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Lily flower taken at Melbourne Botanical Gardens.
Hope you enjoy the instrumental hit " Lily Was Here " by Candy Dulfer and Dave Stewart.
www.youtube.com/watch?v=3SfSQ3lQmJw
Many thanks for your visit, comments , invites and faves..it is always appreciated..
HMBT
Dave Stewart, most famous for his work in the Eurythmics, strikes a pose on stage at The Fire Station in his home town of Sunderland.
Here comes the rain again
Falling on my head like a memory
Falling on my head like a new emotion
I want to walk in the open wind
I want to talk like lovers do
I want to dive into your ocean
Is it raining with you...
Daryl Hall and Dave Stewart Live From Daryl's House 'Here Comes The Rain Again'
(To be enjoyed even on the sunniest of days!) Happy listening! :)
Still taken from heaven video from the album savage - eurythmics 1987 director: Sophie muller
FOTITO arreglada por moi!
PREZ # 2
With the election in chaos and a Congress mired in corruption, Twitter sensation @corndoggirl becomes the first teenaged President of the United States!
DEATHSTROKE # 8
“Godkiller” continues! Get ready for divine brutality when Slade’s contract on the Gods sends him smashing into combat against the one and only Wonder Woman!
WE ARE ROBIN # 2
In Gotham City, hundreds of Robins have taken to the streets. But who will be their new leader? And who is the mystery man working behind the scenes?
FIGHT CLUB 2 # 3
Tyler’s been around a lot longer than anyone realized . . . To gain admittance to the current generation of Project Mayhem, Marla is more than happy to provide Sebastian with plenty of bruises, and thus, the search for their son begins . . .
*One of IGN and io9’s Most Anticipated Comics of 2015!
“Ever wanted to know what happened to the anonymous narrator—and his constant companion, Tyler Durden—of Fight Club? Thanks to writer Chuck Palahniuk, artist Cameron Stewart and Dark Horse Comics, you’ll get the answer in Fight Club 2.”—Playboy
Italian postcard by CIAK. Photo: Dave Stewart / Colorific / G. Neri.
Demi Moore (1962) is an American actress and film producer who had her breakthrough with the Bratpack film St. Elmo's Fire (1985). By 1995 Moore was the highest-paid actress in Hollywood thanks to such blockbusters as Ghost (1990), A Few Good Men (1992) and Indecent Proposal (1993).
Demi Moore was born Demi Gene Guynes in Roswell, New Mexico in 1962. Her father, Air Force airman Charles Harmon, left her then 18-year-old mother Victoria (née King) after a two-month marriage and before Demi was born. When Demi Moore was three months old, her mother married Dan Guynes, a newspaper salesman, who she later saw as her real father. The family moved frequently because of her stepfather's work, more than thirty times. Her stepfather committed suicide when Demi was fifteen, two years after divorcing her mother. A year later she dropped out of school. Her mother, Virginia Guynes, was arrested many times, including for arson and drunk driving. Moore broke off contact with her in 1990 but later reconciled with her shortly before she died of cancer in 1998 at the age of 54. In 1979, three months before her 17th birthday, Demi met the rock musician Freddy Moore and they married in 1980. The marriage lasted four years. Moore signed with the Elite Modeling Agency and then enrolled in drama classes after being inspired by her next-door neighbour, 17-year-old German actress Nastassja Kinski. She appeared on the cover of the January 1981 issue of the French adult magazine Oui, taken from a photo session in which she had posed nude, and made her film debut with a brief role in the teen drama Choices (Silvio Narizzano, 1981). In 1982, she played an investigative reporter in the hospital soap General Hospital (1982-1983). She celebrated her first cinema success in the romantic comedy Blame it on Rio (Stanley Donen, 1983) opposite Michael Caine. Around the same time, she became addicted to cocaine. Her big break came with the film St. Elmo's Fire (Joel Schumacher, 1985) with Rob Lowe and Emilio Estevez, to whom she was engaged for three years. Reportedly, she was fired by Schumacher during filming because of her drug abuse, after which she went to rehab and returned a week later. Interestingly, her character in the film, Jules, was also addicted to cocaine. The film was a huge success, and Moore and her film counterparts were counted among the 'Brat Pack', a group of young actors with a promising future. Moore progressed to more serious material with the romantic comedy About Last Night... (Edward Zwick, 1986), co-starring Rob Lowe, which marked a positive turning point in her career. In 1987, she became even more famous when she married actor Bruce Willis.
