View allAll Photos Tagged DigitalAssets
J Malan Heslop (b. 1923), U.S. Army Signal Corps photographer, who took pictures of the advance of American troops through France, Belgium, Germany and Austria. Born in Taylor, Utah, his father taught him photography and how to develop film. Graduating from high school in 1941, Heslop bought himself a press camera, and later studied photography at the Los Angeles City College. There, he learned that a new photography company was being organized within the U.S. Army Signal Corps with the assistance of professional photographers from the Hollywood movie industry. He enlisted in the National Guard in October 1942 and was assigned to the 167th Signal Corps company. He was sent for several sessions of photographic training at Paramount Studios in Hollywood. In July 1944 Heslop's company was shipped out to England, and two months later, on September 5, was on its way to Normandy with the 12th Army Group. For much of the fall and winter of 1944-45 Heslop operated out of company headquarters in Verdun. He was sent on assignments all over France, and occasionally into western Germany and Luxembourg. When the Germans launched their mid-December counteroffensive in the Ardennes Forest, Heslop photographed what came to be called the Battle of the Bulge. In March 1945 Heslop was assigned to the 123rd combat unit. This unit consisted of two motion picture photographers: John O'Brian and Edward Urban, two still photographers: Walter McDonald and J Heslop, and the commanding officer, Lt. Arnold Samuelson. The unit was attached to the 9th Armored Division and crossed with it into Germany on March 20. Heslop and McDonald were issued both Speed Graphic and Leica cameras....
The Speed Graphic, which used 4x5 inch sheet film, was employed for all official combat photography, while the 35mm Leica was used for less official purposes,
... including photographing fellow soldiers at their bases between assignments. The sheet film was dispatched by courier to England (via France), where the film was processed. Often copies of the developed prints were sent back to the photographers in the field, but not always. The Leica film was sent for processing to the lab at company headquarters, and the prints were returned to the photographers, who generally mailed them home for safekeeping.
Heslop and the 123rd Combat Unit followed the 9th Armored Division across Germany through Naumberg, Leipzig, and Nuremberg. On April 28 the unit was transferred to the 80th Infantry Division, and the next day crossed into Austria. The 123rd Combat Unit was near Linz on May 7, V-E Day. The following day it entered the newly liberated Ebensee concentration camp, where Heslop took photographs of the starving survivors.
Heslop returned to the U.S. in late June 1945 and was discharged from the army on September 6. After graduating from Utah State Agricultural School in 1948 Heslop went to work as a news photographer for the Deseret News in Salt Lake City. He remained there for the next 40 years, retiring as managing editor of the newspaper in 1988. Throughout this period he pursued a second career as an agricultural photographer for a leading advertising agency.
Date: 1944 - 1945 -- Locale: France -- Photographer: J Malan Heslop -- digitalassets.ushmm.org/photoarchives/detail.aspx?id=1151... Credit: United States Holocaust Memorial Museum, courtesy of J Malan Heslop.
Flickr map here is only a general location, Verdun France. Detailed location unavailable.
