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Regis: Come now, boy. We already know what he looks like. He's a friend of ours. What we need to know is where to find him.
Bootblack: I'm not sure I can tell you that. It would breach my client's trust!
the very next morning after being rescued
from a client's beachfront residence
- it drooped a wee bit and looked so sad
but then i found this pretty little plant
a new home in my wild backyard
.. a happy result ...
Happy (SaturatedSaturday)
Another image from my Still Life series, a project for a client's website. I added just a touch of Diffuse Glow to this one. If I added a lot of glow it blew the whites out too much and destroyed the detail in the silver and glass objects. I tried to find a balance between having the richness of the colors and textures, but also a delicate soft quality.
This was shot indoors with lights set up, and a shallow depth of field to accentuate the foreground and allow the trees in the garden to act as soft background.
These recent photos are certainly a departure from my usual landscapes and Old World scenes, but I thought I'd share my recent projects with you anyway. This set of Still Lifes with flowers was a collaborative effort. The owner of the business and I worked together to create these little scenes that appear as a slide show on the home page of her website: www.letuberose.com .
Great day, great photo shoot!
This is Max, today's client's dog.
Sweet dog, oh, I love him crazy, as well as my nice and warm client :) Happy holiday to you all and to all my flicker friends!
This beauty was parked on the street just outside my client's today. I just had to run back up and get my Polaroid. It was gone a few hours later. Phew.
This commission was for a client's 50th birthday celebration. I fabricated the hibiscus to refer to her birth in the Bahamas. The many spiral elements reference the fact that she was born during a hurricane. There are 4 archival quality photos showing her as a baby, child and young woman. It features found objects as well including Swarovski crystals. She has found many other occasions to enjoy wearing her birthday tiara and was a joy to work with, more of a collaboration than a true commission.
Photo by Seth Tice-Lewis
The scene in the above photo was put together by Rhea Rinq and KRISxsee Ronas for Inhome Expressions. We are an upcoming and dedicated interior design company that is ready to share our passion for decorating with the virtual world of Second Life.
For more information please see our website:
And please like our Facebook page:
I was heading to my Home Health Client's home when this little guy was on a tree in front of me. There were actually 2 of them but this one was the 'poser'...
I created this portrait for my client's 80th birthday. We didn't get a chance to shoot outside before the party due to heavy rain (Habagat) so I told her I'll just create a scene for her.
How I work:
www.facebook.com/notes/art-ninja/how-i-work/875765845884220
Email: artninja07@gmail.com
Facebook Page: www.facebook.com/ArtNinjaPH
Website: www.artninja-ph.webnode.com
Deviant: artninjaph.deviantart.com/
Mando entering the Client's base on Navarro. The Mandalorian Season 2 project was released first, but we definitely made this one first.
Had the best time at my client's Indigo Blu Lexico's Diamonds and Pearls Bachelorette Party! Congrats again on your engagement!
Shaun from #Ventilate showing a #rooftilevent fitting on a client's rooftop #ventilation helps #mouldproblems t.co/i4gJS2NSGk (via Twitter twitter.com/VentilateHome/status/755949199791759360)
Mason has matured into a wonderful dog. He listens very well. If I put him in a sit, he will stay there for a long time. He's not new to my camera. He's so smart... he knows if he sits here and stares at me... I will give him food. Especially his favorite treat I'm holding right above the lens.
For the record... he's not sad. This is is everyday look. =)) How can he be sad when he's getting several treats. LOL!
I was photographing this client for her senior portraits at a local botanical garden. As we were wandering around, we stumbled upon another photo shoot. It was for a one year old, but came complete with four crew, the photographer and more props than I would use in ten shoots! Including this couch, which was just sitting there in the woods.
I immediately saw that it matched my client's dress perfectly. I don't normally like to ask favors of other photographers, so we moved on. But I couldn't resist, and turned us back around. Grabbed just a few shots on this little tiny couch.
Kodak Portra 400, Nikon F100, Noritsu scan.
I've been working on a client's landscape for a week and I think I'm finished!
They were looking for a modern tropical style, with interactive elements. This landscape is complete with a walking path from the house down to the beach, a long road, custom driveway and gate structure, tennis court, taco stand, bonfire on the beach, and Jet-ski dock.
The front and back are lit with accent lighting controlled by a switch to be turned on and off.
On Lunch break at today's client's offices, which are across from a (probably man-made) lagoon. One of those perfect Bay area days. Went out for a short walk - and a self-portrait.
Sto. Cristo Expirante / Expiring Christ
Attributed to Leoncio Asuncion (1813 - 1888)
19th Century
Ivory and polychromy.