In 1990, Demi Moore co-starred with Patrick Swayze and Whoopi Goldberg in the highly successful fantasy Ghost (Jerry Zucker, 1990), for which she received a Golden Globe nomination. The love scene between Moore and Patrick Swayze that starts in front of a potter's wheel to the sound of 'Unchained Melody became an iconic moment in film history and the film grossed over US$505 million at the box office. 'The highest-grossing film of that year' earned her a spot on the A-list and offered her many leading roles in films. The following year, she received a great deal of media attention when she appeared naked on the front page of Vanity Fair magazine while seven months pregnant. The front page was frequently imitated and parodied in the years that followed. The next year, she starred in the blockbuster A Few Good Men with (Rob Reiner, 1992), opposite Tom Cruise and Jack Nicholson. The following year, she scored another big film hit with the controversial Indecent Proposal (Adrian Lyne, 1993). In this film, a rich businessman (Robert Redford) presents a couple with financial problems (Moore and Woody Harrelson) with a dilemma: he gives the couple a million dollars if he can sleep with the woman. Another blockbuster was the thriller Disclosure (Barry Levinson, 1994) with Michael Douglas. Moore produced and starred in a controversial miniseries for HBO called If These Walls Could Talk (1996), a three-part anthology about abortion alongside Sissy Spacek and Cher. Its screenwriter, Nancy Savoca, directed two segments, including one in which Moore played a widowed nurse in the early 1950s seeking a back-alley abortion. For that role, Moore received a second Golden Globe nomination as Best Actress. At the time, Demi Moore was one of the highest-paid film actresses of all time, and she was the first actress to receive more than $10 million for a film role - $12.5 million for Striptease (Andrew Bergman, 1996).
Demi Moore did not manage to keep up the success. Striptease (Andrew Bergman, 1996) opened to overwhelmingly negative reviews with Moore's performance being criticised and 'won' six Golden Raspberry Awards, including for worst film, worst actress and worst director. However, it was a moderate financial success, grossing US$113 million worldwide Moore also starred in the thriller The Juror (Brian Gibson, 1996). It was a box office bomb and was heavily panned by critics. Two successes at the time was as the voice of the gypsy woman Esmeralda in Disney's animated film The Hunchback of Notre Dame (Kirk Wise, Gary Trousdale, 1996) and the voice of Dallas Grimes in the animated comedy Beavis and Butt-head Do America (Mike Judge, 1996), alongside her then-husband Bruce Willis. When her long-cherished project G.I. Jane (Ridley Scott, 1997), for which the actress even shaved her head, turned out to be another flop, Demi Moore took a break in her acting career. As a producer, she did have a few successes with the three Austin Powers films, including Austin Powers: International Man of Mystery (Jay Roach, 1997). Moore and Willis separated in 1998 and divorced in 2000. Together with Bruce Willis, she has three children: Rumer Glen Willis (born 1988), Scout LaRue Willis (1991) and Tallulah Belle Willis (1994). In 2003, she had a much-discussed relationship with the sixteen-year-younger actor Ashton Kutcher, whom she married in 2005. That same year, she returned to the big screen by playing the villain in the sequel Charlie's Angels: Full Throttle (McG, 2005), starring Cameron Diaz, Drew Barrymore and Lucy Liu. Since 2006, Demi has been the face and muse of cosmetics brand Helena Rubinstein. On-screen she could be seen in the ensemble cast of the drama Bobby (Emilio Estevez, 2006) and the drama Margin Call (J. C. Chandor, 2011) with Kevin Spacey. Moore and Kutcher split in 2011 and their divorce was finalised in 2013. Incidentally, she appeared in films such as the black comedy Rough Night/Girls' Night Out (Lucia Aniello, 2017) starring Scarlett Johansson. In 2019, Moore released her book 'Inside Out' about her life, which reached the top spot on the New York Times Bestseller list. Since early 2022, Demi Moore has been in a relationship with Swiss celebrity chef Daniel Humm (46).
Sources: Wikipedia (Dutch, English and German), and IMDb.
And, please check out our blog European Film Star Postcards.
Here's what's up.
DEADPOOL'S SECRET, SECRET WARS # 2.
... well... that was last week. I haven't gotten to it yet.
If a secret war happens on a secret planet in secret space, and no one hears about it...did it really happen? That's what you'll be asking about this series for years to come! And the answer is yes! Deadpool really did mess with the original Secret Wars!
AMAZING SPIDER-MAN: RENEW YOUR VOWS (2015) # 1 THE LAST SPIDER-MAN STORY
Not even The Amazing Spider-Man is safe from Secret Wars! In this new Marvel Universe, Peter Parker, Mary Jane Watson and their daughter have to scrape by to make ends meet, but they have each other… Face front, True Believers. This is the one you’ve been asking for.
