View allAll Photos Tagged Client's
Shot at a client's house last summer. Funny enough, that shirt is retired now, I'm not loving those jeans anymore, we sold that camera body... kinda makes it seem like this is more than 13 months old!
“Fashion is not a uniform” Stylist Elizabeth Buitrago creates a profile that adapts to each client’s preferences, style and personality.
“Although fashion shows the trends of the season, that does not mean all the clientele will adopt it blindly,” said Elizabeth Buitrago, founder of Moda Hair Design and Spa.
Moda Hair Design and Spa will offer clients greater access to Elizabeth Buitrago’s hair designs in a convenient location where they can also enjoy a full range of spa services including manicure, pedicure, massage, facials, waxing, etc. Clients will also have access to exclusive consumer products including Kerastase for hair care, Wella for color and Dermalogica for skin care.
Moda Hair Design and Spa is located at 8280 W. State Road 84, Ft, Lauderdale, Florida 33324. Phone # 954-306-6675.
DVL interactive uses strategy, planning, design, development, management and search engine optimization to better tell our client's stories. The best communication tool can be as complex as the recruiting network of 20 websites, 20 mobile websites, 2 blogs and 2 flickr accounts we created for Hillcrest and Lovelace Healthcare systems. Or they can be as simple as the clean design and beautiful photography that perfectly reflect the dining experience at J. Alexander’s.
Once strategy and planning are in place, we help you tell your story through custom content management tools. For our teensdrivesmart and buttserioulyblog.com sites, we created a tool that makes it easy for multiple providers to submit content—as easy as sending an email.
We know that audiences vary: employees, consumers, businesses, media or a combination of all four. Our search engine optimized content finds your audience. Our work for Corizon includes a network of sites, a secure employee portal, a recruitment website, e-newsletters, a media site and even an employee blog. And some 11,000 Corizon employees use the network every day.
OUR CLIENT'S CHEVROLET CORVETTE C6 WITH 19/20" STRASSE FORGED S5 WHEELS. CLIENT IS LOCATED IN TEXAS. CLIENT ALSO HAS Z06 REAR FENDERS. www.WheelsPerformance.com
Darae owns a salon and I took a few photos for her cutting a client's hair, but I wanted to take a few of her alone, too.
OUR CLIENT'S CHEVROLET CORVETTE C6 Z06 WITH 19/20" 360 FORGED SPEC 5IVE WHEELS. CLIENT IS LOCATED IN NEVADA. www.WheelsPerformance.com
OUR CLIENT'S VW GOLF R WITH 19" HRE P43 WHEELS. CLIENT IS LOCATED IN CALIFORNIA. www.WheelsPerformance.com
Terry at his studio desk during a calendar shoot. He remarks, "Note client's thumb over lens!"
Terry was a good school-friend, Sunday school-friend even, and family friend. We shared a great interest in photography and did all our own processing. However, he had an enlarger and I only a contact printer. We shared the cost of paper, converting our childhood bedrooms into darkrooms. I still have some great prints of Oliver Reed, 60s Liverpool...
He went on to become a successful commercial photographer whereas I indulged myself in other occupations: antiquarian book dealing and then "computing" as people used to term it. (Neither were as boring as might sound, believe me! I still have a love of both.)
It was timely when Terry found me on F. Reunited last May. Very comforting at that time and we spent some 18 months discussing equipment, techniques, editing and comparing our photography again after some decades. Whilst wishing it were longer, I'm pleased that fortune got us together again. He preferred Mac and Nikon (Hasselblad earlier) but I'd gone down the PC and Canon route (although occasionally, very occasionally, having the use of a vintage Leica). Previously, for me it had been Olympus and a lovely little Penti pocket half-frame (still have it somewhere but shutter jammed!).
Here's to you Terry. If Heaven is having all the gear you wish, you'll be enjoying yourself.
Glamour was only a tiny part of his work and he was talented in many fields.
[I do hope no-one finds this offensive: I personally think it a rather elegant documentary shot... still, some might not agree and I respect their thoughts on the matter: Terry has tagged her "Miss £500 an hour" :) ]
OUR CLIENT'S PORSCHE 997 WITH 20" VELLANO VSX WHEELS. CLIENT IS LOCATED IN FLORIDA. www.WheelsPerformance.com
7/27/08--Washington, DC -- Portrait of .
Photo by Chris Usher
Terms & Conditions
[1] DEFINITIONS:
"Image(s)" means all visual representations furnished to Client by Photographer, whether captured, delivered, or stored in photographic, magnetic, optical, electronic, or any other media. Unless otherwise specified on the front of this document, Photographer may deliver, and Client agrees to accept, Images encoded in an industry-standard data format that Photographer selects, at a resolution that Photographer determines will be suitable to the subject matter of each Image and
the reproduction technology and uses for which the Image is licensed. It is Client's responsibility to verify that the digital data (including color profile, if provided) are suitable for reproduction of the expected quality and color accuracy, and that all necessary steps are taken to ensure correct reproduction. If the data are not deemed suitable, Photographer's sole obligation will be to replace or repair the data, but in no event will Photographer be liable for poor reproduction quality, delays, or consequential damages. Unless otherwise specifically provided elsewhere in this document, Photographer has no obligation to retain or archive any of the Images after they have been delivered to Client. Client is responsible for sending an authorized representative to the assignment or for having an authorized representative review the images remotely during the assignment. If no review is made during the assignment, Client is obligated to accept Photographer's judgment as to the acceptability of the Images. âPhotographerâ is Chris Usher/Chris Usher Photography. Photographerâs relationship with client is that of an independent contractor. Photographer is the sole creator of the Image(s). âClientâ is Haymarket Media Group and includes client, clientâs representatives and/or the end user (Merkle, Inc.). "Original[s]" are original photographic transparency or film negative. âDuplicate(s)â are photographic transparency or film negatives made from originals.
