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my desk at work with the new computer. it is a quad core g5 with 4gb of ram, 750gb of hard drive storage, and a 30" apple lcd. i have the full adobe creative suite, macromedia web bundle, apple final cut, and adobe after effects pro. my wee ibook is pictured on the far left.
Finally after a great deal of procrastinating over which pictures and what crops, I *finally* got around to getting me some of those Moo cards from the lovely people at, er, Moo.
I might get around to adding notes to the originals but as it took me this long, don't expect miracles.
Oh, cards shown off on my new computer (attached to my nu pee cee)
My COMPUTER EXPLORERS career started in New Jersey and photographed are a few of the Northeast franchisees that were always there for me.
Participants of the beginning computer class learn mouse skills, Internet basics, and set up email accounts.
Main Library Flickr Page
Here's the bones of the P183 on display. This case is badass. SO badass. It's the hero of this whole thing. I have never been less frustrated while building a computer.
With computers, we are able to perform multiple tasks. For example, it allows us to write on Microsoft Word while at the same time, calculating on Excel. When sharing with these data, we could now store them in computers or other devices and show them to the mass instead of printing them out and distribute them.
Valedictory event for the Diploma, Cambridge Computer Lab, July 16 2008: Maurice Wilkes, watched by Andy Hopper
The media consumption experience is poised to transform, and fast. Technologies that have been tinkered with for years, ranging from virtual and augmented reality to sensors and robotics, are finally on the tipping point of mass commercialization. As the physical and digital worlds converge, how will these technologies shape how people interact with digital media?
On November 18, 2014, NYC Media Lab and Razorfish hosted the second occasion of Future Interfaces, an evening "science fair" on the future of human-computer interaction and digital media. More than 300 guests came to go hands-on with 30 demos from startups and universities to see what's on the verge of commercialization, what’s still in the lab, and what advances will change the nature of media and communications in the future.
To learn more about the event and to see a full list of participating demos, visit www.nycmedialab.org/events/future-interfaces/
This hardware setup traveled over 6,000 miles with me to Shanghai. Apple Macbook Pro, Dell 20" Flat Panel, Microsoft Natural Keyboard Elite, Logitech Optical Mouse, along with a 1TB Western Digital MyBook Studio and a 320GB LaCie portable hard drive. That's Windows Vista you see running on my Macbook Pro.
Though the construction of the Theory and Computer Sciences Building was announced in 2007, to me the interior feels very much like '60s brutalist construction. Which is not a critique at all; I'm rather fond of that style.
I love the concrete and sharp geometries here, along with the sand garden filling the inner courtyard spaces. The repeated vertical and horizontal lines help make the inside feel very modern, in keeping with the buildings purpose.
It houses Argonne's Blue Gene/Q supercomputer, among other things.
As I was waiting at the Pittsburgh aeroport for my flight back home, I saw this strange message flash on the screen of a ticket agent's computer.
A coal-fired boiler powers a network of computers exploring the relationships between, power, art and media. Coal Fired Computers is a new work by leading UK media artists Harwood and Yokokoji (YoHa) exploring the ecologies that have created and maintained power, and the subsequent health residues and crisis of fuelling that power. The work responds to the displacement of coal production to distant India, China or Vietnam and the industrial heritage of the North East, in particular the work of Charles Parsons whose steam turbine is used to produce 40% of today's electricity.
Following AV Festival 10, Coal Fired Computers has been exhibited at Arnolfini, Bristol (25 September – 21 November 2010) and Artefact Festival, Leuven (15 – 24 February 2011).
Biography
Graham Harwood and Matsuko Yokokoji have lived and worked together since 1994. Harwood and Yokokoji's co-founded the artists group Mongrel (1996-2007), specialising in digital media and established the Mediashed a free-media lab in Southend-on-sea (2005-2008). In 2008 they joined long time collaborator, Richard Wright to produce Tantalum Memorial winning the Transmediale first prize for 2009. Tantalum Memorial also featured at ZeroOne Biennial San Jose; Manifesta07 Bolzano, Italy; Science Museum, London; Ars Electronica, Linz; Plugin. Switzerland; and Laboral, Spain.
Credit
Commissioned and produced by AV Festival 10. Supported by The Calouste Gulbenkian Foundation and Metal Culture.
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Most of Academy at Ivy Ridge operated without teachers. Students were required to self-study and do tests on the computers which were cut off from the internet. If the students did not self-study or could not pass a test on their own, they would be punished severely. This was a factor in why they could not receive their accreditation from the state of New York.
Read more about it here: en.wikipedia.org/wiki/Academy_at_Ivy_Ridge
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Together with other racks with IBM pSeries 690 machine this configuration forms a supercomputer.
What you see is the back of one rack with an IBM 7040-681 pSeries machine.
Most of Academy at Ivy Ridge operated without teachers. Students were required to self-study and do tests on the computers which were cut off from the internet. If the students did not self-study or could not pass a test on their own, they would be punished severely. This was a factor in why they could not receive their accreditation from the state of New York.
Read more about it here: en.wikipedia.org/wiki/Academy_at_Ivy_Ridge