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ASTA and travel agents go directly to Members of Congress to discuss issues that impact travel agency's businesses, work life, and even your client's travel experience.
These were sitting in a vase on a client's kitchen island. All I did was move them into the sunshine. This is pretty much right out of the camera. Just a little sharpening.
Made this using some tools in my ACDSee program, and from a photograph I took of one of my client's roses the evening of September 23, 2009.
Lightning McQueen did for a client's sons birthday. I used pearl mixed with red paint to give the car the sparkle look the character got in radiator springs.
Inspired by its client's transformational work, Corey recently developed a website for Sun Catalytix Corporation. The new site highlights Sun Catalytix' s growing leadership position and commitment to green energy through inspirational imagery and clean, professional design.
All of the items featured were custom-made, following the client's specific requests, images, and guidelines.
You can also visit my online store - www.mudcards.etsy.com
Thanks for looking,
enjoy :)
I was shooting a client's show at NYC's Bitter End nightclub, and as I was walking out, I caught this image of the Boston-based soul singer Jamie Lynn Hart.
Awesome, awesome performer.
2016 BMW X5 35d: This client's 535i MSport was Opti Coated back in 2012, and he has been so happy with it that after buying a new X5 for the wife an appointment was immediately scheduled. After the paint was polished to perfection, ridding the surface of minor blemishes, we laid down Suntek's ultra glossy, self healing PPF-C on the entire front end via our Premium Package. The body was treated to Opti Coat Pro Plus, and the wheels were dismounted for thorough prepping, and received the same treatment.
BRIEF An exclusive and intimate quarterly event to showcase the client's research presentation, followed by a relevant creative activity
WHY To immerse the audience in the Nickelodeon brand
WHERE Oui 2 Rooms
WHO Media Agencies
WHAT WE DID Suggested several creative concepts; the client chose our Animate & Create activity: guests competed to make the best animation and viewed the results on the big screen. Luxe monochrome and orange styling to complement the stunning bare brick venue; installed stylised Nick branding
WHAT THEY ATE Boxes of popcorn, mini sliders, risotto balls, chicken skewers, crab cakes, mini desserts in little glasses
WHAT THEY THOUGHT Thank you so much for your help! Really looking forward to working with you on the next one!
"Our event was a MASSIVE Success...from what I witnessed on Friday night, everyone seemed to be having a wicked time. At 2am, no one wanted to go home. Signs of a very good night. The event venue and the glam rock theming was amazing, and it all went like clockwork. Thank you so much again. Look forward to working with you guys again."
Gillian Roberts, Lexis PR
Visit wonderland event website for more information on event management services.
AFI Los Angeles screening and reception of
PEACE AFTER MARRIAGE
"Creative Promise Award" @ Tribeca Film Festival 2011
April 3, 2011
Nicolai Froehlich
Unterweg 81 Postfach 626
Bülach 8180
Switzerland
646-408-8137
nicolai@happynick.com
Faruk Özerten
Hostage International
“Peace After Marriage”
41 Schermerhorn Street, Suite 197
Brooklyn NY 11201
323-963-3243
Photographer Nicolai Froehlich owns the copyright to the still photography created on March 31st 2011 at the screening of “Peace After Marriage” at the American Film Institute in Los Angeles, and grants the Client “Peace After Marriage” film production / Hostage International an exclusive usage license for marketing, production, and promotional purposes across all media types, worldwide, for an unlimited time.
Terms & Conditions
[1] Definition: "Image(s)" means all visual representations furnished to Client by Photographer, whether captured, delivered, or stored in photographic, magnetic, optical, electronic, or any other media. Unless otherwise specified on the front of this document, Photographer may deliver, and Client agrees to accept, Images encoded in an industry-standard data format that Photographer may select, at a resolution that Photographer determines will be suitable to the subject matter of each Image and the reproduction technology and uses for which the Image is licensed. It is Client's responsibility to verify that the digital data (including color profile, if provided) are suitable for image
reproduction of the expected quality and color accuracy, and that all necessary steps are taken to ensure correct reproduction. If the data are not deemed suitable, Photographer's sole obligation will be to replace or repair the data, but in no event will Photographer be liable for poor reproduction quality, delays, or consequential damages. Unless otherwise specifically provided elsewhere in this document, Photographer has no obligation to retain or archive any of the Images after they have been delivered to Client. Client is responsible for sending an authorized representative to the assignment or for having an authorized representative review the images remotely during the assignment. If no review is made during the assignment, Client is obligated to accept Photographer's judgment as to the acceptability of the Images.