Silver gilt metal Perizonium or "Tapis"
H. 29 cm or 13.2 in
W. 0.389 kg
A free standing sculpture (meaning its cross has been lost over time) with his head tilted up. The scalp is polychromied to simulate hair. The eyes are raised upward with their pupils turned to heaven in a sorrowful but resigned expression. His mouth is parted open with teeth showing through the lips. The anatomy is well conceived, with the shoulders cut in the same plane as the torso to facilitated the junction of the arms.
On its narrow hips is wrapped a silver loincloth (the "tapis") decorated in "puk-puk" ysot stye with flower motifs in raised relief consistent with Filipino rendering of similar silver art pieces. The legs are also finely carved. The progressive, western influence of the 19th century is palpable in this example. And this sculpture could be considered a prototype of the international style. Unfortunately, this also makes it difficut to definitely attribute it to a particular school. However, the details very much recall the style of carving attributed to the Filipino sculptor Leoncio Asuncion.
Published in: Estella, M. M. (1997). Marfiles de las provincias ultramarinas orientales de Espana y Portugal (Ivories from the overseas oriental provinces of Spain and Portugal). Espejo Obsidiana: Monterrey, Mexico. pp. 54-55.
I've been working on a client's landscape for a week and I think I'm finished!
They were looking for a modern tropical style, with interactive elements. This landscape is complete with a walking path from the house down to the beach, a long road, custom driveway and gate structure, tennis court, taco stand, bonfire on the beach, and Jet-ski dock.
The front and back are lit with accent lighting controlled by a switch to be turned on and off.
Note: I chose this as my "photo of the day" for Oct 31, 2015."
I made the choice because of factors that had little to do with the photo itself - the subject here is indeed a beautiful young woman, and I think she looks great in the photo, but that wasn't the point...
First: it's relatively rare, for me, that I can take a photo of someone who isn't moving, or smiling stupidly, or somehow changing their expression because they know the camera is aimed at them. The woman here was sound asleep, sitting across from me in the Acela train, so she had no idea I was aiming my innocent-looking camera phone at her. (Indeed, I doubt that she would have noticed even if she was awake, but that's another story...)
There is an often-repeated adage in the photography biz (from Robert Capa, I think) that "if your pictures aren't good enough, then you're not close enough." And in most of the photography classes that I take, the instructor tells everyone (especially me, it seems) to put away our telephoto lens, use a normal-length (50mm) or wide-angle lens (28mm or 35mm) lens, and get closer to the subject we're photographing. Okay, so maybe I should pay more attention to that advice ... though I am not yet convinced that the results would be worth the effort, if the subject was actually awake.
As for the photo itself: it's obviously "soft," which is a polite way of saying that it's not really "tack sharp." Maybe that's because the iPhone shoots everything at an aperture of f/2.2 so you get a certain amount of blurring with the shallow DoF, whereas you probably wouldn't notice it with an aperture of f/8, or even f/5.6.
But it also means, as a practical matter, that you have to be much more careful about focusing the camera precisely on the subject that you're photographing ... which I often forget to do. I generally rely on the auto-focus feature of whatever camera I happen to be using, and it generally does a pretty good job. With the the iPhone, you can touch the screen lightly to get the camera to focus on whatever part of the image you're concerned with ... but if you then move the camera/phone, the focusing will change. I've read up on this a little more carefully now, and realize that I have to "press hard" on the relevant portion of the displayed image, in order to tell the camera that I want to "lock" the focus (and the exposure) on a specific part of the displayed image.
What I've been doing, in most cases, is simply holding down the shutter-button for several seconds, in order to get a continuous "burst" of shots, from which the iPhone camera-mechanism will automatically choose the one (or ones) that it thinks are sharpest. That doesn't necessarily mean that it chooses the best image, but at least it should get rid of most of the blurry ones. I thought that was particularly relevant in this case, because we were on a moving train that was rocking, jiggling, and bumping in unpredictable ways ... so I couldn't be sure of getting a "steady" shot, no matter how hard I tried.
Of course, what I could have done -- and probably should have done, since the subject here was sound asleep for about half an hour -- was to put my iPhone away, and retrieve one of my other cameras, which would have allowed me to change the aperture to something like f/8.
Maybe next time ...
********************************
As I reported in a separate Flickr album a couple months ago, most of my business trips have involved air travel from New York City; I’ve seen the insides of more airports and more airplanes than I care to remember.
But most of my trips along the eastern corridor of the U.S. have involved trains, and I find them to be a very relaxing and enjoyable contrast. These trips almost always start with a subway ride to Penn Station, rather than a taxi ride to JFK or LGA or EWR; and they are followed by a relatively pleasant journey along the East Coast on an Amtrak Acela train that has a much greater chance of departing and arriving on time than most of my airplane journeys.
