Editorial photography
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An Azure-winged Magpie raises its vibrant blue tail, a likely sign of excitement, while gathering near an almost hidden pool. Captured from a low angle, this characteristic pose reflects the bird's social behavior
Generated By Midjourney V6
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**🎬 Prompt :**
Un chat noir au pelage ébouriffé et légèrement humide, assis parfaitement au centre du cadre, fixe la caméra avec un regard perçant et presque surnaturel. Ses yeux dorés brillent comme deux éclats d’ambre liquide, contrastant violemment avec son pelage d’encre. Chaque mèche de fourrure est visible, détaillée, hérissée comme électrisée par une tension invisible.
L’arrière-plan est un tissu zébré noir et blanc, aux motifs ondulants qui créent une illusion optique hypnotique, presque vivante, comme si le décor respirait doucement. Les lignes du motif semblent converger vers le sujet, accentuant sa présence dominante et mystérieuse.
Éclairage cinématographique dramatique en clair-obscur : une lumière principale douce mais directionnelle venant légèrement de côté sculpte le visage du chat, révélant les textures fines de la fourrure et les reflets subtils dans ses yeux. Une légère rim light souligne les contours de ses oreilles et de son dos, détachant sa silhouette du fond graphique.
Profondeur de champ faible (bokeh doux), arrière-plan légèrement flouté mais encore lisible pour conserver l’effet visuel hypnotique. L’image est capturée en ultra haute définition, style photographie animalière de luxe mêlée à une esthétique de film noir contemporain.
Ambiance : énigmatique, élégante, légèrement inquiétante, comme si ce chat était le gardien silencieux d’un secret ancien.
Palette de couleurs dominée par le noir profond, le blanc contrasté et les reflets dorés.
Caméra : plan frontal, cadrage symétrique, objectif 85mm, ouverture f/1.8, ISO bas, netteté extrême sur les yeux.
Texture : hyperréalisme, micro-détails visibles (poils, fibres du tissu, reflets lumineux).
Style : mélange de **cinéma noir**, photographie éditoriale haut de gamme et réalisme dramatique.
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**🎬 Prompt:**
A black cat with slightly damp, tousled fur sits perfectly centered in the frame, staring directly into the camera with a piercing, almost supernatural gaze. Its golden eyes glow like liquid amber, sharply contrasting against its ink-dark coat. Every strand of fur is visible in extreme detail, slightly raised as if charged with an unseen tension.
The background consists of a black-and-white zebra-patterned fabric, its flowing stripes forming a hypnotic optical illusion. The pattern feels almost alive, subtly breathing, with its lines visually converging toward the subject, amplifying the cat’s dominant and mysterious presence.
Dramatic cinematic lighting in chiaroscuro style: a soft yet directional key light from the side sculpts the cat’s face, revealing intricate fur textures and delicate reflections in the eyes. A subtle rim light outlines the ears and back, cleanly separating the silhouette from the graphic background.
Shallow depth of field with soft bokeh; the background remains slightly blurred but still recognizable, preserving the hypnotic visual effect. Captured in ultra-high definition, blending luxury animal photography with a contemporary film noir aesthetic.
Mood: enigmatic, elegant, slightly unsettling, as if the cat is a silent guardian of an ancient secret.
Color palette dominated by deep blacks, stark whites, and rich golden highlights.
Camera: frontal shot, symmetrical composition, 85mm lens, aperture f/1.8, low ISO, razor-sharp focus on the eyes.
Texture: hyperrealism, visible micro-details (individual hairs, fabric fibers, subtle light reflections).
Style: fusion of **film noir**, high-end editorial photography, and dramatic realism.
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--ar 3:2 --v 6 --style raw --q 2 --stylize 100 --chaos 5 --uplight --no blur --no distortion
Generated By Midjourney V7
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**🎬 Prompt (FR) :**
Trois chatons ultra réalistes blottis dans un panier en osier tressé, posé sur une surface douce aux tons pastel, dans une ambiance chaleureuse et onirique. Le premier chaton, à gauche, est gris tigré avec les yeux fermés, profondément endormi, ses petites pattes repliées sous son museau. Le second, au centre, est un chaton roux aux yeux bleu clair perçants, regardant directement l’objectif avec une expression curieuse et innocente. Le troisième, à droite, est crème très clair, presque ivoire, avec des yeux bleu pâle légèrement humides, donnant une impression de douceur fragile.
Le panier est orné d’un ruban rouge satiné scintillant, noué en un large nœud parfaitement détaillé, avec des reflets lumineux subtils. À côté du panier repose une petite souris en tissu cousue main, avec des coutures visibles et une texture textile réaliste.
L’éclairage est cinématographique, doux et diffus, type golden hour, avec un léger contre-jour créant un halo délicat autour des chatons. Profondeur de champ très faible (bokeh crémeux), arrière-plan flou composé de fleurs pastel roses et beiges, ambiance rêveuse et romantique.
Textures extrêmement détaillées : chaque poil est visible, légèrement duveteux avec micro-reflets, les moustaches fines captent la lumière, le panier montre des irrégularités naturelles du bois tressé. L’atmosphère est légèrement brumeuse avec des particules flottantes lumineuses, ajoutant une touche magique.
Palette de couleurs harmonieuse : tons chauds, pastel, crème, pêche, rose poudré, avec contraste doux. Style photographique hyperréaliste, rendu 8K, netteté extrême sur les sujets, dynamique de lumière naturelle, HDR subtil.
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**🎬 Prompt (EN):**
Three ultra-realistic kittens nestled together inside a handwoven wicker basket, resting on a soft pastel-toned surface in a warm, dreamy atmosphere. The kitten on the left is a gray tabby, peacefully asleep with eyes closed, tiny paws tucked under its chin, fur slightly ruffled like brushed velvet. The center kitten is a ginger tabby with striking light blue eyes, gazing directly into the camera with an innocent, curious expression that feels almost human. The kitten on the right is a very pale cream, nearly ivory, with soft bluish eyes slightly glossy, conveying delicate tenderness.
The basket is wrapped with a shimmering red satin ribbon tied into a large, perfectly shaped bow, catching light with subtle specular highlights. Beside the basket lies a small handmade fabric mouse toy, with visible stitching, textured cloth, and tiny button-like eyes.
Lighting is cinematic and soft, reminiscent of golden hour, with gentle backlighting that creates a delicate halo around the kittens’ fur. Extremely shallow depth of field with creamy bokeh; the background melts into a blur of pastel flowers in pink and beige tones, evoking a romantic, storybook mood.