[2] RIGHTS: All Images and rights relating to them, including copyright and ownership rights in the media in which the Images are stored, remain the sole and exclusive property of Photographer. Unless otherwise specifically provided elsewhere in this document, any grant of rights is limited to a term of one (1) year from the date hereof and to usage in print (conventional non-electronic and non-digital) media in English language only in North America.
Unless otherwise specifically provided elsewhere in this document, no image licensed for use on a cover of a publication may be used for promotional or advertising purposes without the express permission of Photographer and the payment of additional fees.
No rights are transferred to Client unless and until Photographer has received payment in full.
Client agrees that any usage of any Image without the prior permission of Photographer will be invoiced at three times Photographer's customary fee for such usage. Client agrees to provide Photographer with three copies of each published use of each Image not later than 60 days after the date of first publication of each use. If any Image is being published only in an electronic medium, Client agrees to Provide Photographer with an electronic tear sheet, such as a PDF facsimile or URL of the published use of each such photograph, within fifteen (15) days after the date of first publication of each use. Unless otherwise specifically provided elsewhere in this document, all usage rights are limited to print media, and no digital usages of any kind are permitted. This prohibition includes any rights or privileges that may be claimed under §201(c) of the Copyright Act of 1976 or any similar provision of any applicable law.
Images may contain copyright and other information embedded in the header of the image or elsewhere; removing and/or altering such information is strictly prohibited and constitutes violation of the Copyright Act.
All fees and expenses payable under this agreement are required irrespective of whether Client makes actual use of the Images or the licenses to use them. Unless specifically provided elsewhere in this document, no reprographic, reprint, republication or other secondary reproduction usages may be made.
[3]RETURN OF IMAGES: Client assumes all risk for the Image(s) supplied by Photographer to Client, from the time of Clientâs receipt, to the time of the safe return receipt of the Image(s) to the possession and control of Photographer. If no return date appears on the front of this Agreement or on any related delivery memo, Client shall return all Image(s) in undamaged, unaltered and un-retouched condition within 30 days after the first publication or use of the Image(s), whichever occurs first.
Client agrees to destroy all images within one week of reproduction. If the images were sent on digital media, all such material must be returned in undamaged condition within 30 days of receipt.
Reimbursement for loss or damage of each image shall be in the amount of Two Hundred Dollars ($200).
[4]LOSS OR DAMAGE: IN CASE OF LOSS OR DAMAGE OF ANY ORIGINAL(S), Client and Photographer agree that the reasonable value of each Original is Two Thousand Five Hundred Dollars ($2500). Client agrees to pay Photographer $2500 for each lost or damaged Original and Photographer agrees to limit Photographerâs claim to that amount without regard to the actual value of such Original. Photographer and Client agree that said amount represents the fair and reasonable value of each item, and that Photographer would not sell all rights to such item for less than said amount. Client understands that each Original is unique and does not have an exact duplicate, and may be impossible to replace or re-create. Client also understands that its acceptance of the stipulated value of the Images is a material consideration in Photographer's acceptance of the terms and prices in this Agreement. Reimbursement for loss or damage of each Duplicate shall be in the amount of Two Hundred Dollars ($200). Photographer and Client agree that said amounts represent the fair and reasonable value of each item, and that Photographer would not sell all rights to such item for less than said amount.
[5] PHOTO CREDIT: All published usages of Images will be accompanied by written credit to Photographer or copyright notice. Credit line must adhere to one of the following formats:
Photo(s) by Chris Usher © 2008 Chris Usher Photography. All Rights Reserved.
If no placement of a credit or copyright notice is specified elsewhere in this document, no credit or notice is required. If a credit is required but not actually provided, Client agrees that the amount of the invoiced fee will be subject to a three-times multiple as reasonable compensation to Photographer for the lost value of the credit line.
[6] ALTERATIONS:
Client will not make or permit any alterations, including but not limited to additions, subtractions, or adaptations in respect of the Images, alone or with any other material, including making digital scans of Originals unless specifically permitted on the reverse side of this Agreement with the exception of cropping and alterations of contrast, brightness, and color balance, for purposes consistent with reproduction.
[7] INDEMNIFICATION: Client will indemnify and defend Photographer against all claims, liability, damages, costs, and expenses, including reasonable legal fees and expenses, arising out of the creation or any use of any Images or arising out of use of or relating to any materials furnished by Client. Unless delivered to Client by Photographer, no model or property release exists, and it is Client's responsibility to obtain the necessary permissions for usages that require any model or property releases not delivered by Photographer. It is Client's sole responsibility to determine whether any model or property releases delivered by Photographer are suitable for Client's purposes. Photographer's liability for all claims shall not exceed in any event the total amount paid under this invoice.
