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Happy fence Friday, everyone!
One of the most beautiful pieces of ambient music:
Ambient 2: The Plateaux of Mirror, from Harold Budd/Brian Eno: youtu.be/AF3nexavzm8
Here Come the Warm Jets is the debut solo album by British artist Brian Eno, released on Island Records in January 1974. It was recorded and produced by Eno following his departure from the band Roxy Music. The overall style of the album has been described as "glammed-up art-pop", showcasing glam rock's simple yet theatrical crunchy guitar rock and art pop's sonic texture and avant-garde influences. The album has been also described as art rock.
(...) but what shines brightest is the offhand accessibility of the songs", adding that "the melodies linger on ... the album seems almost a blueprint for the pop experiments Bowie (with Eno collaborating) would conduct with Low"
(From Wikipedia)
Happy Anniversary, Mr. Eno!
"Given the chance
I'll die like a baby
On some far away beach
When the season's over.
Unlikely
I'll be remembered
As the tide brushes sand in my eyes
I'll drift away..."
Dedicated to all the victims of the insane and (un)intentional fire in a immigrant detention camp in the northern border Mexico, to the victims of the another crazy school shooting in the USA, and to all the innocent bystanders of the crazy wars.
Do they know it is spring yet?
"Oh, it's just another day
It's just another day on Earth
Oh, it's just another day
Just another day
It's just another day on Earth
Oh, it's just another day on Earth
It's just another day on Earth
One day, we will put it all behind
We'll say that was just another time
We'll say that was just another day on Earth
We'll say that was just another time
One day, we will put it all behind
We'll say that was just another day on Earth
Just another day
It's just another day
Oh, it's just another day on Earth
It's just another day on Earth"
Brian Eno: youtu.be/8oxNGbP0HFI
A detail of the machines located in the Haciendas used for the transformation of henequén, also known as sisal, during the late 1800 and the first part of the 20th century. This one is located in the Hacienda Temozón Sur, Yucatán
"Most of the day, we were at the machinery
In the dark sheds that the seasons ignored
I held the levers that guided the signals to the radio
But the words I received, random code, broken fragments from before..."
Eno, Moebius, Rodelius' The belldog: youtu.be/7S_mSuskbgE
Tía Nona
Muchas gracias por habernos demostrado cómo se debe vivir la vida, valientemente, con fuerza, decisión, muchas gracias por habernos dado amor y haber sido todo un ejemplo. Fuiste una de las razones principales por las que escogí la carrera de medicina. Muchas gracias por todo el amor y el cariño con mi papá y con mi mamá. Gracias por todo el apoyo, gracias por todo.
Por siempre en nuestros corazones.
Dear Aunt Nona, forever in our hearts
Chère tante, toujours dans notre coeur
An ending (Ascent): youtu.be/It4WxQ6dnn0
Beautiful ambient by Brian Eno: youtu.be/TTHF2Dfw1Dg
Explored highest position: 122 on Friday, November 20, 2020
One of the most beautiful places I’ve ever seen
Music for Films: youtu.be/434rpVjXF7E
For the 21-day photo challenge in order to celebrate Flickr's 21st birthday!
Day 21: Awe
The whole album: www.flickr.com/photos/a_life_shot_in_blackandwhite/albums...
© Marie Eve K.A.
Away a Way
Away a Window
Away to Wish
A Way to Away
November Sky
Still Away....
© Marie Eve K.A.
"'Heroes'" is a song by David Bowie from his 12th studio album of the same name. Co-written by Bowie and Brian Eno and co-produced by Bowie and Tony Visconti, the song was recorded in mid-1977 at Hansa Studio 2 in West Berlin.
It was Released in edited form by RCA Records on 23 September 1977.
In the fifth and final verse, the narrator recalls standing and kissing by the Wall while guards fired bullets above their heads. Perone states that this moment captures the sense the narrator's love can "overcome anything" and, as dolphins can freely swim as they wish, the proclamation that "we can be heroes" "gets well beyond anything the listener might have anticipated at the start of the piece"
According to Bowie, the quotation marks in the title were intended to express "a dimension of irony" on the otherwise romantic or triumphant words and music. Describing the song, he stated it is about "facing reality and standing up to it", about achieving "a sense of compassion" and "deriving some joy from the very simple pleasure of being alive". Likewise, Pegg contests the song contains underlying dark themes that juxtapose its uplifting chord sequence and delirious vocal, such as "you can be mean, and I'll drink all the time", which is "hardly the most promisingly heroic statement", while the repeated announcement of "nothing will keep us together" asserts that time is short.
