View allAll Photos Tagged Environment

A NASA technician is shown mounting an experiment in Lewis' 25 x 80 foot space environment tank. This giant tank, in the Electric Propulsion Laboratory, can simulate altitudes as high as 300 miles.

 

NASA Media Usage Guidelines

 

Credit: NASA

Image Number: C-1963-63759

Date: March 8, 1963

That's right, our offices should be agile! (Poster at OOPSLA conference)

coastal mangroves in munkkivuori, helsinki in summer

Quick-Look Hill-shaded Colour Relief Image of 2014 0.50m LIDAR Composite Digital Terrain Model (DSM).

 

Data supplied by Environment Agency under the Open Government License agreement. For details please go to: www.nationalarchives.gov.uk/doc/open-government-licence/v...

 

For full raster dataset go to: environment.data.gov.uk/ds/survey

 

Last week the University’s School of the Built Environment celebrated its close links with employers at a special prize-giving ceremony for students that followed Wednesday’s graduation ceremony.

 

www.salford.ac.uk/built-environment/about-us/built-enviro...

A mining bee hovers above its nest on a bare patch of soil in Annapolis, Md., on May 30, 2020. Native bees like those from the genus Andrena build solitary nests in the ground. (Photo by Will Parson/Chesapeake Bay Program)

 

USAGE REQUEST INFORMATION

The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge. To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.

 

A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.

Series of Photographs for my University project of 'Environments'. I've chosen to look at the natural human body, with aspects of a natural landscape brought into the photos.

Everybody's carbon emissions affect global warming.

Quick-Look Hill-shaded Colour Relief Image of 2014 2m LIDAR Composite Digital Terrain Model (DTM).

 

Data supplied by Environment Agency under the Open Government License agreement. For details please go to: www.nationalarchives.gov.uk/doc/open-government-licence/v...

 

For full raster dataset go to: environment.data.gov.uk/ds/survey

 

Change in the initial species richness in 2005 relative to 2001-2005 average (high-range climate change scenario). Studies predict species invasion will be profound in the Arctic and Southern Oceans. Among others these changes could result in a significant turnover of species of more than 60% of present biodiversity. This has the potential to disrupt a range of marine ecosystem services including food provisioning.

 

For any form of publication, please include the link to this page:

www.grida.no/resources/7337

 

This photo has been graciously provided to be used in the GRID-Arendal resources library by: Riccardo Pravettoni

Last week the University’s School of the Built Environment celebrated its close links with employers at a special prize-giving ceremony for students that followed Wednesday’s graduation ceremony.

 

www.salford.ac.uk/built-environment/about-us/built-enviro...

Mr Valentinas Mazuronis, Lithuanian Minister for the Environment talks to the press on arrival

 

Kyle Breda heads to the next hole at A.L. Gustin Golf Course, Thursday, April 10, 2014, in Columbia, Mo. A new study conducted by MU researchers found golf courses are more environmentally healthy than they are perceived to be. (Danielle Dieterich / KOMU News)

Photo by Doug O'Neil. In Hobart yesterday evening, 40 Tasmanian community members gathered in solidarity with the people of Broome who oppose the proposed gas hub at James Price Point in far north Western Australia.

 

"We are joining a national day of action alongside people in Adelaide, Brisbane, Melbourne, Perth and Sydney, to support the people of Broome in their fight to protect one of the most spectacular places in the world" said Jenny Weber of the Huon Valley Environment Centre.

 

The gathering was coordinated by Huon Valley Environment Centre and The Last Stand. 40 people held a candle light vigil while films from the protests about the proposed gas hub were projected on to a wall at Pier 1 at Macquarie Wharf in Salamanca.

 

"Tonight, the people of southern Tasmania are standing strong in spirit with this inspiring community in the far north west of the country. We are demonstrating our absolute support for these outstanding citizens who are taking a stand for the Kimberley, one of our most ecologically and spiritually significant landscapes" said Ula Majewski of The Last Stand.

 

More than 140 police officers have been flown to Broome to assist the company Woodside Petroleum's controversial $40 billion James Price Point gas hub, in resuming work.

