Siem Reap, Cambodia

24"x36" (Diptych)

Mixed Media on Arch Paper

Mounted on Wood

$800

I chose this photo because the depth of field makes the lights look beautiful.

This was taken on the Ponte Vecchio under the statue in the middle. I liked the effect of the blurry people in the background, and had to wait there many moments for people to leave the foreground.

I intially wanted to capture movement with this shot. While it does capture movement, I found that is also a good and cool shot for depth. My daughter is the focal point with the sky, sun and clouds being in the close distance. #depth

ƒ/2.2 ; 1/13333

Depth

Pentacon 50 f1.8

Corridor in black and white.

Crystal you took a good picture of your Auntie. I like how you focused in on the flower with Carla in the background.

Everything is in focus.

Canon 20D with Yashica Yashinon 50mm f1.4 manual lens.

Poppies amongst the barley.

taken with Rebel XT, AV model 22 aperture, natural lights from windows

I took this photo to complete an assignment in my Triton College photography class. It is supposed to show the front in focus, and the back out of focus.

The wall and background give the illusion of depth and there are two different focuses in the background, one bolder than the other, giving it balance.

matt, walking from the sea in this noirian world. what could possibly be on his mind?*

*answer: looking cool

50mm 1.8F 1/10

I thought this was a good example of depth of field, because with my F-stop so low at 1.8, the focal point is very small. So as you can see from the picture, it's only focused on the N and J parts of my keyboard, while everything else surrounding it is blurred out.

this is my experimentation with panning. Now the front of the car is sharper. I wonder if it is due to jerky movement of the camera or due to optic angle between front and back of the car?

Un diente de leon (dandelion)

I love this plants.

Example of depth of field.

1/13 F4.5 ISO 3200

For this shot I mashed together shallow depth of field, and mood. I set the aperture higher, this creates a short depth of field, as it allows more light to come in. Therefore the feather is in focus and it's shadow is not. In addition to short depth of field I used mood. By setting the camera's exposer composition I played with light and dark, this sets mood because the background is light and the feather is dark, almost like a silhouette. With this shot I was hoping to play with light and dark moods. I wanted to figure out how to make my background really light, while having my subject remain dark. I also wanted to see if i could cast a shadow of my subject in order to add more mood, and dimension to the photo overall. In the end I feel like this shot turned out really well. Although using the feather as my subject was not my first plan I still got to cast a shadow, and get more comfortable with using light and dark.

1/400, f/4.0, ISO 800, 70 mm

I used this settings to capture a portrait at sunset without flash

04 image and 05image are compared each other. I try to adjust my camera to get different effects.

Long depth of field picture with model and background! Yays!

How deep in-world are you?

For Single Frame Stories

The depth and breadth of the mountain ranges is beyond description.

One of the experimental (I think) cornfields at the University of Minnesota's St. Paul Campus at sunset. I like the repetition of rows in the backround as well as the in-focus foreground and the slightly out-of-focus background. But maybe that's just me...