Textures are hyper-detailed: every strand of fur visible with fine micro-highlights, whiskers catching glints of light, the wicker basket showing natural imperfections and organic fiber detail. The air carries faint floating dust particles glowing softly, adding a magical, ethereal touch.
Color palette is harmonious and warm: soft creams, peach, blush pink, warm beige, balanced with gentle contrast. Style is hyperrealistic photography, ultra high resolution (8K), razor-sharp focus on subjects, subtle HDR, natural light rendering.
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--v 7 --style raw --ar 3:2 --q 2 --s 200 --chaos 8 --seed 12345
Generated By Midjourney V6
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**🎬 Prompt :**
Une femme élégante marche lentement dans une forêt luxuriante baignée de lumière dorée, capturée en plein mouvement comme dans un plan de film au ralenti. Elle porte une robe longue fluide couleur pastel qui se transforme progressivement en une explosion spectaculaire de fleurs (roses, pivoines) et de peinture liquide multicolore (rouge, rose, orange, jaune, bleu, vert) qui s’étire derrière elle comme une traînée artistique dynamique. Les pétales flottent dans l’air, suspendus dans le temps, certains en train de tomber doucement au sol humide.
Rayons de soleil volumétriques traversant les arbres, créant des faisceaux lumineux cinématographiques avec particules visibles dans l’air. Cheveux longs ondulés légèrement soulevés par le vent, capturant une sensation de liberté et de grâce. La lumière est chaude, naturelle, légèrement dorée (golden hour), avec un contraste doux et une profondeur de champ cinématographique (bokeh en arrière-plan).
Sol forestier humide avec reflets subtils, feuilles éparses et éclaboussures de peinture colorée. La scène mélange réalisme extrême et surréalisme artistique, avec textures ultra détaillées : tissu, peau, pétales, éclaboussures liquides, lumière.
Style visuel : hyperréalisme, photographie cinématographique, rendu 8K, HDR, ultra détaillé, profondeur dramatique, composition dynamique, couleurs vibrantes mais équilibrées. Inspiré des films artistiques et des campagnes haute couture.
**Paramètres suggérés :**
– ultra-detailed, photorealistic, cinematic lighting
– depth of field, motion blur léger sur les particules
– volumetric light, global illumination
– high contrast, soft shadows
– 8k, HDR
– aspect ratio 16:9 ou 2.35:1
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**🎬 Prompt:**
An elegant woman walks gracefully through a lush forest bathed in golden light, captured mid-motion like a slow-motion cinematic shot. She wears a long, flowing pastel dress that gradually transforms into a spectacular explosion of flowers (roses, peonies) and multicolored liquid paint (red, pink, orange, yellow, blue, green), trailing behind her like a dynamic artistic burst. Petals float in the air, suspended in time, some gently falling onto the damp forest ground.
Volumetric sun rays pierce through the trees, creating cinematic beams of light with visible particles drifting in the atmosphere. Her long wavy hair flows softly in the breeze, enhancing a sense of freedom and grace. The lighting is warm and natural, with a golden hour glow, soft contrast, and a cinematic depth of field (background bokeh).
The forest floor is slightly wet, reflecting subtle highlights, scattered leaves, and splashes of vibrant paint. The scene blends extreme realism with artistic surrealism, featuring ultra-detailed textures: fabric, skin, petals, liquid splashes, and light interplay.
**Visual style:** hyperrealistic, cinematic photography, 8K rendering, HDR, ultra-detailed, dramatic depth, dynamic composition, vibrant yet balanced colors. Inspired by artistic films and high-fashion campaigns.
**Suggested parameters:**
– ultra-detailed, photorealistic, cinematic lighting
– depth of field, slight motion blur on particles
– volumetric light, global illumination
– high contrast, soft shadows
– 8K, HDR
– aspect ratio 16:9 or 2.35:1
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--ar 16:9
--v 6
--style raw
--q 2
--s 250
--chaos 8
--weird 0
--uplight
Generated By Midjourney V7
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**Prompt :**
Portrait cinématographique hyperréaliste d’une jeune femme au visage constellé de taches de rousseur, immergée dans un champ dense de coquelicots rouge écarlate en pleine floraison. Sa chevelure volumineuse, bouclée et flamboyante, d’un roux incandescent, capte la lumière du soleil comme des filaments de cuivre en fusion. Une fleur de coquelicot parfaitement ouverte est tenue devant son œil gauche, créant une composition asymétrique intrigante, tandis que son œil droit, vert émeraude intense, transperce l’objectif avec une profondeur presque irréelle.
Lumière naturelle dorée de fin d’après-midi (golden hour), avec un éclairage doux et directionnel venant de côté, produisant un contraste subtil entre ombre et lumière sur son visage. Profondeur de champ très réduite (bokeh cinématographique), arrière-plan flou saturé de rouges vibrants et de touches de vert. Détails ultra nets sur la peau, texture réaliste, pores visibles, micro-reflets dans l’œil.
Palette colorimétrique dominée par des rouges chauds, oranges brûlés et verts naturels, avec un étalonnage inspiré des films d’auteur (style pellicule Kodak Portra). Atmosphère immersive, presque onirique, avec un léger mouvement du vent suggéré dans les cheveux et les fleurs.
Composition centrée mais organique, cadrage serré type portrait 85mm, ratio cinémascope, qualité 8K, HDR, rendu photographique extrêmement détaillé. Ambiance poétique, mystérieuse, sensuelle mais naturelle.
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**Prompt:**
Hyperrealistic cinematic portrait of a young woman with a freckled face, immersed in a dense field of vivid red poppies in full bloom. Her voluminous, curly hair blazes in a fiery copper-red, catching the sunlight like strands of molten metal. A single, perfectly open poppy flower is held in front of her left eye, creating an intriguing asymmetrical composition, while her right eye, a striking emerald green, pierces the lens with almost surreal depth.
Golden hour natural lighting, soft and directional from the side, casting gentle shadows that sculpt her facial features with subtle contrast. Extremely shallow depth of field (cinematic bokeh), with the background dissolving into a rich blur of saturated reds and hints of green. Ultra-sharp focus on the skin, revealing fine texture, visible pores, and delicate imperfections, with micro-reflections shimmering in the eye.
Color palette dominated by warm reds, burnt oranges, and organic greens, with film-style color grading inspired by Kodak Portra. The atmosphere feels immersive and slightly dreamlike, with a faint suggestion of wind moving through her hair and the surrounding flowers.
