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Survival. Phyllis Bottome. Little, Brown and Company, Boston. 1943. Book Club Edition.
Author of The Mortal Storm
The art of the dust jacket: A Christchurch Art Gallery exhibition Central Library Peterborough. Sunday 1 June 2014. File Reference: 2014-06-01-IMG_0168
Photo by Donna Robertson.
From the collection of Christchurch City Libraries
my first blurb book is a collection of photographs of rome, venice, cinque terre and florence.
hardcover with dustjacket
standard landscape 10x8
160pages
Dustjacket portrait of local photographer Keith for his new book on Infra-Red Photography to be published later this year by Higham and Higham.
Keith's photo stream
www.flickr.com/photos/8996803@N06/
Strobist: Softbox to camera left with 1.4 CTO gel
All Rights Reserved.(C) Chris Frear Butterfield.
Christmas came early this year.
SMILE will be in stores February 2, 2010. Published by Scholastic/Graphix.
London: Penguin/F. Warne, [1995]. Hardback with pictorial boards and dustjacket and decorated endpapers. 59 pages. Condition: Very Good.
When Beatrix Potter wrote and illustrated The Tale of Peter Rabbit, she had little idea how popular this story and the twenty-two that followed it would immediately become. No other animal stories have so captivated the imagination of children and adults alike. Today the Tales are bestsellers all over the world, translated into many foreign languages. Frederick Warne uses the most advanced technolgoy to reproduce the original pictures eith a freshnes and degree of authenticity unattainable until recently.
These little books should be among the first owned by any child and their appeal is still as strong as when the first story was published.
Weight 100g
First edition, with "First Published in April 1939" on copyright page and first edition notice on front flap of dust jacket. 8vo., publisher's heavy grain decorated beige cloth. A near fine copy in like dustjacket, bright, clean and fresh. Housed in a tailor made leather spined case. Inscribed by the author to the front flyleaf:
"For Jules and Joyce and also Joan with love John Steinbeck."
Beneath the signature is one of Steinbeck's irreverent flying pig sketches (or "Pigasus" if you prefer), generally an indication that the recipient of his presentation was a close and valued friend,or someone he held in high esteem. In this case it was Jules Buck, and Joyce Gates, with their young daughter, Joan. Jules Buck started out as John Huston's camerman for his wartime documentaries (”Winning Your Wings", "Let There Be Light" etc.) and then grew into an influential producer, both in the US and abroad. Although having a sketchy working relationship with Huston, they reportedly fell out over Huston's anti-Semitic behaviour (Huston later referred to Buck as "My body servant" which is obviously super healthy). He collaborated with Steinbeck on the screenplay of what would end up as Elia Kazan's "Viva Zapata", although uncredited, and later produced "The Killers", "The Naked City" etc. before shifting to Europe to escape the Hollywood witch hunts, founding a production company with Peter O'Toole (Keep Films) and producing such wonders as "Under Milk Wood", "The Day They Robbed The Bank of England", "Lord Jim" and "What's New Pussycat" Joyce Gates was an actress in various small, often uncredited, roles in movies like "Kismet", and their daughter Joan is a notable journalist, writer, and all round renaissance woman by all accounts; at one point the London correspondent for Warhol's "Interview" magazine, the only American to have been editor-in-chief of French Vogue, and the subject of Tom Wolfe's "The Life and Hard Times of a Teenage London Society Girl.", later published in "The Pump House Gang." She started studying acting in 2002, and appeared in Nora Ephron's "Julie and Julia", later writing about the experience of auditioning for Ephron. She fell from grace after Vogue published a decidedly lightweight and grievously ill timed interview with Asma al-Assad, wife of Bashar al-Assad. Frankly they seem fascinating, but basically the point is that Steinbeck knew them very well, and liked them, and inscribed his sad, slow, strange, dust-bowl novel to them. A really gorgeous and interesting association copy of an undeniably great book.