ProEXR File Description
=Attributes=
cameraAperture (float): 53.7
cameraFNumber (float): 8
cameraFarClip (float): 100000
cameraFarRange (float): 1e+018
cameraFocalLength (float): 50.053
cameraFov (float): 56.4211
cameraNearClip (float): 16.5
cameraNearRange (float): 0
cameraProjection (int): 0
cameraTargetDistance (float): 200
cameraTransform (m44f): [{0.107309, 0.921937, 0.37218, 343.402}, {0.993484, -0.113886, -0.00433672, -36.7266}, {0.0383878, 0.37022, -0.92815, 124.662}, {0, 0, 0, 1}]
channels (chlist)
compression (compression): DWAA
dataWindow (box2i): [0, 0, 8999, 6749]
displayWindow (box2i): [0, 0, 8999, 6749]
lineOrder (lineOrder): Increasing Y
pixelAspectRatio (float): 1
screenWindowCenter (v2f): [0, 0]
screenWindowWidth (float): 1
type (string): "scanlineimage"
vrayInfo/camera (string): "CAM_X152_21MY_036X"
vrayInfo/computername (string): "nodew092"
vrayInfo/cpu (string): "INTEL/Model:15,Family:6,Stepping:1,Cache:0"
vrayInfo/date (string): "2019/Jun/6"
vrayInfo/filename (string): "K:/DigitalAssets/content_creation/01_image_production/01_projects/x152/21my/core/01_3d/01_scenes/BATCH_04A/121_GLHD/121_GLHD_00"
vrayInfo/frame (string): "00001"
vrayInfo/h (string): "6750"
vrayInfo/mhz (string): "0MHz"
vrayInfo/os (string): "Linux"
vrayInfo/primitives (string): "0"
vrayInfo/ram (string): "257824MB"
vrayInfo/renderlayer (string): "utilities_rl"
vrayInfo/rendertime (string): " 0h 19m 8.3s"
vrayInfo/scenename (string): "121_GLHD_001_DAZ"
vrayInfo/time (string): "16:14:42"
vrayInfo/vmem (string): "651056MB"
vrayInfo/vraycore (string): "3.60.04"
vrayInfo/vrayversion (string): "Version of V-Ray for Maya 3.60.04"
vrayInfo/w (string): "9000"
=Channels=
A (float)
B (float)
G (float)
R (float)
Since June 2013 this Mazda MX5 has been used without a front number plate.
Without the plate the car seems to have a face. A face that reminds me slightly of the characters in the Pixar animated movie Cars.
You could be fined up to £1,000 and your car will fail its MOT test if you drive with incorrectly displayed number plates. Although many do of course... but lets not get started on that!
This leaflet is handy:
www.direct.gov.uk/prod_consum_dg/groups/dg_digitalassets/...
Baldwin Wallace University junior Cody Smith throws shot put and competes in the NCAA Division III track and field championships at North Central College Recreation Center, Naperville, Ill.
Scrolling through a bunch of images found on DirectGov , collated in filename order, I came across this lovely little group ..
[repupublished under the terms of UK Crown copyright]
Moments urbans.
Barcelona, teatro de la especulación.
Gerard Girbes Berges (2005)
Fotografía utilizada en "Experiments in Participatory Urbanism: Reform and Autogestión as Emerging Forms of Urban Activism in Barcelona" (p. 75):
escholarship.org/uc/item/1x0646mf
Fotografía utilizada en:
tcucaviu.blogspot.com/2010/05/assemblea-dissabte-8-de-mai...
Fotografía utilizada en:
francescms.blogspot.com/2011/05/11-anys-per-absoldre-jona...
Fotografía utilizada en:
www.joveseixample.com/absoluciojona/html/forat.html
Fotografía utilizada en:
cinejovemat.blogspot.com/2010/12/cicle-de-cinema-social-i...
Fotografía utilizada en:
is-arquitectura.es/2011/12/18/fotos-zonas-degradadas-barc...
Fotografía utilizada en:
www.diarioatlantida.com/conciencia/europa-abandona-a-los-...
Fotografía utilizada en:
digitalassets.lib.berkeley.edu/etd/ucb/text/delaPena_berk...
Baldwin Wallace University junior Cody Smith throws shot put and competes in the NCAA Division III track and field championships at North Central College Recreation Center, Naperville, Ill.
Key Use Cases of Blockchain #Blockchain, #DigitalAssets, #DigitalIdentity, #Remittances, #SmartContracts, #Solutions, #UseCases, #Uses #RecordsKeeper
Check out here >> rcrk.in/cf0b6
Baldwin Wallace University junior Cody Smith throws shot put and competes in the NCAA Division III track and field championships at North Central College Recreation Center, Naperville, Ill.
This is not a simple image. Goethe explained that blue comes about by looking through light into darkness.
Baldwin Wallace University junior Cody Smith throws shot put and competes in the NCAA Division III track and field championships at North Central College Recreation Center, Naperville, Ill.
Baldwin Wallace University junior Cody Smith throws shot put and competes in the NCAA Division III track and field championships at North Central College Recreation Center, Naperville, Ill.