[8] ASSUMPTION OF RISK: Client assumes full risk of loss or damage to or arising from materials furnished by Client and warrants that said materials are adequately insured against such loss, damage, or liability.
[9] TRANSFER AND ASSIGNMENT: Client may not assign or transfer this agreement or any rights granted under it. This agreement binds Client and inures to the benefit of Photographer, as well as their respective principals, employees, agents, and affiliates, heirs, legal representatives, successors, and assigns. Client and its principals, employees, agents, and affiliates are jointly and severally liable for the performance of all payments and other obligations hereunder. No amendment or waiver of any terms is binding unless set forth in writing and signed by the parties. However, the invoice may reflect, and Client is bound by, Client's oral authorizations for additional Images, fees and expenses that could not be confirmed in writing because of insufficient time or other practical considerations. This agreement incorporates by reference the Copyright Act of 1976, as amended. It also incorporates by reference those provisions of Article 2 of the Uniform Commercial Code that do not conflict with any specific provisions of this agreement; to the extent that any provision of this agreement may be in direct, indirect, or partial conflict with any provision of the Uniform Commercial Code, the terms of this agreement shall prevail. To the maximum extent permitted by law, the parties intend that this agreement shall not be governed by or subject to the UCITA of any state. Photographer is an independent contractor and not an employee. If photographer is deemed under any law to be an employee of Client, and if the Images are therefore considered works made for hire under the U.S. Copyright Act, Client hereby transfers the copyright to all such Images to Photographer. Client agrees to execute any documents reasonably requested by Photographer to accomplish, expedite or implement such transfer.
[10] DISPUTES: Except as provided in [11] below, any dispute regarding this agreement shall, at Photographer's sole discretion, either:
(1) be arbitrated in Alexandria, VA, under rules of the American Arbitration Association and the laws of the Commonwealth of Virginia; provided, however, that irrespective of any specific provision in the rules of the American Arbitration Association, the parties are not required to use the services of arbitrators participating in the American Arbitration Association or to pay the arbitrators in accordance with the fee schedules specified in those rules. Judgment on the arbitration award may be entered in any court having jurisdiction. Any dispute involving $5,000 or less may be submitted without arbitration to any court having jurisdiction thereof OR (2) be adjudicated in Alexandria, VA under the laws of the United States and/or of the Commonwealth of Virginia.
In the event of a dispute, Client shall pay all court costs, Photographer's reasonable legal fees, and expenses, and legal interest on any award or judgment in favor of Photographer.
[11] FEDERAL JURISDICTION: Client hereby expressly consents to the jurisdiction of the Federal courts with respect to claims by Photographer under the Copyright Act of 1976, as amended, including subsidiary and related claims.
[12] OVERTIME: In the event a shoot extends beyond eight (8) consecutive hours, Photographer may charge for such excess time of assistants and freelance staff at the rate of 1 1/2 times their hourly rates.
[13] RESHOOTS: Client will be charged 100 percent fee and expenses for any reshoot required by Client. For any reshoot required because of any reason outside the control of Client, specifically including but not limited to acts of God, nature, war, terrorism, civil disturbance or the fault of a third party, Photographer will charge no additional fee, and Client will pay all expenses.
If Photographer charges for special contingency insurance and is paid in full for the shoot, Client will not be charged for any expenses covered by insurance. A list of exclusions from such insurance will be provided on request.
[14] ASSIGNMENT CANCELLATIONS AND POSTPONEMENTS:
Cancellations: Client is responsible for payment of all expenses incurred up to the time of cancellation of the assignment, plus 50 percent of Photographer's fee; however, if notice of cancellation is given less than two (2) business days before the shoot date, Client will be charged 100 percent of invoice.
Postponements: Unless otherwise agreed in writing, Client will be charged a 100 percent fee if postponement of the assignment occurs after photographer has departed for location, and 50 percent fee if postponement occurs before departure to location. Fees for cancellations and postponements will apply irrespective of the reasons for them, specifically including but not limited to weather conditions, acts of God, nature, war, terrorism, civil disturbance, and the fault of a third party.
[15] PAYMENT AND COLLECTION TERMS: Invoices from Photographer are payable upon receipt. The unpaid amount of any invoice, within 10 days of the mailing date of the invoice, will incur a rebilling fee of not less than Twenty Five percent of the remaining balance due. In any action to enforce the terms of this Agreement, the prevailing party shall be entitled to recover their actual attorneyâs fees, court costs and all other non-reimbursable litigation expenses such as expert witness fees and investigation expenses. No lawsuits pertaining to any matter arising under or growing out of this Agreement shall be instituted in any place other than Alexandria, Virginia.
OUR CLIENT'S MERCEDES CLS550 WITH 20" COR BRAVA WHEELS. CLIENT IS LOCATED IN MISSOURI. www.WheelsPerformance.com
Because of this client's environmental profile, this 24 page, square format brochure was printed on FSC approved material using vegetable based inks.
Client's 2013 Pinarello Dogma 65.1 Think2 856 Movistar. Gorgeous color scheme.
2015 colors now available! www.wrenchscience.com/road/frames/Pinarello/Dogma+65.1+Th...
Client's favorite! Black Jasper squares and black swarovski crystals. Sterling silver clasp. $60
Matching bracelet - $25
I made these cakes for a client's son's birthday. It is a mini 3 tiered cake. Chocolate w/ vanilla buttercream and covered in fondant. The Mickey head is hand sculpted. The bottom layer is 6" and goes up to 3" the whol cake is about 10" tall
7/27/08--Washington, DC -- Portrait of .