Title: Die Gattung MAMMILLARIA Monographie Band 1;
Author: Werner Reppenhagen;
Publisher: Steinhart (D);
Edition: first (1991);
Pages: 363 (color & b/w);
Cover: hardbound in dustjacket;
Language: German;
Dimensions: 25 x 17.8 x 2,8 cm;
ISBN: n/a.
Cover photo: Mammillaria guelzowiana
my first blurb book is a collection of photographs of rome, venice, cinque terre and florence.
hardcover with dustjacket
standard landscape 10x8
160pages
Keeley, Edmund, and Philip Sherrard, trans. Six Poets of Modern Greece. New York: Knopf, 1961. Anthology of poems by Cavafy, Sikelianos, Seferis, Antoniou, Elytis, and Gatsos. Reviewed by Henry Reed in Listener 64, no. 1642 (15 September 1960), p. 438-39.
I created a dustjacket for the hardcover version of All About Thickness, using the softcover's design. It took a long time to clean it up.
THE FIRST HISTORICAL BIOGRAPHY
by David Rosenberg.
New York (NY/USA), Basic Books, february 2oo6. ISBN o-465-o7o94-9.
6-1/16 x 9-3/16, 184 sheets ivory bond perfectbound with plain buff kraft endpapers & 1-1/8" red & white cloth applique head~ & tail bands into 6-5/16 x 9-1/2 plain black bond-covered boards with spine strip printed gold letterpress, interiors all except 22 pp printed black offset, in 6-7/16 x 9-1/2 matte PVC white bond dustjacket with 4-1/8" flaps printed 4-colour process offset recto only.
cover by Rodrigo Corral.
author photograph by Sanford Rosenberg.
other contributors:
Bruce Chilton, Enheduanna, Andrew George, Gudea, Betty De Shong Meador, Abraham Of Ur, Jonathan Rosen, Yaqqim-Addu.
Nichol referenced in Acknowledgements, pp.331-332.
Sound Barrier – The story of high-speed flight, by Neville Duke and Edward Lanchbery 1953.
Neville Duke and Edward Lanchbery were test pilots who flew never-before tested aircraft in the jet age.
Published by Cassell & Co. London. 118 pages 13cm x19cm with dustjacket.
polaroid poems, found texts, visions & collaborations records of a journey thru Scotland & England May 1978.
by Steve McCaffery & bpNichol.
2nd edition. Toronto, Aya Press, january 1984. 2oo copies. ISBN o-92o544-1o-X.
5-1/2 x 8-11/16, 32 sheets ivory zephyr antique laid folded to 128 pp in 8 signatures of 4 sheets each sewn cream in 5 double-stitches & glued into plain black Strathmore card wrappers & ivory zephyr antique laid dustjacket with 4-1/8" flaps, front cover & spine only rpinted green & black offset, front flap black, interiors all except 16 pp printed black offset with light green additions to 14 pp.
cover graphic unacknowledged; lettering by Steve McCaffery & bpNichol.
other contributors ID'd:
Kenyon Cox, Robert Gamble.
in 3 sections: McCaffery, McCaffery/Nichol, Nichol.