Baldwin Wallace University junior Cody Smith throws shot put and competes in the NCAA Division III track and field championships at North Central College Recreation Center, Naperville, Ill.
Baldwin Wallace University junior Cody Smith throws shot put and competes in the NCAA Division III track and field championships at North Central College Recreation Center, Naperville, Ill.
Baldwin Wallace University junior Cody Smith throws shot put and competes in the NCAA Division III track and field championships at North Central College Recreation Center, Naperville, Ill.
Baldwin Wallace University junior Cody Smith throws shot put and competes in the NCAA Division III track and field championships at North Central College Recreation Center, Naperville, Ill.
ProEXR File Description
=Attributes=
cameraAperture (float): 36
cameraFNumber (float): 13
cameraFarClip (float): 1e+030
cameraFarRange (float): 1e+018
cameraFocalLength (float): 52.4042
cameraFov (float): 37.7161
cameraNearClip (float): 0
cameraNearRange (float): 0
cameraProjection (int): 0
cameraTargetDistance (float): 935
cameraTransform (m44f): [{-0.525646, -0.846378, -0.085682, -683.118}, {-0.850703, 0.522848, 0.0541726, 586.508}, {-0.00105181, 0.101366, -0.994849, 186.416}, {0, 0, 0, 1}]
channels (chlist)
compression (compression): DWAA
dataWindow (box2i): [0, 0, 8999, 6749]
displayWindow (box2i): [0, 0, 8999, 6749]
lineOrder (lineOrder): Increasing Y
pixelAspectRatio (float): 1
screenWindowCenter (v2f): [0, 0]
screenWindowWidth (float): 1
type (string): "scanlineimage"
vrayInfo/camera (string): "L:CAM_MATCHED_Zoomed"
vrayInfo/computername (string): "nodew174"
vrayInfo/cpu (string): "INTEL/Model:15,Family:6,Stepping:1,Cache:0"
vrayInfo/date (string): "2019/Oct/14"
vrayInfo/filename (string): "K:/DigitalAssets/content_creation/01_image_production/01_projects/l663/20my/core/L663_Brochure/01_3d/01_scenes/BATCH_07/134-149"
vrayInfo/frame (string): "00001"
vrayInfo/h (string): "6750"
vrayInfo/mhz (string): "0MHz"
vrayInfo/os (string): "Linux"
vrayInfo/primitives (string): "0"
vrayInfo/ram (string): "257808MB"
vrayInfo/renderlayer (string): "utilities_rl"
vrayInfo/rendertime (string): " 0h 27m 34.1s"
vrayInfo/scenename (string): "138_GLHD_01_DMA"
vrayInfo/time (string): "16:59:31"
vrayInfo/vmem (string): "651040MB"
vrayInfo/vraycore (string): "3.60.04"
vrayInfo/vrayversion (string): "Version of V-Ray for Maya 3.60.05"
vrayInfo/w (string): "9000"
=Channels=
A (float)
B (float)
G (float)
R (float)
There are plenty of good reasons to make a will – your children, your partner, the charities you support. Now you can add one more reason to the list: your social media accounts. In the event of an untimely demise, what do you want to happen to your electronic and other online assets?
This is a particularly unsettled area of wills and estates law, but surely it’s better to put down who you would like to curate (or close down) your social media accounts and who gets all your digital downloads (if they can be transferred) than to leave that to chance.
Learn more:
May 26 2009.
Photos from Memorial Day weekend for the magazine by Carlos Miller.
.
Clara Vargas, lobbied with the SEIU Council in Florida against a proposal to amend the state constitution, which would have required secret ballot union elections (an anti EFCA bill). .
The other women work at a mall in South Miami called Shops at Sunset Place; when a new company came in, they were going to lose their health care, fought back and kept it..
Life magazine photographer Margaret Bourke-White prepares to take a photograph of a wagon piled with corpses in the newly liberated Buchenwald concentration camp.