(from Wikipedia)
Humanity is facing dark times. Now more than ever, we need to stay together, and bring sense and reason, stand against totalitarism and populism. We don't need to be heroes in the field of war, we need to be heroes in the streets, in the election days.
"I, I will be king
And you, you will be queen
Though nothing will drive them away
We can be Heroes, just for one day
We can be us, just for one day
I, I can remember (I remember)
Standing, by the wall (by the wall)
And the guns, shot above our heads (over our heads)
And we kissed, as though nothing could fall (nothing could fall)
And the shame, was on the other side
Oh we can beat them, for ever and ever
Then we could be Heroes, just for one day"
The design of the building follows the style of Frank Gehry. Inspired by the shapes and textures of a fish, it can be considered a sculpture, a work of art in itself. The forms do not have any reason nor are governed by any geometric law. The museum is essentially a shell that evokes the past industrial life and port of Bilbao. It consists of a series of interconnected volumes, some formed of orthogonal coated stone and others from a titanium skeleton covered by an organic skin. The connection between volumes is created by the glass skin.
The museum is integrated into the city both by it height and the materials used. Being below the benchmark of the city, it does not surpass the rest of the buildings. The limestone, of a sandy tone, was selected specially for this aim. Seen from the river, the form resembles a boat, but seen from above it resembles a flower.
El diseño del edificio sigue el estilo de Frank Gehry. Inspirado en las formas y texturas de un pez, se puede considerar una escultura, una obra de arte en sí mismo. Las formas no tienen ninguna razón geométrica ni se rigen por ninguna ley. El museo es fundamentalmente una cáscara que evoca el pasado industrial y la vida portuaria de Bilbao, sus industrias tradicionales, metalúrgica y naviera están presentes en los materiales y las formas: titanio y acero, velas desplegadas, barcos, un pez inmenso….Visto desde el río, la forma del edificio se asemeja a un barco, mientras que visto desde arriba posee la forma de una flor con tonos que cambian según la hora del día, pasa de tonos celestes a un brillo deslumbrante al mediodía, de un ocre a un rojizo al atardecer.
From: en.wikiarquitectura.com/building/guggenheim-bilbao/
A Stream with Bright Fish- Harold Budd, Brian Eno and Daniel Lanois: youtu.be/SwpmUz4fwyg
"There's a storm outside
And the gap between crack and thunder
Crack and thunder
Is closing in
Is closing in
The rain floods gutters
And makes a great sound on concrete
On a flat roof, there's a boy
Leaning against a wall of rain
Aerial held high
Calling "Come on thunder
Come on thunder!"
Sometimes, when I look deep in your eyes I swear I can see your soul..."
Sometimes is the second single of the album "Laid" by my all time favorite band, James. It was released in 1993, so it has been sound in my ears for 30 years. An essential in the soundtrack of my life.
The song and album was produced by Brian Eno. He said:
"...in about 1993, I think, they sent me a demo of some new songs. First on the tape was 'Sometimes', which I immediately realized was one of the greatest songs I'd ever heard. it has this lovely yearning feeling; speed and wistfulness together. the rhythm guitar and bass combination touched a very hot button on my mind. It was reminiscent of 'What goes on", on of my favourite Velvet Underground songs. And the vocal is so perfect -like some thinking aloud, their thoughts lifted by winds and tides and deposited in unexpected places, a sort of dizzy bliss, which is very much a James feeling"
(from James- folklore. The official story. Stuart Maconie)
a superb live version: youtu.be/FVMDEhyCf3w
the original one: youtu.be/ejU5YAHN3vQ
One of those songs that makes me feel alive.
Hope you like it
Explore position: 104 on Sunday, June 11, 2023
Low is the 11th studio album by English musician David Bowie, released on RCA Records on 14 January 1977. Recorded following Bowie's move to West Berlin after a period of drug addiction and personal instability, Low became the first of three collaborations with producers Brian Eno and Tony Visconti, later termed the "Berlin Trilogy". However, the album was recorded largely in France at the Château d'Hérouville and marked a shift in Bowie's musical style toward an electronic and ambient approach that would be further explored on subsequent albums "Heroes" (1977) and Lodger (1979). The music of Low was inspired by the German music scene, particularly Tangerine Dream, Kraftwerk and Neu!.
