View allAll Photos Tagged EPOS
National Express West Midlands Enviro 400 MMC (SK19 EPO) (6978) on the number 87 in Dudley
Date 12th October 2019
Epos boat from Ulvik to Norheimsund called in at several little quays along the Hardangerfjord. Utne Hotel and the church beside the quay.
By Claire Wilson
Evening Primrose Oil (EPO) is known for helping women maintain hormonal balance and recent clinical trials have shown that Efamol EPO can offer significant skin relief for eczema sufferers.
Efamol has been in business for over 25 years, all products are scientifically developed and produced with the aim to help the family’s well-being.
Efamol Pure Evening Primrose Oil contains high levels of the Omega-6 essential fatty acid, gamma-linolenic acid (GLA), which plays an active role in the normal structure of every single cell membrane in the body and is an essential element for skin structure. Efamol Pure Evening Primrose Oil is made from a unique variety of seed called Rigel that produces oil containing up to 33% more GLA than other evening primrose oils.
Research shows that one in ten adults and one fifth of all school age children suffer with eczema in the UK, for which finding a treatment isn’t always easy. Some argue that without a clear understanding of the cause of a disease, it is impossible to provide effective treatment eczema appears to be a good argument in favour of this idea. Treatment, usually with ointments and creams, topical steroids, antibiotics and anti-inflammatory, can be hamfisted or hit and miss.
Results of a recent study reported that 96% of patients with atopic eczema experienced an improvement in symptoms after five months supplementation with Efamol evening primrose oil.
Efamol Pure Evening Primrose Oil is available in 500mg 90s and 1000mg 30s capsules priced at £8.09 and £6.74 respectively, from Boots, Holland & Barrett, independent pharmacies and health food stores. Also available in 500mg 30s, priced at £3.59 and available from Waitrose, Morrisons, independent pharmacies and health food stores.
Efamol oil, in liquid form, is priced from £7.19 and is available from Holland & Barrett, independent pharmacies and health food stores.
For further information contact 01372 379828 or visit www.efamol.com
Glory Magazine
Risk-Free Sportsbetting Solution for Bookmakers and Casinos
XC-EPOS™ is a user-friendly product that enables operators to take bets from their customers which are automatically placed on the Betfair exchange betting platform. Organizations can fully utilize market liquidity provided by Betfair's market leading betting exchange.
XC-EPOS™ allows operators to offer competitive odds which are automatically converted from Betfair odds with a built-in, adjustable profit margin essentially enabling no-risk betting profit. The solution provides betting shop, casino, and sports cafe operators the opportunity to manage a Sport and Event betting offering without the financial risks associated with traditional Sportsbooks.
OPERATOR-FOCUSED FEATURES
•Support for multi-currencies and multi-languages
•Fine-grained Margin Management at every level: Global -> Sport Level -> Event Level -> Sub-Event Level -> Market Level
•Betting For, Betting Against, and live, “in-running” betting are all supported.
•Huge profit if the punter's bet won but no profit when punter's bet lost. Highly recommended on punter-friendly betting events such as World Cup.
•Choices on when and where to apply margins:
•Odds and Stake Margin: Margin profit realized regardless of the outcome of an event
•Odds Only Margin: “If Win” mode enables larger profit if punter’s bet won, but no profit for losing bets (recommended on punter-friendly events such as the World Cup).
•Three choices of margin formula:
•Best Odds - Gets the current best odds from the exchange
•Weighted Average - Gets the average of all available odds
•Dynamic Weighted Average - a variation of the Weighted average except that a price will only be included if it is within 25 percent of the current best odds
•Preview mode for punters: enables separate client-facing screens to allow punters to peruse available markets.
•Complete, robust and exportable set of reporting
•EPOS cashier runs out of the box : No servers needed
•Support for Decimal Odds, Vegas Odds, Fractional Odds and Malay Odds
•Support for Multiple Sports
•Support for Multiple TV Monitors and other output devices
•Ability to exclude sports that you do not want to offer on a permanent or temporary basis
•Full compatibility to all POS devices supported by Microsoft Windows Embedded Point of Service and Windows XP Pro Operating Systems
•Low cost of ownership
•Can run on a regular PC, Laptop or POS Terminal
FOR MORE INFORMATION, Pls. CALL +44 (0)20 8123 0968 in the UK, or +33 6 24 74 61 73 outside the UK.
The EPO prototype bike, a revolutionary design, made in Holland.