Photo by Colonel Parke O. Yingst. Buchenwald, [Thuringia] Germany, April 1945. This work is in the public domain in the United States because it is a work prepared by an officer or employee of the United States Government as part of that person’s official duties under the terms of Title 17, Chapter 1, Section 105 of the US Code.
Sources:
digitalassets.ushmm.org/photoarchives/detail.aspx?id=1150895
commons.wikimedia.org/wiki/File:Buchenwald_Corpses_Bourke...
May 26 2009.
Photos from Memorial Day weekend for the magazine by Carlos Miller.
.
Clara Vargas, lobbied with the SEIU Council in Florida against a proposal to amend the state constitution, which would have required secret ballot union elections (an anti EFCA bill). .
The other women work at a mall in South Miami called Shops at Sunset Place; when a new company came in, they were going to lose their health care, fought back and kept it..
The epic 25th year of the nation’s best Halloween event, Universal Orlando’s Halloween Horror Nights, marks the biggest, longest and most intense event in history with nine haunted mazes, five unique scare zones and two thrilling shows. On select nights Sept. 18 through Nov. 1, guests can visit Universal Orlando’s theme parks by day and by night, become victims of their own horror film at Halloween Horror Nights 25.
As Bitcoin ETFs emerge, they cast a glow over the finite nature of digital currency, inviting limitless market possibilities.
The epic 25th year of the nation’s best Halloween event, Universal Orlando’s Halloween Horror Nights, marks the biggest, longest and most intense event in history with nine haunted mazes, five unique scare zones and two thrilling shows. On select nights Sept. 18 through Nov. 1, guests can visit Universal Orlando’s theme parks by day and by night, become victims of their own horror film at Halloween Horror Nights 25.
The epic 25th year of the nation’s best Halloween event, Universal Orlando’s Halloween Horror Nights, marks the biggest, longest and most intense event in history with nine haunted mazes, five unique scare zones and two thrilling shows. On select nights Sept. 18 through Nov. 1, guests can visit Universal Orlando’s theme parks by day and by night, become victims of their own horror film at Halloween Horror Nights 25.
The epic 25th year of the nation’s best Halloween event, Universal Orlando’s Halloween Horror Nights, marks the biggest, longest and most intense event in history with nine haunted mazes, five unique scare zones and two thrilling shows. On select nights Sept. 18 through Nov. 1, guests can visit Universal Orlando’s theme parks by day and by night, become victims of their own horror film at Halloween Horror Nights 25.
The epic 25th year of the nation’s best Halloween event, Universal Orlando’s Halloween Horror Nights, marks the biggest, longest and most intense event in history with nine haunted mazes, five unique scare zones and two thrilling shows. On select nights Sept. 18 through Nov. 1, guests can visit Universal Orlando’s theme parks by day and by night, become victims of their own horror film at Halloween Horror Nights 25.
Easy tutorial to understand the use of – Spent crypto directly with your & move one step towards the mainstream acceptance of in the real world.
& stay tuned to get more quick updates!
#GokuMarket #Debitcard #Tutorial #Cryptocurrency #BlockchainEconomy #OneMarketplace #Cryptodebitcard #Subscribe #Digitalassets #China #prepaiddebitcard
Visit: www.gokumarket.com
*********************************************
Download:
Android: bit.ly/2PhGUF5
iOS: apple.co/2DJ7bqL
**********************************************
LIKE and FOLLOW GokuMarket on:
Facebook - www.facebook.com/gokumarket/
Twitter - twitter.com/GokuMarket
Telegram - bit.ly/2XgolES
Instagram - www.instagram.com/gokumarketo...
Linkedin - www.linkedin.com/company/goku...
Bitcoin talk - bitcointalk.org/index.php?
Medium - medium.com/@gokumarket
The epic 25th year of the nation’s best Halloween event, Universal Orlando’s Halloween Horror Nights, marks the biggest, longest and most intense event in history with nine haunted mazes, five unique scare zones and two thrilling shows. On select nights Sept. 18 through Nov. 1, guests can visit Universal Orlando’s theme parks by day and by night, become victims of their own horror film at Halloween Horror Nights 25.
