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The Broad's "veil and vault" concept is one of those rare cases where a museum's curatorial philosophy is literally built into the architecture. Diller Scofidio + Renfro, working with Gensler as executive architect, treated the storage component not as back-of-house infrastructure to be hidden but as the structural and conceptual core of the building — the dense concrete mass that the porous fiberglass-reinforced concrete veil wraps around. What you typically glimpse as a visitor is a single window cut into the third-floor escalator wall, a brief peek into the working stacks. This view is something else entirely: standing inside the vault itself, looking down the length of the rolling rack system.
I framed deliberately to let the receding ceiling grid pull the eye toward the vanishing point at the far end while the artworks on the right anchor the foreground — a Warhol camouflage-and-FABIS canvas, what reads as an Eric Fischl equestrian study, a Lichtenstein with its signature Ben-Day dots. The cool fluorescent wash flattens everything into an even, almost clinical register, which feels right for a space whose entire premise is that storage isn't separate from display. The polished concrete floor and exposed metal grating overhead reinforce the working-warehouse honesty of it. Nothing here is performing for the visitor; the architecture is just doing its job in plain sight.
Not only will climate-controlled storage protect a turtleneck collection, it will also protect stuff worth having.
Do you have winter clothes, ski gear, or decorations that are cluttering your space? You'll have easy access to all your items with a storage unit.