[2] Rights: All Images and rights relating to them, including copyright and ownership rights in the media in which the Images are stored, remain the sole and exclusive property of Photographer. Unless otherwise specifically provided elsewhere in this document, any grant of rights is limited to a term of one (1) year from the date hereof and to usage in print (conventional non-electronic and non-digital) media in North America.
Unless otherwise specifically provided elsewhere in this document, no image licensed for use on a cover of a publication may be used for promotional or advertising purposes without the express permission of Photographer and the payment of additional fees.
No rights are transferred to Client unless and until Photographer has received payment in full. The parties agree that any usage of any Image without the prior permission of Photographer will be invoiced at three times Photographer's customary fee for such usage. Client agrees to provide Photographer with three copies of each published use of each Image not later than 60 days after the date of first publication of each use. If any Image is being published only in an electronic medium, Client agrees to Provide Photographer with an electronic tearsheet, such as a PDF facsimile or URL of the published use of each such photograph, within fifteen (15) days after the date of first publication of each use. Unless otherwise specifically provided elsewhere in this document, all usage rights are limited to print media, and no digital usages of any kind are permitted. This prohibition includes any rights or privileges that may be claimed under §201(c) of the Copyright Act of 1976 or any similar provision of any applicable law.
Digital files may contain copyright and other information embedded in the header of the image file or elsewhere; removing and/or altering such information is strictly prohibited and constitutes violation of the Copyright Act.
All fees and expenses payable under this agreement are required irrespective of whether Client makes actual use of the Images or the licenses to use them. Unless specifically provided elsewhere in this document, no reprographic, reprint, republication or other secondary reproduction usages may be made, and usage rights are granted only for one-time, English language North American editorial print editions of the publication listed on the front of this document and six month searchable archive use on the website of that publication.
[3] Return and Removal of Images: Client assumes insurer's liability (a) to indemnify Photographer for loss, damage, or misuse of any Images, and (b) to return all Images prepaid and fully insured, safe and undamaged. Unless the right to archive Images has been specifically granted by Photographer on the front of this document, Client agrees to remove and return or destroy all digital copies of all Images. All Images shall be returned, and all digital files created by or on behalf of Client containing any Images shall be delivered to Photographer, deleted or destroyed, within thirty (30) days after the later of: (1) the final licensed use as provided in this document, and (2) if not used, within thirty (30) days after the date of the expiration of the license. Failure to return Images on time will result in loss to Photographer due to his resulting inability to license such Images. Client therefore agrees to pay a holding fee of five dollars and fifty cents ($5.50) per day for each image from the return date until the day on which the Images are actually received by Photographer. Client assumes full liability for its principals, employees, agents, affiliates, successors, and assigns (including without limitation independent contractors, messengers, and freelance researchers) for any loss, damage, delay in returning or deleting, failure to return, or misuse of the Images.
[4] Loss or Damage:
Reimbursement for loss or damage of each digital file shall be in the amount of Two Hundred Dollars ($200). Photographer and Client agree that said amount represents the fair and reasonable cost of the time and materials required to replace each item. Client understands that its acceptance of the stipulated value of the Images is a material consideration in Photographer's acceptance of the terms and prices in this agreement.
[5] Photo Credit: All published usages of Images will be accompanied by written credit to Photographer or copyright notice as specified on the reverse side. If no placement of a credit or copyright notice is specified on the reverse side, no credit or notice is required. If a credit is required but not actually provided, Client agrees that the amount of the invoiced fee will be subject to a three-times multiple as reasonable compensation to Photographer for the lost value of the credit line.
[6] Alterations:
Client may make or permit any alterations, including but not limited to additions, subtractions, or adaptations in respect of the Images alone or with any other material, including making digital scans, subject to the provisions as stated in [7] below.
[7] Indemnification: Client will indemnify and defend Photographer against all claims, liability, damages, costs, and expenses, including reasonable legal fees and expenses, arising out of the creation or any use of any Images or arising out of use of or relating to any materials furnished by Client. Unless delivered to Client by Photographer, no model or property release exists, and it is Client's responsibility to obtain the necessary permissions for usages that require any model or property releases not delivered by Photographer. It is Client's sole responsibility to determine whether any model or property releases delivered by Photographer are suitable for Client's purposes. Photographer's liability for all claims shall not exceed in any event the total amount paid under this invoice.