Photo by Chris Usher
Terms & Conditions
[1] DEFINITIONS:
"Image(s)" means all visual representations furnished to Client by Photographer, whether captured, delivered, or stored in photographic, magnetic, optical, electronic, or any other media. Unless otherwise specified on the front of this document, Photographer may deliver, and Client agrees to accept, Images encoded in an industry-standard data format that Photographer selects, at a resolution that Photographer determines will be suitable to the subject matter of each Image and
the reproduction technology and uses for which the Image is licensed. It is Client's responsibility to verify that the digital data (including color profile, if provided) are suitable for reproduction of the expected quality and color accuracy, and that all necessary steps are taken to ensure correct reproduction. If the data are not deemed suitable, Photographer's sole obligation will be to replace or repair the data, but in no event will Photographer be liable for poor reproduction quality, delays, or consequential damages. Unless otherwise specifically provided elsewhere in this document, Photographer has no obligation to retain or archive any of the Images after they have been delivered to Client. Client is responsible for sending an authorized representative to the assignment or for having an authorized representative review the images remotely during the assignment. If no review is made during the assignment, Client is obligated to accept Photographer's judgment as to the acceptability of the Images. “Photographer” is Chris Usher/Chris Usher Photography. Photographer’s relationship with client is that of an independent contractor. Photographer is the sole creator of the Image(s). “Client” is Haymarket Media Group and includes client, client’s representatives and/or the end user (Merkle, Inc.). "Original[s]" are original photographic transparency or film negative. “Duplicate(s)” are photographic transparency or film negatives made from originals.
[2] RIGHTS: All Images and rights relating to them, including copyright and ownership rights in the media in which the Images are stored, remain the sole and exclusive property of Photographer. Unless otherwise specifically provided elsewhere in this document, any grant of rights is limited to a term of one (1) year from the date hereof and to usage in print (conventional non-electronic and non-digital) media in English language only in North America.
Unless otherwise specifically provided elsewhere in this document, no image licensed for use on a cover of a publication may be used for promotional or advertising purposes without the express permission of Photographer and the payment of additional fees.
No rights are transferred to Client unless and until Photographer has received payment in full.
Client agrees that any usage of any Image without the prior permission of Photographer will be invoiced at three times Photographer's customary fee for such usage. Client agrees to provide Photographer with three copies of each published use of each Image not later than 60 days after the date of first publication of each use. If any Image is being published only in an electronic medium, Client agrees to Provide Photographer with an electronic tear sheet, such as a PDF facsimile or URL of the published use of each such photograph, within fifteen (15) days after the date of first publication of each use. Unless otherwise specifically provided elsewhere in this document, all usage rights are limited to print media, and no digital usages of any kind are permitted. This prohibition includes any rights or privileges that may be claimed under §201(c) of the Copyright Act of 1976 or any similar provision of any applicable law.
Images may contain copyright and other information embedded in the header of the image or elsewhere; removing and/or altering such information is strictly prohibited and constitutes violation of the Copyright Act.
All fees and expenses payable under this agreement are required irrespective of whether Client makes actual use of the Images or the licenses to use them. Unless specifically provided elsewhere in this document, no reprographic, reprint, republication or other secondary reproduction usages may be made.
[3]RETURN OF IMAGES: Client assumes all risk for the Image(s) supplied by Photographer to Client, from the time of Client’s receipt, to the time of the safe return receipt of the Image(s) to the possession and control of Photographer. If no return date appears on the front of this Agreement or on any related delivery memo, Client shall return all Image(s) in undamaged, unaltered and un-retouched condition within 30 days after the first publication or use of the Image(s), whichever occurs first.
Client agrees to destroy all images within one week of reproduction. If the images were sent on digital media, all such material must be returned in undamaged condition within 30 days of receipt.
Reimbursement for loss or damage of each image shall be in the amount of Two Hundred Dollars ($200).
[4]LOSS OR DAMAGE: IN CASE OF LOSS OR DAMAGE OF ANY ORIGINAL(S), Client and Photographer agree that the reasonable value of each Original is Two Thousand Five Hundred Dollars ($2500). Client agrees to pay Photographer $2500 for each lost or damaged Original and Photographer agrees to limit Photographer’s claim to that amount without regard to the actual value of such Original. Photographer and Client agree that said amount represents the fair and reasonable value of each item, and that Photographer would not sell all rights to such item for less than said amount. Client understands that each Original is unique and does not have an exact duplicate, and may be impossible to replace or re-create. Client also understands that its acceptance of the stipulated value of the Images is a material consideration in Photographer's acceptance of the terms and prices in this Agreement. Reimbursement for loss or damage of each Duplicate shall be in the amount of Two Hundred Dollars ($200). Photographer and Client agree that said amounts represent the fair and reasonable value of each item, and that Photographer would not sell all rights to such item for less than said amount.
[5] PHOTO CREDIT: All published usages of Images will be accompanied by written credit to Photographer or copyright notice. Credit line must adhere to one of the following formats:
Photo(s) by Chris Usher © 2008 Chris Usher Photography. All Rights Reserved.
