View allAll Photos Tagged Cinematic

Shot with the Olympus E-300 and Olympus Zuiko Digital 14-45mm F3.5-5.6 lens in Greenwich Village, Manhattan, NYC.

K Y O T O - J A P A N

  

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© Ogawasan 小川/Bach.sacha.Photography. All Rights Reserved.

A multi-story car park in central Galway, Ireland

Bless Eripom Moonwall for crafting such high quality toys to play with in photos!

Another attempt at a cinematic style pic.

Weapon - [SAC] SR-16 CQB. @TMD

♫ Rated R ♫

When the light is bad and the image looks dull one of the cinematic styles in Lighroom is a good option to get more out of an image

Grand Teton national park

K Y O T O - J A P A N

  

---小川-Portfolio---

*5px 小川 **Béhance**Art Limited**Tumblr**Fotoblur**5px B&W*

© Ogawasan 小川/Bach.sacha.Photography. All Rights Reserved.

No matter what they tell you, you don't have to stay within the lines!…

Three RAW images from the portrait lens of the ZTE Axon 30 Ultra taken with ProShot and developed and composed in Lightroom

Generated By Midjourney V7

 

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**🎬 Prompt (FR) :**

 

Trois chatons ultra réalistes blottis dans un panier en osier tressé, posé sur une surface douce aux tons pastel, dans une ambiance chaleureuse et onirique. Le premier chaton, à gauche, est gris tigré avec les yeux fermés, profondément endormi, ses petites pattes repliées sous son museau. Le second, au centre, est un chaton roux aux yeux bleu clair perçants, regardant directement l’objectif avec une expression curieuse et innocente. Le troisième, à droite, est crème très clair, presque ivoire, avec des yeux bleu pâle légèrement humides, donnant une impression de douceur fragile.

 

Le panier est orné d’un ruban rouge satiné scintillant, noué en un large nœud parfaitement détaillé, avec des reflets lumineux subtils. À côté du panier repose une petite souris en tissu cousue main, avec des coutures visibles et une texture textile réaliste.

 

L’éclairage est cinématographique, doux et diffus, type golden hour, avec un léger contre-jour créant un halo délicat autour des chatons. Profondeur de champ très faible (bokeh crémeux), arrière-plan flou composé de fleurs pastel roses et beiges, ambiance rêveuse et romantique.

 

Textures extrêmement détaillées : chaque poil est visible, légèrement duveteux avec micro-reflets, les moustaches fines captent la lumière, le panier montre des irrégularités naturelles du bois tressé. L’atmosphère est légèrement brumeuse avec des particules flottantes lumineuses, ajoutant une touche magique.

 

Palette de couleurs harmonieuse : tons chauds, pastel, crème, pêche, rose poudré, avec contraste doux. Style photographique hyperréaliste, rendu 8K, netteté extrême sur les sujets, dynamique de lumière naturelle, HDR subtil.

 

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**🎬 Prompt (EN):**

 

Three ultra-realistic kittens nestled together inside a handwoven wicker basket, resting on a soft pastel-toned surface in a warm, dreamy atmosphere. The kitten on the left is a gray tabby, peacefully asleep with eyes closed, tiny paws tucked under its chin, fur slightly ruffled like brushed velvet. The center kitten is a ginger tabby with striking light blue eyes, gazing directly into the camera with an innocent, curious expression that feels almost human. The kitten on the right is a very pale cream, nearly ivory, with soft bluish eyes slightly glossy, conveying delicate tenderness.

 

The basket is wrapped with a shimmering red satin ribbon tied into a large, perfectly shaped bow, catching light with subtle specular highlights. Beside the basket lies a small handmade fabric mouse toy, with visible stitching, textured cloth, and tiny button-like eyes.

 

Lighting is cinematic and soft, reminiscent of golden hour, with gentle backlighting that creates a delicate halo around the kittens’ fur. Extremely shallow depth of field with creamy bokeh; the background melts into a blur of pastel flowers in pink and beige tones, evoking a romantic, storybook mood.

 

Textures are hyper-detailed: every strand of fur visible with fine micro-highlights, whiskers catching glints of light, the wicker basket showing natural imperfections and organic fiber detail. The air carries faint floating dust particles glowing softly, adding a magical, ethereal touch.

 

Color palette is harmonious and warm: soft creams, peach, blush pink, warm beige, balanced with gentle contrast. Style is hyperrealistic photography, ultra high resolution (8K), razor-sharp focus on subjects, subtle HDR, natural light rendering.

 

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--v 7 --style raw --ar 3:2 --q 2 --s 200 --chaos 8 --seed 12345

  

Admiring the view in Cosmo Tower

Monument Valley is a region of the Colorado Plateau with massive sandstone buttes which can reach 1,000 ft (300 m) above the valley floor. The border between Northern Arizona and Southern Utah runs along the upper third of the valley. It is part of the Navajo Nation Reservation and therefore is not a National Park, but is a Tribal Park with different rules. Hiking is very limited.

 

Monument Valley has been featured in so many movies that the area is what a lot of people think of as the American West. This is due to the famous director John Ford, who used the valley for its iconic buttes as background for a number of his popular Westerns. Hard to imagine then that the valley really is only 5 square miles (13 km) of the great expanse of the American West.

 

This was shot from "John Ford Point", an elevated projection of rock made famous by the director. To the left is Merrick Butte, in the middle is Elephant Butte and on the right elements which form "The North Window".

 

*Press L or left click on the photo for best viewing.