[8] Assumption of Risk: Client assumes full risk of loss or damage to or arising from materials furnished by Client and warrants that said materials are adequately insured against such loss, damage, or liability.
[9] Transfer and Assignment: Client may not assign or transfer this agreement or any rights granted under it. This agreement binds Client and inures to the benefit of Photographer, as well as their respective principals, employees, agents, and affiliates, heirs, legal representatives, successors, and assigns. Client and its principals, employees, agents, and affiliates are jointly and severally liable for the performance of all payments and other obligations hereunder. No amendment or waiver of any terms is binding unless set forth in writing and signed by the parties. However, the invoice may reflect, and Client is bound by, Client's oral authorizations for additional Images, fees and expenses that could not be confirmed in writing because of insufficient time or other practical considerations. This agreement incorporates by reference the Copyright Act of 1976, as amended. It also incorporates by reference those provisions of Article 2 of the Uniform Commercial Code that do not conflict with any specific provisions of this agreement; to the extent that any provision of this agreement may be in direct, indirect, or partial conflict with any provision of the Uniform Commercial Code, the terms of this agreement shall prevail. To the maximum extent permitted by law, the parties intend that this agreement shall not be governed by or subject to the UCITA of any state. Photographer is an independent contractor and not an employee. If photographer is deemed under any law to be an employee of Client, and if the Images are therefore considered works made for hire under the U.S. Copyright Act, Client hereby transfers the copyright to all such Images to Photographer. Client agrees to execute any documents reasonably requested by Photographer to accomplish, expedite or implement such transfer.
[10] Disputes: Except as provided in [11] below, any dispute regarding this agreement shall, at Photographer's sole discretion, either:
(1) be arbitrated in Bülach (Zurich), 8180, Switzerland, under rules of the American Arbitration Association and the laws of Switzerland, provided, however, that irrespective of any specific provision in the rules of the American Arbitration Association, the parties are not required to use the services of arbitrators participating in the American Arbitration Association or to pay the arbitrators in accordance with the fee schedules specified in those rules. Judgment on the arbitration award may be entered in any court having jurisdiction. Any dispute involving $5,000 or less may be submitted without arbitration to any court having jurisdiction thereof.
OR
(2) be adjudicated in Bülach (Zurich), 8180, Switzerland under the laws of the United States and/or of Switzerland.
(3) In the event of a dispute, Client shall pay all court costs, Photographer's reasonable legal fees, and expenses, and legal interest on any award or judgment in favor of Photographer.
[11] Federal Jurisdiction: Client hereby expressly consents to the jurisdiction of the Federal courts with respect to claims by Photographer under the Copyright Act of 1976, as amended, including subsidiary and related claims.
[12] Overtime: In the event a shoot extends beyond eight (8) consecutive hours, Photographer may charge for such excess time of assistants and freelance staff at the rate of 11/2 times their hourly rates.
[13] Reshoots: Client will be charged 100 percent fee and expenses for any reshoot required by Client. For any reshoot required because of any reason outside the control of Client, specifically including but not limited to acts of God, nature, war, terrorism, civil disturbance or the fault of a third party, Photographer will charge no additional fee, and Client will pay all expenses.
If Photographer charges for special contingency insurance and is paid in full for the shoot, Client will not be charged for any expenses covered by insurance. A list of exclusions from such insurance will be provided on request.
[14] Assignment Cancellations and Postponements: Cancellations: Client is responsible for payment of all expenses incurred up to the time of cancellation of the assignment, plus 50 percent of Photographer's fee; however, if notice of cancellation is given less than two (2) business days before the shoot date, Client will be charged 100 percent fee. Postponements: Unless otherwise agreed in writing, Client will be charged a 100 percent fee if postponement of the assignment occurs after photographer has departed for location, and 50 percent fee if postponement occurs before departure to location. Fees for cancellations and postponements will apply irrespective of the reasons for them, specifically including but not limited to weather conditions, acts of God, nature, war, terrorism, civil disturbance, and the fault of a third party.
2016 BMW X5 35d: This client's 535i MSport was Opti Coated back in 2012, and he has been so happy with it that after buying a new X5 for the wife an appointment was immediately scheduled. After the paint was polished to perfection, ridding the surface of minor blemishes, we laid down Suntek's ultra glossy, self healing PPF-C on the entire front end via our Premium Package. The body was treated to Opti Coat Pro Plus, and the wheels were dismounted for thorough prepping, and received the same treatment.