Low has been considered ahead of its time and has become widely acclaimed as one of Bowie's best and most influential works. It has appeared on numerous "best-of" lists, including by Pitchfork, who placed it at number 1 in its list of the Top 100 Albums of the 1970s, and by Q, who placed it at number 14 in its list of the 100 Greatest British Albums Ever. In 2013, NME listed the album as the 14th greatest of all time. It was also listed as one of Rolling Stone's 500 greatest albums of all time. (from Wikipedia)
Subterraneans: youtu.be/FVY2ERXkNgY
2020 has been such a hard year. The pandemics, stupid populist governments (at least in my country), severe wildfires in both hemispheres, and a lot of tropical storms in both the Atlantic and the Pacific Ocean. Here we are now in the extended lockdown due to the Gamma tropical storm that has strike down the Yucatan Peninsula. At this moment, we have more than 24 hours of continuous rain.
Hope that no lives are not lost.
At least we have Brian Eno to make more pleasant this moments: youtu.be/WHMls56M01o
"I am on an open sea,
Just drifting as the hours go slowly by.
Julie with her open blouse
Is gazing up into the empty sky
Now it seems to be so strange here
Now it's so blue.
The still sea is darker than before..."
Before and After Science is the fifth studio album by British musician Brian Eno. Produced by Eno and Rhett Davies, it was released on December 1st, 1977 in the United Kingdom and in the U.S.
On the album's initial release, the album received very positive reviews from rock critics. Writing for Creem, Joe Fernbacher called the Before and After Science "the perfect Eno album", while Mitchell Schneider wrote a positive review in Crawdaddy, stating that he couldn't "remember the last time a record took such a hold of [him]—and gave [him] such an extreme case of vertigo, too". In DownBeat, Russell Shaw wrote that "[Before and After Science] is another typically awesome, stunning and numbing Brian Eno album—the record Pink Floyd could make if they set their collective mind to it." (from Wikipedia)
This is maybe my favorite Eno album and it is on my top 5 albums of all time.
The song: youtu.be/G8MaWNKAIOs
Happy birthday Brian Peter George St. John le Baptiste de la Salle Eno, best known as Brian Eno, one of the best artists in the last decades.
Chamber Lightness: youtu.be/ZpPbmPHJTG0
the beautiful bond between grandpa and grandson amidst the shutdown due to the Grace tropical storm.
beautiful ambient music by Brian and Roger Eno: youtu.be/7HHxtAH_v6M
n.
1. A number of things of the same kind, growing or held together;
bunch:
par example: a cluster of flowers.
2. A group of persons or things close together:
par example: That cluster of stars is held together by gravitation.
Cluster were a German musical duo consisting of Hans-Joachim Roedelius and Dieter Moebius, formed in 1971 and associated with West Germany's krautrock and kosmische music scenes. Born from the earlier Berlin-based group Kluster, they relocated in 1971 into the countryside village of Forst, Lower Saxony, where they built a studio and collaborated with musicians such as Conny Plank, Brian Eno, and Michael Rother;
AllMusic described the group as "the most important and consistently underrated space rock unit of the '70s, and The Wire places the debut album in its "One Hundred Records That Set the World on Fire".
Avanti: youtu.be/l50cmJOiHv0
You, me and La Seine
Shot by my dear friend Daniel
Processed by me
"Here we are
Stuck by this river,
You and I
Underneath a sky that's ever falling down, down, down
Ever falling down.
Through the day
As if on an ocean
Waiting here,
Always failing to remember why we came, came, came:
I wonder why we came.
You talk to me
as if from a distance
And I reply
With impressions chosen from another time, time, time,
From another time"
One of my favorite songs ever: youtu.be/SrZYP8SzlN8
Explored position: 53 on Saturday, November 20, 2021.