Organic yet centered composition, tight framing with an 85mm portrait lens, widescreen cinematic ratio, 8K resolution, HDR rendering, extremely high detail. Mood is poetic, mysterious, and natural with a quiet sensuality.
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--v 7 --ar 3:2 --style raw --q 2 --s 200 --chaos 8 --seed 12345
Atardecer tranquilo en el final del puerto deportivo de Ciudadela. El invierno deja el canal en calma, con las luces reflejándose en el agua y un ambiente sereno que invita a pasear sin prisas.
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Quiet winter dusk at the end of Ciudadela’s marina. The canal rests in calm water, with warm lights reflecting on the surface and a peaceful atmosphere that invites an unhurried walk.
Two Azure-winged Magpies enjoying a moment by the pool—one splashing playfully while the other watches on. It was a delightful scene to witness as I waited for the elusive Iberian lynx to appear
[Italy - Numana] Conero Riviera
La strada più famosa di Numana: La Costarella
Available for licensing and purchase on Getty Images.www.gettyimages.it/detail/foto/la-costarella-the-most-fam...
Sponsored by Loki/Milkbath/Epitome
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Soft mornings, fresh blooms, and nowhere else i'd rather be....
—
Loki - Hilary Set
maps.secondlife.com/secondlife/Lewd%20Station/153/97/89
MILKBATH - Draped Pearls
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Epitome - DollHouse Shoes
A brief human pause in a landscape shaped over millions of years.
Location: Sarfaranga, Skardu, Gilgit-Baltistan, Pakistan.
Sponsored by Minuit
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Generated By Midjourney V6
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🎬 **PROMPT (FR)**
Portrait cinématographique ultra réaliste d’une jeune femme d’inspiration japonaise, cadrage serré en plan poitrine, regard direct vers la caméra, expression calme et énigmatique, presque intemporelle. Sa peau est porcelaine, lumineuse, avec un grain fin extrêmement détaillé, légèrement satiné par une lumière douce.
Elle porte un maquillage sophistiqué : eyeliner rouge profond étiré en ailes graphiques, ombres à paupières dégradées entre corail et rouge vermillon, cils longs et définis, lèvres rouge intense parfaitement dessinées. Ses yeux, légèrement brillants, captent la lumière avec des reflets subtils, ajoutant une profondeur émotionnelle.
Sa coiffure traditionnelle est élaborée : chignon volumineux de style geisha, orné de fleurs délicates (blanc cassé, pêche, rouge doux), accompagnées d’ornements dorés suspendus finement ciselés, qui attrapent la lumière avec des reflets chauds.
Elle est vêtue d’un kimono richement brodé, aux motifs floraux détaillés (chrysantèmes, sakura), dans des tons rouge profond, ivoire et or, avec une texture textile hyperréaliste visible dans chaque fibre.
L’ambiance est féerique et cinématographique : arrière-plan flou (bokeh intense), rempli de particules lumineuses dorées flottant dans l’air, comme de la poussière d’or. Des pétales de cerisier tombent lentement en suspension, certains nets, d’autres floutés par la profondeur de champ.
Éclairage de type Rembrandt doux combiné à une lumière d’ambiance chaude, créant un contraste subtil entre ombre et lumière. L’ensemble donne une atmosphère onirique, entre tradition et fantasy.
Palette colorimétrique riche : rouges profonds, ors lumineux, nuances chaudes et légèrement désaturées. Rendu final en ultra haute définition, détails extrêmes, profondeur de champ cinématographique (f/1.4), effet HDR subtil.
Style : hyperréalisme photographique, rendu cinéma haut de gamme, mélange entre portrait éditorial et univers fantastique, qualité 8K, netteté extrême sur le visage, grain quasi inexistant.
---
🎬 **PROMPT (EN)**
Ultra-realistic cinematic portrait of a young Japanese-inspired woman, tight chest-up framing, direct gaze into the camera, calm and enigmatic expression, timeless presence. Her skin is porcelain-like, luminous, with extremely fine texture and a subtle satin glow under soft lighting.
She wears sophisticated makeup: deep red winged eyeliner extended into sharp graphic lines, eyeshadow blended between coral and vermilion tones, long defined lashes, and perfectly shaped intense red lips. Her eyes are slightly glossy, catching light with delicate reflections, adding emotional depth.
Her hairstyle is traditional and intricate: a voluminous geisha-style updo adorned with delicate flowers (off-white, peach, soft red), complemented by finely crafted dangling golden ornaments that shimmer with warm highlights.
She is dressed in a richly embroidered kimono featuring detailed floral patterns (chrysanthemums and cherry blossoms), in deep red, ivory, and gold tones, with hyper-realistic fabric texture visible in every fiber.
The atmosphere is magical and cinematic: a blurred background with strong bokeh, filled with floating golden light particles like dust in the air. Cherry blossom petals drift slowly in suspension, some sharp, others softened by depth of field.
Lighting is soft Rembrandt-style combined with warm ambient glow, creating subtle contrast between light and shadow. The mood feels dreamlike, balancing tradition and fantasy.
Color palette is rich and refined: deep reds, luminous golds, warm slightly desaturated tones. Final render in ultra-high definition, extreme detail, cinematic depth of field (f/1.4), subtle HDR effect.
Style: hyper-realistic photography, high-end cinematic rendering, fusion of editorial portrait and fantasy aesthetic, 8K quality, razor-sharp focus on the face, nearly imperceptible grain.
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--v 6 --style raw --ar 3:2 --q 2 --s 200 --chaos 3 --seed 777
Generated By Midjourney V6
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🎬 **Prompt (FR)**
Portrait cinématographique hyperréaliste d’une jeune femme aux cheveux rose pastel légèrement ondulés, coupés au niveau des épaules, capturant une douceur éthérée et une élégance contemporaine. Elle tourne légèrement la tête vers l’arrière, regard caméra, avec une expression subtilement mélancolique et captivante. Sa peau est claire, lumineuse, avec des taches de rousseur naturelles finement visibles sur les joues et le nez. Ses yeux bleu clair reflètent une lumière douce et diffuse, créant un effet de profondeur émotionnelle.
L’éclairage est de type **soft cinematic lighting**, avec une source principale latérale chaude et enveloppante, imitant une lumière naturelle filtrée (style golden hour intérieur). Un léger **rim light** souligne délicatement les contours des cheveux roses, créant un halo vaporeux. L’arrière-plan est flou (bokeh crémeux), dans des tons pastel beige et rose pâle, renforçant une ambiance onirique et minimaliste.