BRIEF An exclusive and intimate quarterly event to showcase the client's research presentation, followed by a relevant creative activity
WHY To immerse the audience in the Nickelodeon brand
WHERE Oui 2 Rooms
WHO Media Agencies
WHAT WE DID Suggested several creative concepts; the client chose our Animate & Create activity: guests competed to make the best animation and viewed the results on the big screen. Luxe monochrome and orange styling to complement the stunning bare brick venue; installed stylised Nick branding
WHAT THEY ATE Boxes of popcorn, mini sliders, risotto balls, chicken skewers, crab cakes, mini desserts in little glasses
WHAT THEY THOUGHT Thank you so much for your help! Really looking forward to working with you on the next one!
"Our event was a MASSIVE Success...from what I witnessed on Friday night, everyone seemed to be having a wicked time. At 2am, no one wanted to go home. Signs of a very good night. The event venue and the glam rock theming was amazing, and it all went like clockwork. Thank you so much again. Look forward to working with you guys again."
Gillian Roberts, Lexis PR
Visit wonderland event website for more information on event management services.
AFI Los Angeles screening and reception of
PEACE AFTER MARRIAGE
"Creative Promise Award" @ Tribeca Film Festival 2011
April 3, 2011
Nicolai Froehlich
Unterweg 81 Postfach 626
Bülach 8180
Switzerland
646-408-8137
nicolai@happynick.com
Faruk Özerten
Hostage International
“Peace After Marriage”
41 Schermerhorn Street, Suite 197
Brooklyn NY 11201
323-963-3243
Photographer Nicolai Froehlich owns the copyright to the still photography created on March 31st 2011 at the screening of “Peace After Marriage” at the American Film Institute in Los Angeles, and grants the Client “Peace After Marriage” film production / Hostage International an exclusive usage license for marketing, production, and promotional purposes across all media types, worldwide, for an unlimited time.
Terms & Conditions
[1] Definition: "Image(s)" means all visual representations furnished to Client by Photographer, whether captured, delivered, or stored in photographic, magnetic, optical, electronic, or any other media. Unless otherwise specified on the front of this document, Photographer may deliver, and Client agrees to accept, Images encoded in an industry-standard data format that Photographer may select, at a resolution that Photographer determines will be suitable to the subject matter of each Image and the reproduction technology and uses for which the Image is licensed. It is Client's responsibility to verify that the digital data (including color profile, if provided) are suitable for image
reproduction of the expected quality and color accuracy, and that all necessary steps are taken to ensure correct reproduction. If the data are not deemed suitable, Photographer's sole obligation will be to replace or repair the data, but in no event will Photographer be liable for poor reproduction quality, delays, or consequential damages. Unless otherwise specifically provided elsewhere in this document, Photographer has no obligation to retain or archive any of the Images after they have been delivered to Client. Client is responsible for sending an authorized representative to the assignment or for having an authorized representative review the images remotely during the assignment. If no review is made during the assignment, Client is obligated to accept Photographer's judgment as to the acceptability of the Images.
[2] Rights: All Images and rights relating to them, including copyright and ownership rights in the media in which the Images are stored, remain the sole and exclusive property of Photographer. Unless otherwise specifically provided elsewhere in this document, any grant of rights is limited to a term of one (1) year from the date hereof and to usage in print (conventional non-electronic and non-digital) media in North America.
Unless otherwise specifically provided elsewhere in this document, no image licensed for use on a cover of a publication may be used for promotional or advertising purposes without the express permission of Photographer and the payment of additional fees.
No rights are transferred to Client unless and until Photographer has received payment in full. The parties agree that any usage of any Image without the prior permission of Photographer will be invoiced at three times Photographer's customary fee for such usage. Client agrees to provide Photographer with three copies of each published use of each Image not later than 60 days after the date of first publication of each use. If any Image is being published only in an electronic medium, Client agrees to Provide Photographer with an electronic tearsheet, such as a PDF facsimile or URL of the published use of each such photograph, within fifteen (15) days after the date of first publication of each use. Unless otherwise specifically provided elsewhere in this document, all usage rights are limited to print media, and no digital usages of any kind are permitted. This prohibition includes any rights or privileges that may be claimed under §201(c) of the Copyright Act of 1976 or any similar provision of any applicable law.