AZRAEL: DEATH's DARK KNIGHT (2010)
In the wake of BATMAN R.I.P. and BATTLE FOR THE COWL, a new Avenging Angel arrives in Gotham City: Michael Lane, ex-police officer, drafted by the Order of Purity to take on the mantle of Azrael, God's Sword of Justice. Collecting AZRAEL: DEATH'S DARK KNIGHT # 1-3, DETECTIVE COMICS ANNUAL # 11 and BATMAN ANNUAL # 27
For the past decade Tyler Durden’s been sneaking out of Sebastian’s subconscious. Sebastian has a nice wife and a nice kid. He has a nice home in the suburbs. Nice-enough neighbors. Now all that’s going up like so much potassium permanganate.
The rising fighter Straniero gets a visit from Grayson, the king-making manager of The Saint…but is Grayson ready to punch Straniero’s ticket to the big time or just punch his ticket permanently? Find out in the penultimate issue of Volume 1!
Beginning a titanic new arc: “God Killer”! Slade is armed by Hephaestus to take down one of the Olympian Gods! If any man is bold enough to believe he can murder a god – it’s Deathstroke!
As the gravity drive starts to malfunction, Braith uncovers a smuggling ring with a trail that leads back to her sister’s murder.
As so often happens with me, this shot came about entirely by accident. I had noticed some crepe myrtles blooming the other day at an abandoned house nearby, so today I went by there to photograph them. We had just had an afternoon thundershower so they were rather bedraggled, I took a few shots anyway, and started to leave. As I drove away I noticed these in a patch of weeds near the back of the property . They were a little worse the wear from the storm, but in much better shape than the crepe myrtles.
For the video, click here .
A hauntingly beautiful Love song by Dave Stewart, can be found here . It has an unbelieveable guitar solo in it that reminds me of Carlos Santana at his finest. I thought it fit the mood I was going for in this shot perfectly.
The 1980s brought a whole new sound to the pop/rock music scene and the Eurythmics were one of its main forces. The duo consisted of Annie Lennox and Dave Stewart. “Sweet Dreams (Are Made of This),” was their 1983 breakthrough album and brought them worldwide acclaim, making Annie Lennox a pop icon! I loved their sound and look. I thought they’d be a good subject to approach for my “Autographs” project (from the 1980s to the early 1990s). For over a decade I did illustrations for the record reviews of “Audio Magazine.” Everything from rock, classic, jazz and country. This drawing of the Eurythmics was one I did for a review of one of their albums. I was able to speak to their manager’s assistant, Andrea. She seemed very positive about my project, but wanted to see the drawing before we proceeded. I mailed her a tear sheet from the magazine with the review (yes, it was a good review) and the reproduction of the drawing. We spoke after she received it and she said it would be okay. This was in July 1984, she suggested that I wait until August when they would be in New York City for their concert dates. When August rolled around I gave her a call and she immediately said, “I wondered what ever happened to you?” I was told that Annie and Dave would be glad to autograph my drawing and I should drop it off to her office. The drawing was dropped off and six days later I found myself standing in Andrea’s office picking up my autographed drawing. She enjoyed seeing my whole project and the people I had gotten to sign at that point. It was really nice to meet her too. While I was standing there who should pop into the office? Dave Stewart himself! Another one of those perks that just happened during this project of mine. It was really great meeting him! He was very quiet. I kind of wished that Annie was with him. Andrea asked me if I was going to be seeing them in concert? Unfortunately, I was very busy and told her that I wasn’t. She told me that if I changed my mind she could get me VIP tickets with no problem. In reflection today, I would have gotten my work done on time, I don’t even remember what I was working on, why didn’t I take those damn tickets?? Nevertheless, this was one of the most inventive autographs I got. No real surprise knowing the subjects.
At Corbin Memorial Hall, Crouch Hill. Latterly a recording studio (Church Studios) owned by Dave Stewart, then by David Gray.
“Language [as] Meta-Technology” by Disinformation
November to December 2018
Passengers Offsite 1
Sluice HQ (formerly Vision Signs)
171 Morning Lane
Hackney Central
London E9 6JY
Artworks + texts © Joe Banks, 2000 to 2018
Exhibition curated by Julie F. Hill
Exhibition Guide (PDF) – tinyurl.com/y7bv6ayp/
www.passen-gers.co.uk/languageasmetatechnology/
“The earliest form of sound recording technology was not a machine but was written language” -
Diane Birch (with very special guest Dave Stewart of the Eurythmics) performing live at the Mondrian SoHo hotel in New York City on Friday October 10th, 2014. Part of the hotel's "Beyond the Bookcase" series of free shows held in a secret room behind the bar in the lobby.