La texture de la peau est extrêmement détaillée, avec un rendu **photographique 8K**, micro-détails visibles (pores, duvet, lumière spéculaire douce). Le maquillage est naturel : blush rosé diffus, lèvres légèrement brillantes, cils définis mais subtils. Elle porte un t-shirt rose pâle, texture coton doux, parfaitement intégré dans la palette monochrome.
Profondeur de champ très faible (f/1.4), objectif portrait 85mm, rendu cinématographique haut de gamme. Color grading inspiré des films romantiques modernes : tons chauds, saturation douce, contraste modéré, ambiance feutrée.
Atmosphère globale : délicatesse, intimité, esthétique éditoriale luxe, mélange entre photographie de mode et cinéma d'auteur
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🎬 **Ultra-Detailed Cinematic Prompt (EN)**
Hyperrealistic cinematic portrait of a young woman with soft pastel pink hair, shoulder-length and gently tousled with natural movement. She is slightly turning her head back toward the camera, creating an intimate and engaging composition. Her expression is subtle, calm, and emotionally evocative, with a quiet, almost melancholic gaze. Her skin is fair and luminous, featuring delicate, natural freckles across her cheeks and nose. Her light blue eyes softly catch the light, adding depth and realism.
Lighting is **soft cinematic lighting**, with a warm, diffused key light coming from the side, resembling filtered natural daylight (indoor golden hour ambiance). A delicate **rim light** outlines her pink hair, producing a soft glowing halo effect. The background is blurred with a creamy bokeh, in pale beige and blush pink tones, enhancing a dreamy and minimalistic atmosphere.
Skin texture is अत्य finely detailed, showcasing **ultra high-resolution realism (8K)** with visible pores, fine facial hair, and gentle specular highlights. Makeup is natural and refined: soft pink blush, lightly glossy lips, subtly defined eyelashes. She wears a pale pink cotton t-shirt, harmonizing with the monochromatic pastel color palette.
Shot with a **85mm portrait lens**, extremely shallow depth of field (f/1.4), delivering a cinematic, high-end editorial look. Color grading inspired by modern romantic films: warm tones, soft saturation, moderate contrast, and a smooth, filmic finish.
Overall mood: intimate, dreamy, elegant, blending luxury fashion photography with auteur cinema aesthetics. ️✨
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--v 6 --style raw --ar 3:2 --q 2 --s 150 --chaos 5 --seed 42 --uplight
Generated By Midjourney V7
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**Prompt :**
Portrait cinématographique hyperréaliste d’une jeune femme au regard perçant, debout au cœur d’un champ de fleurs sauvages en pleine floraison, baigné par une lumière dorée de fin de journée (golden hour). Sa peau est lumineuse, subtilement hâlée, avec des textures naturelles visibles (pores, duvet, micro-imperfections), capturées en ultra haute définition 8K. Ses yeux bleu-vert accrochent la lumière avec un effet de réfraction réaliste, légèrement humides, donnant une intensité émotionnelle profonde.
Ses cheveux longs, blond doré avec des nuances miel et cendré, sont doucement animés par une brise légère, chaque mèche finement détaillée, avec des reflets lumineux naturels. Elle porte une couronne florale riche et organique composée de fleurs pastel (roses, pivoines, marguerites) et de fines branches dorées entrelacées, agrémentées de bijoux délicats en or avec pierres translucides suspendues sur le front et les tempes.
Sa peau et ses épaules sont partiellement ornées de motifs floraux et de particules dorées scintillantes, comme si la nature elle-même fusionnait avec elle. Des éléments végétaux semblent légèrement en suspension autour d’elle, créant une ambiance éthérée mais crédible, avec une physique réaliste (légers mouvements, profondeur de champ).
**Cadrage :** plan serré (close-up), composition centrée avec légère règle des tiers, focus précis sur les yeux.
**Objectif :** profondeur de champ très faible (bokeh crémeux, arrière-plan floral flou mais identifiable).
**Éclairage :** lumière naturelle chaude, contre-jour doux créant un halo autour des cheveux, rim light dorée, ombres délicates et progressives sur le visage.
**Couleurs :** palette chaude et pastel (or, rose poudré, vert tendre), étalonnage cinématographique inspiré des films de Terrence Malick.
**Ambiance :** poétique, mystique, intemporelle, entre réalisme et fantasy subtile.
**Détails atmosphériques :** particules de pollen flottantes visibles dans la lumière, légère brume diffuse pour adoucir les contrastes.
**Rendu :** photoréaliste extrême, global illumination, textures PBR, subsurface scattering sur la peau, rendu digne d’un film ou d’une publicité de luxe.
---
**Prompt:**
Hyper-realistic cinematic portrait of a young woman with a piercing gaze, standing in the heart of a blooming wildflower field, bathed in warm golden hour light. Her skin glows softly with natural realism, showing fine textures such as pores, peach fuzz, and subtle imperfections, captured in ultra-high-definition 8K. Her blue-green eyes catch the light with realistic refraction, slightly moist, creating a deep emotional intensity.
Her long, golden-blonde hair, with hints of honey and ash tones, flows gently in a soft breeze, each strand finely detailed with natural highlights. She wears an intricate floral crown composed of pastel flowers (roses, peonies, daisies) intertwined with delicate golden branches, adorned with fine jewelry pieces in gold, featuring small translucent gemstones draping across her forehead and temples.
Her shoulders and skin are partially decorated with organic floral patterns and shimmering golden particles, as if nature itself is merging with her. Tiny botanical elements float subtly around her, adding an ethereal yet believable atmosphere with realistic physics (gentle motion, depth).
**Framing:** tight close-up, centered composition with slight rule-of-thirds balance, sharp focus on the eyes.
**Lens:** very shallow depth of field (creamy bokeh, softly blurred floral background).
**Lighting:** warm natural sunlight, soft backlight creating a glowing halo around her hair, golden rim light, smooth gradual shadows across the face.
**Color palette:** warm and pastel tones (gold, blush pink, soft greens), cinematic color grading inspired by Terrence Malick films.
**Mood:** poetic, mystical, timeless, blending realism with subtle fantasy.
**Atmospheric details:** floating pollen particles visible in the light, slight diffused haze softening contrasts.
**Rendering:** extreme photorealism, global illumination, PBR textures, subsurface scattering on skin, high-end cinematic or luxury commercial quality.