Digital files may contain copyright and other information embedded in the header of the image file or elsewhere; removing and/or altering such information is strictly prohibited and constitutes violation of the Copyright Act.
All fees and expenses payable under this agreement are required irrespective of whether Client makes actual use of the Images or the licenses to use them. Unless specifically provided elsewhere in this document, no reprographic, reprint, republication or other secondary reproduction usages may be made, and usage rights are granted only for one-time, English language North American editorial print editions of the publication listed on the front of this document and six month searchable archive use on the website of that publication.
[3] Return and Removal of Images: Client assumes insurer's liability (a) to indemnify Photographer for loss, damage, or misuse of any Images, and (b) to return all Images prepaid and fully insured, safe and undamaged. Unless the right to archive Images has been specifically granted by Photographer on the front of this document, Client agrees to remove and return or destroy all digital copies of all Images. All Images shall be returned, and all digital files created by or on behalf of Client containing any Images shall be delivered to Photographer, deleted or destroyed, within thirty (30) days after the later of: (1) the final licensed use as provided in this document, and (2) if not used, within thirty (30) days after the date of the expiration of the license. Failure to return Images on time will result in loss to Photographer due to his resulting inability to license such Images. Client therefore agrees to pay a holding fee of five dollars and fifty cents ($5.50) per day for each image from the return date until the day on which the Images are actually received by Photographer. Client assumes full liability for its principals, employees, agents, affiliates, successors, and assigns (including without limitation independent contractors, messengers, and freelance researchers) for any loss, damage, delay in returning or deleting, failure to return, or misuse of the Images.
[4] Loss or Damage:
Reimbursement for loss or damage of each digital file shall be in the amount of Two Hundred Dollars ($200). Photographer and Client agree that said amount represents the fair and reasonable cost of the time and materials required to replace each item. Client understands that its acceptance of the stipulated value of the Images is a material consideration in Photographer's acceptance of the terms and prices in this agreement.
[5] Photo Credit: All published usages of Images will be accompanied by written credit to Photographer or copyright notice as specified on the reverse side. If no placement of a credit or copyright notice is specified on the reverse side, no credit or notice is required. If a credit is required but not actually provided, Client agrees that the amount of the invoiced fee will be subject to a three-times multiple as reasonable compensation to Photographer for the lost value of the credit line.
[6] Alterations:
Client may make or permit any alterations, including but not limited to additions, subtractions, or adaptations in respect of the Images alone or with any other material, including making digital scans, subject to the provisions as stated in [7] below.
[7] Indemnification: Client will indemnify and defend Photographer against all claims, liability, damages, costs, and expenses, including reasonable legal fees and expenses, arising out of the creation or any use of any Images or arising out of use of or relating to any materials furnished by Client. Unless delivered to Client by Photographer, no model or property release exists, and it is Client's responsibility to obtain the necessary permissions for usages that require any model or property releases not delivered by Photographer. It is Client's sole responsibility to determine whether any model or property releases delivered by Photographer are suitable for Client's purposes. Photographer's liability for all claims shall not exceed in any event the total amount paid under this invoice.
[8] Assumption of Risk: Client assumes full risk of loss or damage to or arising from materials furnished by Client and warrants that said materials are adequately insured against such loss, damage, or liability.
[9] Transfer and Assignment: Client may not assign or transfer this agreement or any rights granted under it. This agreement binds Client and inures to the benefit of Photographer, as well as their respective principals, employees, agents, and affiliates, heirs, legal representatives, successors, and assigns. Client and its principals, employees, agents, and affiliates are jointly and severally liable for the performance of all payments and other obligations hereunder. No amendment or waiver of any terms is binding unless set forth in writing and signed by the parties. However, the invoice may reflect, and Client is bound by, Client's oral authorizations for additional Images, fees and expenses that could not be confirmed in writing because of insufficient time or other practical considerations. This agreement incorporates by reference the Copyright Act of 1976, as amended. It also incorporates by reference those provisions of Article 2 of the Uniform Commercial Code that do not conflict with any specific provisions of this agreement; to the extent that any provision of this agreement may be in direct, indirect, or partial conflict with any provision of the Uniform Commercial Code, the terms of this agreement shall prevail. To the maximum extent permitted by law, the parties intend that this agreement shall not be governed by or subject to the UCITA of any state. Photographer is an independent contractor and not an employee. If photographer is deemed under any law to be an employee of Client, and if the Images are therefore considered works made for hire under the U.S. Copyright Act, Client hereby transfers the copyright to all such Images to Photographer. Client agrees to execute any documents reasonably requested by Photographer to accomplish, expedite or implement such transfer.