ProEXR File Description
=Attributes=
cameraAperture (float): 36
cameraFNumber (float): 13
cameraFarClip (float): 1e+030
cameraFarRange (float): 1e+018
cameraFocalLength (float): 52.4042
cameraFov (float): 37.7161
cameraNearClip (float): 0
cameraNearRange (float): 0
cameraProjection (int): 0
cameraTargetDistance (float): 935
cameraTransform (m44f): [{-0.525646, -0.846378, -0.085682, -683.118}, {-0.850703, 0.522848, 0.0541726, 586.508}, {-0.00105181, 0.101366, -0.994849, 186.416}, {0, 0, 0, 1}]
channels (chlist)
compression (compression): DWAA
dataWindow (box2i): [0, 0, 8999, 6749]
displayWindow (box2i): [0, 0, 8999, 6749]
lineOrder (lineOrder): Increasing Y
pixelAspectRatio (float): 1
screenWindowCenter (v2f): [0, 0]
screenWindowWidth (float): 1
type (string): "scanlineimage"
vrayInfo/camera (string): "L:CAM_MATCHED_Zoomed"
vrayInfo/computername (string): "nodew174"
vrayInfo/cpu (string): "INTEL/Model:15,Family:6,Stepping:1,Cache:0"
vrayInfo/date (string): "2019/Oct/14"
vrayInfo/filename (string): "K:/DigitalAssets/content_creation/01_image_production/01_projects/l663/20my/core/L663_Brochure/01_3d/01_scenes/BATCH_07/134-149"
vrayInfo/frame (string): "00001"
vrayInfo/h (string): "6750"
vrayInfo/mhz (string): "0MHz"
vrayInfo/os (string): "Linux"
vrayInfo/primitives (string): "0"
vrayInfo/ram (string): "257808MB"
vrayInfo/renderlayer (string): "utilities_rl"
vrayInfo/rendertime (string): " 0h 27m 34.1s"
vrayInfo/scenename (string): "138_GLHD_01_DMA"
vrayInfo/time (string): "16:59:31"
vrayInfo/vmem (string): "651040MB"
vrayInfo/vraycore (string): "3.60.04"
vrayInfo/vrayversion (string): "Version of V-Ray for Maya 3.60.05"
vrayInfo/w (string): "9000"
=Channels=
A (float)
B (float)
G (float)
R (float)
Job # 1770142
Women & Philanthropy awards event, Lindsay Finneran
JUN-6-2017
The Ohio State University
Photo by Kevin Fitzsimons
Taken from Department of Health guidance: www.dh.gov.uk/prod_consum_dh/groups/dh_digitalassets/docu...
Calligraphy and Words by Kayleigh McWhyte, OL; Illumination by Lady Dosalena Sophia della Mirandola (of Guild Mirandola fame). Photo © 2013 Beth Regnier.
Scroll based on the following source digitalassets.lib.berkeley.edu/ds/ucb/images/DS002044aA.jpg
It was a pleasure to work with Dosalena on this one!
This cadell can be found in:
digitalassets.lib.berkeley.edu/ds/ucb/images/DS002810aB.jpg
It's from a German calligraphic manual, dated from ca. 1570's.
Granted, while the cadell is 1570's. the script is my own version of English secretary (fraktur would have been more appropriate, however, I had less than 3 weeks to complete the assignment, wanted something word-intensive, and was also fighting bronchitis - so I went with what I knew would look 'close enough' and worked quickly). Overall, the scroll is a mishmosh of things that would not have all been found on the same page in history, all from different sources - but the same time period range, and almost entirely same culture. I don't recommend doing this for everyone, but I felt in this particular case it might work.
The approximate height of the B is somewhere around 4-5". Again, some issues with the loops, due to coughing fits, and also partly due to not being used to working large.
Ink used is a brown pigmented ink made by Winsor and Newton, as I knew I wouldn't have enough walnut ink, what I would usually use for something in this style.
This still remains one of my favorite scrolls, though, goofs and all. :)