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In recent years we sadly have been watching a significant loss of habitat in our neighbourhood as construction of commercial/industrial parks encroaches on some of the last substantial pieces of open fields left south of the highway. In winter you could typically see Snowy Owls and Northern Harriers making a living in these fields, but this past Winter I saw neither of these species as construction ate yet another chunk of the open spaces. In Spring & Summer this also serves as habitat for other birds such as Savannah Sparrows and various shorebirds. :-(

A herd of Elk on the National Elk Refuge in Jackson, Wyoming

Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.

 

In this collection of illustrations from Traité des arbres et arbustes que l'on cultive en France en pleine terre (1801–1819), you will find more than 400 public domain images from the "Raphael of Flowers" – Pierre-Joseph Redouté (1759–1840) and Henri-Louis Duhamel du Monceau (1700–1782). Appreciate the variety of flowers, shrubs, trees and other botanical artworks from these distinguished illustrators.

 

Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/567691/traite-des-arbres-et-arbustes

 

WA13UAR Environment Agency Land Rover Defender Emergency Service Show NEC 2016

 

Thanks for viewing my photos on Flickr. I can also be found on Twitter and You Tube

Students on Clearance Diver Course - 0017 prepare to dive wearing the Kirby Morgan Superlite 17B helmet during the Surface Supplied Breathing Apparatus (SSBA) phase of the Clearance Diver course at the Fleet Diving Unit (Pacific), CFB Esquimalt, British Columbia on 26 May 2022.

 

Please credit: Sailor 1st Valerie LeClair, MARPAC Imaging Services

 

Des stagiaires du cours de plongeur-démineur – 0017 équipés du casque Kirby Morgan Superlite 17B s’apprêtent à plonger pendant la phase portant sur l’utilisation de l’appareil respiratoire non autonome (ARNA) du cours de plongeur-démineur, à l’Unité de plongée de la Flotte (Pacifique), à la BFC Esquimalt, en Colombie Britannique, le 26 mai 2022.

 

Photo : Matelot de 1re classe Valerie LeClair, Services d’imagerie des FMAR(P)

 

WM13VCG Environment Agency 4WD Truck MAN Emergency Service Show NEC 2016

 

Thanks for viewing my photos on Flickr. I can also be found on Twitter and You Tube

Thank you to all for your comments, faves, notes and expos!.-

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© Pablo Reinsch Photography

Please don't use this image without my permission.

there is so much being done for environment, though it is still one of the most important issues this days.

Environment Global warming , life , death

 

How big we are for this little life called earth.

This content has been generated by Media Scope Group AI Platform.

©Betsy A Foster~ 2015

Environment Agency BBA Pumps Wiltshire Emergency Service Show 2017

 

Thanks for viewing my photos on Flickr. I can also be found on Twitter and You Tube

Quick-Look Hill-shaded Colour Relief Image of 2014 1m LIDAR Composite Digital Terrain Model (DTM).

 

Data supplied by Environment Agency under the Open Government License agreement. For details please go to: www.nationalarchives.gov.uk/doc/open-government-licence/v...

 

For full raster dataset go to: environment.data.gov.uk/ds/survey

Our school has special events/activities every Friday, and this Friday is "World Environment Day". So this is what our marketing team was able to set up at our school entrance. :)

Young grass dancer at the High Park Traditional/Prescribed Burn, High Park, Toronto 9 Apr 2024. This ceremonial accompanies the annual burn of the black oak savannah in High Park.