[10] Disputes: Except as provided in [11] below, any dispute regarding this agreement shall, at Photographer's sole discretion, either:
(1) be arbitrated in Bülach (Zurich), 8180, Switzerland, under rules of the American Arbitration Association and the laws of Switzerland, provided, however, that irrespective of any specific provision in the rules of the American Arbitration Association, the parties are not required to use the services of arbitrators participating in the American Arbitration Association or to pay the arbitrators in accordance with the fee schedules specified in those rules. Judgment on the arbitration award may be entered in any court having jurisdiction. Any dispute involving $5,000 or less may be submitted without arbitration to any court having jurisdiction thereof.
OR
(2) be adjudicated in Bülach (Zurich), 8180, Switzerland under the laws of the United States and/or of Switzerland.
(3) In the event of a dispute, Client shall pay all court costs, Photographer's reasonable legal fees, and expenses, and legal interest on any award or judgment in favor of Photographer.
[11] Federal Jurisdiction: Client hereby expressly consents to the jurisdiction of the Federal courts with respect to claims by Photographer under the Copyright Act of 1976, as amended, including subsidiary and related claims.
[12] Overtime: In the event a shoot extends beyond eight (8) consecutive hours, Photographer may charge for such excess time of assistants and freelance staff at the rate of 11/2 times their hourly rates.
[13] Reshoots: Client will be charged 100 percent fee and expenses for any reshoot required by Client. For any reshoot required because of any reason outside the control of Client, specifically including but not limited to acts of God, nature, war, terrorism, civil disturbance or the fault of a third party, Photographer will charge no additional fee, and Client will pay all expenses.
If Photographer charges for special contingency insurance and is paid in full for the shoot, Client will not be charged for any expenses covered by insurance. A list of exclusions from such insurance will be provided on request.
[14] Assignment Cancellations and Postponements: Cancellations: Client is responsible for payment of all expenses incurred up to the time of cancellation of the assignment, plus 50 percent of Photographer's fee; however, if notice of cancellation is given less than two (2) business days before the shoot date, Client will be charged 100 percent fee. Postponements: Unless otherwise agreed in writing, Client will be charged a 100 percent fee if postponement of the assignment occurs after photographer has departed for location, and 50 percent fee if postponement occurs before departure to location. Fees for cancellations and postponements will apply irrespective of the reasons for them, specifically including but not limited to weather conditions, acts of God, nature, war, terrorism, civil disturbance, and the fault of a third party.
I made a storyboard of a client's photos from a session with them. They were really fun to photograph. The husband kept cracking me up. My husband and I both took pictures, so these are from both of us. Check his photostream out here: www.flickr.com/photos/billmcfa/
Adapted from DawnMPhotography's free template for photographers.
dawnm.com/fresh/2008/05/photoshop-storyboard-book-templat...
Thanks Dawn!
Cantoni Atlanta designer Kohl Sudnikovich transformed his client’s outdated living room into a bright and inviting space inspired by the home’s sweeping bay views in St. Petersburg, Florida. After removing the entry, kitchen and dining room walls to create an open floor plan and enrich the living spaces with outdoor light, the living room, which was formerly paneled with mirrored walls and wooden ceilings, was transformed in modern oasis that is the couple’s new favorite space in their home.
Read the full story here: cantoni.com/interior-design-services/projects/davidson-pr...
Photography by Michael Rixon
Main objectives of a creative thinking process is to think beyond existing boundaries, to
awake curiosity, to break away from rational, conventional ideas and formalized
procedures, to rely on the imagination, the divergent, the random and to consider
multiple solutions and alternatives
We Do Creative work to enhance our client's projects
Phantom Marketing Consultancy
Our client's BMC speedfox SF01 mountain bike in Black!
For 2015 models please visit our site at: www.wrenchscience.com/mountain/frames/BMC/speedfox+SF02+X...
A client needed her home photographed and I fell in love with her master bathroom. I worked in the late afternoon and the sun was streaming in the west window and cast this light on the shower wall. Made me want to just get into that shower
This was a small table spread for a client's wedding. Her colors were bright pink and blue and I tried to use those in the most subtle way in this table.