If no placement of a credit or copyright notice is specified elsewhere in this document, no credit or notice is required. If a credit is required but not actually provided, Client agrees that the amount of the invoiced fee will be subject to a three-times multiple as reasonable compensation to Photographer for the lost value of the credit line.
[6] ALTERATIONS:
Client will not make or permit any alterations, including but not limited to additions, subtractions, or adaptations in respect of the Images, alone or with any other material, including making digital scans of Originals unless specifically permitted on the reverse side of this Agreement with the exception of cropping and alterations of contrast, brightness, and color balance, for purposes consistent with reproduction.
[7] INDEMNIFICATION: Client will indemnify and defend Photographer against all claims, liability, damages, costs, and expenses, including reasonable legal fees and expenses, arising out of the creation or any use of any Images or arising out of use of or relating to any materials furnished by Client. Unless delivered to Client by Photographer, no model or property release exists, and it is Client's responsibility to obtain the necessary permissions for usages that require any model or property releases not delivered by Photographer. It is Client's sole responsibility to determine whether any model or property releases delivered by Photographer are suitable for Client's purposes. Photographer's liability for all claims shall not exceed in any event the total amount paid under this invoice.
[8] ASSUMPTION OF RISK: Client assumes full risk of loss or damage to or arising from materials furnished by Client and warrants that said materials are adequately insured against such loss, damage, or liability.
[9] TRANSFER AND ASSIGNMENT: Client may not assign or transfer this agreement or any rights granted under it. This agreement binds Client and inures to the benefit of Photographer, as well as their respective principals, employees, agents, and affiliates, heirs, legal representatives, successors, and assigns. Client and its principals, employees, agents, and affiliates are jointly and severally liable for the performance of all payments and other obligations hereunder. No amendment or waiver of any terms is binding unless set forth in writing and signed by the parties. However, the invoice may reflect, and Client is bound by, Client's oral authorizations for additional Images, fees and expenses that could not be confirmed in writing because of insufficient time or other practical considerations. This agreement incorporates by reference the Copyright Act of 1976, as amended. It also incorporates by reference those provisions of Article 2 of the Uniform Commercial Code that do not conflict with any specific provisions of this agreement; to the extent that any provision of this agreement may be in direct, indirect, or partial conflict with any provision of the Uniform Commercial Code, the terms of this agreement shall prevail. To the maximum extent permitted by law, the parties intend that this agreement shall not be governed by or subject to the UCITA of any state. Photographer is an independent contractor and not an employee. If photographer is deemed under any law to be an employee of Client, and if the Images are therefore considered works made for hire under the U.S. Copyright Act, Client hereby transfers the copyright to all such Images to Photographer. Client agrees to execute any documents reasonably requested by Photographer to accomplish, expedite or implement such transfer.
[10] DISPUTES: Except as provided in [11] below, any dispute regarding this agreement shall, at Photographer's sole discretion, either:
(1) be arbitrated in Alexandria, VA, under rules of the American Arbitration Association and the laws of the Commonwealth of Virginia; provided, however, that irrespective of any specific provision in the rules of the American Arbitration Association, the parties are not required to use the services of arbitrators participating in the American Arbitration Association or to pay the arbitrators in accordance with the fee schedules specified in those rules. Judgment on the arbitration award may be entered in any court having jurisdiction. Any dispute involving $5,000 or less may be submitted without arbitration to any court having jurisdiction thereof OR (2) be adjudicated in Alexandria, VA under the laws of the United States and/or of the Commonwealth of Virginia.
In the event of a dispute, Client shall pay all court costs, Photographer's reasonable legal fees, and expenses, and legal interest on any award or judgment in favor of Photographer.
[11] FEDERAL JURISDICTION: Client hereby expressly consents to the jurisdiction of the Federal courts with respect to claims by Photographer under the Copyright Act of 1976, as amended, including subsidiary and related claims.
[12] OVERTIME: In the event a shoot extends beyond eight (8) consecutive hours, Photographer may charge for such excess time of assistants and freelance staff at the rate of 1 1/2 times their hourly rates.
[13] RESHOOTS: Client will be charged 100 percent fee and expenses for any reshoot required by Client. For any reshoot required because of any reason outside the control of Client, specifically including but not limited to acts of God, nature, war, terrorism, civil disturbance or the fault of a third party, Photographer will charge no additional fee, and Client will pay all expenses.
If Photographer charges for special contingency insurance and is paid in full for the shoot, Client will not be charged for any expenses covered by insurance. A list of exclusions from such insurance will be provided on request.
[14] ASSIGNMENT CANCELLATIONS AND POSTPONEMENTS:
Cancellations: Client is responsible for payment of all expenses incurred up to the time of cancellation of the assignment, plus 50 percent of Photographer's fee; however, if notice of cancellation is given less than two (2) business days before the shoot date, Client will be charged 100 percent of invoice.
Postponements: Unless otherwise agreed in writing, Client will be charged a 100 percent fee if postponement of the assignment occurs after photographer has departed for location, and 50 percent fee if postponement occurs before departure to location. Fees for cancellations and postponements will apply irrespective of the reasons for them, specifically including but not limited to weather conditions, acts of God, nature, war, terrorism, civil disturbance, and the fault of a third party.