Nichol contributes:
i) IN ENGLAND NOW THAT SPRING collaborations in england & scotland may 1978, with Steve McCaffery (pp.67-93; in 3 parts:
--1. SIX GLASGOW TEXTS (pp.69-75; sound poetry score in 6 parts:
----a. "leisurely yes/no" (p.7o)
----b. "fFPPP" (p.71)
----c. "CT N DTTD LN" (p.72)
----d. "STRS DST" (p.73)
----e. "HZT F L" (p.74)
----f. "H X" (p.75))
--2. IN ENGLAND NOW THAT SPRING (pp.77-85; poem in 9 parts:
----a. "In England now" (p.77; 3o lines)
----b. "Seven brown fiddleheads" (pp.78-79; 46 lines)
----c. "gulls & ducks at the head of Windermere" (pp.79-8o; 36 lines)
----d. "a future called Ruskin" (pp.8o-81; 46 lines)
----e. "On the top of hills she weaves a thread" (pp.81-82; 37 lines)
----f. "Above Ambleside the water falls" (pp.82-83; 21 lines)
----g. "Thought has so many branches" (p.83; 14 lines)
----h. "Stone in a stream" (p.84; 16 lines)
----i. "To force speech through" (pp.84-85; 34 lines))
--3. MUSHY PEAS: SIX LONDON TEXTS 12 MAY 78 (pp.87-93; sound poetry score in 6 parts:
----a. "ali" (p.88)
----b. "OOOOOOWWWEEEEFFFFF" (p.89)
----c. "KNLDGCTNMLSSNDNG" (p.9o)
----d. "PPPRA" (p.91)
----e. "WWDPLSM" (p.92)
----f. "NG" (p.93)))
ii) THE WORLD BEYOND: poems given & found in England may 1978 (pp.95-123; poetry in 7 parts:
--1. FOUND: VISION (p.97; 5 lines)
--2. from THE MARTYROLOGY BOOK V: CHAIN 2 (pp.98-1o1; 15o lines (ie "roadside ravens north into Scotland" (later becomes lines 1381-15o7 of the martyrology book 5: chain 3)))
--3. THOMAS GRAY'S VISIN AT ULSWATER (p.1o2; 4 lines)
--4. ECCENTRICITIES AMONG THE RICH (p.1o2; 8 lines)
--5. Man in Lakeland (p.1o3; graphic in 2 parts:
----a. "Boundary of the National Park", by Robert Gamble (map)
----b. Man in Lakeland (graphic))
--6. IN LAKELAND (pp.1o5-116; in 4 parts:
----a. IN LAKELAND I (pp.1o5-1o8; in 12 parts:
------1. "eight Lakeland forests" (p.1o5; 8 lines)
------2. "larch" (p.1o5; 1o lines)
------3. "an inseparable companion" (p.1o6; 2 lines)
------4. "sheep farms" (p.1o6; 11 lines)
------5. "the mouth of the Deep level" (p.1o6; 3 lines)
------6. "no noteworthy events" (p.1o6; 5 lines)
------7. "pure white" (p.1o7; 6 lines)
------8. "the ancient skills of the river" (p.1o7; 3 lines)
------9. "radically change the landscape" (p.1o7; 7 lines)
------1o. "circles" (p.1o7; 8 lines)
------11. "shape" (p.1o8; 7 lines)
------12. "the tree stem" (p.1o8; 9 lines))
----b. IN LAKELAND: II (pp.1o8-111; in 8 parts:
------1. "more glass than wall" (p.1o8; 4 lines)
------2. "Ravenglass Glannaventa" (p.1o9; 7 lines)
------3. "It wore horns or wool, and travelled on the hoof" (p.1o9; 9 lines)
------4. "an enchanted fortress in the air" (p.1o9; 6 lines)
------5. "place-names" (p.11o; 9 lines)
------6. "the simple needs of the practical farmer" (p.11o; 7 lines)
------7. ",b>twilight descends" (p.11o-111; 11 lines)
------8. "the Keswick pencil factories" (p.111; 11 lines))
----c. IN LAKELAND: III (pp.111-114; in 9 parts:
------1. "the River Eamont" (p.111-112; 15 lines)
------2. "first or second century B.C." (p.112; 6 lines)
------3. "another race of men" (p.112; 11 lines)
------4. "confluence of the river" (p.112-113; 12 lines)
------5. "the familiar Bode" (p.113; 6 lines)
------6. "remote from the turmoil of the world" (p.113; 2 lines)
------7. "the majesty and wildness of the native forest" (p.113; 7 lines)
------8. "spoil heaps" (p.113-114; 6 lines)
------9. "54 feet" (p.114; 9 lines))
----d. IN LAKELAND: IV (pp.114-116; in 9 parts:
------1. "the impression of a structure casually thrown together" (p.114; 3 lines)
------2. "an interesting continuity in the general plan" (p.114; 3 lines)
------3. "the impact of" (p.115; 7 lines)
------4. "the unique atmosphere of working" (p.115; 9 lines)
------5. "a brief account" (p.115; 5 lines)
------6. "gossip and unaccustomed company" (p.115; 3 lines)
------7. "new discoveries will be made" (p.116; 3 lines)
------8. "the central theme" (p.116; 1o lines)
------9. "a century and a half after Wordsworth" (p.116; 5 lines)))
--7. from THE MARTYROLOGY BOOK V: CHAIN 0 (pp.117-123; 232 lines (ie "the road drops down" (later becomes lines 1o33-12o2 of the martyrology book 5: chain 1 ))))
iii) IN ENGLAND NOW THAT SPRING; polaroid poems, found texts, visions & collaborations, records of a journey thru Scotland & England May 1978 by steve mccaffery & bpNichol, by [Toronto Research Group] (rear dj flap, prose)
___________________________
- 1st edition, 1979
Cover for a novel. Used Over app, mextures, free fonts, free photos, rookie app, fragment and shift.