 

The police are shepherding through Woodside machinery to the proposed gas hub site and a large contingent of riot police arrived.

 

"We are told stories about James Price Point by the people who are standing up to defend it. It is a place where there are globally significant dinosaur track-sites, humpback whales feeding and calving, greater bilbies breeding, an ancient Aboriginal song cycle that is shared with people from all over the world in an annual walk called the Lurujarri trail. It is an absolute disgrace that Woodside wants to destroy this magical place with an industrial gas," concluded Jenny Weber.

 

For more information, visit

www.environskimberley.org.au

www.kimberleycampaigner.com

www.savethekimberley.com

FENDI BAGUETTE BAG ANNIVERSARY | FENDI POP-UP

New York, New York

 

situation

“It’s not a bag, it’s a Baguette,” quipped Sarah Jessica Parker in “Sex in the City,”—forever immortalizing it as a fashion staple. Conceived by Silvia Venturini Fendi, the prominent fashion clutch is commemorating its 25th anniversary and is the feature for the Fendi winter 2022 capsule.

 

To celebrate, Fendi unveiled a New York pop-up boutique, situated at 90 Prince St. in the heart of SoHo. This 1,850 square-foot space was transformed to showcase the Fendi Baguette collection. Teaming with agency Innercity (IC-YA), Britten WoodWorks would craft the essential elements to transform a vacant storefront into a playful pop-up befitting the Fendi brand.

 

The principal feature would be oversized reproductions of the Baguette itself, fitted for product merchandising display. True to Britten’s capabilities, creating this larger-than-life design adds amusing dimension to the space.

 

solution

Using formed plywood as the core interior and Brittens's Foam3D™ elements to construct the compound curves and edges, Britten WoodWorks crafted outsized replicants of the iconic handbag—detailed down to the flap, clasp, and signature sleek edges.

 

Spanning 10’ high and 12’ wide and equipped with floating shelves and ready-to-wear racks, each Baguette was integrated with 3000K LED lighting to house and highlight the collection’s pieces.

 

Configured in three sets of match pairs, two in jewel-tone green, two in light pink, and two in Tiffany blue, each were color-matched to the exacting hues of the rest of the Fendi interior.

 

impact

By entrusting Britten WoodWorks, Fendi conveyed its aspirations for a phenomenal pop-up and its brand perception. The finished detailed interior cemented Britten WoodWorks as a complete idea-to-install fabricator and capable partner to shoulder the weighty brand presence of Fendi.

 

The results demonstrate Britten WoodWorks' ability to produce refined finish details that match highly stylized brand expectations with the technical demands of retail merchandising. From concept to installation in just four weeks, expediate skilled work is another benefit of partnering with Britten, Inc.

 

britteninc.com/portfolio/fendi-baguette-bag-anniversary

 

The results demonstrate Britten WoodWorks ability to produce refined finish details that match highly stylized brand expectations with the technical demands of retail merchandising.

Preparations for transport of collected samples after completion of the mission.

 

IAEA experts visited Japan from 8 to 14 September 2014 and -- together with staff from NRA and the Ministry of Foreign Affairs -- collected water samples from the sea at five locations near TEPCO's Fukushima Daiichi Nuclear Power Station,

 

The water samples were shared both between the IAEA Environmental Laboratories and the Japanese Laboratories to e=be analyzed independently.

 

Photo Credit: NRA

Premier John Horgan stepped outside to catch a glimpse of the solar eclipse. Hundreds of people gathered around the legislative lawns and the Royal BC Museum to view this once in a lifetime experience.

A nomad bee from the genus Nomada search for the nests of mining bees on a bare patch of soil in Annapolis, Md., on May 30, 2020. Nomada are a type of cuckoo bee that practices brood parasitism of mining bees and other ground-nesting bees. (Photo by Will Parson/Chesapeake Bay Program)

 

USAGE REQUEST INFORMATION

The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge. To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.

 

A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.