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--v 7 --style raw --ar 3:2 --q 2 --s 200 --chaos 8 --seed 12345
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Seen here from above, St John the Baptist Roman Catholic Cathedral sits quietly under a blanket of winter snow, its pale stone softened by the season and its long roofline emphasised by the surrounding roads and bare trees. With no traffic and no leaves, the scene feels hushed and almost timeless.
The cathedral was built between 1882 and 1910 for Norwich’s growing Roman Catholic community, following the restoration of Catholic worship in England during the 19th century. Designed by George Gilbert Scott Jr., it is one of the finest examples of Gothic Revival architecture in the country. Its twin western towers, soaring nave and richly detailed stonework were intended to echo the great medieval cathedrals of Europe, yet it remains firmly rooted in its Victorian origins.
Unlike Norwich Cathedral to the east, this building crowns a hill at the edge of the historic city centre, overlooking St Giles Street and the ring road below. From the air, its plan and setting become clear: a place of worship encircled by movement, yet standing apart from it.
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Blakeney Point aerial photograph
Seen here stretching along the North Norfolk coast, Blakeney Point is one of Britain’s most important and ever-changing coastal landforms. This remarkable four-mile-long shingle spit has been shaped over centuries by powerful longshore drift, tidal currents and constant movement of sediment carried westwards along the coast by the North Sea.
For much of the medieval period, the sheltered waters behind Blakeney Point played a crucial role in the success of the historic Glaven Ports — the small but prosperous trading harbours of Blakeney, Cley-next-the-Sea and Wiveton, all connected to the River Glaven estuary. From the 13th to 16th centuries these ports were surprisingly active centres of commerce, exporting grain, wool and locally produced goods while importing timber, wine, fish and luxury products from the Low Countries and continental Europe.
At their peak, Blakeney was one of Norfolk’s busiest small ports, with merchant vessels regularly crossing the North Sea to trade with ports in what are now Belgium and the Netherlands. The fortunes of these communities, however, were always tied to the changing coastline.
Over many centuries the same natural forces that created this sheltered harbour gradually caused its decline. Continuous deposition of shingle and sediment slowly altered the channels, increasing silting and making navigation progressively more difficult. By the late medieval and early post-medieval period, commercial shipping had declined sharply, bringing an end to the maritime importance of the Glaven Ports.
Today, Blakeney Point remains one of England’s finest examples of an active coastal system — a landscape where geology, geography and human history have been intimately connected for hundreds of years. Its dunes, salt marshes and shifting shingle banks continue to reshape this extraordinary stretch of the Norfolk coastline much as they have done for centuries.
York Cottage is one of the most historically significant houses on the Sandringham Estate. Although overshadowed by nearby Sandringham House, it was the birthplace of King George VI, father of Queen Elizabeth II, making it an important location in modern British royal history.
The building began life as the Bachelor's Cottage, constructed soon after the Sandringham Estate was purchased by Queen Victoria for the Prince of Wales (later King Edward VII) in 1862. It provided additional accommodation for guests visiting the estate.
Following the marriage of the future King George V and Queen Mary in 1893, the cottage was presented to them as their country home. They lived here for more than thirty years, until Queen Alexandra's death in 1925, when they moved into Sandringham House.
Five of their six children were born at York Cottage:
Prince Albert, later King George VI (1895)
Princess Mary (1897)
Prince Henry, Duke of Gloucester (1900)
Prince George, Duke of Kent (1902)
Prince John (1905)
Today, York Cottage serves as the Sandringham Estate Office, with the upper floors providing accommodation for estate employees. Although not generally open to the public, it remains an integral part of the working royal estate.
This aerial photograph places York Cottage within its wider estate setting, illustrating its relationship with the surrounding parkland that has formed part of the royal Sandringham Estate for more than 160 years.
This aerial photograph shows Normanton Church standing on the shoreline of Rutland Water in the county of Rutland, England. Few churches in Britain occupy such a dramatic setting. Today it appears to rise directly from the reservoir itself, but originally the church stood within open parkland beside the old village of Normanton before the valley was flooded in the 1970s.
A church existed at Normanton from at least the medieval period, although the present building largely dates from 1826–1829 when it was rebuilt in a classical style for the Heathcote family of nearby Normanton Park. The architect was Thomas Cundy, who designed the striking structure with its tower, dome and elegant stone façade. Unlike most English parish churches, it was built in a restrained neoclassical style rather than Gothic, giving it a distinctive appearance more reminiscent of a continental pavilion or temple.
During the 1960s the growing demand for water across the East Midlands led to plans for the creation of Rutland Water. Entire areas of farmland and parts of old settlements were destined to disappear beneath the new reservoir. Normanton Church was originally expected to be demolished before flooding began. Public opposition, however, was considerable and the decision was eventually taken to preserve the building. The church was deconsecrated in 1970 and engineers strengthened and protected the structure so that it could survive beside the new waterline.
Rutland Water officially opened in 1976 and rapidly became one of the largest artificial lakes in Europe. The reservoir was created by damming the River Gwash and flooding the surrounding valley. It serves both as a major water supply and as a nationally important centre for recreation, sailing, fishing and wildlife conservation. The nature reserve around the reservoir became especially famous after the successful reintroduction of ospreys in the 1990s.
Normanton Church survived as the reservoir’s best-known landmark and has since become one of Rutland’s most photographed buildings. The church now operates primarily as a wedding and events venue, with civil ceremonies taking place inside the restored interior. Its unusual position on the edge of the water has made it an enduring symbol of Rutland Water itself.
Visible alongside the church is the Rutland Belle pleasure cruiser. The boat has operated sightseeing cruises on Rutland Water since the 1980s and carries visitors around the reservoir from Whitwell Harbour and other landing stages. The cruises provide views of the reservoir’s sailing activity, wildlife habitats and shoreline landmarks including Normanton Church.
The surrounding shoreline forms part of the wider recreational landscape developed around the reservoir after its construction. Walking and cycling routes circle much of Rutland Water, attracting large numbers of visitors throughout the year.
Rutland itself is England’s smallest historic county, though despite its size it possesses a strong local identity and some remarkably distinctive landscapes. Normanton Church has become one of the county’s defining images and one of the most recognisable waterside churches in Britain.
Winter snow aerial image - The River Yare crosses Halvergate Marshes between Reedham and Yarmouth in Norfolk
Wandering around Galle Fort and had to stop by The Archives. The architecture here is so elegant, but what really caught my eye was how the afternoon light was hitting those massive arches.