Statue of Liberty, New York, USA

Picture credit: EEA

WA13UAR Environment Agency Land Rover Defender Emergency Service Show NEC 2016

 

Thanks for viewing my photos on Flickr. I can also be found on Twitter and You Tube

This is a scanned print from a collection of photographs taken by the late Jim Taylor A number of years ago I was offered a large number of photographs taken by Jim Taylor, a transport photographer based in Huddersfield. The collection, 30,000 prints,20,000 negatives – and copyright! – had been offered to me and one of the national transport magazines previously by a friend of Jims, on behalf of Jims wife. I initially turned them down, already having over 30,000 of my owns prints filed away and taking space up. Several months later the prints were still for sale – at what was, apparently, the going rate . It was a lot of money and I deliberated for quite a while before deciding to buy them. I did however buy them directly from Jims wife and she delivered them personally – just to quash the occasional rumour from people who can’t mind their own business. Although some prints were sold elsewhere, particularly the popular big fleet stuff, I should have the negatives, unfortunately they came to me in a random mix, 1200 to a box, without any sort of indexing and as such it would be impossible to match negatives to prints, or, to even find a print of any particular vehicle. I have only ever looked at a handful myself unless I am scanning them. The prints are generally in excellent condition and I initially stored them in a bedroom without ever looking at any of them. In 2006 I built an extension and they had to be well protected from dust and moved a few times. Ultimately my former 6x7 box room office has become their (and my own work’s) permanent home.

  

It was the development of our second generation website with its photo gallery located quite cleverly on Flickr, rather than making our own site unwieldy, that led me to start uploading photos to Flickr. It was initially for my own and historic company photos but with unlimited storage and reasonable upload speeds I soon started uploading other stuff. Scanning one of Jims photos was a random choice one winters evening, initially very slow and time consuming I nevertheless stuck with it and things just snowballed. It was obvious that there are a lot of people interested in this type of thing. I can now scan and edit in Photoshop in a minute or so per print. Out of over 30,000 images on Flickr I have around 3500 of Jims photos. I don’t promote myself on Flickr – at all! So my viewing figures grow organically, without using the mutual favourite awarding etc. that is endemic on Flickr. The statistics tell me that travel (I don’t do porn) is the most popular genre. My travel photos, particularly later stuff receive far more views than transport. The transport stuff will hit a ceiling and then build very slowly over time, with lots of people coming back to them again and again. Travel of course is far more inclusive but there is an unbelievable amount out there, far more than the 1980’s UK transport stuff. The travel and landscape photos have pushed the views past 12 million, with a current average of around 40,000 views a day, peaking with an upload from a new destination at around 90,000 views. I recall being excited with a 100 views.

 

My reasons for buying the collection were mixed. On the one hand it was a unique snapshot of the transport industry, predominantly in the north of England, from around 1980 onwards. This was my patch and my era. I passed my Class One a few days after my 21st birthday in 1980 and spent the next 17 years being a Jack the Lad on the road, waving at and crossing paths with many of the wagons that Jim photographed, in fact my owns wagons are in the mix. Jim did travel to Scotland extensively and into the Southern Hemisphere a number of times hence there is a broad range of material in his collection. I knew I wouldn’t get a chance like it again. On the other hand the reason I gave up hauling scrap around the North of England in a Foden eight wheeler was the diagnosis of an incurable form of Non-Hodgkin’s Lymphoma at the age of 38, although a low grade cancer I was already a widower with four young children and I was looking at an uncertain future and it terrified me. I wasn’t remotely ill but was treated with Chemotherapy, again, I wasn’t ill and didn’t need time off work. The shock however brought me to my senses and I came off the road, I joined the normal world, up at 6.30 not 4.30am. I didn’t realise it at the time but I had closed the door on my wagon driving days. I was worried that, at some point, I wouldn’t be able to work physically hard, bearing in mind the family business is a scrap yard – a physical sort of environment. I had it in my mind that there was a possibility that I could use my own and Jims photos to supplement my income, I had four kids to feed and I knew there wouldn’t be any family financial support – it’s not that sort of family. I still have the NHL although thankfully you wouldn’t know it. This type of thing is now considered treatable – not curable- after around forty endoscopies, a 100 stomach biopsies, bone marrow samples and endless scans of different types, I may well get to die of old age, not cancer. It was discovered almost by accident at the time, not illness on my part, and long may it stay that way! The lack of illness made the shock all the greater though.