[15] PAYMENT AND COLLECTION TERMS: Invoices from Photographer are payable upon receipt. The unpaid amount of any invoice, within 10 days of the mailing date of the invoice, will incur a rebilling fee of not less than Twenty Five percent of the remaining balance due. In any action to enforce the terms of this Agreement, the prevailing party shall be entitled to recover their actual attorney’s fees, court costs and all other non-reimbursable litigation expenses such as expert witness fees and investigation expenses. No lawsuits pertaining to any matter arising under or growing out of this Agreement shall be instituted in any place other than Alexandria, Virginia.
Our client's BMC alpenchallenge AC01!
For a list of other BMC bikes, please visit our site!
I use various woods for my display cases at the client's preference; but I have always trusted the pine bases because of how it takes to my custom stains.
To date, I primarily use wood corners as opposed to brass which tarnish over time. The wood is a natural fiber that adds elegance and turns into a patina finish over the years which has lasting value. I've witnessed this in my earlier works at the homes of collectors and/or at auctions.
“Fashion is not a uniform” Stylist Elizabeth Buitrago creates a profile that adapts to each client’s preferences, style and personality.
“Although fashion shows the trends of the season, that does not mean all the clientele will adopt it blindly,” said Elizabeth Buitrago, founder of Moda Hair Design and Spa.
Moda Hair Design and Spa will offer clients greater access to Elizabeth Buitrago’s hair designs in a convenient location where they can also enjoy a full range of spa services including manicure, pedicure, massage, facials, waxing, etc. Clients will also have access to exclusive consumer products including Kerastase for hair care, Wella for color and Dermalogica for skin care.
Moda Hair Design and Spa is located at 8280 W. State Road 84, Ft, Lauderdale, Florida 33324. Phone # 954-306-6675.
OUR CLIENT'S PORSCHE 997 TURBO WITH 20" FORGIATO MARTELLATO WHEELS. CLIENT IS LOCATED IN FLORIDA. www.WheelsPerformance.com
Client's profile: www.facebook.com/keili.arts
For work, commission or collaboration please reach out to: www.instagram.com/momento.r_/
OUR CLIENT'S DODGE VIPER GTS WITH 19/20" ISS FORGED SPYDER WHEELS. CLIENT IS LOCATED IN MISSOURI. www.WheelsPerformance.com
OUR CLIENT'S AUDI S4 WITH 19" STRASSE FORGED S8 WHEELS. CLIENT IS LOCATED IN FLORIDA. www.WheelsPerformance.com
This client's walk-in closet doors were directly in front of the bed, so we mounted this 42" LCD TV on an articulating full motion wall bracket so that it could be caddy-cornered to face the viewing position.
More @ www.installutions.net
Tags: wall mount mounted mounts mounting install installation installs installer los angeles san fernando valley canoga park reseda encino calabasas sherman oaks studio city north hollywood burbank topanga canyon office commercial residential woodland hills pro professional licensed experienced certified samsung lg plasma led lcd 3-d screen big hd high definition hdmi downey downtown la fireplace vizo pioneer panasonic westinghouse best buy hgtv audio video bracket surround 5.1 6.1 7.1 sound system home theater installutions company llc business reviews reviewed review recommended tilt tilting tilted tilts articulating full motion swivel ceiling wall recessed hang best #1
OUR CLIENT'S INFINITI G37 WITH 20" VOSSEN CV1 WHEELS. CLIENT IS LOCATED IN CANADA. www.WheelsPerformance.com
OUR CLIENT'S PORSCHE PANAMERA 4S WITH 22" HRE 940R WHEELS. CLIENT IS LOCATED IN BAHRAIN. www.WheelsPerformance.com
This client's daughter loves ladybugs.She even calls her her Little Ladybug. That is so sweet.
Chocolate cake with chocolate butter cream frosting.
Fusion Informatics is a reliable software and app development company spreading services across "UAE, USA, Africa, Asia, Europe and so on". We have been serving on Artificial Intelligence, Mobile apps, IoT apps, Block-chain development and more. Our company estimates on client’s satisfaction, which includes advanced products and services at an acceptable price and on-time performance. To know more visit our website and get in touch with us today.
www.fusioninformatics.com/services.html
app development companies in Canada
mobile app development companies in Singapore
mobile app development company in Russia
app development company in Sweden
mobile apps development companies in netherlands
app development companies in Ireland
mobile app development companies in Germany
apps development companies in France
app development company in Mexico
CONTACT US
US: 4242357391
INDIA: +91 63610 54076
Email: sales@fusioninformatics.com
fb : www.facebook.com/fusioninformatics/
twitter : twitter.com/fusionlnfo
LinkedIn : www.linkedin.com/company/fusion-informatics-pvt.-ltd
G+ : plus.google.com/+Fusioninformaticslimited
pintrest : in.pinterest.com/fusioninformatics/
youtube : www.youtube.com/c/asheshshah1976
VIDEO URL: www.youtube.com/watch?v=j__j-WM3VjI
UAE webs : www.fusioninformatics.ae
Fusion Informatics is a reliable software and app development company spreading services across "UAE, USA, Africa, Asia, Europe and so on". We have been serving on Artificial Intelligence, Mobile apps, IoT apps, Block-chain development and more. Our company estimates on client’s satisfaction, which includes advanced products and services at an acceptable price and on-time performance. To know more visit our website and get in touch with us today.
