East Bay Birding Affiliated (EBBA)
View allAll Photos Tagged B.tech,
A Group Photo of some of the Columbus Flickr Meet Group at the Ohio Theater. This room is stunningly beautiful, really it's just jaw dropping.
This was a great event, and we had a lot of people show up... look forward to seeing everyone next time. This photo is Definately Best Viewed Large. By my count there are almost 40 people...
Put a Note with your name on your head (or if you know the person)...
...that's a lotta camera gear there folks, brings a tear to my eye..ha!
Tech Stuff: This was actually kinda tricky to pull off.. not a ton of light and we had to light up a decent amount of space. Shot was exposed at 15mm @ f/4, 1/50th w/ISO1600 (ISO800 didn't let enough of the background light in)... I was rushing so I would have done a few things different here, but oh well... here it is anyway, proof we were all here.
The gear was a Canon 20D with a Canon 10-22mm lens on a Manfrotto Tripod. There were five Canon Speedlites used to take this photograph (two 580EX's, one 550EX and two 430EX), two flashes were placed on the bottom right and left on the sides, and then another set of flashes about eight rows up. The flashes on the left were held by our wonderful guide... all triggered by a Canon speedlite on the hot shoe.
Set Desc: Photographs of The Ohio Theater in Columbus Ohio, which was the subject of the a recent Columbus Flickr Meet, with over 40 Flickr folks from the Central Ohio area converging to hang out, and photograph this beautiful theater.
NOTE: This photo made it into Flickr's 'Explore" as one of the top five hundred most interesting photos on a particular day, which makes me somewhat sad as the actual resulting photos didn't make it, ha! You can see all of my photo's that have made it into the Flickr Explore pages here.
🔥=ЙЕШЅ🔥=ЅРѲЙЅѲЯЅ=🔥
At ΔLᕈĦΔ EVEṈΓ opening July 22, 2023 - August 18, 2023.
•[TNK] KURISU CROPPED - FATPACK
🚖 ΔLᕈĦΔ EVEṈΓ 🚖
-------------------------------------------------------------------------------------------
🔥=ЙЕШЅ🔥=ЅРѲЙЅѲЯЅ=🔥
*At РѲЅЕѴЕЙТ EVEṈΓ opening July 27, 2023 - August 19, 2023.
•KNIFU. Tech Samurai Pose Pack
Behind is the Electronics Department, National Institute of University Technology offering BS, B Tech MS M tech and Doctoral programs.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Tech info: f/22, 0.2 sec (1/5), ISO 100, 12 mm
Thanks for the great title Ava Nicole.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
[Eng / Esp /Catalan ]
And we have walked together,
together in joy, together in sorrow
and you have often filled the emptiness of my words
and you have always let me a good chance in our game.
Because of all of this, and because of other things I'm hidding from you,
I should say thank you for the whole time I've been loving you
Que juntos hemos caminado,
en la alegría juntos, en la pena juntos,
que a menudo has llenado la vaciedad de mis palabras
y en nuestra partida siempre me has dado un buen juego.
Por todo esto, y por lo que te escondo,
debería agradecerte todo el tiempo que llevo amándote.
Que junts em caminat,
en la joia junts, en la pena junts,
i has omplert tan sovint la buidor dels meus mots
i en la nostra partida sempre m'has donat un bon joc.
Per tot això i coses que t'amago
em caldria agraïr-te tant temps que fa que t'estimo.
Lluis Llach. "Amor Particular", 1984
--
Tech specs / Especif. técnicas
- I prioritized f/2.8 and FL 200 to maximize bokeh. Focus on the left eye. Distance to the subject estimated to achive the proper DOF to clearly capture just the face and achive a progressive bokeh from the hair back. I made four test shots; she was pretty patient I must say.
- Processed in LightRoom: only auto lens correction, which provided a negligible improvement (the quality of this lens is amazing). Then I applyied CollorEffex Skin softener on mid details mostly. This filter provided the right glow touch with no other intervention needed. Y used U-points to neutralize the effect of this filter on the center of both eyes and teeth (I usually do this in headshots).
A macro view of a fidget spinner in motion. The frame represents a span of 2¼ - inches across.
Techical info:
The scene was illuminated by an LED cube @ 8-o'clock, an overhead LED at 2-o'clock, and a red LED flashlight handheld camera left.
Lens: Helios 44M-4 58mm f/2.0 with 20mm extension tube attached
© 2008 Gert van Duinen. All rights reserved.
Bigger on #141414 - My latest work in Darckr
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Tech info: f/16, 0.1 sec (1/10), ISO 100, 12 mm
Didn't have to do much on post-processing in order to get to this result. Setting the overall tone and pre-sharpening during Raw Conversion seemed enough for a jumpstart in PS this time. Levels, Curves and Selective Color contrast enhancement including one last post-sharpening with USM for the low-res screen version.
