Corona Virus Photography
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La Scilla peruviana, pianta mediterranea nonostante il nome, regala sempre emozioni a primavera. La sua corona di fiori blu è infatti una meraviglia ..... ..
Arañero corona rojiza / Brown-capped Redstart
(Myoborus brunniceps)
📷 Canon 80D + Sigma 150-600 Contemporary
Reserva Quebrada de las Higueritas, San Luis, Argentina. 🍃🌿🌱
Copyright © María Cecilia Rey 2022
Cephalanthus occidentalis, Buttonbush. This work, under the title “2020 hindsight“, was selected for the 37th juried member exhibit of the Visual Arts Alliance in Houston. The juror selected 71 works by 49 artists, (out of 276 submitted works by 85 artists, or 26% of the work submitted)
Arañero corona rojiza / Brown-capped Redstart
(Myoborus brunniceps)
📷 Canon 80D + Sigma 150-600 Contemporary
Reserva Quebrada de las Higueritas, San Luis, Argentina. 🍃🌿🌱
Copyright © María Cecilia Rey 2022
Heute vor einem Jahr war ich das letzte Mal auf Helgoland. Als ich nach Hause kam gab es den ersten Lockdown und zur Zeit gibt es keine Möglichkeit auf die Insel zu reisen. Helgoland ist meine Lieblingsinsel und ich vermisse sie so sehr.
Today a year ago I was on Helgoland for the last time. When I got home there was the first lockdown and for now there is no way to travel to the island. Helgoland is my favourite island and I miss it so much.
I used low power on two speed lights to back light my subject and to illuminate the splashes of water being thrown on to the bottle of Corona.
This picture was taken before the Moon was entering penumbra. As I was preparing to take pictures of the eclipse the brilliant super moon came through a magnificent Corona cloud.
Thank you for your comments,
Gemma
Copyright ©Maria Gemma June, 2015
I've been quiet for a few weeks as i've been struggling with Covid. I thought i was experiencing extremely bad migraines and then we all fell like flies at work. It's been difficult and very painful. I'm still home, actually we all are and hope to return next week, if all goes well. Please keep me in your good thoughts and prayers.
Thank you.
OH MY GOSH!!!!
I'm back from the conference, what a humbling experience that was. I was running around like a chicken with it's head cut off.
As technical coordinator for the conference I was in charge of the projection and needed to be there as each presenter passed off to the next to make sure connections worked and such. On top of that I had to take care of last minute bootcamp schedule changes, rehearse my script for the presentations, and prepare for the workshops I was to co-host with Wayne which if any of you know Wayne isn't over till the the rooster crows the following day.
That was taking on way too much, I think I might have gotten 16 hours of sleep in 5 days. Whew, I'm relieved that's over but sad too. I would have to say that Royce Bair has got to be one of the most charismatic individuals I've ever met. I had the honor and pleasure to spend the 48 hours leading up to the conference with him comparing notes and talking shop.
I had to have been running on pure adrenaline and dopamine for five days straight.
Hanging in the lobby working with Dustin LeFavor on his new laptop, chatting with David Swindler, eating cake with Ryan Smith and purchasing some of that cool swag Phil Monson had in toe. Royce, Wayne. It was just too surreal. These guys are my hero's!! Man, I was pumped. What a great community of peoples.
Anyhow, I shot this one using a new technique I concocted out of desperation. Let me explain, a couple of years ago I went to a location with my bro-tog Bill McIntosh at night and forgot my intervalometer. I was trying to create light trails using a long exposure. I fiddled through the camera settings and found "Multiple Exposure Mode" Hum, maybe a could use that I thought, then further into the settings I found "Additive Mode" and the light bulb went off over my head. In photoshop, the additive terminology is used as a reference to "Lighten Only Mode" I set the camera to take 9 exposures and stacked them in-camera using only the light from the remaining eight exposures. The best thing about this technique is that I don't have to do that long exposure noise reduction technique that doubles your exposure time and you cut your ISO by 50% or better. So in essence you end up with a photo that has more detail at a lower ISO that takes half the time to shoot. Cha-Ching!!! Check out the Meta-Data, It works awesome.
I showed Royce and his eyebrows went right up to his hairline, He was really excited to try it out and confirmed that this is a great technique for stacking in-the-camera, in-the-field.
Nice to get validation from one of the best in the business!!
This is a shot taken during the first nights workshop and what a great group that was. Hope everybody had as much fun as I did.
Thanks as always, for taking the time to take a look at my photos, and reading my descriptions.
I am always grateful for your views, comments, faves, and support, they are truly appreciated!! Have a great day my friends!! :)
Always Respect Mother Nature And Your Fellow Man, So:
****TreadLightly>LeaveNoTrace> PackItIn/PackItOut****
32.552 Neuinfektionen/ new infected people
33.230 Tote bisher/ dead people
Stay safe. Wash your hands, wear your masks. Keep distance.
Arañero corona rojiza / Brown-capped Redstart
(Myoborus brunniceps)
📷 Canon 80D + Sigma 150-600 Contemporary
Reserva Quebrada de las Higueritas, San Luis, Argentina. 🍃🌿🌱
Copyright © María Cecilia Rey 2022
The full moon was shining high up in the sky. The moonlight passing through the thin clouds produced a beautiful lunar corona (or aureole), i.e., light diffracted by icy particles in the clouds. It was not easy to make a right choice of exposure to reproduce the bright moon pattern and the much fainter corona together in a shot.
Taken at 12:36GMT on February 9, 2020. Moon age: 15.6.
Handheld.
BNSF R CAL0141 14I, the Corona Local, adds a caboose to its train as it prepares to depart the yard at Porphyry. The east-facing GP60M warranted a chase east on this sunny morning, and it was definitely time well spent. In the background, a tied down M BARSDG1 13A is seen on the siding waiting for a new crew.
Copyright © Juan Beas. Todos los derechos reservados. España
No utilizar estas fotografías sin mi consentimiento. Si usted está interesado en esta imágen, por favor, póngase en contacto conmigo:
juanbeas@juanbeas.com
Copyright © Juan Beas, All rights reserved. Spain
Do not use this photographs without my consent. If you are interested in this picture, please contact me. Thanks.
juanbeas@juanbeas.com
Recomiendo verlo en tamaño grande.
Esta foto pertenece al álbum:
FLORA Y FAUNA EN COLOR.
www.flickr.com/photos/juanbeas/sets/72157627170152037/
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