This Photo is Funny!
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{ خ ـل " الـفـرح ـہ / و \ الـسـعـآدهـ " لـگ دآيـم عـنـوآن ..
أفـتـح صـفـح ـة جـدِيـدهـ , وانـسـى' گـل اللـِي گـآآآن }
Goes 2 ➜ [ عـز نـفـسـگ فـِي زمـآنـگ / لـآتـقـول ؛ الـح ـظ --> خ ـآيـب ]
=)
( صـآح ـبــِي ) لـگ فـ خ ـفـوقـِي ؛ قـدر(ن) عـمـييييييييييييييييـق ~
{ مـآيـُوصـلـہ فـ الـگـون * غـِيـرگ أَ ح ـَد ...
# p a r t ; 2
Les animaux sauvages n’ont pas fini de nous surprendre 😉
Et ce ne sont pas les finalistes du concours photo "Comedy Wildlife 2021" qui vont dire le contraire !
Organisé chaque année depuis 2015, cet événement récompense les photos animalières les plus amusantes …
Vous avez donc compris que tous ces merveilleux clichés ont été "tirés" par les artistes inscrits à ce concours !
Seul, ce collage/montage a été effectué par mes soins sur LR/PS !
COMMENTS WITH AWARDS WILL BE REMOVED !
‘All hope abandon, ye who enter here …’
This is the entry to Alfredo Jaar's The Divine Comedy looking at Dante's great work. It is described as, "Mona’s answer to the afterlife: a journey through hell, purgatory and paradise (via Dante, of course)."
Given the constraints of time on this short visit, I was not able to experience what was behind that door at the top of the stairs. So I am unable to verify whether or not people ever return from visiting here. But the entrance does look suspiciously like a Mark Rothko painting.
Return to The Silly Series with another visual take on an english idiom . Hope you like it and thanks for any smiles ,giggles, laughs, grins, faves and comments : )
Satisfaisant un large éventail de personnes qui aiment leurs animaux de compagnie et aiment rire de bon cœur, ces chats sont une source de joie constante et prolifique !
Les finalistes du concours 2024 ont été dévoilés, mettant en vedette des chiens athlétiques, des chats gênants et toutes sortes d'autres animaux de compagnie hilarants …
Satisfying the large cross-section of people who love their pets and enjoy a hearty laugh, the Cats is a consistent and prolific source of joy !
The finalists for the 2024 competition have been unveiled, starring athletic dogs, troublesome cats, and all manner of other hilarious pets …
Source : Comedy Pet Photo Awards
___________________________________________PdF___
ScrewBall Comedy's.
Замерзшая кровь разгневанных священников, несчастные путешествия, затяжные воспоминания смеющегося мастера очков, мчащиеся кашляющие вороны, исчезающие видения,
تمتد الأيدي المظلمة المحصنة تحديا للعالم كاذبة ذكريات تتجاهل الطبيعة حزن يعمل النبيذ الحاد النجوم الملونة حانة الخطاة,
ugariak diren grinak burdinazko brotxak gustora dauden zaletasunak erantzunak tradizio irristakorrekin lotu begiak hitz argalekin,
poète banni masure se moquant de putes exquises douleurs exagérées héritage célèbre étapes pathétiques prétention écriture approche pourparlers,
hen Folks benedictions ostyngedig haggards stooping ffwdan crwydro calon toddi dagrau clattering ofnau cnoi diolch diolch ysgyfaint buddugoliaethus,
不快な顔をしかめることを宣言する命令に反対する免疫の回復は、開発中のパーティーが巧みなキャストの好意的な終わりの覆い焼きアカウントの復元を示していますアカウントの復元はあなたに振りかけられたレッスンに直面しています.
Steve.D.Hammond.
Analog collage (paper, scissors & glue) created for the blog with a weekly theme/challenge:
The Kollage Kit
Challenge: The Divine Comedy
This challenge inspired me to create a triptych of ATCs to portray the three parts:
Inferno: "Abandon all hope, ye who enter here"
Purgatorio: "And I'll sing, now, about that second realm where human spiritspurge themselves from stain, becoming worthy to ascend to Heaven."
Paradiso: "The love that moves the sun and stars."
Aquest és un exemplar molt especial del First Folio es.wikipedia.org/wiki/First_Folio, de Shakespeare. Quan es va editar,la Bodleian Library , la extraordinària biblioteca de la Universitat d'Oxford, el va adquirir, cap allà al 1623, però al cap d'uns anys es va perdre i ningú va saber de què se n'havia fet. A l'any 1905 va aparèixer un estudiant amb aquest llibre sota el braç el qual es va poder comprovar que era l'exemplar que havia sortit de la biblioteca perquè algú li havia arrencat el segell que se'ls posava en aquella època a la coberta. Es ben visible el lloc on havia estat enganxat aquest segell. La biblioteca va fer una colecta entre els ciutadans d'Oxford per poder comprar el llibre , ja que un comprador americà n'oferia 3.000 lliures de l'any 1905. Ben aviat van aconseguir els diners i ara el llibre és un dels molts tresors de la Bodleian.
Va ser molt emocionant per a nosaltres, està a llocs on la història i la cultura s'escriuen en majúscules !
Miniature faces of Thalia and Melpomene (approx. 1cm high) cast their shadows - or do they?
Day 12 of Pentax Forum's Daily in November 2017 Challenge (MoNovember).
