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Nikon D200 (2005) / Sony Alpha 100 (2006)

www.flickr.com/photos/maoby/albums/72157669477176456

 

Lumix DMC-L1 (2006) / Sony Alpha 100 (2006)

www.flickr.com/photos/maoby/albums/72157674001715025

 

Konica Minolta 7D (2004) / Sony Alpha 100 (2006)

www.flickr.com/photos/maoby/albums/72157677213827797

 

Sony Alpha 100 (2006) / Sony Alpha 700 (2007)

www.flickr.com/photos/maoby/albums/72157674604031315

 

Sony Alpha 100 (2006) / Sony Alpha 7 (2013)

www.flickr.com/photos/maoby/albums/72177720323290081

Casio QV-10A (1996)

Kodak AP NC 2000e Pro (1996)

Voici ma première comparaison entre deux appareils photo de ma collection, réalisée en 2015. J'en possède maintenant plus de 338.

 

Kodak DCS 200 / 1.5 MP (1524x1012 ) $9,000.00 US

avec un facteur de multiplication de 2.6

 

Nikon 1 J1 / 10 MP (3872 x 2592) $600.00 US

avec un facteur de multiplication de 2.7

 

===================================================

 

Here is my first comparison between two cameras from my collection, made in 2015. I now own more than 338.

 

Kodak DCS 200 / 1.5 MP (1524 x 1012) $9,000.00 USD

with a 2.6x crop factor

 

Nikon 1 J1 / 10 MP (3872 x 2592) $600.00 USD

with a 2.7x crop factor

 

www.flickr.com/photos/maoby/albums/page2

Fujix DS-515 (1994)

Capteur de 1.28 MP (1280x1000)

$18,000.00 USD

 

Minolta RD-3000 (1999)

Capteur de 2.7 MP ( 1984x1360 )

$3,400.00 USD

 

=====================================

 

Fujix DS-515 (1994)

1.28 MP sensor (1280x1000)

$18,000.00 US

 

Minolta RD-3000 (1999)

2.7 MP sensor (1984x1360)

$3,400.00 US

Sony Alpha 7 (2013) / Olympus OM-D E-M1 Mark II (2016)

www.flickr.com/photos/maoby/albums/72177720315752104/

ML FF / µ4/3

 

Kodak DCS 520 (1998) / Olympus OM-D E-M1 MkII (2016)

www.flickr.com/photos/maoby/albums/72177720300676695

2 MP & 20 MP

 

Kodak AP NC 2000e Pro (1996) / Olympus OM-D E-M1 Mark II (2016)

www.flickr.com/photos/maoby/albums/72177720332063396/

Kodak Olympus

A Commodore PET 2001 Series personal computer is displayed in a museum setting, showcasing early computing technology with an integrated monitor and distinctive keypad.

Sony a7

 

Capteur CMOS plein format de 24,3 mégapixels avec OLPF

Monture E avec prise en charge des objectifs à monture FE, E et A (avec adaptateur)

Processeur d'images Bionz X

Système AF hybride avec 25 points de détection de contraste et 117 points de détection de phase

Corps scellé en alliage et composite

Écran LCD inclinable de 3 pouces avec 1,23 million de points (640 x 480, RGBW)

Viseur électronique XGA (1024x768)

 

=================================================

 

Sony a7

 

24.3-megapixel full-frame CMOS sensor with OLPF

E-mount with support for FE, E, and A-mount lenses (with adapter)

Bionz X image processor

Hybrid AF system with 25 contrast-detection points and 117 phase-detection points

Sealed alloy and composite body

3-inch tilting LCD screen with 1.23 million dots (640 x 480, RGBW)

XGA (1024x768) electronic viewfinder

  

www.mountvernon.org/library/digitalhistory/digital-encycl...

 

Located in Alexandria, Virginia, Christ Church opened its doors in 1773 to serve the Church of England's Fairfax Parish. George Washington helped fund the construction of the church, and his personal bible was presented to the parishioners of Christ Church in 1804, by George Washington Parke Custis.

