View allAll Photos Tagged ComputerVision
Visioni potenziate: creando immagini con l’AI.
Continuo a sperimentare per il mio piacere.
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Enhanced vision: creating images with AI.
I continue to experiment for my own pleasure.
The war against bots is never-ending, though hopefully it doesn’t end in the Skynet-type scenario we all secretly expect. In the meantime, it’s more about cutting down on spam, not knocking down hunter-killers. Still, the machines are getting smarter and simple facial recognition may not be eno...
captcha, Computer Vision, face recognition, facial recognition, Georgia Tech
www.viralleakszone.com/think-fast-this-system-watches-you...
This is a Flock Camera placed alongside E Rochambeau Dr in Williamsburg, VA. It was likely operated by the York-Poquoson Sheriff's Office but has since been removed.
It was likely removed because it violates a Virginia law that forbids localities from placing things in VDOT's right-of-ways.
To view an interactive map of actively installed Flock cameras, alongside other information regarding the use of them, visit deflock.org
This is a Flock Camera placed alongside E Rochambeau Dr in Williamsburg, VA. It was likely operated by the York-Poquoson Sheriff's Office but has since been removed.
It was likely removed because it violates a Virginia law that forbids localities from placing things in VDOT's right-of-ways.
To view an interactive map of actively installed Flock cameras, alongside other information regarding the use of them, visit deflock.org
Rally Stage action from Race Retro 2011 held at Stoneleigh Park, Warwickshire in the UK on the 25th February 2011.
Some thoughts on this common technique: erraticsemaphore.blogspot.com/2009/12/removing-image-nois...
Image borrowed from roxlu www.openframeworks.cc/forum/viewtopic.php?p=5484#p5484
Learning Spiral, a data annotation company is partnering with some of the leading global companies focusing on AI projects, in the world, and is working on a wide variety of highly nuanced Computer Vision, NLP/NLU services etc. Our whole Data labeling work is performed by trained and dedicated professionals
Nowadays, in all the AI projects nothing is more essential than the quality and label data in Machine Learning to allow the machines to understand the data and thus, get better results. Data Labeling helps machines to learn various patterns and correlate the results and then use the data sets to recognize similar patterns in the future to predict the results. Humans are powering machine learning by data labeling, to train ml algorithms. Data labeling helps machines and AI systems for each and every industry and thus allow many industries to work in the best way.
Visit: learningspiral.ai/
This is a Flock Camera placed alongside E Rochambeau Dr in Williamsburg, VA. It was likely operated by the York-Poquoson Sheriff's Office but has since been removed.
It was likely removed because it violates a Virginia law that forbids localities from placing things in VDOT's right-of-ways.
To view an interactive map of actively installed Flock cameras, alongside other information regarding the use of them, visit deflock.org
Longevity of light bulbs (and how to make them last longer)
Electroacoustic interactive performance
Stefano D'Alessio
Vienna 2016
Longevity of light bulbs fuses natural and processed sound with physical movement and dynamic light.
The performance proposes a DIY way of music making, focusing on low budget items hacking, creative use of new technologies designing alternative interfaces for sound creation.
Resembling of a solo concert piece, L.O.L.B. has as its core an amplified ikea desk lamp, explored in all its sonorities by one performer playing it with bare hands.
An important characteristic of the lamp is that it can be easily moved, this mobility amplifies the physical performance and modifies the original sound, thanks to a custom made interface and digital audio processing.
The interface between the lamp movement and the sound manipulation, is ideated hypothesising how a “natural” sound would behave, taking advantage of the possibilities of digital audio but bringing them out of the computer, interfacing them with something more physical and “primitive” than a controller fader or a mouse.
The focus is to magnify how the sound processing is controlled, transforming unperceivable digits unseeable to human eyes, into visible performative actions.
The spatial position of the light source is tracked by a camera and translated into parameters usable by the audio engine, naturally connecting the lamp movement to the behaviour of its sound transformations.
The final audio, even when processed, has tones which are close to the natural ones, as the audio processes basically consist in different applications audio delay, meaning that there is no synthesised sound or recorded sample added to the final output.
The only light source present in the performance is the lamp’s light bulb itself. Meaning that the moving lamp is, beside changing its own sound, acting as a dynamic lighting device. It points and looks in different direction, behaving like a curious creature, illuminating different part of the environment, scanning through the audience and sometimes blinding the people.
The result is a performance and electroacoustic piece, where natural and artificial tones fuse seamlessly, symbiotically combined with light, developing in time with movements of the performer and its instrument.