Photographs of a Changing Land and its People forward by Don Watson

Introduction Andrew Chapman of the Many Australian Photographs Group [MAP Group]

"A moment of Awakening" Martin Flanagan

 

"Drought or Climate Change?"Dr David Jones

Head of Climate Analysis Bureau of Meteorology

 

Speaking of trees, check out the Climate Change chart on a coaster to visualise the climate data in over 100 locations around Australia..

 

See your region's average monthly temperature, and a graph of the daily temp compared a visualisation of the location's long-term average.

 

Get your chart or coaster here... gravitron.com.au/climatecoaster/

 

Seen in my ANUreporter Spring 2018 Vol.49 No.3

energy and environment pictures from the library www.energypicturesonline.com

A colleague of min has this fantastic Norwegian design icon, a Tandberg Sølvsuper (translated to Silversuper) radio and amplifier. Unfortunately he's been having some problems with it. He told me the audio was "scratchy, then dropped out." It's always hard to tell what's wrong by peoples description, but it sounded like the speaker contacts where loose, or maybe just dirty.

 

I unscrewed the cabinet, a combination of wood and aluminium. Only four easily accessible screws to get to the components, hurrah. They knew how to make stuff repair friendly back then!

 

Now the strange thing is that as I poked around I couldn't find anything wrong. The only issue was that only two out of four speaker outputs had audio (but what audio, my god what a quality!). I have a pair of old Bang & Olufsen speakers with the same specs as the Tandberg amp (4-8 ohm), and they sound FANTASTIC when plugging my portable cd player to the input marked PHONO (after pressing down the limiter button). But if I tried connecting it to the TAPE input I got absolutely nothing.

 

I have a neighbour that has alot of experience repairing electronics, and he pointed out that it could be the cable/contact itself, and sure enough, when measuring the resistance on the white and red phono jacks and matching them to the five pins on the DIN-plug, we found that the middle is ground, but only two of the other four pins got a signal, so no wonder there where only sound in two speakers.

 

What threw me off at first is that there is actually a little audio in the two speaker outputs that are supposed to be dead, but this is pretty normal in older amplifiers. The audio signal can "bleed" over to other parts of the circuit, usually only noticable if you crank everything up full volume.

 

Anyways, everything seemed quite fine, but I used a tiny screwdriver to try to scrap off any dirt on the contacts, and that seemed to do the trick, improving the conductivity of the contact = better sound and less scraping.

 

I also cleaned up all the buttons and knobs on it, as a bonus.

 

Brought it back and my colleague was really happy with it, he has tested it and it works great.

 

Sometimes a simple poking is enough. True for making babies AND fixing amplifiers. :)

A carpenter bee hovers long enough for a closeup in the backyard of a participant in the RiverSmart Homes program in Washington, D.C., on April 13, 2017. (Photo by Will Parson/Chesapeake Bay Program)

 

USAGE REQUEST INFORMATION

The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge. To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.

 

A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.

Sampling boat at location close to Fukushima Daiichi Nuclear Power Station.

 

IAEA experts visited Japan from 8 to 14 September 2014 and -- together with staff from NRA and the Ministry of Foreign Affairs -- collected water samples from the sea at five locations near TEPCO's Fukushima Daiichi Nuclear Power Station,

 

The water samples were shared both between the IAEA Environmental Laboratories and the Japanese Laboratories to e=be analyzed independently.

 

Photo Credit: NRA

In the heart of Old Town, historic factory is among the oldest in Grasse ... Indeed the current premises sheltered from their beginning in 1782, a perfume factory. In 1926, after the famous painter Jean Honoré Fragonard, it takes the name of Parfumerie Fragonard. Since then, every day, we produce are our perfumes, cosmetics and soaps in a respectful environment of tradition. We would be happy to welcome you and offer you a guided tour during which you will discover the different manufacturing processes and packaging our products. At the end of your visit, you can admire 3000 years of history of perfume through our private museum.

 

Dedicated to the perfume and aromatic plants, Flower Factory is surrounded by a beautiful garden scented plants ... the gates of Grasse, this contemporary factory opened in 1986 is equipped with very modern machinery for the manufacture and packaging of our products.