"...In my dream I was drowning my sorrows
But my sorrows, they learned to swim
Surrounding me, going down on me
Spilling over the brim
Waves of regret and waves of joy
I reached out for the one I tried to destroy
You...you said you'd wait
'til the end of the world"
Achtung Baby is the seventh studio album by Irish rock band U2. It was produced by Daniel Lanois and Brian Eno, and was released on 18 November 1991 on Island Records. After criticism of their 1988 release Rattle and Hum, U2 shifted their direction to incorporate influences from alternative rock, industrial music, and electronic dance music into their sound. Thematically, Achtung Baby is darker, more introspective, and at times more flippant than their previous work. The album and the subsequent multimedia-intensive Zoo TV Tour were central to the group's 1990s reinvention, by which they abandoned their earnest public image for a more lighthearted and self-deprecating one.
Seeking inspiration from German reunification, U2 began recording Achtung Baby at Berlin's Hansa Studios in October 1990. The sessions were fraught with conflict, as the band argued over their musical direction and the quality of their material. After tension and slow progress nearly prompted the group to disband, they made a breakthrough with the improvised writing of the song "One".
The band referred to the album's musical departure as "the sound of four men chopping down The Joshua Tree".
The Rolling Stone magazine placed the record at number 124 on its 2020 list of "The 500 Greatest Albums of All Time" (from Wikipedia)
For me, this album is the pinnacle of their career, and the best rock album of the 90's.
For the 21-day photo challenge in order to celebrate Flickr's 21st birthday!
Day 14: Reflection
The whole album: www.flickr.com/photos/a_life_shot_in_blackandwhite/albums...
A perfect moment with my kids
The perfect music: youtu.be/vmBcMwMDv9k
Explored highest position: 50 on Tuesday, June 2, 2020
Abstraction arrived at by extreme, in camera, panoramic distortion and multiple effects of photo manipulation.
The title is taken from a piece by Brian Eno, wherein he started with an actual New York City Police investigation, somehow scooped, which was then mixed into the music he built around the recording. There is technology and menace behind the piece and a general sense of confusion although energies are being driven forward by the momentum of events. Repeatedly you hear a manipulated voice ask, "What actually happened?"
I thought that Eno's extremely electronic music that seems to throw reflecting shards and shrapnel into the "wind" over a constant machine-like drone was a suitable match for the image.
Click on Image to Enlarge !
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Music Link: "What Actually Happened?" - Brian Eno, from his album "Nerve Net".
www.youtube.com/watch?v=84dyvg2jpsU
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© Richard S Warner ( Visionheart ) - 2015. All Rights Reserved. This image is not for use in any form without explicit, express, written permission.
(Brian) Eno’s voice was wonderfully described by Geeta Dayal as “paper-thin like a piece of phyllo dough: it stacks well on itself, giving way to a layered, golden richness.” It was made for harmonies.
”Spinning away, like the night sky at Arles.” It’s Eno as Van Gogh painting The Starry Night, but not the hippie saint of Don McLean’s “Vincent” or a century’s worth of tormented artist biopics. It’s Van Gogh as an Eno, as a craftsman: working up sketches, drafting in pencil, moving to oils, bringing the night sky down into the frame of his canvas, making threads from loops and dots. He steps back to see the whole. “I have no idea exactly what I’ve drawn,” he sings. “Some kind of change.” The hub of the album’s circles, “Spinning Away” sings the making of itself.
from Pitchfork pitchfork.com/reviews/albums/brian-eno-john-cale-wrong-wa...
For me, Eno's voice is like a choir of angels. This song is one of my all time favorites.
"If animals could speak, the dog would be a blundering, outspoken, honest fellow-but the cat would have the rare grace of never saying a word too much."
- Philip Gilbert Hamerton
Happy furry Friday, everyone!
Verdigris · Roger Eno · Brian Eno
Explore position: 170 on Friday, May 6, 2022
Happy birthday to the one and only Brian Peter George St. John le Baptiste de la Salle Eno, better known as Brian Eno.
In Mexico, on May 15 we celebrate too teachers and professors, so, it fits perfectly, because he has been like a mentor to several generations of great musicians.
"Most of the day
We were at the machinery
In the dark sheds
That the seasons ignored
I held the levelers
That guided the signals to the radio
But the words I received
Random code, broken fragments from before.
Out in the trees
My reason deserted me
Oh the dark stars
Cluster over the bay
Then in a certain moment
I lose control
And at last I am part of the machinery
(where are you [The Bulldog] where are you?)
And the light disappear
As the world
Makes its circle through the sky"
Eno Moebius Roedelius: youtu.be/uwGrO70Gy38
...or at least the transatlantic flight.