Tried a Kodachrome profile on the Zf for this one to really bring out that creamy, historic feel of the stone. Loving how the Voigtländer 28mm f/2 picked out all the subtle details in the dark interior.
--> New posts on my blog (talking about Leica M8, strange camera personalities and Leica Q2 Monochrom - don't miss out!): photoatheart.wordpress.com
This aerial view looks down on Cley Beach on the north Norfolk coast, with the North Sea to the right, the shingle shore running across the image and the coastal marshes behind. Beach Road reaches the coast at the small car park, which is managed by Norfolk Wildlife Trust as part of its Cley and Salthouse Marshes reserve.
Cley lies on one of the most distinctive stretches of shingle coastline in Britain. The ridge continues for about 8 miles (12–13 km) from Weybourne westwards and has gradually developed into the long spit of Blakeney Point. Shingle is continually moved by waves and longshore drift, so the ridge is not fixed: over time it has grown westwards while also tending to migrate inland.
Immediately west of the car park begins Blakeney Point, now part of the National Trust’s Blakeney National Nature Reserve. From Cley, the shingle spit extends for roughly four miles to the dunes near the former Lifeboat House. Its vegetated shingle is an unusually scarce habitat, supporting specialist coastal plants including horned sea poppy, sea pea and shrubby sea blight.
Behind the beach are the low-lying marshes for which Cley is internationally renowned. The shingle ridge provides a barrier between these wetlands and the North Sea, but it is a highly dynamic natural defence rather than a permanent wall. Severe storms can move enormous quantities of material in a matter of hours. During the December 2013 storm surge, for example, areas of the coast here were buried beneath newly deposited shingle, demonstrating how dramatically the shoreline can change.
The photograph clearly shows this transition from sea to shingle, beach access and car park, then grassland and the intricate creeks and vegetation of the marshes beyond. It is a landscape created and continually reshaped by the interaction of waves, tides, storms and sediment moving along the north Norfolk coast.
Aerial view looking south along the tidal River Deben over Woodbridge and Melton in Suffolk, England.
The River Deben rises near Aspall in north Suffolk and flows for around 55 miles before entering the North Sea between Felixstowe Ferry and Bawdsey. Much of the lower river is tidal and forms one of the most attractive estuaries on the east coast of England, with extensive mudflats, salt marshes and winding channels which support large populations of wading birds and wildlife.
Woodbridge developed as an important riverside market and shipbuilding town. The River Deben allowed vessels to travel inland from the North Sea and for centuries the town was associated with trade, fishing, boatbuilding and milling. The Tide Mill at Woodbridge, one of the most famous surviving tide mills in Britain, stands a short distance downstream from the centre of the town and reflects the long commercial importance of the river.
Visible near the centre of the image are the marinas and moorings beside the River Deben together with the crossing between Woodbridge and Melton carrying the A1152 road. The built-up area of Woodbridge occupies the right side of the image while the river meanders away westwards through the Suffolk countryside beneath dramatic low cloud and winter sunlight.
Just upstream from Woodbridge lies Sutton Hoo, the internationally important Anglo-Saxon burial site discovered in 1939. The discovery of the Sutton Hoo ship burial transformed understanding of early medieval England and revealed the wealth and sophistication of the Anglo-Saxon kingdom of East Anglia.
An elderly man sits alone on a park bench, absorbed in reading a newspaper, surrounded by soft morning light and quiet greenery
Generated By Midjourney V7
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**Prompt :**
Portrait ultra rapproché d’une femme au regard perçant, cadrage frontal symétrique, yeux bleu électrique fixant l’objectif avec une intensité presque surnaturelle. Sa peau est hyperréaliste, constellée de taches de rousseur fines et naturelles, avec des micro-détails visibles (pores, légère brillance, imperfections subtiles). Une fine ligne lumineuse dorée descend parfaitement au centre de son visage, comme un axe sacré ou un circuit énergétique.
Ses cheveux sombres, légèrement humides, encadrent son visage en mèches désordonnées, capturant et réfléchissant des particules lumineuses. Autour d’elle, un univers cosmique fusionne avec sa silhouette : galaxies miniatures, constellations, filaments d’énergie dorée et bleutée, poussière d’étoiles en suspension. Des symboles géométriques subtils et des motifs ésotériques flottent dans l’espace, comme des fragments d’un langage ancien ou d’un code universel.
Éclairage cinématographique complexe : key light douce et froide venant de face pour révéler les détails de la peau, rim light chaude dorée pour détacher les contours du visage et illuminer les cheveux, multiples sources ponctuelles simulant des étoiles avec bokeh profond. Reflets dynamiques dans les yeux, donnant une impression de profondeur infinie.
Palette colorimétrique dominée par le bleu nuit, l’or incandescent et des touches de blanc stellaire. Contraste élevé mais naturel, HDR subtil, profondeur de champ très faible avec netteté extrême sur les yeux et flou artistique progressif autour.
Style visuel : mélange de photographie hyperréaliste, science-fiction poétique et mysticisme numérique. Inspiration entre cinéma d’auteur futuriste et imagerie cosmique haut de gamme. Texture riche, rendu 8K, ultra détaillé, global illumination, ray tracing, grain cinématographique fin.
Ambiance : mystérieuse, hypnotique, presque divine. La sensation que le personnage est à la fois humain et incarnation d’un système cosmique ou d’une intelligence supérieure.
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**Prompt:**
Ultra close-up portrait of a woman with a piercing gaze, perfectly centered symmetrical framing. Her electric blue eyes lock onto the camera with an almost supernatural intensity. Her skin is hyperrealistic, dusted with fine natural freckles, showcasing micro-details such as pores, subtle texture, and a soft natural sheen. A thin, glowing golden line runs vertically down the exact center of her face, resembling a sacred axis or an energy conduit.
Her dark hair, slightly damp, falls in loose, organic strands framing her face, catching and reflecting tiny particles of light. Surrounding her, a cosmic environment merges seamlessly with her presence: miniature galaxies, constellations, golden and blue ऊर्जा filaments, and suspended stardust. Subtle geometric symbols and esoteric patterns float in the space, like fragments of an ancient language or a universal code.
Cinematic lighting setup: soft, cool key light from the front to reveal skin detail, warm golden rim light outlining her silhouette and illuminating strands of hair, multiple point light sources simulating stars with deep bokeh. Complex reflections in the eyes, creating a sense of infinite depth.
