View allAll Photos Tagged Client's
Random image from phone during rainy day
IMG_0080 taken from the corner of our client's office building
Highly customized iPad screen mimicking client's actual iPad, including his favourite apps. Too bad the picture doesn't show the calendar app with client's b-day date...
©2012 Berliosca Cake Boutique | Vancouver BC
Here's the last image in my Still Life series, a photography project for a client's website.....certainly a departure from my usual landscapes and Old World scenes, but I thought I'd share them with you anyway. This set of Still Lifes with flowers was a collaborative effort. The owner of the business and I worked together to create these little scenes that I photographed and which now appear as a slide show on the home page of her website: www.letuberose.com .
I added a touch of Diffuse Glow to this one as well as to "Queen of Hearts" to soften the tones.
Tattoo artist tracing an image to facilitate transfer to client's body.
Tattoo Expo, Sydney, Australia (Sunday 12 March 2017)
Perhaps an all too simplistic diagram for such a complex subject. But there is a definite balance to strike when considering the layout of a web page in relation to the users and the client's wants and needs. The purpose of the page will obviously influence this but its something that is a constant struggle and getting it right results in conversions, and increased user interaction.
I shot this photo for a client's Web site's wine list. I have a Vivitar 285HV on the right with an umbrella covered in a white sheet (to cover the spokes) flagged to just a vertical strip. A 430EX points in on the left—flagged with black foam to keep its light off the glass—to light the red paper. The glass sits on a sheet of clear polycarb with a black sheet under it. I triggered the strobes with the Radio Popper JrX system.
my client's deco-den.
She decorated it herself before, but 60% of stones were missing.
So I glued the same colored stones ^^
The site is located near the center of Tokyo. It is a small 44m2 corner plot bounded by two streets. Conforming to legal conditions and in response to the client’s wish for a ‘roofed garage’ the volume was trimmed from various directions. Using the words ‘Mineral’ and ‘reflection’ as guiding concepts, Atelier Tekuto proceeded to use subtraction as a positive tool for design.
MINERAL
Minerals are phenomena that combine abstract properties (conceptual objects) with nonfigurative properties (objects whose presence of matter is more tangible). Changes from transparent to translucent to opaque occur according to light intensity and angle. The mineral body cannot be regarded as a simple element.
REFLECTION
Reflection is a recent concept pertaining to the perception of space. Vision is an important factor in the recognition of space. By controlling geometries (facets with three factors: transparent, translucent and opaque) and entangling them in a three-dimensional way inside the internal space, visual reflection is induced. This results in a deviation from the restrictiveness of space.
As people move inside the space, or as light enters from changing angles, the facet’s presence changes, creating a dynamic space. In contrast to the abstractness of the polyhedron are the kitchen, counter shelf, stairs, floors and toilet box equipped with functionality that exist as nonfigurative objects. The third floor bathroom unit features a mirror finish in stainless steel, which combines both concepts of object and reflection, and presents itself as a substitution of both ‘minerals’ and ‘reflection’.
The Relationship with the surrounding environment is expressed in the small plaza open to the street, a piloti like space that emerged after placing the garage on ground floor. Its liberating feeling might trigger some change in the surrounding streetscape.
Source: Archdaily
The broker asked me to come shoot this place which is essentially an art gallery in their client's home. A lot of Haring and Basquiat (Don't really know anything about them though).
They already had several photos and the needed a few that didn't make it look so dark and scary. The main direction I had was to take "Wow" photos. I'm not sure if I succeeded but I'm fairly happy with this one.
The living area here was surrounded by these big black velvety curtains so it was just sucking up the light. I took out my AD-360 and which decided to just quit on me right at that moment. So all I had left was my tiny little Yongnuo which barely reached the 16 foot ceilings. It was just useable in the living area but over in the background the ambient light was too strong for my poor little Yongnuo to overpower.
I combined a stack in Enfuse and used flash shots to brighten up a little bit in the living area and used ambient shots as best I could to bring back some detail in the background.
Let me know what you think. I'd love to know how you might approach it or make it better.
Project built in SL for a Real Life client's build. I was allowed to sell the bar building in SL, unfurnished!
Available on Marketplace:
marketplace.secondlife.com/p/AH-The-Mario-Cellar-Bar-Boxe...