 

I hope to avoid posting images that Jim had not taken his self, however should I inadvertently infringe another photographers copyright, please inform me by email and I will resolve the issue immediately. There are copyright issues with some of the photographs that were sold to me. A Flickr member from Scotland drew my attention to some of his own work amongst the first uploads of Jims work. I had a quick look through some of the 30 boxes of prints and decided that for the time being the safest thing for me to do was withdraw the majority of the earlier uploaded scans and deal with the problem – which I did. whilst the vast majority of the prints are Jims, there is a problem defining copyright of some of them, this is something that the seller did not make clear at the time. I am reasonably confident that I have since been successful in identifying Jims own work. His early work consists of many thousands of lustre 6x4 prints which are difficult to scan well, later work is almost entirely 7x5 glossy, much easier to scan. Not all of the prints are pin sharp but I can generally print successfully to A4 from a scan.

 

You may notice photographs being duplicated in this Album, unfortunately there are multiple copies of many prints (for swapping) and as I have to have a system of archiving and backing up I can only guess - using memory - if I have scanned a print before. The bigger fleets have so many similar vehicles and registration numbers that it is impossible to get it right all of the time. It is easier to scan and process a print than check my files - on three different PC's - for duplicates. There has not been, nor will there ever be, any intention to knowingly breach anyone else's copyright. I have presented the Jim Taylor collection as exactly that-The Jim Taylor Collection- his work not mine, my own work is quite obviously mine.

 

Unfortunately many truck spotters have swapped and traded their work without copyright marking it as theirs. These people never anticipated the ease with which images would be shared online in the future. I would guess that having swapped and traded photos for many years that it is almost impossible to control their future use. Anyone wanting to control the future use of their work would have been well advised to copyright mark their work (as many did) and would be well advised not to post them on photo sharing sites without a watermark as the whole point of these sites is to share the image, it is very easy for those that wish, to lift any image, despite security settings, indeed, Flickr itself, warns you that this is the case. It was this abuse and theft of my material that led me to watermark all of my later uploads. I may yet withdraw non watermarked photos, I haven’t decided yet.

 

To anyone reading the above it will be quite obvious that I can’t provide information regarding specific photos or potential future uploads – I didn’t take them! There are many vehicles that were well known to me as Jim only lived down the road from me (although I didn’t know him), however scanning, titling, tagging and uploading is laborious and time consuming enough, I do however provide a fair amount of information with my own transport (and other) photos. I am aware that there are requests from other Flickr users that are unanswered, I stumble across them months or years after they were posted, this isn’t deliberate. Some weekends one or two “enthusiasts” can add many hundreds of photos as favourites, this pushes requests that are in the comments section ten or twenty pages out of sight and I miss them. I also have notifications switched off, I receive around 50 emails a day through work and I don’t want even more from Flickr. Other requests, like many other things, I just plain forget – no excuses! Uploads of Jims photos will be infrequent as it is a boring pastime and I would much rather work on my own output.

 

None of my photographs are free to use – without my permission - only free to view! If you breach my copyright you are stealing what is mine and if I find out, I will pursue the case until you rectify the situation. Arguments that attempt to justify copyright theft are just excuses for theft from people with little or no understanding of copyright law – or more frequently- deliberate, selective, misinterpretation of the law – to suit their own ends. I have never knowingly refused a reasonable request, I don’t join groups but am quite happy for people to add photos to groups. I dislike exchanging long and time consuming emails – I prefer to talk on the phone, being the opposite of anti-social in person, you can’t shut me up. I am generally speaking an anti-social, social networker, I just don’t have the time for it, in fact, I joke that I am going to start a social network for internet anti-social people, you’ll just register your name and that’s it – no networking and endless mindless twaddle. Face-less Book? The antidote to Facebook. I like to get out and chat to people face to face and welcome customers with an interest in photography in to my office to chat on a regular basis. I also print – and give- A4 prints to many of the drivers that visit our yard. I photograph wagons and plant that I come into contact with in a day’s work I don’t go looking to photograph them in my free time. Wagons are a necessary evil in my life these days and they cost me money – every day! For the extensive story and history of JB Schofield &sons Ltd look here; www.jbschofieldandsons.co.uk/

 

So far photography remains a hobby, and I refuse any offers to turn it into a business, the regulations surrounding scrap and transport and the running of the yard keep me occupied most of the time. In my free time I cycle hard for fitness, walk hard for pleasure, fitness, and the challenge, take photos for pleasure and the challenge, edit them because I have to, and lastly, drink wine because I want to. There isn't time for another business. The kids are now adults and all of them work for me, and with me, another challenge.