Color palette dominated by deep midnight blues, incandescent gold, and touches of stellar white. High but natural contrast, subtle HDR, extremely shallow depth of field with razor-sharp focus on the eyes and gradual artistic blur toward the edges.
Visual style: fusion of hyperrealistic photography, poetic science fiction, and digital mysticism. Inspired by high-end cinematic visuals and cosmic imagery. Rich textures, 8K resolution, ultra-detailed, global illumination, ray tracing, fine cinematic grain.
Mood: mysterious, hypnotic, almost divine. The feeling that the subject is both human and the embodiment of a cosmic system or higher intelligence.
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--v 7 --ar 1:1 --style raw --q 2 --s 250 --chaos 8 --weird 50 --seed 777
Today is the day! Riders are on course. The best mountain bike freeriders in the world are in Virgin, Utah at the 2021 Red Bull Rampage to find out who's the very best.
The most striking feature of this view is the colour and clarity of the North Sea. In the right light, the shallow water close to Cromer can appear an unexpectedly vivid blue-green. Sunlight passing through the water is reflected from the pale sand and areas of chalk beneath, while the white line close to the shore marks breaking water over the shallow seabed and exposed chalk and flint.
Cromer’s beach is not fixed in character. Its balance of sand, shingle and flint changes continually as tides, storms, groynes and longshore currents move material along the coast. At times it can appear broad and sandy, while in other periods much more of the upper beach may be covered by rounded flints and shingle. Official coastal studies describe the beach at Cromer as predominantly sandy, but with chalk and flint outcrops and substantial quantities of shingle in places, particularly to the east of the pier. Beach levels can fluctuate considerably, so memories of Cromer having been noticeably sandier or stonier in different decades may well be accurate.
The chalk beneath these waters forms part of a much larger and internationally important marine landscape. The Cromer Shoal Chalk Beds extend along a substantial stretch of the North Norfolk coast and were designated as a Marine Conservation Zone in 2016. The protected area begins around 200 metres offshore, extends as far as ten kilometres out to sea and covers approximately 321 square kilometres. Its rugged chalk, sand, gravel, peat and clay provide habitats for a wide range of marine life.
Beyond the end of Cromer Pier once lay Church Rock, traditionally associated with the lost medieval settlement of Shipden. Local tradition identified the obstruction as part of Shipden’s submerged church, although the precise archaeological interpretation is less certain than the legend suggests. The site was roughly 150 yards east of the present pier and could formerly be exposed at exceptionally low tides.
On 8 August 1888, the excursion paddle-steamer SS Victoria, carrying about 100 passengers, struck Church Rock and became firmly lodged upon it. The passengers were rescued, but the vessel remained stuck and attracted crowds of sightseers taken out by local fishermen. Because the wreck and rock presented a danger to shipping, they were subsequently largely cleared with explosives. Their remains lie beneath the sea, and traces associated with both Shipden and the Victoria have been investigated by divers.
The modern town is protected by a long system of sea walls, groynes, revetments and other coastal works. These defences help retain beach material, reduce wave energy and protect the seafront and cliffs from erosion and flooding. During the recent phase of work west of the pier, approximately 38,000 tonnes of rock were placed along the shoreline to form a new rock-armour revetment, together with repairs and improvements to existing structures. The scheme was intended to protect around 600 homes and businesses.
From the air, the result is a remarkable meeting of geology, history and engineering: shifting sand and flint, ancient chalk beneath clear water, the site of a lost medieval settlement and a coastline that still requires constant protection from the North Sea.
There's no snow and we didn't get to ride today because the winter inversion has already set in and the air is terrible. So here's a Wasatch Crest landscape from one of the best fall mountain bike rides I've had in Utah. This was on my wife's birthday in late September. The aspens were glowing gold and red and it rained and hailed a bit so the dirt on the second half of the ride was as perfect as it gets. What a glorious fall day it was.
This photo was featured in Flickr Explore on February 25th, 2021.
It's time to get a little Southern Utah color back in this gallery! This three-frame panoramic is from a trip I took a couple of weeks ago to make some product photos of a bunch of new mountain bikes. It was a cold and stormy trip but the weather made for some outstanding landscape photography. For those of you who aren't mountain bikers, Gooseberry Mesa is a world-famous mountain biking destination. The trail system on top of the mesa is known for amazing scenery and technical slickrock riding. It's been one of my favorites since I first rode it, about 20 years ago.
If you'd like to see this photo hanging on your wall, you can order a print from my online print store, here: photojohn.zenfolio.com/p343488148/hF6A7272B#hf6a7272b
Seen here in remarkable isolation on the remote Dengie Peninsula on the Essex coast, St Peter-on-the-Wall is widely regarded as one of the oldest surviving churches in England and one of the most important surviving buildings connected with the earliest spread of Christianity in Anglo-Saxon Britain. The chapel was founded around AD 654 by Saint Cedd, a monk from the monastery of Lindisfarne in Northumbria, who had been sent south to convert the pagan East Saxons to Christianity under the patronage of King Sigeberht of Essex.
The location chosen for this early Christian mission was deeply symbolic. The chapel was constructed directly within the remains of Othona, a substantial Roman coastal fort built during the late 3rd century AD, probably around AD 280–300, as part of the Roman Empire’s defensive network known as the Saxon Shore forts. These forts were established to defend the vulnerable eastern and southern coastline of Roman Britain against increasing raids by Germanic seabororne invaders, particularly Saxons and Franks crossing the North Sea. The fort at Othona guarded the approaches to the estuaries of the Blackwater and Colne rivers and would once have housed a Roman garrison protecting this strategically important stretch of coastline.
When Saint Cedd arrived some 350 years later, Roman authority had long since vanished but the surviving stone walls of the abandoned fort provided an ideal place to establish one of the earliest Christian communities in southern England. Builders reused Roman bricks, tiles and stone from the ruined fort itself, creating the chapel’s strikingly simple appearance and giving rise to its modern name: St Peter-on-the-Wall. It stands as a fascinating physical link between the final years of Roman Britain and the emergence of Christian Anglo-Saxon England.
After serving as a place of worship for centuries, the building gradually lost its ecclesiastical role. By the 17th century, during a period when many older religious buildings fell into disuse, the chapel had been converted into an agricultural barn. Large doorways were cut through its ancient walls to allow the storage of farm equipment and crops, fundamentally altering the original structure. Fortunately, its immense historical importance was recognised in the early 20th century and in 1920 the building underwent careful restoration before being reconsecrated for religious use once again.