 

Outgrowing more modest spaces, in November 1766, the Vestry of Fairfax Parish ordered a levy of 31,185 pounds of tobacco upon it parishioners in support of new structures at present day Falls Church, Virginia and in Alexandria. The vestrymen awarded James Parson the contract to oversee the construction of the Alexandria church, designed by James Wren, a descendent of Sir Christopher Wren of the famed St. Paul’s Cathedral. Parsons estimated the cost of completing the church at £600.1

 

After numerous delays, some the result of a decision to expand the building midway through construction, Christ Church was still incomplete in 1772. In May of that year, the vestrymen of Fairfax Parish called Parsons before them and asked if he believed construction could be completed by the end of the year. Parsons answered in the negative, and a new contract costing an additional £220 was eventually awarded to prominent Alexandrian John Carlyle.2

 

On February 27, 1773, the Vestry of Fairfax Parish took formal possession of the Christ Church. As was common practice, prominent members of the community “bought” pews in the church so that they could ensure their entire family had space to sit together, and as a way to defray the construction expenses. George Washington, a member of Fairfax Parish, supplied the greatest amount for his pew, £36 10s. While a vestrymen of neighboring Truro Parish closer to Mount Vernon, part of Washington’s property also lay within Fairfax Parish. This dual membership offered Washington access to, and the financial obligation of supporting, churches in both parishes.3

 

An English traveler witnessing the church in 1774 referred to it as “a pretty and large building.” The reverend Townsend Dade, however, was not popular with the congregation. In January 1775, Nicholas Cresswell, an English traveler residing in Alexandria, complained that Dade was “drunk and [couldn’t] perform the duties of his office.”4 On another occasion, Cresswell observed that Dade was “too lazy to preach.”5 The vestry was likewise frustrated with Dade, and terminated his ministry in June 1778.6

 

The church was observed to be a center of Whig activity during the Revolutionary War. Cresswell, a Tory, commented in November 1774 that he no longer wanted to attend, because the homilies consisted largely of “Political Sermons.”7 He later noted that the ministers were “mere retailers of politics, sowers of sedition and rebellion, serve to blow the cole of discord and excite the people to arms.”8 Reverend David Griffith, who became rector of the parish in 1780, was noted to be particularly fervent in support of the Revolution. Griffith was a veteran, who had served as both a surgeon and chaplain to the 3rd Virginia Regiment, prior to becoming the rector at Christ Church.

 

While most parishioners were Whigs, the church struggled to provide regular service during the conflict. Even after the start of the war, the Anglican Church remained the established church of Virginia, and all residents were taxed to fund the church. To gain support from dissenting Protestants, however, Virginia suspended the unpopular compulsory taxes during the conflict, eliminating the church’s primary source of income. Cresswell noted the effects of this change on October 20, 1776, saying “the Parsons are not willing to expound the Gospel to the people without being paid for it, and there is no provision made for the Episcopal Clergy by this new code of Laws.”9 Two weeks later, Cresswell again commented that no service was held.10

  

Interior of Christ Church. On the well to the left of the alter can be seen a memorial plaque to George Washington. Image courtesy Wikimedia Commons.

In 1777, Thomas Jefferson drafted his Statute for Religious Freedom, and submitted it to the Virginia legislature in 1779. The proposed law would formally disestablish the Church of England in Virginia and guarantee freedom of religion to people of all religious faiths.11 Successful passage of the law would potentially cripple Christ Church financially on a permanent basis if it could not find a new source of support. Fortunately for the church, it took several years for the Virginia legislature to finalize the legislation.

 

As it became increasingly clear that the Statute of Religious Freedom would be enacted, the Fairfax vestrymen solicited support from their fellow parishioners. George Washington again provided financial assistance to Christ Church on April 25, 1785, pledging that “the pews we now hold, in the Episcopal Church at Alexandria, shall be for ever, charged with an Annual Rent of five pounds Virginia Money each … for the Purpose of supporting the Ministry in the said Church.”12

 

In 1799, the rector of Christ Church, Thomas Davis, was one of four ministers to speak at the funeral of George Washington.

Duel 30 années 1995-2025

 

Entre le Kodak-Canon EOS-1 N DCS 3c (1995) et l’iPhone 17 (2025)

  

Kodak-Canon EOS-1n DCS 3c (1995)

Capteur de 1.28 MP ( 1268 x 1012 )

Prix : $16,000.00 USD

Photos prise avec le Canon EF 28-105 f/3.5-4.5 USM

(avec un facteur de multiplication de 1.5) ou 1.65

Entre 31.5 et 34,7 mm pour un équivalent de 52mm

200-1600 ISO

 

________________

 

iPhone 17 (2025)

Prix: $1,130 CAD ou $799 USD

Capteur de 48MP (Dual Fusion) 1X f/1.6 26mm

1/1.56’’ (48mm2)

Facteur de recadrage d’environ 4,24x (Focale réelle 6,1mm = Focale équivalente 26mm)