 

WORKSHOP ODOR "Perfumer's Apprentice"

 

Available on the French Riviera and Paris, in factories, workshops Perfumers Apprentice can discover the expertise of Perfumer: the history of perfume, raw materials and different extraction methods.

 

Experience unforgettable sense centered on the composition of a toilet water (100 ml) in aromatic notes of citrus and orange blossom, by assembling the different species made available. A fun and exciting experience in the world of perfumery, which proposes the course led by the teacher, the bottle and its bag, apron "apprentice" printed Fragonard, the diploma signed by the teacher and the summary of the composition .

 

One of our guides will accompany you as a result of the workshop for a visit "Prestige" from our factory.

 

Located in one of the oldest houses in the historic center of the city, this perfume offers original creations of Didier Gaglewski.

 

Didier Gaglewski, "nose" in Grasse, began offering its achievements in the framework Living in Provence and in Paris, Germany and Switzerland. Both "artisan", "artist", he decided to offer his achievements directly driven by the idea that the quality, originality and respect perfume composition will dress with fun, humor and quality its customers.

Requiring each of its perfumes, made ​​in the privacy of his laboratory, took several months of research. In partnership with Michelle Cavalier and the "garden of La Bastide," Didier Gaglewski also remains closer to the flowers and working the land. Try to trace extraction techniques inherited from the past and plants specific to the region perfumes seduce and make a very personal and authentic. This atypical creator is distinguished by its compositions made ​​in Grasse basin, its choice to favor natural raw materials and the search for sobriety.

 

Front satisfaction and customer demands wishing to regain the proposed perfumes, shop in Grasse, 12 rue of the Oratory, just steps from the International Perfume Museum to discover the scents and recent creations.

 

The country house of Aromas

 

Based in Saint Cézaire on Siagne in the Pays de Grasse, the Bastide aromas manufactures and packages fragrances since 1995.

 

Saint Cézaire on Siagne is a typical Provencal village a few kilometers from Grasse, the world capital of perfumery.

 

The homemade studio human scale can meet all your demands. The 100% handmade is carried out in the workshop without intermediary, under the control of a chemist.

 

La Bastide des Aromas, respects the traditions of the Grasse region and offers the exclusive fragrances custom made in the workshop on-site, high quality, with particular stress on the fragrance concentration, her outfit and originality.

Quick-Look Hill-shaded Colour Relief Image of 2014 0.50m LIDAR Composite Digital Surface Model (DSM).

 

Data supplied by Environment Agency under the Open Government License agreement. For details please go to: www.nationalarchives.gov.uk/doc/open-government-licence/v...

 

For full raster dataset go to: environment.data.gov.uk/ds/survey

 

Walls at Sutton Estate, Lincs. Credit: © Natural England/Elaine Willett

Ryan Davis of the Alliance for the Chesapeake Bay visits young trees on a Plain sect farm near Christiana, Pa., on July 25, 2020. Funded by a grant from the Pennsylvania Department of Conservation and Natural Resources, the Alliance planted the trees in the spring of 2019 to form a 1-acre stream buffer that will filter stormwater runoff before it leaves the 88-acre farm. The farmer has also installed other conservation measures with grants from the National Fish and Wildlife Foundation (NFWF) and the USDA Natural Resource Conservation Service's Environmental Quality and Incentives Program (EQIP). These include a manure storage pit, barnyard stormwater control, and several grassed waterways on the property. "These conservation practices have done more than increase water quality; they have dramatically improved the farm's operational efficiency and thus the lives of the farmer and his sons," Davis said.

 

USAGE REQUEST INFORMATION

The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge. To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.

 

A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.

1 June 2014. El Fasher: Trucks pump water from a well in El Fasher, North Darfur, to distribute as potable water among the population. Technicians from the Ministry of Environment report this water is not suitable to drink.