Visible near the coastline is the Othona Community, founded in 1946 by Anglican minister Norman Motley. Established in the aftermath of the Second World War, the community was created as a centre for Christian retreat, reconciliation, hospitality and reflection, welcoming people of all faiths and backgrounds. The community remains active today and helps maintain the chapel as a place of worship, pilgrimage and quiet contemplation.
The surrounding landscape is equally significant. The Dengie Peninsula is a low-lying and geologically young coastal landscape formed largely from marine clay, estuarine silts and alluvial deposits laid down over thousands of years by tidal action in the North Sea. The extensive surrounding salt marshes, mudflats and reclaimed grazing marshes are internationally important habitats supporting migratory birds and specialised salt-tolerant plant communities. This exposed coastline, shaped continuously by erosion, tides and storm surges, would have looked broadly familiar both to Roman soldiers stationed at Othona nearly 1,700 years ago and to Saint Cedd when Christianity first arrived here almost 1,400 years ago.
Few places in England capture such an extraordinary continuity of history in one small landscape — from Roman military occupation, through the Christianisation of Anglo-Saxon England, centuries of agricultural use, and into the modern era where this isolated chapel still stands as a living monument to nearly two millennia of human history on the Essex coast.
This is a multi-frame, stitched panorama I made in Southern Utah back in January. It's the pre-dawn glow behind the very snowy Pine Valley Mountains near St. George and Zion National Park. At 10,300 feet (3140 m), they always get snow in the winter - but not this much. This is one of the snowiest winters on record in Utah and we may never see this much snow on these mountains again.
This photo appeared in Flickr Explore on March 3rd, 2023.
Order prints here: photojohn.zenfolio.com/f422948353
And the tide never came in.
Great Salt Lake sunset.
This photo appeared in Flickr Explore on April 27th, 2023.
I'm headed back to Southern Utah tomorrow for the annual Hurricane MTB Festival. I'm really looking forward to riding bikes and hanging out with friends in the desert, even if it is a bit cold and damp this time. And that's ok - interesting weather makes the best photos :-)
This photo appeared in Flickr Explore on March 23rd, 2023. Check out my Mountain Bike Photos album to see more like this.
I drove home from a triple-digit temp Southern Utah road trip on Tuesday and I'm heading out on another adventure later today. Before I leave, I wanted to share this photo from Monday evening. The day started with a cop waking me up at 3 AM with a flashlight in my face and telling me I had to move my camp. The temperature that day topped out at around 108 F. It ended with this. Life is weird and amazing. Don't forget to slow down and soak it in.
This photo appeared in Flickr Explore on July 22nd, 2023.
Skiers hiking up the Devil's Castle Apron bootpack at Alta Ski Area, a couple days after a big storm. It's a lot of effort but the snow in the Apron is very protected and often stays nice and soft for days after a storm. in this case, there had been over three feet of new snow since the Apron was last opened. This was the first crew on the bootpack (note the ski patroller at the front) and their efforts earned them some very nice powder skiing.
All images available for licensing via me. I offer commercial and editorial pet photography on a commissioned basis. And with a pet picture database with hundreds of hand-picked images of dogs, cats, as well as horses, I might already have what you are looking for. All pictures here can be licensed.
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All images available for licensing via me. I offer commercial and editorial pet photography on a commissioned basis. And with a pet picture database with thousands of hand-picked images of dogs, cats, as well as horses, I might already have what you are looking for. All pictures here can be licensed.
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Sheringham on the North Norfolk coast seen from the air, looking along one of East Anglia’s most distinctive stretches of shoreline where geology, coastal engineering and Victorian seaside history all come together in a single landscape.
Sheringham began as a small fishing settlement, with the town recorded in the Domesday Book of 1086. For centuries it remained a modest coastal community dependent on fishing, agriculture and local maritime trade. The town’s fortunes changed dramatically in the late Victorian period with the arrival of the Midland & Great Northern Joint Railway in 1887, connecting Sheringham to the expanding railway network and making the town far more accessible to visitors from Norwich, the Midlands and London.
The railway transformed Sheringham into an increasingly popular seaside resort. Hotels, guest houses, holiday villas and tourist facilities rapidly expanded as Victorian and Edwardian holidaymakers were drawn to the clean sea air and the growing popularity of Britain’s east coast resorts. Sheringham soon developed a reputation as one of Norfolk’s most attractive coastal destinations, combining its fishing heritage with an emerging tourism industry.
The coastline itself tells an even older story. The cliffs visible in this photograph are composed largely of soft glacial deposits laid down during the Ice Ages, consisting of sands, gravels, clays and chalk-rich till left behind as glaciers retreated tens of thousands of years ago. Unlike harder rock coastlines found elsewhere in Britain, these relatively fragile sediments are highly vulnerable to constant erosion from wave action, winter storms and the powerful longshore drift that continually moves material westwards along the Norfolk coast.
To defend the town from this ongoing natural process, an extensive system of timber groynes, seawalls and beach management structures has been installed and expanded over many decades, particularly throughout the 20th century. The groynes interrupt longshore drift and help trap sand and shingle, preserving the beach and helping protect both the vulnerable cliffs and the town itself from further coastal retreat. Without these sea defences, erosion here would advance far more rapidly.
Today Sheringham remains one of Norfolk’s best loved coastal towns, where its historic fishing traditions, famous promenade, dramatic geology and carefully managed coastline continue to shape both its character and its future.
A remarkable aerial view showing how history, geology and human engineering have worked together to create the coastline we see today.
All images available for licensing via me. I offer commercial and editorial pet photography on a commissioned basis. And with a pet picture database of more than 1400 images, I might already have what you are looking for. All pictures here can be licensed.
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I offer commercial and editorial pet photography on a commissioned basis. And with a pet picture database of more than 1400 images, I might already have what you are looking for. All pictures here can be licensed.
For licensing and commission requests: info@elkevogelsang.com
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Elke Vogelsang
Commercial and editorial pet photographer
info@elkevogelsang.com
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All pictures: © Elke Vogelsang
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All images available for licensing via me. I offer commercial and editorial pet photography on a commissioned basis. And with a pet picture database with thousands of hand-picked images of dogs, cats, as well as horses, I might already have what you are looking for. All pictures here can be licensed.
For licensing and commission requests: info{at}elkevogelsang.com -
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