Pour cette comparaison, j'ai utilisé le Téléobjectif 2x de 12 MP de qualité optique ( équivalente 52mm)

16-2500 ISO (Environ)

  

** Les comparaisons sont effectuées avec un écran Studio Display 27 pouces Retina 5K (5120 x 2880) pixel 1/1

 

====================================================

 

30-Year Comparison: 1995-2025

 

Between the Kodak-Canon EOS-1 N DCS 3c (1995) and the iPhone 17 (2025)

 

Kodak-Canon EOS-1n DCS 3c (1995)

1.28 MP Sensor (1268 x 1012)

Price: $16,000.00 USD

Photos taken with the Canon EF 28-105 f/3.5-4.5 USM

(with a 1.5x crop factor) or 1.65x

Field size: 31.5-34.7 mm (52mm equivalent)

ISO: 200-1600

 

________________

 

iPhone 17 (2025)

Price: $1,130 CAD or $799 USD

48 MP Sensor (Dual) Fusion) 1X f/1.6 26mm

1/1.56" (48mm²)

Crop factor of approximately 4.24x (Actual focal length 6.1mm = 26mm equivalent focal length)

For this comparison, I used the 12MP optical-quality 2x telephoto lens (52mm equivalent)

ISO 16-2500 (Approx.)

 

** Comparisons are made with a 27-inch Retina 5K Studio Display (5120 x 2880) 1:1 pixel resolution

  

A vous de juger / Your turn to judge

www.flickr.com/photos/maoby/albums/72177720335944948/

Vos remarques sont les bienvenues / Your remarks are welcome

Fujifilm X-Pro1 (2012)

Fujifilm FinePix X Series X100 (2011)

Fujifilm X-T5 (2022)

Duel 20 ans 2005-2025

 

Entre le Canon EOS-5D (2005) et l’ iPhone 17 (2025)

  

Canon EOS-5D (2005)

Capteur de 12.8 MP (4388 x 2912 )

Photos prise avec le Canon EF 50 f/1.8 II

(facteur de multiplication de 1.0) FF

Prix: $3,300.00 USD

100-1600 (50-3200) ISO

 

______________

 

iPhone 17 (2025)

Capteur de 48MP (Dual Fusion)

Ici: Téléobjectif 2x de 12 MP de qualité optique (52mm)

12mm2 = à un capteur de 1/3,1 pouce

Prix: $1,129 CAD ou $799 US

16-2500 ISO (Environ)

 

* Les comparaisons sont effectuées avec un écran Studio Display 27 pouces Retina 5K (5120 x 2880) pixel 1/1

 

=====================================================

 

Between the Canon EOS-5D (2005) and the iPhone 17 (2025)

 

Canon EOS-5D (2005)

12.8 MP sensor (4388 x 2912)

Photos taken with the Canon EF 50mm f/1.8 II (1.0x crop factor) Full Frame

Price: $3,300.00 USD

ISO 100-1600 (50-3200)

 

______________

 

iPhone 17 (2025)

48 MP sensor (Dual Fusion)

Here: 12 MP optical-quality 2x telephoto lens (52mm)

12mm² = equivalent to a 1/3.1-inch sensor

Price: $1,129 CAD or $799 USD

ISO 16-2500 (Approx.)

 

*Comparisons are made using a studio monitor 27-inch Retina 5K display (5120 x 2880) pixel 1/1

  

A vous de juger / Your turn to judge

www.flickr.com/photos/maoby/albums/72177720335066491/

Vos remarques sont les bienvenues / Your remarks are welcome

EpixPro IC-100 (1996)

Kodak AP NC 2000e Pro (1996)

The history of DSLR and Mirrorless in pictures (1991-2017)

 

L'histoire des DSLR et Mirrorless en images (1991-2016) ...

(Total 67) Cameras 2020

www.flickr.com/photos/maoby/albums/72157627624479529

Panasonic Lumix DMC-G1 (2008)

Panasonic Lumix DMC-L1 (2006)

Panasonic Lumix DMC-GF1 (2009)

Olympus E-10 (2000)

First Olympus SLR

2/3’’ CCD sensor of 3,900,000 pixels (2240x1680)

Storage: SmartMedia & CompactFlash

$2,000.00 USD.