Zooropa is the eighth studio album by Irish rock band U2. Produced by Flood, Brian Eno, and the Edge, it was released on 5 July 1993 on Island Records. Inspired by the band's experiences on the Zoo TV Tour, Zooropa expanded on many of the tour's themes of technology and media oversaturation. The record was a continuation of the group's experimentation with alternative rock, electronic dance music, and electronic sound effects that began with their previous album, Achtung Baby, in 1991.
(...) The lyrics describe an attempt to preserve memory through film.
The Edge's guitar playing on Zooropa marks a further shift away from his trademark style, highlighted by a heavier reliance on guitar effects and the songs' reduced emphasis on his guitar parts. The danceable "Lemon", called a "space-age German disco" by Stephen Thomas Erlewine, features a gated guitar part, which means that he used a noise gate or gate device or software used to control the volume of an audio signal.
(From Wikipedia)
Personally, I love this album. Happy 30th anniversary, Zooropa.
The video:
Live in concert:
Happy Travel Thursday, everyone!
Explore position: 53 on Thursday, February 9, 2023.
17 years ago, my love
the beautiful Flor de Barcelona (Barcelona flower) tiles in "L'Eixample"
spanish-trails.com/walking-on-art-the-history-behind-barc...
Roger Eno: youtu.be/WOAyfVIKxUc
I must have fallen asleep, I completely forgot to share any vacation pictures! This one is even older. The photo, which I created this year, I found not so successful. So I decided to dig in the archive and post exactly the same motif from last year. Yes that's no problem we are up here more often the kids and the sea a probably inseparable story ;) Just as inseparable my love for music and photography. Therefore, it would probably be very unlikely if I had no song for this.
brian eno — emerald and stone ♫
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EOSR | RF35mm f/1.8 IS STM
Exposure: ƒ/4.5 | 1/1500s ISO 100
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Please do not use my images on websites, blogs or other media without explicit permission. F̶̅G̅. © 2022 © all rights reserved
Cache-cache dans La Loire,
Playing hide and seek in La Loire, can you see him?
6 years ago.
Harold Budd, Brian Eno and Daniel Lanois:
On a roll now with a few Brian Eno inspired pieces. This one is also from the "Nerve Net" album, as was "What Actually Happened ?" I wanted to use the piece "JuJu Space Jazz" for the music link but couldn't find a You Tube video for it, most unfortunately. If you can find a way to hear the full "Nerve Net" album of 1992, then you can have a listen to this phenomenal track.
What I DID find, though, was something wonderfully unexpected - a band that calls themselves, "Juju Space Jazz", most probably after the Eno piece, who produce something VERY wonderful and very much in the same vein as the original Eno. Nevermind their wacky "Funkadelic" style costumes - these folk are very accomplished players and arrangers. Dynamite stuff !!! Enjoy !!!
www.youtube.com/watch?v=aJyHO8mbFBM
I thought I'd do a loosely connected series of pieces called "OP-ulence PHO-ton" all using extremely busy and ornate visual information from Pano-Sabotage shots taken with a view to pushing them into abstraction. This, I guess, will be the first.
Click in Image to Enlarge !
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© Richard S Warner ( Visionheart ) - 2016. All Rights Reserved. This image is not for use in any form without explicit, express, written permission.
"Here we are
Stuck by this river,
You and I
Underneath a sky that's ever falling down, down, down
Ever falling down..."
Martin L Gore's cover of the Brian Eno's masterpiece: youtu.be/0dTJsWX3_yo
Title and piece inspired by the music of Jon Hassell and Brian Eno on their album "Fourth World: Possible Musics Volume 1".
At this point in the Summer of 2020 I had been making paintings with very strong, saturated colours, and wanted to shift to something softer. One doesn't always need to "go bang".
Acrylic on Canvas. 13" Diameter.
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Music Link: "Delta Rain Dream", Jon Hassell & Brian Eno, from their album "Fourth World: Possible Musics Volume 1".
www.youtube.com/watch?v=jFKzJDLwOnY
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© 2020, Richard S Warner. All rights reserved.
Created for the "Shock of the New" Group's challenge, "Urban Blue".
A common theme that's run through my entire photo stream, the undoing or even sabotage of the right angle, which, for me, represents authority, over-masculinity and a modern world's disconnect from Nature.