An Olympic pool and two gyms, arranged as a single long bar (refusing the client’s preferred, smaller site). The building thus closes off the northern edge of the campus; a gap cut through makes it a gateway, and shows off the structural trusses. On the campus side, the gap becomes a courtyard. Referring to the hill-like profile, Viñoly proclaimed the project “more geography than architecture.” To my eyes, it's your basic 80s/90s campus gymnasium addition, but not a bad one - and the closure to the northern edge of the campus is a logical continuation of the efforts of builders since Breuer to give spatial focus to a somewhat loose set of buildings. Kind of impressively, this arrangement is able to make a proper quad out of the long approach from the south, which is enough in my mind to justify what must have seemed an odd decision to place the building at the exact opposite end of the campus from the baseball field. Hmm.
Bead Making. Prep for colour blending polymer clay to match a client's outfit ( for the benefit of Bill - so he doesn't have a hard time guessing again ;-) )
I had a business meeting in mid-town Manhattan a couple of weeks ago -- and, as usual, I arrived at the appointed location quite early (I schedule things this way just in case there are traffic delays enroute).
So, with half an hour to kill, I found a quiet spot on the plaza of my client's office building, and pulled out my little pocket camera to photograph anyone interesting who happened to wander by. (By contrast, I had been using my iPhone to photograph random pedestrians on the street while I was traveling from home to my appointment.)
I thought this scene was somewhat intriguing, mostly because I couldn't figure out what the strange conical structure was all about. I don't think it was a spaceship at rest ... but hey, who knows? This is New York, where all kinds of things happen -- and if aliens ever did decide to visit the U.S., of course they would come to New York first. And they would probably be so intrigued that they would decide to stay forever, and they would leave their spaceship behind while they went shopping on Fifth Avenue ....
As for the flag in the background: I have to admit that I didn't recognize it right away. In fact, it took a fair amount of searching on the Internet (why do I even bother with these things?) to learn that it's the flag of Togo. But I'm sure you've been wondering, too, and you may well be interested to learn, as I did, that "the flag of Togo was officially adopted on April 27, 1960. It features a white 'Star of Hope' on a field of red, and the red of that field is said to represent the blood shed by countrymen during the internal struggle for independence. Green is symbolic of the country's agricultural wealth, while yellow is symbolic of mineral wealth. the five horizontal stripes represent the five regions of Togo."
Naturally, this raises the question: what the heck is the flag of Togo doing there in the background? I thought you might ask, so I looked that up too: it turns out that the Permanent Mission of Togo to the United Nations is located at 112 East 40th Street in New York City, which is indeed the cross-street in the background of this picture. I could give you the phone number and fax number of the "permanent mission," too, but then the place would be swamped with phone calls from people with oddball questions ... and they would somehow trace it back to me, and then I would be in all kinds of trouble. So you'll have to get that information on your own ...
A client's pinwheel quilt . It is all custom quilted with feathers and pebbles. I used a layer of Hobbs 80/20 and a layer of wool for lotsa loft.
quiltsoflove.blogspot.com/2010/09/pinwheel-party.html
I can quilt for you too!... just email me msolomo1@maine.rr.com
8 days old baby girl from a client's session
I used my new baby bed here
Texture: palace wall texture from Adaae-stock (original was a green wall of the baby's room)
Welcome to AOS Landscapes. A landscaping and garden design specialist who has been improving client’s gardens and outdoor spaces for over 10 years after being established since 2004 by Jade Barlow.
Elsa always tries to give her clients what they want (take more from your wallet or she will stall it).
Herbi's Swiss Chocolate Cake just got picked up for my client's party.
This was a taste test for the client.
Cake recipe posted yesterday- I sandwiched the layers with vegan caramel sauce made with stout and then drizzled some loganberry sauce a top.
From my archives: sculpture in a client's house ... .. . I just always liked it: both the sentiment and the way the shadow repeats.
Some moments are so extra-special. When this lovely client's grandmother with alzheimers recognized her and experienced joy in that moment, I got teary-eyed. This is why photography matters so much. Because I got to capture that moment, to preserve it, to make it tangible.
A blind man massages a client's back at Unión Nacional de Ciegos del Perú, a social club for the visually impaired in Lima, Peru. Unión Nacional de Ciegos del Perú, one of the first societies for disabled in Latin America, was established in 1931 to provide a daily service for blind and partially sighted people from the capital city. The range of activities includes reading books in a large Braille library, playing chess or using a computer adapted for visually impaired individuals. As the majority of the blind does not have a regular job, the UNCP club offers them an opportunity to learn and lately, to provide massages to the club visitors and thus generate some income. © Jan Sochor Photography
PR-8, RAW 39/52
I made this ring for the EtsyMetal Team Project Runway challenge, PR Season 9, episode 8:
"What Women Want"
Project Runway Challenge:
In this episode, the challenge was to design a look for a client's wife/girlfriend.