Photo by Albert Gonzalez Farran, UNAMID

June 5, 2009

Dmitry Chernyshenko, Sochi 2014 President and CEO

Theodore Oben, Chief of the UNEP’s Outreach Section

 

© Sochi 2014 Organizing Committee

MONUMENTAL GHOSTLY HEIGHTS

BRADFORD KESSLER SOLO EXHIBITION

DAFENG GALLERY / 798 / BEIJING

7.31.10 - 9.19.10

 

Bradford Kessler, born in Kansas USA, 1982, currently lives and works in Beijing. Born and raised on the white bread of America, filled with dreams of Disneyland and rapid-flash images of cartoons and television, he finds himself immersed in China's nascent art community. Kessler's approach to creating art work is based on transmitting conceptual ideas. He creates art objects, projects and videos referencing conspiracy, movies, drugs, suicide and philosophy, which attempt to explain a kind of mythology of his generation. Art is meant to be shared, it is an experience. An art work itself is a language, it is a means of communication. Through the concepts of his works, Kessler introduces a new language, diction, syntax to Beijing's art community, which is exactly what constitutes the raw creative environment that defines the evolving character of Beijing.

 

Kessler describes his inspiration for "Monumental Ghostly Heights" as a process of gathering information and visual ideas all related to incidents of dreaming and escape, both real and metaphysical. The artworks, better described as objects or products, displayed are mere byproducts or selected physical realizations of a thousand fleeting thoughts, images, questions and inspirational moments. Consisting of blueprints splattered with bat blood, his "K(O) Phasor Safari Series" of pretend B-Flick movie posters recreate tranquilized visions of technological horror and mass parapsychological events. "Projectiles for Riding a Single Etermal Wave" is a set of abstract fiberglass sculptures coated in surfwax which are modeled from the molecular structure of cyanide and project from his futuristic replica of the portable M29 'Davy Crockett' nuclear weapon system tested by the American military during the Korean War. Kessler imagines these over sized cyanide molecules as props like the giant tarantulas wreaking havoc over chaotic crowds of a 1950's Sci-Fi Horror movie. His research refers to the prophetic visions and suicide missions of the UFO cult Heaven's Gate and the Utopian People's Temple. An underlying thread of his works is the desire to escape humanness and discover what Walt Disney would call a "magic kingdom." This search of a dream and the suspension of disbelief that supports it are evidence of a generation attempting to define and maintain their eternal youth. Kessler represents a generation of young artists rapidly surfing the internet, unafraid of pioneering new conceptual territories, and willing to dramatically expose themselves in the name of expression and creativity.

  

博凯(Bradford Kessler),28岁, 是生于美国堪萨斯州而现住北京的职业艺术家。吃着美国的白面包长大,对迪斯尼乐园,电视和快速闪现的卡通形象充满梦想,他现在发现自己已经沉湎于中国新兴的艺术团体。 博凯进行艺术创造的方针是传达概念性的想法。他所创作的作品中频频出现关于阴谋、毒品、邪教自杀和哲学符号,试图解释美国80后的神话。艺术的体验应该分享。艺术品本身是一种语言,是一种交流的方式。博凯通其作品中的概念性描绘,为北京的艺术社区引入了一种新的语言,措辞,语法,这恰恰是构成北京原创的不断进化的环境特征的最好定义。

 

博凯逐字逐句的讲解着他的梦想。从他收集与梦与逃避相关的信息、视觉观点事件,真实的或是形而上学的来讲述他的展览的灵感来源。艺术品,被更好的描述作物体或者产品,仅仅是通过被选定的副产品来展现那成千上万的转瞬即逝的想法、图像、困惑还有那些有灵感的瞬间。他《K(O) Phasor狩猎之旅》的海报系列作品是在药物引起的经验后重现虚幻的假想。〈永恒冲浪大炮〉系列是便携式核武器系统,但是炮弹泽变成了钠氢份子。他的研究是指天堂之门的集体自杀和先知远见以及人民圣殿教的乌托邦理想。他的作品当中其中一个常见的含义是希望摆脱现实而进入沃尔特-迪斯尼先生的“神奇王国”。梦想的寻找是这一代人试图确定他们的自我生成的证据。博凯代表的是一代频频上网,不停地在新领域的开拓艺术灵感的来源。他们并迫切用表达和创造力来释放自己。

1 2 ••• 10 11 13 15 16 ••• 79 80