 

The Olympus E-20 4.95 MP (2560x1920)

$2,000.00 USD

 

Olympus E-1 4.95 MP (2560x1920)

the 1st 4/3

$2,000.00 USD

 

www.dpreview.com/forums/threads/the-magnificent-olympus-e...

ift.tt/1oBOr36 Elizabeth Montgomery's historical bio timeline | #ElizabethMontgomery #history #retro #vintage #digitalhistory ift.tt/20Monhb via Histolines

The Kodak DCS 200 ci Pro Digital Camera (1992)

The second Digital SLR (the first truly transportable)

1.54 MP (1524x1012)

Storage: A hard drive of 2.5¨ 80 Mbyte Int. Not removable

Available in five versions: two for B&W photography, two for color photography, and one for IR (infrared)

1,700 kg

 

Announced at MacWorld in August 92

A contrast to the complexity of the original DCS (DCS100)

Kodak used a Nikon 8008s (Nikon F-801) for its DCS 200

More than 3,240 cameras were sold between 1992 and 1994

For the modest sum of $9,000 USD

(with a multiplication factor of 2.6)

 

-------------------

 

Kodak DCS 720x

The last of the Kodak DCS based on the magnificent Nikon F5

 

Kodak DCS 720X 2 MP (1728x1152)

with a multiplication factor of 1.6

Price: $7,000 USD

ISO 400-6400

ift.tt/1VWAb1g Sphinx's historical bio timeline | #Sphinx #history #retro #vintage #digitalhistory ift.tt/1mrdtQo via Histolines

Kodak AP NC 2000e Pro (1996)

Sony DKC-ID1 (1996)

ift.tt/24hpRVi Anthony Perkins's historical bio timeline | #AnthonyPerkins #retro #vintage #digitalhistory ift.tt/1OlH2JJ via Histolines

Duel Kodak DCS 520 / Nikon D3s

 

Entre le Kodak DCS 520 (1998) et le Nikon D3s (2009)

 

Kodak DCS 520 (1998)

Capteur APS-C de 2 MP ( 1728x1152 )

Le premier Réflex Numérique équipés d'un écran LCD couleur à l'arrière.

Prix : $15,000.00 US

Photos prise avec le Canon EF 50 f/1.8 II

le Canon EF 85mm f/1.8

et le Canon EF 28-105 f/3.5-4.5 USM

(avec un facteur de multiplication de 1.6)

200-1600 ISO

 

_______________

 

Nikon D3S (2009)

Capteur FF (24 x 36) de 12.1 MP ( 4256 x 2832 )

Prix: $5,200.00 US

Photos prise avec le nikkor AF-S 85mm f/1.8 G

le Sigma 135mm f/1.8 DG HSM ART

et le nikkor AF-S VR 24-120mm f/4 G ED N

(avec un facteur de multiplication de 1.0)

200-12800 (100-102400) H3 ISO

  

* Les comparaisons sont effectuées avec un écran Studio Display 27 pouces Retina 5K (5120 x 2880) pixel 1/1

 

====================================================

 

Between the Kodak DCS 520 (1998) and the Nikon D3s (2009)

 

Kodak DCS 520 (1998)

2 MP APS-C sensor (1728x1152)

The first digital SLR camera equipped with a color LCD screen on the back.

Price: US$15,000.00

Photos taken with the Canon EF 50mm f/1.8 II

the Canon EF 85mm f/1.8

and the Canon EF 28-105mm f/3.5-4.5 USM

(with a 1.6x crop factor)

ISO 200-1600

 

_______________

 

Nikon D3S (2009)

12.1 MP Full Frame (24 x 36) Sensor (4256 x 2832)

Price: US$5,200.00

Photos taken with the Nikkor AF-S 85mm f/1.8 G

the Sigma 135mm f/1.8 DG HSM ART

and the Nikkor AF-S VR 24-120mm f/4 G ED N

(with a crop factor of 1.0)

200-12800 (100-102400) H3 ISO

 

* Comparisons are made using a 27-inch Studio Display Retina 5K (5120 x 2880) pixel 1/1

  

A vous de juger / Your turn to judge

www.flickr.com/photos/maoby/albums/72177720333668456/

Vos remarques sont les bienvenues / Your remarks are welcome

Duel Olympus 4.9 MP

 

Entre l’Olympus E-20 (2001) et l’Olympus E-1 (2003)

  

Olympus E-20 (2001)

Capteur Sony de 2/3’’ (8.8 x 6.6 mm) de 4.92 MP (2560x1920)

Prix: $2,000 USD

Objectif 9-36mm (35-140mm)

(facteur de multiplication de 3.89)

80-320 ISO

 

___________________

  

Olympus E-1 (2003)

Capteur 4/3 (17,3 x 13 mm) de 4.95 MP ( 2560x1920)

Le 1er 4/3

Prix : $2,000 USD

Photos prise avec le Leica 14-50mm f/2.8-3.5

(avec un facteur de multiplication de 2)

100-3200 ISO

  

A vous de juger / Your turn to judge

www.flickr.com/photos/maoby/albums/72177720313444038/

Vos remarques sont les bienvenues / Your remarks are welcome !