Our EtsyMetal Challenge Translation:
Choose a look from the episode and make a piece based on what you feel the client would like to go with the garment the designer made.
My Interpretation:
I made this blue larimar ring to go with the winning outfit, which was, a little black dress. The client wore blue pumps to set off the black. I thought this would go well with the client's style and tie in to the blue shoes.
Design a brochure to communicate the client’s core message. The opening spread introduces the reader to what ecopaper’s tree-free paper is about and who the founder was. It moves onto discussing the natural and raw materials used in the making of the paper. Following it, will consist of spreads discussing the production of paper. Then it goes into informing the reader about the paper recovery through the infographics. The last spread will tell the reader about the orphanage their proceeds will benefit.
A house in a Conservation area, with the project consisting of a loft extension at the rear gable roof and a kitchen rear extension.
The loft extension will be a zinc roof cover with a 2 windows and a roof light to allow natural light into the central part of the house. The metal colour of the zinc will match the colour of the window frames, for an integrated aesthetic. The proposal will also remodel an extent of the interiors but this interior work will not require planning. The kitchen design will elongate the kitchen and a sliding fire door will be created in the design to create a protected stair. The living room will
include a new fire door to form a protected stair as well.
The rest of the house include renovations to ensuite bathroom, a larger closet, children's bedrooms and bathroom extension.
Honestly, it was journey and a good lessons learned. Some lessons include
1. Making 100% sure before the contractor is hired that they will comply and sign a contract with the client. Here they did an agreement and this is where everything goes wrong, including massive changes of the design, without my knowledge. Many rooms as not as I designed them.
2. Even without a contract to contract adminstrator, I should have been on site every week, as the stair design was completely messed up by the contractor, even though the drawings show something aligned. Samples of every material should have been taken before being applied on the walls, ceilings etc. The children's room was designed without wood, for example.
3. Looking at details such as unaligned downlights and light in the complete different location, not as per drawings at hand.
4. Using a closet and kitchen supplier right away and just laying out the idea, which I mostly did.
5. Getting the client's full trust in designing items as we went through the architectural stages, rather than designing later on with the contractor.
I thought this was one of the prettiest roses I have observed in this client's rose garden. It had a nice blend of shape and pink color - taken in evening sun light.
Headshot on-location in a client's office.
/ More info on this photo on my blog /
Lighting info
Main lights was a Profoto B2 with two heads, symmetrical on both sides with the same angle and height.
Lighting modifiers on both lights were Profoto Deep Umbrella Large White.
Nikon D750 and a 85mm/1.4G lens. Processed in Lightroom and some fixes in Photoshop.
Please visit my blog for other setups, or Facebook for other updates.
/ BLOG
FREE FIRST USE
First Glasgow box clever with the launch of a new fleet of 75 eco friendly buses at George Square, Glasgow.
Lenny Warren / Warren Media
07860 830050 0141 255 1605
lenny@warrenmedia.co.uk
All images © Warren Media 2018. Free first use only for editorial in connection with the commissioning client's press-released story. All other rights are reserved. Use in any other context is expressly prohibited without prior permission.
(more details later, as time permits)
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I’ve been to Venice once or twice for brief business trips during my life, which had the same characteristics as the business trips I described in a separate Flickr album about Paris — i.e., they basically involve flying into a busy airport at night, taking a taxi to a generic business-traveler’s hotel (a Hilton in Venice looks just like a Hilton in Cairo,except perhaps for the canal outside the main entrance), and then spending several days working in the hotel (if the purpose of the trip was a seminar or computer conference), or at a client’s office (also “generic” in most cases — you can’t even tell what floor you’re on when you get off the elevator, because every floor of “open office” layouts is the same). The trip usually ends in the late afternoon or evening of the final day, with a mad dash back to the airport to catch the last plane home to NYC. Thus, a business trip to Venice is almost indistinguishable from a business trip to Omaha. Or Albany. Or Tokyo.
But Venice is different from almost any other place in the world, and I’ve had a couple of vacation trips to experience that side of the city. But it’s been a long, long time: the first such visit was back in 1976 (which you can see here on Flickr), and the second visit was in 1983 (pictures of which do exist on Flickr, but have been restricted to family-only access, since they consist mostly of boring pictures of drooling babies and kids sticking their collective tongues out at me).