Designed by Bob Schiller.
E.g. note the one-arm wheel fixing.
See also: www.epobicycles.com/index.html
Seen on the 'Bright Day #7'.
Amsterdam-W, Westerpark, Westergasterrein, Pazzanistraat, Nov. 8, 2014.
© 2014 Sander Toonen Amsterdam | All Rights Reserved
SALON / KANT in OUDEKERK
Robin Kolleman
Epos 1 - An ode to everyday life
Interview ROBIN KOLLEMAN
Robin Kolleman graduated from the Academie van Beeldende Kunsten Rotterdam in 1988 specialized in sculpture and mixed media. After her time at the academy she has worked as a curator for the Erasmus gallery in Rotterdam. She is more than happy to be exhibiting as part of the SALON/KANT event. Her work is demonstrated in the beautiful Oude Kerk. “I really like and appreciate the set up of SALON/, with its different art disciplines showcased at unexpected location. I’m very happy to exhibit at the Oude Kerk.”
How did you get involved with SALON/KANT?
A friend of mine asked me to send pictures to her to transfer to Gijs Stork. She thought it would really fit with the concept.
What’s your connection with kant (lace)?
It’s not lace in general; I’m more connected with textile.
What do you exhibit at SALON/KANT?
Two works, one is ‘Epos 1, an ode to daily life’. It is a complex work of art build up out of four parts: an old Dutch blanket case, an old wooden iron board, on top of that a mannequin doll dressed in a short wedding dress with a lace under skirt on ice skates with a blind fold shaped as an African veil. On the head of the doll, supported by one of her hands, there is a coffin attached which is made out of a knitted bedspread. From lace.
All parts are white, accept the skin tone of the doll and long skin lace gloves. I waxed the iron board to give it a more icy feeling.
What has been your process?
The beginning has been a test of finding stuff of Internet. I had to find the right parts to begin with. They are all second hand. After finding them the technical part started. How do I fix the parts together with maintaining the balance? Making the coffin, altering and stiffening the dress, moulding the blindfold, making the lace gloves: all part of the technical process. I found it very exciting when I had to put it all together; would it fit and stay put without using a safety thread?
What’s the connection between the work and lace?
Lace means transparency, for me. It comes back in different ways. In the under skirt, the lace gloves and of course the coffin. I use transparency to give my work a sense of light. Death is always there, but it doesn’t have to be heavy.
By Martino Bidotti
SALON / KANT in OUDEKERK
Robin Kolleman
Epos 1 - An ode to everyday life
Interview ROBIN KOLLEMAN
Robin Kolleman graduated from the Academie van Beeldende Kunsten Rotterdam in 1988 specialized in sculpture and mixed media. After her time at the academy she has worked as a curator for the Erasmus gallery in Rotterdam. She is more than happy to be exhibiting as part of the SALON/KANT event. Her work is demonstrated in the beautiful Oude Kerk. “I really like and appreciate the set up of SALON/, with its different art disciplines showcased at unexpected location. I’m very happy to exhibit at the Oude Kerk.”
How did you get involved with SALON/KANT?
A friend of mine asked me to send pictures to her to transfer to Gijs Stork. She thought it would really fit with the concept.
What’s your connection with kant (lace)?
It’s not lace in general; I’m more connected with textile.
What do you exhibit at SALON/KANT?
Two works, one is ‘Epos 1, an ode to daily life’. It is a complex work of art build up out of four parts: an old Dutch blanket case, an old wooden iron board, on top of that a mannequin doll dressed in a short wedding dress with a lace under skirt on ice skates with a blind fold shaped as an African veil. On the head of the doll, supported by one of her hands, there is a coffin attached which is made out of a knitted bedspread. From lace.
All parts are white, accept the skin tone of the doll and long skin lace gloves. I waxed the iron board to give it a more icy feeling.
What has been your process?
The beginning has been a test of finding stuff of Internet. I had to find the right parts to begin with. They are all second hand. After finding them the technical part started. How do I fix the parts together with maintaining the balance? Making the coffin, altering and stiffening the dress, moulding the blindfold, making the lace gloves: all part of the technical process. I found it very exciting when I had to put it all together; would it fit and stay put without using a safety thread?
What’s the connection between the work and lace?
Lace means transparency, for me. It comes back in different ways. In the under skirt, the lace gloves and of course the coffin. I use transparency to give my work a sense of light. Death is always there, but it doesn’t have to be heavy.
By Martino Bidotti