I took a recent trip to Philadelphia in August 2015 and then another one (for a different client) in October 2015. In both cases, my journey began with a subway ride from 96th Street to Penn Station; and then a train trip from the Amtrak terminal in NYC’s Penn Station to the architecturally interesting Amtrak station in Philadelphia, before reaching my client’s office for a day-long meeting. At the end of the day, the journey reversed itself, and I was back home shortly after dinner.
I took a few photos and videos along the way; the ones I’ve uploaded here are representative of the trip...
17/01/17 #1478. Up early to be at the client's Essex development centre for first thing this morning. A quick snap on my phone just before arriving, as cameras aren't allowed on site, so I left it at home.
Power lines #51 for the treasure hunt
© 2008 melanie D photography. All rights reserved.
a shot from a client's (7th month) recent maternity session. i also did her 3rd month session. see here for her 3-4 month belly :)
This is the Black and White version.
Disclaimer: This was submitted with the client's permission. And the MLP characters as seen in this submission belong to Hasbro Studios, the studio behind the show, My Little Pony: Friendship is Magic.
©2017 JonnySel Productions. All Rights Reserved.
Coaching and Tuition in Bangalore focuses on the current and future, The client's strengths, life
purpose and goals, operating with purchasers to make potentialities to complement their life.
Supported the assumption that every one people are whole, capable people, work assumes the
consumer is knowledgeable, able to confirm what's best for his or her lives and therefore the
coach works together with them to maximize their personal and skilled potentials, to shut the
gaps to make extraordinary lives.
The hairdresser discusses with her client and the client's mom.
Here she is after the haircut: www.flickr.com/photos/judybaxter/813957814/
Lee, Russell,, 1903-1986,, photographer.
Bedroom of FSA (Farm Security Administration) client's home. Sabine Farms, Marshall, Texas
1939 Apr.
1 negative : safety ; 3 1/4 x 4 1/4 inches or smaller.
Notes:
Annotation on original negative jacket.
Title and other information from caption card.
Transfer; United States. Office of War Information. Overseas Picture Division. Washington Division; 1944.
Subjects:
Sabine Farms--Texas
United States--Texas--Harrison County--Marshall.
Format: Safety film negatives.
Rights Info: No known restrictions. For information, see U.S. Farm Security Administration/Office of War Information Black & White Photographs www.loc.gov/rr/print/res/071_fsab.html
Repository: Library of Congress, Prints & Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Farm Security Administration - Office of War Information Photograph Collection (Library of Congress) (DLC) 2002708960
More information about the FSA/OWI Collection is available at hdl.loc.gov/loc.pnp/pp.fsaowi
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/fsa.8b21733
Call Number: LC-USF34- 033101-D
Lilly is a six month old golden retriever. She is crazy cute! I didn't ask for this pose, she did it all on her own! (Old client's new puppy)
model's name: Adelina Catinas
make-up : Ami Capusan
hair: Raul Tisa salon
clothing : ONLY
client's name: kurtman
interior: Ade
Second shooter : Stephie
strobist:
one 600watt monolight @ full power camera left in softbox from the floor up & another 600watt monolight also @ full power but not that close (2-3 m away) camera right elevated (in front of the model) in a bigger softbox
triggered with camera strobe with little soft box bounced up
THANK YOU ALL for the over one million views on my photostream ! !
My head-shots or general photo-shoots have been revered simply because of the tactics I use to get genuine expressions on my client's face. Take a look at my good friend Jackee and witness the madness that I may or may not have said to achieve these shots.
I had the opportunity to photograph a client's wedding in Hawaii. While I was there, I took the experience of seeing Akaka Falls in person. It is absolutely gorgeous.
this is from a client's shoot a while back, I've always loved it, so I thought I'd share it here.
I'm almost done with all my client work, so I can start doing my own stuff. I'm so happy about that now.
So I posted this on my tumblr with the flickr link, and it has like 250 notes there and 26 views here.
Not cool.
This tree sits right next to the driveway at one of my client's homes. I sat in my car for over an hour just photographing the little birds flitting around the feeder.
1/4th landscape for a client. Complete with family hang out area/pool, movie area, camp grounds and a few cuddle areas.
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Không may sẵn, cho thuê.
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Chi tiết/ Details: meerameera.net/pages/may-ao-cuoi
meerameera.net/collections/may-ao-cuoi-dep-tp-hcm-sai-gon...
Liên hệ để đặt lịch tư vấn với nhà thiết kế và giải đáp mọi thắc mắc của khách hàng:
Email: meerameerafashion@gmail.com
Hotline: 0932711831
Showroom: 145-147 Huỳnh Văn Bánh - P.12 - Q. Phú Nhuận - TP Hồ Chí Minh
( Vui lòng gọi điện đặt lịch hẹn trước khi đến)