At one point Jeff--like a longer-haired David Copperfield--whipped open the dustjacket of the new Shazam hardcover to reveal the fold-out poster it concealed. Also there was some smoke and two white doves, and then the sprinklers went off.
Standing just next to Jeff, between he and our man Rusty, is our old buddy Scott Valeri, who is I believe a heart surgeon. Craig Broderdorp is a fancy banker, I think. Jeff Smith is the winner of something like ten Eisner awards, and the creator of a book with millions of copies in print. The rest of us work at a comic book store.
Dust jacket mock-up for A Princess of Mars. The wonderful artwork is by Frank Frazetta who did a lot of illustration work for the fantasy and science fiction genres. I read on IMDB that he was at one time attached to the 2009 John Carter of Mars movie project as production designer. I hope that happens!
Hannes Bok, 1950.
Dustjacket illustration from Murray Leinster's collection of short stories.
From A Hannes Bok Treasury, 1993.
A.F. Koenraads, Mannen in leer. Roman van een militair vlieger. Rotterdam, Brusse, 1935. Heellinnen met stofomslag. 1e en enige druk.
Left Handed Poems.
by Michael Ondaatje.
Toronto, House Of Anansi Press, september 197o. issued as Anansi Poetry 18 in 2 variants in multiple states:
a1) ISBN o-88784-o18-3, as described below;
a2) 2nd state with "WINNER OF THE GOVERNOR-GENERAL'S AWARD" in gold letterpress on front cover;
a3) 3rd state as (a2) but red letterpress, uninspected;
b) ISBN o-88784-118-x, hardcover, uninspected.
6-1/2 x 9, 56 sheets ivory bond perfectbound in white card wrappers, all except inside covers & 7 pp printed black offset with red addition to all covers.
cover by Roger Silvester.
photographs by L.A.Huffman (others?).
rear blurb by Al Purdy.
includes:
i) THE KID TELLS ALL 'EXCLUSIVE JAIL INTERVIEW' (pp.81-84; prose with reference to bpNichol's Captain Poetry)
ii) "This book is for many but" (p.1o9; 3-line dedication includes Nichol as 1/6 dedicatees)
___________________________
• the (b) issue may also be comprised of different states of its dustjacket
• 2nd printing, 1972
• 1st american, W.W.Norton, 1974
• 2nd american, Berkley, october 1975
• 5th printing, Anansi, 1975
• 7th printing, Anansi, 1977?
• 3rd american edition, Wingbow Press, 1979
• 1st UK edition, Marion Boyars, 1981
• 1994 edition, Anansi
• 1st italian, Theoria, 1995
• 1st german, Carl Hanser, 1997
• 1st french, L'Olivier, 1998
• 2nd german, Deutscher Taschenbuch, 1999
• 2nd italian, Garzanti, 2oo2
• 2oo3 edition, Anansi
• 2nd french, L'Olivier, 2oo7
• 1st spanish, Punto De Lectura, 2oo8
• 2oo8 edition, Vintage Canada
• 1st norwegian, Samlaget, 2o12
• 2nd spanish, Debolsillo, 2o16
• Vintage Classics, UK, 2o25
bibliography by Nicky Drumbolis.
Toronto, Letters Bookshop, 23 june 1988. 4o copies numbered in black pencil, issued as List 67.
