concertphotography
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Today, Paul Stanley, the iconic frontman and founder of KISS, turns 73.
Happy birthday, Paul!!
This photograph was taken on March 7, 2019, at CHI Health Center in Omaha, Nebraska, where I saw their show for the 17th and last time.
Shot for Go Venue Magazine.
Kahil El`Zabar Quartett - 02.16.2023 - Jazzit Musik Club Salzburg
www.jazzfoto.at/konzertfotos23/kahil-el-zabar-quartett/In...
Besetzung:
Kahil El'Zabar: drums, percussion, vocals
Corey Wilkes: trumpet, percussion
Justin Dillard: keys, percussion
Alex Harding: bariton sax
Wasser - Festival der Zukunftsmusik - 09.06.2023 - Jazzit Musik Club Salzburg
www.jazzfoto.at/konzertfotos23/_festival-der-zukunftsmusi...
Gudrun Plaichinger
Thomas Kleinschmitt
Artifacts Trio - 10.10.2024 - Jazzit Musik Club Salzburg
www.jazzfoto.at/konzertfotos24/artifacts-trio/Index.htm
Besetzung:
Nicole Mitchell: flute;
Tomeka Reid: cello;
Mike Reed: drums;
Nils Wogram: Root 70 - 07.12.2023 - Jazzit Musik Club Salzburg
www.jazzfoto.at/konzertfotos23/nils-wogram-root-70/Index.htm
Besetzung:
Nils Wogram: trombone, melodica;
Hayden Chisholm: alt sax;
Matt Penman: bass;
Jochen Rückert: drums;
Spencer Hague, trombonist with the Neville Staple Band @ Witney Music Festival 2018. #nevillestapleband #SpencerHague #witneymusicfestival
Got a photo pass today for Leona Lewis.
Taken from stageside.
Nikon D7K, just a crop and a contrast kick, other than that straight from camera.
Spot metered at 1/125 F2.8 ISO 1600
Uploaded in low res.
An incredible live voice.
Copyright to all of the photographs displayed under the name axis68 are owned by me. You may not publish, sell, license or distribute, use on websites or blogs any of these photographs without written permission.
The Blue Onions - Germany's Number One Blues Brothers Tribute Band live at Colos-Saal Aschaffenburg 05.09.2015
The Blue Onions - Germany's Number One Blues Brothers Tribute Band live at Colos-Saal Aschaffenburg 05.09.2015
5K HD - 14.04.2023 - Jazzit Musik Club Salzburg
www.jazzfoto.at/konzertfotos23/5K_HD/Index.htm
Besetzung:
Mira Lu Kovacz: vocals
Martin Eberle: trumpet
Benny Omerzell: keys
Manu Mayr: bass
Andreas Lettner: drums
** Please don't use this image on websites, blogs or other media without my explicit permission.
© All rights reserved
Joe (Thomas) concert at the Bob Hope Fox Theater in Stockton CA. (2016)
This is from my first concert photographed back in 2016. It was shot with a Canon 70D with a 50mm 1.4
Singers Lóa Hlín Hjálmtýsdóttir and Örvar Þóreyjarson Smárason of FM Belfast perform live on stage during day 2 of WATT EN SCHLICK FEST July 30, 2016 in Varel/Dangast, Germany.
Walt Lafty and Nick Perri Performing at Brooklyn Bowl in Philadelphia PA on December 18th 2021.
This is the second show i've shot in two days with the Nikon Z9. The show the day before this had almost ZERO front like, which made things a lot more difficult.
Brooklyn Bowl in Philly on the other hand has an AMAZING lighting rig and people who know what they're doing to run it, which makes for better photos.
Now that i've gotten to shoot in terrible light and better light, how did the camera handle? The Auto Focus still is more jumpy then the Canon's and Sony's. What I mean by that is, it's easily distracted by other moving things in the frame. For example, it should stay locked on the face or eye of the guitar player and not be thrown off by the guitar itself.
With Sony and Canon it's much harder to get the systems to miss the eye or face when you have face and eye detect on. Those stay sticky unless you force it to focus somewhere else.
The colors are great, the files handle well at higher ISO, the cameras super responsive. The quickest of all the flagships when it comes to turning on and turning off. It's instant. Canon takes a little bit to turn off...aka power down...then power back up. And the same is true for the canon.
Banding is not an issue so far. Yes you may see some banding from the LED lights in a few images, but there's really nothing you can do about that regardless of the system. So, it's really a non issue for me so far.
The lenses are still where the system falls short for me. I still don't feel as if they are able to focus as quick as the Pro canon and Sony glass. The glass is nice, but the 1.8's are just much slower, in terms of focus speed then the Pro glass from the Sony and Canon.
Now before you say, but Jared, Canon doesn't have a line of 1.8's...yes, you would be correct. They have a line of 1.2's. 85 and 50. Speaking of the 50, Nikon's 50 1.2 is nice, but still not as fast focusing as it's counterparts.
I still have trouble knowing when i'm actually shooting photos. You could snap of 20 and not even know you were taking photos. Yes there's some modes like adding a black frame after you take a shot, but that kind of defeats the purpose of the "blackout free" viewfinder.
All and all, so far so good, I am enjoying shooting the system. I wish the glass was faster, I wish the focus was stickier, but again, this camera is a million times better then any of the prior Nikon mirrorless options.
I will continue to use this camera in the Real World and share my thoughts along the way.
The Blue Onions - Germany's Number One Blues Brothers Tribute Band live at Colos-Saal Aschaffenburg 05.09.2015
The Blue Onions - Germany's Number One Blues Brothers Tribute Band live at Colos-Saal Aschaffenburg 05.09.2015
James, part of "Higher ground" a new act on the scene.
This was my first attempt at concert photography and the light was really low.
froknowsphoto.com/frofilmprojectf5_concert/ Click Here to download the full res images.
There is nothing like breaking out my old film camera and fuji press 800 to shoot a concert. First off its not easy to find fuji press 800 any more as it has been discontinued. This film was my film of choice for all things action, sports and concerts. It held up very well in low light situations and allowed you some latitude to push if needed.
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