Do It (TV), 1995-1996
Curated by Hans Ulrich Obrist
Shere Hite (2:07), Dave Stewart (1:44), Gilbert & George
(2:12), Michelangelo Pistoletto (1:46), Steven Pippin (2:08),
Yoko Ono (1:01), Erwin Wurm (1:23), Leon Golub (1:09), Nancy
Spero (1:28), Lawrence Weiner (:59), Eileen Miles (2:25),
Rirkrit Tiravanija (:59), Jonas Mekas (2:16), Ilya Kabakov (1:29),
Michael Smith (2:57), Damien Hirst (1:35), Robert Jelinek (1:49).
Agency: Art and Advertising
September 19 – November 8, 2008
Kevin Concannon, PhD, and John Noga, curators
Sometimes puzzling, sometimes provocative, works in advertising media by artists ranging from Marcel Duchamp to Jeff Koons to 0100101110101101.ORG have both delighted and disturbed audiences that are sometimes left to wonder exactly what it is they’re seeing. Indeed, artists have used the media of advertising to communicate content that often defies viewers’ expectations and frequently challenges them. Agency: Art and Advertising is an exhibition that explores artists’ use of advertising media as sites for works of art (as opposed to the more conventional use of advertising for the promotion of work) as well as its subject. The exhibition, curated by Kevin Concannon, PhD, and John Noga, will focus on works of art in and about advertising media from the 1960s to the present.
Artists themselves, who were largely critical of commercial culture when this “ad art” phenomenon first flourished in the 1960s, are now often ambivalent about –or even embracing of –the commercialism they once critiqued. Others simply choose to use advertising media in order to extend their reach beyond conventional contemporary art audiences. Agency: Art and Advertising examines the history of art in advertising spaces –and art that addresses commodity culture through the appropriation of advertising –as it has evolved over the past 50 years.
Stop and Stare
In conjunction with the exhibition, AGENCY: Art and Advertising, shown inside
the McDonough Museum of Art there are nine captivating works that are on view
outside the Museum’s walls. Dotting the Youngstown metropolitan area are
billboards featuring gigantic images created by artists Geoffrey Hendricks,
Marilyn Minter, Yoko Ono and John Lennon, and Felix Gonzalez-Torres. These
spectacular images line the sky, compelling the public to stop and stare.
Agency: Art and Advertising
Catalog is available in the museum office or through our gift shop.
Exhibition Sponsors
Anonymous
Frank and Pearl Gelbman Charitable Foundation
Elizabeth Firestone Graham Foundation
Lamar Advertising of Youngstown, Inc.
Toby Devan Lewis
Ohio Arts Council
Innis Maggiore
McDonough Museum of Art
Tuesday through Saturday, 11-4pm
Wednesday 11am-8pm
Free and open to the public.
call 330.941.1400
htttp://mcdonoughmuseum.ysu.edu
The British made classic! perhapes the rarest drum machine on earth! This is the mark 1 1981 model with the separate monitor which you had to purchase at an extra cost!. I love what David A Stewart of Eurythmics done with this machine. He used it on 3 albums! (I wan't one!)
Prominent artists, athletes and activists have teamed up with the ILO to end slavery now, and so can you!
More information: www.ilo.org/takeaction
Joss Stone and Dave Stewart perform the More Love Tour live in concert at Fantasy Springs Resort Casino.
Do It (TV), 1995-1996
Curated by Hans Ulrich Obrist
Shere Hite (2:07), Dave Stewart (1:44), Gilbert & George
(2:12), Michelangelo Pistoletto (1:46), Steven Pippin (2:08),
Yoko Ono (1:01), Erwin Wurm (1:23), Leon Golub (1:09), Nancy
Spero (1:28), Lawrence Weiner (:59), Eileen Miles (2:25),
Rirkrit Tiravanija (:59), Jonas Mekas (2:16), Ilya Kabakov (1:29),
Michael Smith (2:57), Damien Hirst (1:35), Robert Jelinek (1:49).
Agency: Art and Advertising
September 19 – November 8, 2008
Kevin Concannon, PhD, and John Noga, curators
Sometimes puzzling, sometimes provocative, works in advertising media by artists ranging from Marcel Duchamp to Jeff Koons to 0100101110101101.ORG have both delighted and disturbed audiences that are sometimes left to wonder exactly what it is they’re seeing. Indeed, artists have used the media of advertising to communicate content that often defies viewers’ expectations and frequently challenges them. Agency: Art and Advertising is an exhibition that explores artists’ use of advertising media as sites for works of art (as opposed to the more conventional use of advertising for the promotion of work) as well as its subject. The exhibition, curated by Kevin Concannon, PhD, and John Noga, will focus on works of art in and about advertising media from the 1960s to the present.