7 x 8-1/2, 37 sheets white xerographic bond folded to 148 pp in 3 signatures of 9 sheets each sewn separately pearl white in 2 stitches & glued together into plain wrapper, plain granite burgundy Canson endpapers & 7-1/8 x 8-9/16 plain white mayfair card wrappers in 7-3/16 x 8-1/2 granite grey Canson dustjacket printed black typescript front cover & spine only, all interiors printed black photocopy.
22 further contributors:
Gerge Bowering, Barbara Caruso, Arthur ravan, Greg Curnoe, Frank Davey, Jack David, Brian De Beck, Dan Sayre Groesbeck, Robert Kroetsch, Red Lane, Robin Mathews, David McFadden, Rudy McToots, bpNichol, Michael Ondaatje, Peter Quartermain, Brad Robinsn, Murphe Roos, Brian Shein, Andrew Smith, "Some Kind Of A Nut", Phineas Thayer.
Nichol inclusion:
i) a little song (poem, 1o lines, dedicated "for george bowering")
other inclusions:
ii) george bowering condensed (bibliography in introduction & 1o parts with mainly passing references to Nichol in parts:
--1. George Bowering (passing references to Ganglia Press in entries on An Old Add & Two Police Poems)
--2. editor of books (passing references to Nichol in entries on The Story So Far, Fiction of Contemporary Canada & The Contemporary Canadian Poem Anthology, Ganglia Press in entry on Red Lane's The 1962 Poems)
--4. publisher (passing reference to Nichol in entry on Warren Tallman's Three Essays on Creeley)
--5. contributor to books (passing reference to Nichol in entries on Modern Canadian Poetry, The Story So Four & Out-Posts)
--7. contributor to periodicals (with a description of grOnk number 2: series 2, reference to Nichol's The Chinese Poems in Is. six, description of GANGLIA 2.2, Nichol interview in Alphabet 18/19, review of Nichol's Monotones in Open Letter 2:2, Bowering's bpNichol in Tuatara 11, quote by Toronto Research Group from TRG Report 2 / Narrative (part 4) in Open Letter 2:8, description of Open Letter 6:5/6...A Festschrift for bpNichol)
--8. ephemera (reference to Nichol's As Elected on Talonbooks Introduces A New Series Of Selected Poems / Writing poster)
--1o. bunts off the grid (includes description of Nichol's zygal reprinting a little song ((i) above) in full)
iii) "Dear Al-", by George Bowering (prose letter to Al Purdy citing Nichol reference to Angela Bowering as "the most intelligent woman i Canada")
___________________________
- includes a description, without naming Nichol, of an ephemeron for 1975 Canadian Writers Tour, a "full-colour poster" printed at Coach House Press for the readings tour with itinerary, Nichol one of the 1o writers & which tour yielded IS.18
by David McFadden.
Toronto, Coach House Press, 1968.
5-1/4 x 8-1/2, 56 sheets light blue deckletone perfectbound in plain brown manila card wrappers & blue deckletone card dustjacket with 4" flaps glued at spine, all except inside covers & first & last pp printed black offset with 3-colour process addition to covers.
wraparound cover photo by McFadden.
includes further photography by David McFadden, Joan McFadden, others unID'd.
includes:
i) "Parts of this book have appeared in the following periodicals" (with thanks to bpNichol for editorial aid)
Another Tor book cover that features actual NASA imagery. The surface images were supplied by the Viking Landers as this design came before any rovers had made it to the surface.
by Arthur Cravan.
Toronto, Letters, 5 april 1991. 5o copies numbered in red ink at rear.
5-1/2 x 8-1/2, 44 sheets speckled grey & 3 plain purple bond side-stapled thrice into plain yellow mayfair card covers in red bond dustjacket tipped at flaps inside the endpapers, interiors all but 4 pp printed black photocopy with red photocopy additions to title page, front cover only printed on dj.
includes:
i) ZOMBOID GIBBER (essay with references to jwcurry & reviews of curry's Fragment, 2 stills from Between, & his producion of Bill Bissett's howard xperiences)
Nigel Beale is a freelance writer/broadcaster who specializes in literary journalism, and likes to take photographs of books.
