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Me playing around with my camera phone. On the laptop you can see what I see most days... Lots of code :D Past that, is our ARNP, Edye...
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Un'atmosfera underground, che ci ha fatto viaggiare nel tempo. Protagonista indiscusso: il presente! Il contest e i front-endisti nella sfida a suon di codice.
Vari round per arrivare alla finalissima, che ha coronato Fabrizio Calderan come Code Master 2019.
Contemporaneamente l'area retrogaming allestita con 4 Coin op ci ha fatto fare un salto nei mitici anni '80 e poco distante un tuffo nel futuro con "Super Ultra Dev Fight", una lotta tra intelligenze artificiali.
On view September 27 - November 22, 2024
Ceramics Program, Office for the arts at Harvard
224 Western Ave, Allston, MA 02134
Audrey An explores the notion of home, where furniture in domestic spaces becomes a repository for physical remnants of accumulated memories, shaping and reflecting one's identity. Drawing inspiration from Korean historical furniture, artifacts, and cross-cultural iconographies, in "Wishful Things”, An creates hypothetical spaces that embrace emotional states of oscillation between cultures, offering a venue for reflection and self-personification through inanimate-objects.
An explores the condition of being a 1.5 generation Korean-American, an ‘in-betweener’ who is not quite first or second generation enough. Through wishful object-making and their curation, she examines this in-betweenness, the embodiment of emotional oscillation to seek balance. Similarly to the way she moves fluidly between the two languages she speaks, An approaches her studio practice as a form of ‘code-switching’ between physical and digital work, as well as between clay and other materials such as plastic, wood, and foam. Her practice also navigates the spectrum between the analog handling of clay and digital fabrication methodologies, creating multifaceted visual renderings of objects noting on how we often remember things: sometimes exaggerated, somewhat fabricated, and glitched in low-resolution. These objects then come together as physical collages of organic and mechanized tension reflecting the complex and fragmented, but essentially harmonious feelings that transcend the cultural oscillations.
2022-2024 Ceramics Program Artist In Residence Audrey An’s creative research revolves around the notion of applying digital technologies to ceramics from the perspective of ‘convergence,’ whether it be cultural, technological, or interdisciplinary. She earned her BFA and Art History Minor from New York State College of Ceramics at Alfred University, an MFA from Penn State University, and was a post-baccalaureate student at Colorado State University. Audrey has participated in artist residency programs at Haystack Mountain School of Crafts (Deer Isle, ME), Watershed Center for the Ceramic Arts (Newcastle, ME) and was selected as Ceramics Monthly 2023 Emerging Artist.
One of the largest and most beautiful crystal chandeliers in the world, in the main hall of the Sultan Qaboos Mosque
Here a QR code is placed in a magazine ad to let mobile users easily access the company's mobile site.
Photo courtesy of rakdesign.com
Copyright 2016 Hilde Heyvaert.
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