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and I'd reach through time and space to replay this day again.
I'm very fond of this edit and the reflection in the lens and that it reminds me of the galaxy for some reason.
I really love this.
Industar 69 28/2.8 mounted on my trusty nex5n. I had to grind down the Fotga M39 to nex adapter to get it to focus to infinity. I have a better solution coming from China. I removed all the internal lens focus stops, so it can also focus very close. But you have to take care to not unscrew the lens completely out of the barrel. I think this is one of the most compact APS-C rigs you can find.
☢️ BLUPR/NT ☢️ CAKE DAY ☢️ DAPPA ☢️ AITUI ☢️ ACCESS ☢️ PUNCH ☢️ MAN CAVE ☢️ REALEVIL ☢️ VOLKSTONE ☢️ VRSION ☢️ SIGNATURE ☢️ LELUTKA ☢️
Un très bel appareil encore en service. A l'intérieur de chaque gamme de foldings, Billy ou Isolette Agfa proposait des modèles simples ou élaborés dotés des meilleurs équipement de l'époque en objectif et obturateur. J'ai eu la chance de le trouver dans un état proche du neuf. Il ne dispose pas d' un viseur optique pliant, plus agréable d'usage.
Made for Ricoh by Mamiya. Same body style as the Nikon Nikkorex F. So the 55mm f/1.4 lens is in a Nikon F mount, rather than the later M42 screw-thread type that Ricoh favored. Way cool. A clip-on meter would attach to the plate as shown on the front of the camera under the shutter dial. The lever on the front of the body activated the self-timer when swung away from the lens and stopped-down the aperture when pushing it toward the lens. Much like on later Canon "F" series cameras. Handy feature, efficient engineering.
The camera body was purchased for 20USD with some internal mirror/shutter adjustments needed. I mainly bought it for the lens, which is a gem of glass and brass. I hope to see if I can remedy the shutter problems over the winter.
You have to fill 9 boxes with 9 numbers and there are 9 columns and rows, where each number can appear only once.
An old friend I have had since the mid 1960's. My first "serious" camera that I purchased from a friend's dad for $20. A circa 1952 Praktica single lens reflex with the venerable 50mm f2.8 Zeiss Tessar Jena pre-set lens. Shutter speeds from 1/2 second to 1/500th. No light meters, instant return mirrors or automatic stop-down apertures on this baby. It introduced me to the wonderful worlds of macro, telephoto, street, and astrophotography. She still works as well as the day I got her. Replaced in 1969 with the Canon FT-QL my brother brought me back from his tour in Vietnam. The greatest gift I ever received. Now this fine old Praktica just looks at me from a shelf. Kind of sad, really.
Well, just look what the postman turned up with this morning.
Rumours abound that production has ceased so it's now or never.
The pinnacle of Nikon's film SLR range, its going to need breaking in.
Just fitting L screen, it may not have interchangeable prisms but at least you get to play with the screens just like the good old days. I am fond of an angled split prism rangefinder hence the L.
[EXPLORE 03.11.2015]
My photographic journey has led me to these three L lenses for my semi-professional needs: 24L II, 50L and 135L. I think I can cover pretty much any events or shoots with these three. I've owned several other L lenses from Canon and all good experiences with them. But the game changer for me was the 50L and the ability to shoot at f/1.2. I really enjoyed that focal length and that particular lens, instantly becoming a favorite. That also meant my 35L had to go. So once the 50L became my main lens, I built around it by selling and buying lenses that would compliment the lens. The other two lenses which round out my kit (40mm pancake & Tamron 28-75mm) are gifts from friends and family that I dare not sell and keeping for life.
While I love my mirrorless system, I cannot part ways with this family. Still so good!
Olympus OM-D E-M5 + Oly 25mm f/1.8
The title? I was listen to Queen's Bohemian Rhapsody while this was uploading. Besides it might be a good description of her.
When it is all said and done, if the pilots see all this data satifactorly giving them the info they need....my job is done.
This is the flightdeck on an Alaska 737 while I do a jump seat to Deadhorse. They were letting me ride along to check things out.
Hoy, Enrique nos ha dejado: Mi maestro, mi sabio padre intelectual, para siempre en mi recuerdo.
1930 Leica Compur.