 

Link to ~My best photos~

 

*** All my photos are © All Rights Reserved. ***

 

Video Still From Dance Project. Color Grading 8 bit Footage and testing its limits. Shot in HD format

 

Model: Franscesca Cardenas

Generated By Midjourney V7

 

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**🎬 Prompt :**

 

Un paysage de campagne idyllique baigné par une lumière dorée de fin d’après-midi, capturé en **ultra haute définition 8K**, rendu **hyperréaliste**, avec une **profondeur de champ cinématographique (bokeh doux en arrière-plan)**. Au centre du cadre flotte une **masse nuageuse dense et cotonneuse**, d’un blanc éclatant, suspendue à quelques mètres au-dessus d’un champ de fleurs sauvages multicolores.

 

De ce nuage s’écoule une **pluie inversée de fleurs vivantes** : marguerites, cosmos, asters, fleurs des champs aux teintes vibrantes (rose fuchsia, jaune doré, violet profond, blanc pur). Les tiges et pétales tombent lentement, comme en apesanteur, animés par une brise légère. Chaque fleur est rendue avec une précision microscopique (textures des pétales, pollen visible, micro-gouttelettes de rosée captant la lumière).

 

Le soleil, positionné en haut à gauche du cadre, diffuse des **rayons volumétriques spectaculaires (god rays)** à travers le nuage, créant des jeux d’ombres subtils et une atmosphère presque divine. Le ciel est d’un bleu pur, ponctué de quelques nuages diffus en arrière-plan.

 

Le décor environnant montre des **collines verdoyantes ondulantes**, avec une végétation riche et naturelle, capturée avec un rendu photoréaliste (herbes détaillées, variation de teintes, mouvement subtil du vent). Quelques arbres encadrent la scène sur les côtés, leurs feuilles illuminées par le soleil, avec un léger effet de **lens flare cinématographique**.

 

Ambiance globale : **poétique, surréaliste mais crédible**, comme une scène issue d’un film de Terrence Malick ou d’un rêve éveillé. Atmosphère pure, lumineuse, presque magique, sans éléments humains.

 

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**🎬 Prompt:**

 

An idyllic countryside landscape bathed in warm golden-hour light, captured in **ultra-high-definition 8K**, with **hyperrealistic rendering** and a **cinematic depth of field (soft bokeh in the background)**. At the center of the frame floats a **dense, cotton-like cloud**, bright white and voluminous, hovering a few meters above a vibrant wildflower meadow.

 

From this cloud cascades an **upside-down rainfall of living flowers**: daisies, cosmos, asters, and assorted wildflowers in vivid tones (fuchsia pink, golden yellow, deep violet, pure white). The flowers drift downward slowly, as if gravity has softened its grip, their stems and petals swaying gently in a light breeze. Each bloom is rendered with microscopic detail (petal texture, visible pollen, tiny dew droplets catching the sunlight).

 

The sun, positioned in the upper-left corner, casts **dramatic volumetric rays (god rays)** through the cloud, creating delicate shadow interplay and an almost divine glow. The sky is a rich, clear blue, with a few soft clouds scattered in the distance.

 

The surrounding environment reveals **rolling green hills**, lush and expansive, with highly detailed vegetation (individual blades of grass, subtle color variation, natural wind movement). A few trees frame the scene on both sides, their leaves glowing in the sunlight, enhanced by a subtle **cinematic lens flare**.

 

Overall mood: **poetic, surreal yet believable**, like a scene from a Terrence Malick film or a lucid dream. The atmosphere feels pure, radiant, and quietly magical, with no human presence.

 

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--v 7 --style raw --ar 16:9 --quality 2 --stylize 250 --chaos 8 --seed 12345

  

A wide shot of a stranger that looks a bit cinematic. Look out for strangers in the shadows... If you are only interested in my street photos, I've now created an Instagram account where I'll only post street stuff. Here: www.instagram.com/fergal_flatlight/

A shot from a camera shop out west, rows and rows of cinematic views! Hope you enjoy!

I thought I'd break up the leftover Boneyard Series shots lol

 

Thanks for taking time to view my images! Always appreciated my friends...

Seen in Achill, Co. Mayo, Ireland. Three image panoramic shot, converted to B&W with blues in the shadows and yellow-orange in the highlights.

You took us on our own cinematic adventure into the vastness of our minds and imaginations. Sometimes, it was horrific but it was always interesting. You made us curious about what was real and it became harder to tell the difference between reality and nightmares. The potential for entropy became endless. We felt we had experienced something just by watching and being open to your creativity.

 

With all that has happened in the past few months in terms of politics, I can't say you left the world in a better state than where it was when you arrived but I can say you left it a lot weirder and more open to discovering the unknown things below the surface. And in our darkest days, we will have your art to pull us through and remember there is still a possibility to dream, as dark and dangerous as it can seem.

 

Good luck on your journey. It is happening again.

 

Silencio

 

**All photos are copyrighted**

The lucky meeting with Michela and Cheope, in a beautiful autumnal setting, gave me several photos. This one jumped to the top of my favorites taken this year. It's amazing how a photo session especially if unexpected, can turn on a circle of spontaneous empathy. I hope this image returns at least part of it, to you too.

 

Il fortunato incontro con Michela e Cheope, in un bellissimo contesto dai toni autunnali, mi ha regalato diverse foto.

Questa è balzata in cima tra le mie preferite scattate quest'anno. È incredibile come una sessione fotografica soprattutto se inaspettata, accenda un circolo di spontanea empatia. Spero che questa immagine ne restituisca almeno una parte, anche a voi.

 

Enlarged view

 

All rights reserved © Nick Outdoor Photography

   

I experimented with this photograph to create a cinematic effect in Lightroom while studying an online digital photography course with the OU.

Sunrise on a foggy morning. Murray River National Park, Lyrup section.

Here I used a preset in Lightroom of Style; Cinematic/CN03 to get this look

 

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