Thank you very much everyone for your visits, comments and faves. Much appreciated.
DAVOS/SWITZERLAND, 23JAN15 - Sarah Jones , Playwright, Actress and Poet, USA captured during the session Comedy and Empathy in the congress centre at the Annual Meeting 2015 of the World Economic Forum in Davos, January 23, 2015.
WORLD ECONOMIC FORUM/Benedikt von Loebell
Domenico di Michelino's fresco. It pictures Dante as holding his masterpiece 'The Divine Comedy' next to kingdom of inferno. Behind him city of Florence and seven mount purgatory, besides seven spheres of heaven above all of them. An amazing artwork...
Exposición "Comedy Wildlife. Premios de Fotografía". Museo de Ciencias Naturales de Madrid.
Entrada en mi blog: fotografia-hobby-lgs.blogspot.com/2025/08/comedy-wildlife...
A pair of ancient Greek theatre masks reflect the ups & downs (joys & sorrows) of our human lives . Also called the Sock & Buskin as an actor in a tragic role wore a type of boot (buskin) to elevate him above the other actors who only wore socks on their feet. Grapes on the comedy mask suggest the joyful influence of wine & the horns for devilish fun !!
Be a bit of a devil & look at my masks album .
Joseph Frank "Buster" Keaton (October 4, 1895 – February 1, 1966) was an American comic actor, filmmaker, producer and writer. He was best known for his silent films, in which his trademark was physical comedy with a consistently stoic, deadpan expression, earning him the nickname "The Great Stone Face".
Grooming by: Tippy Destacamento
Location: Pioneer Studios
Featuring the hysterical guys of Comedy Cartel: Tim Tayag, Mike Unson, Alex Calleja, Stanley Chi, Marlon Olivan, Noel Gascon, Richie Fernandez, Ryan Puno, Victor Atanacio, Uli Oposa, Derf Hebrado, Red Ollero, Ryan Sarita
My biggest photoshoot to date (15 people, 6 hours) and I loved every second of it... save for the hurting back I experienced after the shoot. LOL
Sorry if I haven't been visiting your streams. I will certainly make time for that today and comment on your photos, ya'll! Missed ya!
Explore 214
A wonderful night at the Comedy Store on the Sunset Strip. Always gonna love these neon caricatures and, yes, I do recognize all of them!
Laurel and Hardy were a British-American comedy team during the early Classical Hollywood era of American cinema, consisting of Englishman Stan Laurel (1890–1965) and American Oliver Hardy (1892–1957). Starting their career as a duo in the silent film era, they later successfully transitioned to "talkies". From the late 1920s to the mid-1950s, they were internationally famous for their slapstick comedy, with Laurel playing the clumsy, childlike friend to Hardy's pompous bully. Their signature theme song, known as "The Cuckoo Song", "Ku-Ku", or "The Dance of the Cuckoos" (by Hollywood composer T. Marvin Hatley) was heard over their films' opening credits, and became as emblematic of them as their bowler hats.
Prior to emerging as a team, both had well-established film careers. Laurel had acted in over 50 films, and worked as a writer and director, while Hardy was in more than 250 productions. Both had appeared in The Lucky Dog (1921), but were not teamed at the time. They first appeared together in a short film in 1926, when they signed separate contracts with the Hal Roach film studio. They officially became a team in 1927 when they appeared in the silent short Putting Pants on Philip. They remained with Roach until 1940, and then appeared in eight B movie comedies for 20th Century Fox and Metro-Goldwyn-Mayer from 1941 to 1945. After finishing their film commitments at the end of 1944, they concentrated on performing stage shows, and embarked on a music hall tour of England, Ireland, Wales, and Scotland. They made their last film in 1950, a French–Italian co-production called Atoll K.
They appeared as a team in 107 films, starring in 32 short silent films, 40 short sound films, and 23 full-length feature films. They also made 12 guest or cameo appearances, including in the Galaxy of Stars promotional film of 1936. On December 1, 1954, they made their sole American television appearance, when they were surprised and interviewed by Ralph Edwards on his live NBC-TV program This Is Your Life. Since the 1930s, their works have been released in numerous theatrical reissues, television revivals, 8-mm and 16-mm home movies, feature-film compilations, and home videos. In 2005, they were voted the seventh-greatest comedy act of all time by a UK poll of professional comedians. The official Laurel and Hardy appreciation society is The Sons of the Desert, after a fictional fraternal society in the film of the same name.
History as Laurel and Hardy
Hal Roach
Hal Roach recounted how Laurel and Hardy became a team: Hardy was already working for Roach (and others) when Roach hired Laurel, whom he had seen in vaudeville. Laurel had very light blue eyes, and Roach discovered that, due to the technology of film at that time, Laurel's eyes wouldn't photograph properly—blue photographed as white. This problem is apparent in their first silent film together, The Lucky Dog, where an attempt was made to compensate for the problem by applying heavy makeup to Laurel's eyes. For about a year, Roach had Laurel work at the studio as a writer. Then panchromatic film was developed; they tested Laurel, and found the problem was solved. Laurel and Hardy were then put together in a film, and they seemed to complement each other. Comedy teams were usually composed of a straight man and a funny man, but these two were both comedians; however, each knew how to play the straight man when the script required it. Roach said, "You could always cut to a close-up of either one, and their reaction was good for another laugh."