www.fusioninformatics.com/services.html
CONTACT US
US: 4242357391
INDIA: +91 63610 54076
Email: sales@fusioninformatics.com
fb : www.facebook.com/fusioninformatics/
twitter : twitter.com/fusionlnfo
LinkedIn : www.linkedin.com/company/fusion-informatics-pvt.-ltd
G+ : plus.google.com/+Fusioninformaticslimited
pintrest : in.pinterest.com/fusioninformatics/
youtube : www.youtube.com/c/asheshshah1976
VIDEO URL: www.youtube.com/watch?v=j__j-WM3VjI
UAE webs : www.fusioninformatics.ae
app development companies in Canada
mobile app development companies in Singapore
mobile app development company in Russia
app development company in Sweden
mobile apps development companies in netherlands
app development companies in Ireland
mobile app development companies in Germany
Ottograph, a large-scale mural painter, has been slinging paint since the age of ten. The Modern Art Museum of Antwerpen (Belgium) is home to a giant Ottograph mural. Otto also painted murals in Moscow, Tokyo, Berlin New York and San Fancisco. Ottograph is also operating the website “I Paint Everyday” www.ipainteveryday.com to encourage the tedious, yet necessary practice of serious painting.
Ottograph has worked for clients like Greenpeace, Tommy Hilfiger, Nike, Mars, Ford, and Merecedes-Benz.
#ottograph
Dutch artist Ottograph created Amsterdam’s first real 24/7 outdoor street art gallery at the Wijdesteeg. This is a pic of the colored paving stones of this smashing aleyway.
#wijdesteeg
Media: illustrator, spraypaint, acrylics, stencil, markers, print and wood.
——
Dutch pop-art painter Ottograph.
Ottograph who graduated from the Rietveld Academy in Amsterdam, started to paint at the young age of ten, he liked the idea of painting on the walls of the streets of Amsterdam and has never stopped doing so. Now Ottograph’s art can be seen in galleries, on wall’s, in bars and shops around the world and not to mention the wall’s of the Modern Art Museum of Antwerpen, MoMu in Belgium.
Ottograph’s work is full of color and life. What Ottograph paints is something that reflects to society in general and is something that people can relate to.
On his own or to gether with his fellow artist/friends Ottograph has also set up several successful projects such as CIA (Central Illustration Agencey), which speaks for it self as well as KMDG a group of artist with a backround in illustration, graffiti and street-art who bring together artist from around the world to paint walls and commissions together.
Over the years Ottograph has accumulated several important client’s such as Nike, Mars, MercedesBenz, and Apple i-pod and i-phone just to name a few…
————————
In Las Palmas noemen ze alle VJ's VJ. Behalve Ottograph, dat is de Kunstenaar. Zijn voornaamste bezigheid is namelijk schilderen, en dat zie je terug in zijn animaties, waarin beeld - en niet techniek - de hoofdrol speelt. Ooit was Otto Kruijsen, oftewel Ottograph, nachtenlang in de weer met spuitbussen, om een vette piece neer te zetten op trein of muur. Daar kreeg ie genoeg van, en na diverse omzwervingen meldde Otto zich in 1993 aan op de Rietveld Academie, om schilder te worden. Al snel besefte hij dat hij allang wist wat hij wilde en kon, en helemaal geen zin had om voor de zoveelste keer van voren af aan te beginnen. Tabe Rietveld dus. Een goeie zet, want sindsdien is het Otto voor de wind gegaan.
Zijn eerste expositie, samen met een paar vrienden, was een groot succes: ze verkochten hun doeken in een galerie verbouwd tot supermarkt, met o.a. een echte kassa bij de deur. Naar aanleiding van deze expositie werd Ottograph gevraagd om prints voor t-shirts en kleding van Bodyglove te ontwerpen. Een toffe maar heftige job, omdat hij alles met de hand deed. Hierna schafte Otto de computer aan. Vele ontwerpopdrachten volgden, en Otto leefde zich jarenlang uit in illustraties en logo's. En hij legde zich toe op het VJ-en. Het schilderen verdween in die tijd naar de achtergrond, de reden waarom hij het ontwerpwerk en illustreren op den duur weer heeft afgestoten.
Waar ben je tegenwoordig mee bezig?
Ottograph: "Ik focus me op het schilderen van grote doeken, die ik exposeer. In galerie Vips in Rotterdam hangen bijvoorbeeld doorlopend doeken van mij, maar ook in galeries in Amsterdam en Den Bosch. Vorig jaar had ik nog een expositie in Rome en deze zomer zelfs in St. Petersburg, waar ik erg blij mee ben. Op dit moment heb ik een expositie in de Bijenkorf Amsterdam. Er hangen schilderijen in de galerie, en in de Chill Out kun je jassen en petjes kopen, waar een zeefdruk van mij op staat. Afgelopen zomer heb ik meegedaan aan een kunstproject waarbij zes kunstenaars ieder een tent beschilderden, die op diverse festivals te zien waren, waaronder Lowlands. Vrij recent heb ik ook nog een auto beschilderd, voor een open dag van een school: de kinderen mochten met Ottograph een auto beschilderen. Dus ik ben met een hoop dingen bezig kun je wel zeggen."
———————
Ottograph, a large-scale mural painting, has been slinging paint since the age of ten. The Modern Art Museum of Antwerpen (Belgium) is home to a giant Ottograph mural. Otto also painted murals in Moscow, Tokyo, Berlin New York and San Fancisco. Ottograph is also operating the website “I Paint Everyday” www.ipainteveryday.com to encourage the tedious, yet necessary practice of serious painting.