He has interviewed many well known authors, publishers and antiquarian booksellers. To listen, visit www.nigelbeale.com
by bpNichol; illustrated by Simon Ng.
[Red Deer], Red Deer College Press, 1991. ISBN o-88995-o76-8.
7-1/2 x 8-1/2, 6 sheets white claycoat folded to 24 pp in 2 signatures of 3 sheets each sewn pearl white in 7 doublestitches & glued into plain white heavy bond endpapers & 7-5/8 x 8-3/4 glossy PVC white bond-covered boards in white chromecoat dustjacket with 3-3/8" flaps printed black offset rectos only, all except endpapers & p.4 printed 4-colour process offset.
includes:
i) ON THE MERRY-GO-ROUND (children's verse, pp.6-23; also p.24)
also includes (all graphics by Simon Ng unless otherwise indicated):
ii) "ON THE Merry-Go-Round" (cover, front & rear (book & dj); graphic 1/15 for On The Merry-Go-Round)
iii) ON THE Merry-Go-Round, by [--?--] (dj front flap; one-paragraph blurb with quote by Nichol, lines 1-2 of On The Merry-Go-Round)
iv) [untitled graphic] (p.1; cropped from p.12 below)
v) [untitled title page graphic] (p.3; cropped & reversed from p.23 below)
vi) [untitled graphic] (p.5; cropped & reversed from p.16 below)
vii) "On the Merry-Go-Round the horse makes no sound" (p.6; graphic 2/15 for lines 1-2)
viii) "but she takes me so far and she takes me so high" (p.7; graphic 3/15 for lines 3-4)
ix) "I can ride to the edge of the sky." (pp.8-9; graphic 4/15 for line 5)
x) "On the Merry-Go-Round the dog makes no sound," (p.1o; graphic 5/15 for lines 6-7)
xi) "but he runs on so swift as I cling on his back" (p.11; graphic 6/15 for lines 8-9)
xii) "I can ride to the moon and ride back." (pp.12-13; graphic 7/15 for line 1o)
xiii) "On the Merry-Go-Round the deer makes no sound," (p.14; graphic 8/15 for lines 11-12)
xiv) "but she runs on so long and she runs on so light" (p.15; graphic 9/15 for lines 13-14)
xv) "I can ride to the edge of the night." (pp.16-17; graphic 1o/15 for line 15)
xvi) "On the Merry-Go-Round if I make no sound" (p.18; graphic 11/15 for lines 16-17)
xvii) "I'm the dog in his race" (p.19; graphic 12/15 for line 18)
xviii) "and the deer in her leap" (p.2o; graphic 13/15 for line 19)
xix) "and the horse that I'll ride into sleep," (p.21; graphic 14/15 for line 2o)
xx) "and the horse that I'll ride into sleep." (pp.22-23; graphic 15/15 for line 21)
xxi) [untitled graphic] (p.24; cropped, reversed & turned upside down from p.13)
xxii) BP Nichol, by [--?--] (dj rear flap; single paragraph biography)
xxiii) PHOTO, by Marilyn Westlake (dj rear flap; photograph, portrait of Nichol (reversed from "bpNICHOL in a Four Horsemen performance at Harbourfront, 1985))
by bpNichol; illustrated by Anita Lobel.
2nd edition, illustrationally revised. New York, Greenwillow Books, [1 january] 1986. issued in 2 variants:
a) "library edition", ISBN o-688-o4284-6, in matte-covered boards with a spine sticker "Greenwillow Library Edition", different dj with an advertisement for a poster inside front flap [not in the collection];
b) trade edition as described below, ISBN o-688-o4284-8.