Fujifilm FinePix X100 (2011)

Fujifilm X-T5 (2022)

Fujifilm X-Pro1 (2012)

Kodak DCS 620X

capteur de 2 MP ( 1728x1152 )

avec un facteur de multiplication de 1.6

Prix : $10,500.00 USD

400-4000 (6400) ISO

 

===================================================

 

Kodak DCS 620X

2 MP sensor (1728x1152)

with a multiplication factor of 1.6

Price: $10,500.00 US

400-4000 (6400) ISO

 

Me and My

www.flickr.com/photos/maoby/albums/72157632730404926/

Hugh Mercer Statue located in Fredericksburg Virginia. General Mercer was wounded at the battle of Princeton and died a few days later. Complete bio here www.mountvernon.org/library/digitalhistory/digital-encycl...

201805KATC-061_8x10H

Fujifilm X-Pro1 ( 2012 ) / XF 56mm f/1.2

Fujifilm FinePix X Series X100 ( 2011 )

Hugh Mercer Statue located in Fredericksburg Virginia. General Mercer was wounded at the battle of Princeton and died a few days later. Complete bio here www.mountvernon.org/library/digitalhistory/digital-encycl...

20190719VBR-18_8x10print

ift.tt/1VjZWtc Judy Garland's historical bio timeline #JudyGarland #history #retro #vintage #digitalhistory ift.tt/1VRjXpQ via Histolines

Dakota DCC-9500 (1995)

Promaster Color Digital ONE (1995)

Dycam DC-10C (1995)

Chinon ES-3000 (1995)

 

Tous ces modèles sont des clones techniquement identiques.

Ils peuvent utiliser le même logiciel pour télécharger leurs photos.

 

---------------------------------------------

 

Les Quadruplés

 

Chinon ES-3000 (1995)

Promaster Color Digital ONE (1995)

Dycam DC-10C (1995)

Dakota DCC-9500 (1995)

 

Les célèbres appareils photo numériques « quintuplés » de 1995 !

Tous ces modèles sont des clones techniquement identiques fabriqués par le constructeur d'origine (OEM), Chinon.

 

Chinon a vendu ce matériel sous son propre nom tout en accordant des licences de conception à plusieurs autres marques.

 

Chinon ES-3000 : La version originale du fabricant.

Promaster Color Digital ONE : Une version très rare commercialisée par Promaster.

Dycam DC-10C : Une version sous licence vendue par la marque Dycam.

Dakota DCC-9500 : Une version distribuée par Quantaray / Ritz.

 

Partageant la même plateforme, ils possédaient tous :

 

•Résolution : 640 x 480 pixels (résolution VGA).

•Objectif : Zoom optique 3x (équivalent 38mm–114mm f/2.8).

•Stockage : Emplacement pour carte mémoire flash PCMCIA Type I/II (une innovation pour l'époque).

•Prix d'origine : Environ 995 $ USD.

 

Aujourd'hui, leur design rappelle davantage des jumelles ou des gadgets de science-fiction que des appareils photo modernes. Les variantes Promaster et Dakota se sont très peu vendues à l'époque, ce qui les rend hautement recherchées par les collectionneurs d'appareils numériques vintage.

 

ift.tt/1XQTry9 Yvonne Craig's historical bio timeline | #YvonneCraig #history #retro #vintage #digitalhistory buff.ly/1XN31Cf #history #timelines via Histolines.com via Histolines

 

Panasonic Lumix GX7 (2013)

Capteur µ4/3 de 16.1 MP ( 4592 x 3448 )

Prix : $1,000.00 USD

Avec le Panasonic Lumix G 20mm f/1.7 II

(avec un facteur de multiplication de 2.0)

125-25600 ISO

 

==================================================

 

Panasonic Lumix GX7 (2013)

16.1 MP Micro Four Thirds sensor (4592 x 3448)

Price: $1,000.00 USD

With the Panasonic Lumix G 20mm f/1.7 II lens

(with a 2.0x crop factor)

ISO 125-25600

  

ift.tt/1MCzpV5 Helen Keller's historical bio timeline | #HelenKeller #history #retro #vintage #digitalhistory ift.tt/1Sz70P5 via Histolines

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