Right or 90 degree angles are purely a human construction, except for maybe bismuth crystals and basalt columns. There are very few places in Nature where you seem them. The cutting edge in architecture is getting away from these harsh propositions, which I think reflects a possible trend away from absolutist thinking.
Two Pano-Sabotaged images and one "straight" shot, blended, repeated, flipped and layered. Photo manipulation.
Image compiled May, 2017.
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Music Link: "The Great Curve" - Talking Heads w/ Brian Eno, from their album "Remain in Light" ( 1980 ). I've used this track before but thought it very appropriate for this image.
www.youtube.com/watch?v=BuhIp-V2ZCU
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© Richard S Warner ( Visionheart ) - 2017. All Rights Reserved. This image is not for use in any form without explicit, express, written permission.
* - See my Galleries featuring some of the best of Flickr's purely Abstract Art at:
Another in a series of recent pieces inspired by a comment made by Skagitrenee, suggesting that I might try my hand at a more monochromatic approach. While this isn't as monochrome as it could be, this, and the others in this series, is markedly "toned down" from my usual explosion of colour.
Several Pano-Sabotage pieces layered and blurred, built up in "glazes" or "washes" to created the final effect.
Image created April 12, 2018.
Music Link: "Like Pictures #2" - Brian Eno & J. Peter Schwalm w/ Laurie Anderson, from their album, "Drawn from Life".
www.youtube.com/watch?v=TUH4w4w6Syg
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© Richard S Warner ( Visionheart ) - 2018. All Rights Reserved. This image is not for use in any form without explicit, express, written permission.
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I am VERY proud to announce that I was chosen to be the feature artist of the "Kreative People" Group's Spring Gallery - Running until the end of June. I really must thank both abstractartangel77 and Xandram for bestowing me with this great honour. The link to the gallery appears below:
Please visit my Kreative People Highlight Gallery HERE
To Joyce Corey, for her Birthday.
Putting together an image for someone else specifically gives one a nice shove out of the usual nest and forces one to used wings they perhaps didn't know they had or use them in an unusual way. While I know I have the wings, doing floral abstracts is not my usual path of flight. But this was an utter joy to do. I don't think I've ever done anything this serene and so full of light.
Simple, soft, radiant beauty is a realm unto itself and a very pleasant Summer diversion. When I shot these brugmansia I immediately thought of Georgia O'Keefe. It's kind of hard not to.
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Music Link: "Lux" - Brian Eno, from his album, "Lux". This excerpt from the hour long piece is the soundtrack to a film of still shots sent into the Eno's studio on Nov 17, 2012 from artists who signed up. The photos were received by email, selected by Eno and team, then put up online with this music playing. There were 4 performances to reflect the light during different parts of the day, hence, "Day of Light".
I had 3 of my photographs posted and selected for the early morning performance. Those pieces though, never made it to the final version that you see here. Nevertheless, I can say that I participated and that 3 of my shots did make it to the screen for the real time performance of the "Day of Light" project.
www.youtube.com/watch?v=4H0aflNXCGo
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© Richard S Warner ( Visionheart ) - 2017. All Rights Reserved. This image is not for use in any form without explicit, express, written permission.
* - See my Galleries featuring some of the best of Flickr's purely Abstract Art at:
"The passage of time is flicking dimly upon the screen;
I can't see the lines I used to think I could read between.
Perhaps my brains have turned to sand.
Oh me oh my, I think it's been an eternity.
You'd be surprised at my degree of uncertainty.
How can moments go so slow?..."
Brian Eno: youtu.be/Sxyg3sP03Cs
Day 10 of 20 of albums that influenced my musical tastes.
Although I knew the importance and influence of Brian Eno on modern music, I discovered his music a little bit later. I bought Ambient 1: Music for Airports in a music shop in Amsterdam when I made a trip with my father. I remember those evenings in the living room in the house where we were staying, and listening to this amazing work. As Brian Eno stated, the music filled the room, but not in the way to interrupt the conversation. Really ambient music. After that, I have listened these delicates piano notes on my earphones on almost every journey that I have made.
Perfect music.
Terminal 2, Aeropuerto Internacional de la Ciudad de México
Brian Eno: youtu.be/gtblKaNtJWU?list=PL5D6893B1E4AD4666