller of some kind I suppose. Anyone out there know?
Studio equipment used:
1 light source - Elinchrom ELC Pro HD 500, key light with Rotalux Deep Octa light modifier above in front of the model, another light source - Elinchrom ELC Pro HD 500 fill light with Strip box on the left, two black flags from left and right sides to darken the background, the whole scene was syncronized with Elinchrome EL Skyport remote used on camera, Carmen Red canvas background - approx. 2-3 meters behind the model
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For additional information see first image in series
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Md: Catherine (@kosmos.katya.piter)
MUA: Zira (@zira.stylist)
Ph & retouch: mine
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Date: October 17, 2021
Camera: Sony a7 iii (ILCE7M3)
Lens: Carl Zeiss Batis 85mm f/1.8
Exposure: 1/200 at f/4.5, 85mm, ISO 100
Equipment=Canon 6D
Lens Used=Tokina 17-35mm Lens
Exposures=7
Location=Glasgow Scotland
Workflow=Lightroom Merge
Adobe Lightroom 5
ON1 Photo 10= Increase Color, Angel Glow
Nik Color Efex=Tonal Contrast
A relic of a different age and it is not just my hands.
A old-time essential darkroom interval timer, it is still a wonderful thing.
I finding it a difficult task breaking apart my much loved conventional darkroom apart and disposing of all the superb equipment I had bought over the years. Still I have nearly finished now and there has been nothing cathartic about this action at all for me - just the lovely memories.