 

Plastic drink cup wedged in a chain link fence along the sidewalk. #Litter [1R2A1587]

Environment: Digital Legacy Hard

we pass this old tree regularly, and noticed the bark is packed with snails sheltering on the shady side.

No rechargeables to be found for love nor money.

The environment needs our protection if we are to continue to enjoy it.

Scene created with Unreal Engine 4

A little overnight snow fall created the perfect environment for 2nd and 3rd grade students at Studebaker Elementary School on Saturday morning. Thanks to Ken Deever and his Rooftop Foundation, the students were treated to breakfast before heading off to Walmart, where each was given a $75 gift card to purchase gifts for family members. When they returned to school the cafeteria resembled a North Pole workshop as students and volunteers got to work wrapping their holiday gifts. When their work was done Santa and Mrs. Claus (shhhh … it may have been Ken Deever and his wife Esta … but don’t tell anyone) stopped by and presented each student with a bag of gifts of their own.

The polished interior plays with the environment

Quick-Look Hill-shaded Colour Relief Image of 2014 0.50m LIDAR Composite Digital Surface Model (DSM).

 

Data supplied by Environment Agency under the Open Government License agreement. For details please go to: www.nationalarchives.gov.uk/doc/open-government-licence/v...

 

For full raster dataset go to: environment.data.gov.uk/ds/survey

 

Straddling the borders of Chad, Niger and Cameroon in West Africa, Lake Chad has been a source of freshwater for irrigation projects in each of these countries. Maps drawn from a series of satellite images show a dramatic decrease in the size of the lake over the past 30 years. Since 1963, the lake has shrunk to nearly a twentieth of its original size, due both to climatic changes and to high demands for agricultural water. Since 1963, the surface area of Lake Chad has decreased from approximately 25,000 km2 to 1,350 km2 (Scientific American, 2001). The changes in the lake have contributed to local lack of water, crop failures, livestock deaths, collapsed fisheries, soil salinity, and increasing poverty throughout the region: - Between June 1966 and January 1973, the surface area of Lake Chad shrunk from 22,772 km2 to 15,400 km2. - In 1982, the lake’s surface area was estimated to be about 2,276 km2. In February 1994, Meteosat images measured it at just 1,756 km2. - Between 1953 and 1979, irrigation had only a modest impact on the Lake Chad ecosystem. But between 1983 and 1994 irrigation had increased four-fold. - About 50% of the decrease in the lake’s size since the 1960s is attributed to human water use, with the remainder attributed to shifting climate patterns. - Invasive plant species currently cover about 50% of the remaining surface of Lake Chad. Research carried out over the past 40 years indicates that the main factors in the shrinking of the lake have been: - Major overgrazing in the region (Coe and Foley, 2001), resulting in a loss of vegetation and serious deforestation, contributing to a drier climate. - Large and unsustainable irrigation projects built by Niger, Nigeria, Cameroon and Chad, which have diverted water from both the lake and the Chari and Logone rivers.

 

For any form of publication, please include the link to this page:

www.grida.no/resources/5593

 

This photo has been graciously provided to be used in the GRID-Arendal resources library by: Philippe Rekacewicz, February 2006

Sands Point Preserve,

Port Washington North, Long Island

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The most likely colors to attract bees, according to scientists, are purple, violet and blue. Bees also have the ability to see color much faster than humans.

-- Mark Owens

An old-growth, tropical forest in Khao Sok National Park after a spring rain | Surat Thani Province, Thailand 2023

(Non-AI)

© Stu Smucker 2023

www.gettyimages.com/detail/photo/plants-in-an-old-growth-...

 

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