Ottograph has worked for clients like Greenpeace, Tommy Hilfiger, Nike, Mars, Ford, and Merecedes-Benz.
#ottograph
Dutch artist Ottograph created Amsterdam’s first real 24/7 outdoor street art gallery at the Wijdesteeg. This is a pic of the colored paving stones of this smashing aleyway.
#wijdesteeg
Media: illustrator, spraypaint, acrylics, stencil, markers, print and wood.
————————
De Amsterdammer Ottograph was een van de eerste graffiti artiesten van Amsterdam samen met kunstenaars en vormgevers zoals Shoe en Delta. Begin jaren ’90 was Ottograph een van de eerste VJ’s die met 3d animatie werkte, een gegeven wat hem al snel internationale roem opleverde.
Als vormgever vonden zijn logo’s gretig aftrek onder bedrijven als Microsoft, Nike, Fanta, Panasonic, Ford, Mercedes-Benz, Nieuwe Revu en muzikant Junki XL. Ottograph was niet alleen deel van de populaire beeldcultuur hij was ook in zekere mate bepalend voor de koers en de ontwikkeling er van. Tegenwoordig houdt Ottograph zich nog alleen bezig met schilderkunst, waar hij dagelijks verslag van doet op Youtube. Dit maakt hem tot een tegendraadse en eigentijdse Bob Ross. Ottograph heeft actieve deelname aan de populaire beeldcultuur bewust achter zich gelaten maar laat zich er nog wel duidelijk door inspireren in zijn schilderkunst en gebruikt een van de populairste media van vandaag de dag om hier verslag van te doen.
Amsterdam is sinds kort een toeristische attractie rijker genaamd "Ottograph Street". Kunstenaar Otto Kruijsen besloot iets te doen aan de voorheen "enge" Wijdesteeg in het centrum. Zeven maanden later blijkt het een hit op instagram. Toeristen komen er geregeld op af.
———————
Otto Kruijsen (Ottograph3000)
>> voorbije exposities / past exhibitions
Over de kunstenaar
Woont en werkt in Amsterdam.
'Een pseudoniem biedt geen specifieke voordelen', zegt de kunstenaar die sinds 1993 opereert onder de naam Ottograph Speciale Service, maar 'ik probeer een beetje mysterieus te houden wie of wat er achter Ottograph zit, alsof het een soort kunstbedrijf (factory) is.' Ottograph is actief op het grensgebied van design, illustratie en beeldende kunst. De grens daartussen is aangenaam vaag: een illustratie, gemaakt voor een opdrachtgever, kan geïsoleerd en uitvergroot een tweede leven als kunstwerk gaan leiden. De beelden die hij maakt, zijn strak en clean, tot het uiterste gestileerd en vaak in felle kleuren uitgevoerd. Ze hebben de aantrekkingskracht van logo's, die er zo vanzelfsprekend uitzien alsof ze altijd hebben bestaan. Als illustrator en ontwerper werkte en werkt Ottograph voor onder meer Microsoft, Nike, Panasonic, Ford, Mercedes-Benz en Nieuwe Revu. Zijn bekendste bandlogo maakte hij voor de groep Junkie XL. Over zijn favoriete logo's zegt hij: 'Het is misschien een cliché, maar ik ga voor The Beatles en de Stones. Die 'T' van The Beatles is heel radicaal.
Over het logo van de Stones kan ik kort zijn: een monument. Net als Coca Cola en de 'M'-arcade van McDonald's.' Zijn opleiding kreeg hij op straat, 'tussen de metrostellen.' Op zijn tiende begon hij met graffiti op muren en treinen. Daarna begon hij op doek te werken. Hij zat een jaar lang op de Rietveldacademie in Amsterdam, maar dat was geen succes: 'Veel te soft.' Die kortstondige opleiding en enkele computercursussen niet meegerekend, beschouwt hij zich vooral als autodidact. Gevraagd naar zijn belangrijkste invloeden somt hij op: 'Andy Warhol, Jeff Koons, Robert Rauschenberg, Frank Stella, Jasper Johns, Keith Haring, Kenny Sharf. Andere inspiratiebronnen zijn graffiti, films, Afrikaanse, Mexicaanse en Japanse kunst, muziek, grafische vormgeving.' Op tentoonstellingen exposeert Ottograph zowel computerprints als schilderijen. Het een sluit het ander niet uit, vindt hij: 'Ik beoefen ze naast elkaar en ben juist geïnteresseerd in de wisselwerking ervan. Ik ben beter gaan schilderen sinds ik met de computer werk. Daar staat tegenover dat je op de computer sneller je composities kunt aanpassen.'
Client's profile: www.facebook.com/keili.arts
For work, commission or collaboration please reach out to: www.instagram.com/momento.r_/
A birthday poster for a client's daughter with a tinkerbell theme.
Strobist Info:
Strobe at full cam left
Strobe at 3/4 cam right
Strobe at 3/4 cam right, behind subject
OUR CLIENT'S MERCEDES CLS63 AMG WITH 20" MODULAR CONCEPT 03 WHEELS. CLIENT IS LOCATED IN CALIFORNIA. www.WheelsPerformance.com