9-13/16 x 8, 8 sheets white claycoat folded to 32 pp in 2 signatures of 4 sheets each, japanese-sewn white in 25 stitches & glued by endleaves into 1o-1/8 x 8-5/16 white PVC chromecoat-covered boards in 1o-1/8 x 8-1/4 white PVC glossy dustjacket with 3-5/8" flaps, all except dj verso printed 4-colour process offset except rear dj flap in black only.
cover by Anita Lobel.
includes:
i) ONCE: A LULLABY (children's verse; dedicated "FOR SARAH, bp N" & "FOR DAVE HOLODY, WITH LOVE, A L")
ii) ONCE I WAS..., lyrics by Nichol/music by Adam Lobel/arranged by John Kreumich (sheet music; pp.24-25)
also includes (illustrations by Anita Lobel except as indicated):
iii) "ONCE: A LULLABY" (group portrait of all the characters in the poem; on front covers of book & dustjacket)
iv) "Once I was", by [--?--] (prose blurb accompanied by a small detail from (x) below; inside front dj flap)
v) [untitled graphic, introsequence 1/6, sunset] (inside front cover)
vi) [untitled graphic, introsequence 2/6, moonrise] (p.1)
vii) [untitled graphic, introsequence 3/6, moon risen] (p.2)
viii) [untitled graphic, introsequence 4/6, proscenium hills] (title page)
ix) [untitled graphic, introsequence 5/6, proscenium bedroom] (© page; repeated with different text as (xxx) & (xxxi) below)
x) [untitled graphic, introsequence 6/6, proscenium bedroom with copy of Once: A Lullaby (this edition) on floor] (dedication page)
xi) ["Once I was a little horse"] (p.6; graphic to accompany stanza 1)
xii) ["Once I was a little cow"] (p.7; graphic to accompany stanza 2)
xiii) ["Once I was a little goat"] (p.8; graphic to accompany stanza 3)
xiv) ["Once I was a little sheep"] (p.9; graphic to accompany stanza 4)
xv) ["Once I was a little pig"] (p.1o; graphic to accompany stanza 5)
xvi) ["Once I was a little dog"] (p.11; graphic to accompany stanza 6)
xvii) ["Once I was a little cat"] (p.12; graphic to accompany stanza 7)
xviii) ["Once I was a little mouse"] (p.13; graphic to accompany stanza 8)
xix) ["Once I was a little owl"] (p.14; graphic to accompany stanza 9)
xx) ["Once I was a little crow"] (p.15; graphic to accompany stanza 1o)
xxi) ["Once I was a little duck"] (p.16; graphic to accompany stanza 11)
xxii) ["Once I was a little chick"] (p.17; graphic to accompany stanza 12)
xxiii) ["Once I was a little frog"] (p.18; graphic to accompany stanza 13)
xxiv) ["Once I was a little fish"] (p.19; graphic to accompany stanza 14)
xxv) ["Once I was a little bee"] (p.2o; graphic to accompany stanza 15)
xxvi) ["Once I was a little fly"] (p.21; graphic to accompany stanza 16)
xxvii) ["Once I was a little boy"] (p.22; graphic to accompany stanza 17)
xxviii) ["Once I was a little girl"] (p.23; graphic to accompany stanza 18)
xxix) [untitled graphic, proscenium] (pp.24-25; same drawing twice but reversed on facing page)
xxx) "GOOD NIGHT!" (p.26; same as (ix) above with different text & (xxxi) below)
xxxi) [untitled graphic] (p.27; as (ix) above but reversed)
xxxii) [untitled graphic, outrosequence 1/2, moonset] (p.28)
xxxiii) [untitled graphic, outrosequence 2/2, sunrise] (inside rear cover)
xxxiv) [untitled graphic, group portrait of all characters in the poem in the sky] (rear cover of book & dj)
xxxv) bp Nichol, by [--?--] (prose capsule bio; rear dj flap)
________________________
• 1st edition from Black Moss Press, Windsor, 1983
• this edition reprinted by Julia MacRaeBooks, London, 1987
• reprinted again with illustrations by Anita Lobel by Mulberry Books, 1992, New York
• braille edition, Sedro-Woolley, Blind In Mind, 1996
• apparently, this has also been released in a japanese translation that i've been unable to acquire a copy of & it's possible that other translations/publications exist as well