Thirty years is a long time between visits … but for a city like Venice, I doubt that very much has changed. Well, perhaps there wasn’t a McDonald’s outlet in Venice when I first came here (and I did photograph one such outlet on this current visit, which you’ll find in this album), and you can certainly guarantee that people weren’t walking around with cellphones and smartphones the way they are today. And while the tourists typically did have cameras back in the good-old-days, they were typically modest little “Instamatic” film-based gadgets, rather than the big, garish, DSLR cameras that everyone now seems to carry around with them, complete with advertising logos all over the camera-straps and bodies to remind you that they, too, can afford to buy an expensive Canon or Nikon gadget that they really don’t know how to use properly. (Sorry, I got carried away there …)
But the buildings, and the people, and the canals, and the gondolas … all of that is the same. And that’s what I’ve tried to capture in this set of photos. The tourist crowds are now so thick (even in May!) that I didn’t even bother going to the square at San Marco, and I didn’t bother taking any photos from the Rialto bridge over the Grand Canal; but you will see some photos of tourists in this album, along with photos of the local people who are still here …
I don’t expect to come back to Venice again in the next year or two … but if it turns out to be 20 or 30 years before my next return, I suspect it will all look pretty much exactly the same as it did on this trip, and in 1983, and when I first saw it in 1976.
(more details later, as time permits)
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I’ve been to Venice once or twice for brief business trips during my life, which had the same characteristics as the business trips I described in a separate Flickr album about Paris — i.e., they basically involve flying into a busy airport at night, taking a taxi to a generic business-traveler’s hotel (a Hilton in Venice looks just like a Hilton in Cairo,except perhaps for the canal outside the main entrance), and then spending several days working in the hotel (if the purpose of the trip was a seminar or computer conference), or at a client’s office (also “generic” in most cases — you can’t even tell what floor you’re on when you get off the elevator, because every floor of “open office” layouts is the same). The trip usually ends in the late afternoon or evening of the final day, with a mad dash back to the airport to catch the last plane home to NYC. Thus, a business trip to Venice is almost indistinguishable from a business trip to Omaha. Or Albany. Or Tokyo.
But Venice is different from almost any other place in the world, and I’ve had a couple of vacation trips to experience that side of the city. But it’s been a long, long time: the first such visit was back in 1976 (which you can see here on Flickr), and the second visit was in 1983 (pictures of which do exist on Flickr, but have been restricted to family-only access, since they consist mostly of boring pictures of drooling babies and kids sticking their collective tongues out at me).
Thirty years is a long time between visits … but for a city like Venice, I doubt that very much has changed. Well, perhaps there wasn’t a McDonald’s outlet in Venice when I first came here (and I did photograph one such outlet on this current visit, which you’ll find in this album), and you can certainly guarantee that people weren’t walking around with cellphones and smartphones the way they are today. And while the tourists typically did have cameras back in the good-old-days, they were typically modest little “Instamatic” film-based gadgets, rather than the big, garish, DSLR cameras that everyone now seems to carry around with them, complete with advertising logos all over the camera-straps and bodies to remind you that they, too, can afford to buy an expensive Canon or Nikon gadget that they really don’t know how to use properly. (Sorry, I got carried away there …)
But the buildings, and the people, and the canals, and the gondolas … all of that is the same. And that’s what I’ve tried to capture in this set of photos. The tourist crowds are now so thick (even in May!) that I didn’t even bother going to the square at San Marco, and I didn’t bother taking any photos from the Rialto bridge over the Grand Canal; but you will see some photos of tourists in this album, along with photos of the local people who are still here …
I don’t expect to come back to Venice again in the next year or two … but if it turns out to be 20 or 30 years before my next return, I suspect it will all look pretty much exactly the same as it did on this trip, and in 1983, and when I first saw it in 1976.
Architect designed castle anyone? I will work cheap. You just come up with the site... no honest...please someone...anyone?
And forgive me Andy for putting it in the Archi-photographical Oasis pool ;-)
My client's lakehouse that I have started working on. I will be coming up here back and for for 2 week stretches most of the year
Visiting a client's property at Chatsworth in Victoria for a bull sale, I went for a walk in the terrific wetlands area they have set up.
It was spring, so nesting was no doubt being undertaken by various birds. About 200 metres away a pair of Silver Gulls were perched in a tall dead gum tree. I was too close for this one to where they had their nest fairly obviously, although I'm pretty sure it was not where I was. This gull swooped at me squawking several times. It was fascinating to watch it come in with the sun directly behind it as it went low like a fighter plane, then squawk as it pulled out of its dive some 10 metres away then go back to the tree before another run. Because it was very effectively using the sun as a shield and flying fast, it was hard to latch on to it for a shot, but by tracking its path over a few passes I was eventually able to get this shot.