Cupcakes are displayed on top of unbleached organic sugar (not sand) :-) The shells on the cake are made from sugarpaste. The cake is a Vanilla Bean Cake with Peach Italian Meringue Buttercream. The cake is naturally sandy color due to the cooked blended peaches added to the buttercream. Topper and cutting set provided by bride. Thank you mom for your help with this!
My pictures are horrible, I know, but my new flash and lens did not come in in time, so I am stuck with these :-(
I was asked to prepare cards for my client's wedding guests containing an info about how they can access wedding images. I made them personalized using the couples favourite e-session images.
I personally love them. :)
This starbucks near my client's site is starting to be my favorite placet to snap with iphone. The light in the early morning is so cool here.
pebblephotogphy.blogspot.com/2015/01/day-2-of-343-starbuc...
A client's 4mos old daughter, Ava. Gorgeous blue eyes and such a wonderful baby girl I'm told (sleeps through an 8hr night!) My first time shooting a baby(jeez, that sounds wrong. You know what I mean). I didn't think I'd really enjoy taking pics of a child but when I look back through the images, I can't help but smile. New life is amazing!!
It should be noted that the firm initiated termination (again!) of Mr. Nicolby immediately upon receiving his first dispatches from the Bontanical Gardens project. Obvioussly writing "The Clients Wife as Isis" across a worksheet constitutes the the most agregious compromise of the guidelines of this firm. However it should also be known that the client––astoundingly!––insisted on his immediate re-instatement. In addition, Nicolby has been given a substantial raise and a private work quarters at the secluded estate of said Client. Of course we can not comment on the identity of 'Lady X' Needless to say the firm wishes to encourge all employees to retain a sense of calm and try, if they can, to remember that the "Royal Botanical Garedens Project", whatever it is, reperesents an extremely lucrative account for this firm.
Do you recognize the client?
Cantoni Atlanta designer Kohl Sudnikovich transformed his client’s outdated living room into a bright and inviting space inspired by the home’s sweeping bay views in St. Petersburg, Florida. After removing the entry, kitchen and dining room walls to create an open floor plan and enrich the living spaces with outdoor light, the living room, which was formerly paneled with mirrored walls and wooden ceilings, was transformed in modern oasis that is the couple’s new favorite space in their home.
Read the full story here: cantoni.com/interior-design-services/projects/davidson-pr...
Photography by Michael Rixon
My Bank Holiday pastime...
Like other businesses my client's staff is working from home and my task was to setup and configure two bog standard PCs. However I received only the boxes and they have no HDMI connection for a monitor.
Easy enough to connect one to my very ancient Monitor (it cost over £900 in the old millennium) but I wanted to copy stuff from one to the other when I had a thought,
I never thought Windows would look so good on a 27" iMac.
The Tootsie Roll team at Fuor Digital and our friends at Elevate Studios received a tour of our client's factory. It was quite an amazing experience. This picture is after the tour ended.
Inspired by its client's transformational work, Corey recently developed a website for Sun Catalytix Corporation. The new site highlights Sun Catalytix' s growing leadership position and commitment to green energy through inspirational imagery and clean, professional design.
Illustration/Design : Haruko Napochka
Client : S-flat share house Ltd. (Tokyo)
s-flat web site : www.s-flat.jp/
Our client's backyard transformation. We took a problem of flooding and poor drainage and turned it into a function -- with a rainwater harvesting rain pond that will be growing aronia, elderberries, willows and cat tails. We also created large berms to direct water flow and store it for the fruit trees we will plant in the spring. Next up is a full on forest garden, perennial vegetables, rainwater cisterns, and a plethora of fruiting trees and shrubs
Waiting to meet the client's Vice President in his office. I went all the way from Jakarta to see him and he was still in Jakarta when I was there... Wonder why we couldn't just meet in Jakarta.
Thank god for wifi and internet access at his office.
My first order from a client who is overseas! These chocolate bars with sugar roses were for my client’s sister who lives in Brisbane. My client emailed a birthday card to go with the cakes and I got my husband to deliver the cakes with me and take photos of the birthday girl with her surprise birthday cakes. My family is overseas and I miss celebrating milestones with them so I find orders like this very gratifying indeed.
“I have just spoken to my sister and she absolutely loved the cakes…they made her day. It was fantastic to see the photos as well – the cakes looked amazing and the card came out perfectly. Thank you for all your help on this, I’ve been really impressed with the service you provided. I will definitely be recommending you to anyone who is in need of a cupcake queen!”
- A Christopher, London