Artists themselves, who were largely critical of commercial culture when this “ad art” phenomenon first flourished in the 1960s, are now often ambivalent about –or even embracing of –the commercialism they once critiqued. Others simply choose to use advertising media in order to extend their reach beyond conventional contemporary art audiences. Agency: Art and Advertising examines the history of art in advertising spaces –and art that addresses commodity culture through the appropriation of advertising –as it has evolved over the past 50 years.
Stop and Stare
In conjunction with the exhibition, AGENCY: Art and Advertising, shown inside
the McDonough Museum of Art there are nine captivating works that are on view
outside the Museum’s walls. Dotting the Youngstown metropolitan area are
billboards featuring gigantic images created by artists Geoffrey Hendricks,
Marilyn Minter, Yoko Ono and John Lennon, and Felix Gonzalez-Torres. These
spectacular images line the sky, compelling the public to stop and stare.
Agency: Art and Advertising
Catalog is available in the museum office or through our gift shop.
Exhibition Sponsors
Anonymous
Frank and Pearl Gelbman Charitable Foundation
Elizabeth Firestone Graham Foundation
Lamar Advertising of Youngstown, Inc.
Toby Devan Lewis
Ohio Arts Council
Innis Maggiore
McDonough Museum of Art
Tuesday through Saturday, 11-4pm
Wednesday 11am-8pm
Free and open to the public.
call 330.941.1400
htttp://mcdonoughmuseum.ysu.edu
Do It (TV), 1995-1996
Curated by Hans Ulrich Obrist
Shere Hite (2:07), Dave Stewart (1:44), Gilbert & George
(2:12), Michelangelo Pistoletto (1:46), Steven Pippin (2:08),
Yoko Ono (1:01), Erwin Wurm (1:23), Leon Golub (1:09), Nancy
Spero (1:28), Lawrence Weiner (:59), Eileen Miles (2:25),
Rirkrit Tiravanija (:59), Jonas Mekas (2:16), Ilya Kabakov (1:29),
Michael Smith (2:57), Damien Hirst (1:35), Robert Jelinek (1:49).
Agency: Art and Advertising
September 19 – November 8, 2008
Kevin Concannon, PhD, and John Noga, curators
Sometimes puzzling, sometimes provocative, works in advertising media by artists ranging from Marcel Duchamp to Jeff Koons to 0100101110101101.ORG have both delighted and disturbed audiences that are sometimes left to wonder exactly what it is they’re seeing. Indeed, artists have used the media of advertising to communicate content that often defies viewers’ expectations and frequently challenges them. Agency: Art and Advertising is an exhibition that explores artists’ use of advertising media as sites for works of art (as opposed to the more conventional use of advertising for the promotion of work) as well as its subject. The exhibition, curated by Kevin Concannon, PhD, and John Noga, will focus on works of art in and about advertising media from the 1960s to the present.
Artists themselves, who were largely critical of commercial culture when this “ad art” phenomenon first flourished in the 1960s, are now often ambivalent about –or even embracing of –the commercialism they once critiqued. Others simply choose to use advertising media in order to extend their reach beyond conventional contemporary art audiences. Agency: Art and Advertising examines the history of art in advertising spaces –and art that addresses commodity culture through the appropriation of advertising –as it has evolved over the past 50 years.
Stop and Stare
In conjunction with the exhibition, AGENCY: Art and Advertising, shown inside
the McDonough Museum of Art there are nine captivating works that are on view
outside the Museum’s walls. Dotting the Youngstown metropolitan area are
billboards featuring gigantic images created by artists Geoffrey Hendricks,
Marilyn Minter, Yoko Ono and John Lennon, and Felix Gonzalez-Torres. These
spectacular images line the sky, compelling the public to stop and stare.
Agency: Art and Advertising
Catalog is available in the museum office or through our gift shop.
Exhibition Sponsors
Anonymous
Frank and Pearl Gelbman Charitable Foundation
Elizabeth Firestone Graham Foundation
Lamar Advertising of Youngstown, Inc.
Toby Devan Lewis
Ohio Arts Council
Innis Maggiore
McDonough Museum of Art
Tuesday through Saturday, 11-4pm
Wednesday 11am-8pm
Free and open to the public.
call 330.941.1400
htttp://mcdonoughmuseum.ysu.edu