This one took about 15 minutes. Did I mention that I still have hundreds of shots like this - and counting - waiting somewhere on my harddrive to be treated some time :)
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
! WARNING: THIS PICTURE IS EDITED !
Press "L" for a better view.
Body:
Hair: Aii - Necromantic
Horns: STOIC - Tech horns
Mouth: [NK*] - Vulca respirator
Make up: REVERIE - Heavy Heart Eyeshadow #9
Clothes&accessories:
Bodysuit : AURICA - Evelyn [@Collabor88 - October 2022]
Arms : Psycho.Byts - Infinity arms
Wildcard
____________Credits
SPONSOR
[COMPLEX] STOMPER BOOTS @Mainstore COMPLEX
[Val'more] Prototype Revolver
[TNK] ARCADE_PACK - Dark Rare
[TNK] NISHIMO MK2 SKELETON
[TNK] TECHWEAR CARGO
[CX] Mara Horns
.STOIC. TECH HORNS
{Maru Kado} Skull head Fox
Bad Unicorn Red Light Motel
© 2008 Gert van Duinen. All rights reserved.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Tech info: 1/125s, f/13,12mm, ISO 250.
Explore #14 on 2008-06-23
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Abandoned boat dock
Tech data:
- Canon 5D Mk II
- Canon EF 17-40 @19mm
- Lee 0.9 GND HE
- Lee BigStopper
(Press "L" for a larger View). This time got my telescope and with the camera adapter is like turning it into a super telephoto lens. Also, my crop sensor camera makes my 900 mm telescope like a 1,440 mm telephoto. Just crop a little and keep most of the camera resolution. I was able to resolve a 6-mile crater on the top rim of the crater (Posidonious B).
(Spanish:Esta vez utilice mi telescopio adaptado a la cámara, es como convertirlo en un Super telephoto. Y como no use una cámara "full frame", mi alcance fue de 1,400 mm. No tuve que cropear tanto la imagen y no perdí la resolución de la cámara, logrando notar un crater de 6 millas de diámetro).
Tech Data: Canon 7D, Celestron Firstscope 80EQ 900mm f/11 Refractor Telescope, ISO:400, 1/125, Equatorial Mount with wooden Tripod, 10 second timer, mirror lockup, Edit raw file on Lightroom CC.
Note: Didn't change the color generated by the camera.
Tech Details:
Nikon D7000
Sigma 17-70mm F2.8-4.5 @ 17mm
Exposure: 185.3 sec, f/16
ISO: 200
B+W ND110
Cokin 0.9 ND se grad
Capture One 6 (raw conversion)
CS3 Ext & Silver Efex Pro2
Tech Details:
Nikon D7000
Sigma 17-70mm F2.8-4.5 @ 26mm
Exposure: 120.2 sec, f/16
ISO: 100
B+W ND110
Cokin 0.9 ND se grad
Capture One 6 (raw conversion)
CS3 Ext & Silver Efex Pro2
Another sunset shot in Putrajaya. This one is deep in my archives. I believe this one was taken when Mr. Daniel and I visited Putrajaya. I know the humidity was very high at that particular time :-)
Tech Specs: 9 exposures tone mapped HDR, blended with 2 original shots using smart objects.
::View Large On Black::Most Interesting according to Flickr:: View my HDR/DRI Collections::
Buy My Art at :: vedd.imagekind.com or Projeto Online Gallery UK
Tech Details:
Nikon D7000
Sigma 10-20mm f4-5.6 @ 10mm
Exposure: 34.6 sec, f/16
ISO: 100
B+W ND106
Hitech 1.2 ND se grad
Capture One 6 (raw conversion)
CS3 Ext & Silver Efex Pro2
I have to say that this visit to Pantai Remis was the best so far - perfect sunset, perfect blue hour.
Tech Specs: 9 exposures HDR
::View It Large::Most Interesting according to Flickr:: View my HDR/DRI Collections::
Buy My Art at :: vedd.imagekind.com
Extra LARGE
Tech Details:
Canon 5D MK2
Canon 24-105mm f4 L @ 105mm
Exposure: 112 sec, f/16
B+W ND110
Cokin 0.9 ND se grad
ISO: 100
Capture One 6 (raw conversion)
CS3 Ext & Silver Efex Pro2
Extra LARGE
Tech Details:
Canon 5D MK2
Canon 24-105mm f4 L @ 24mm
Exposure: 155 sec, f/18
B+W ND110
Cokin 0.6 ND se grad
ISO: 100
Capture One 6 (raw conversion)
CS3 Ext & Silver Efex Pro2
Mourisca, Setúbal, Portugal.
Tech data:
- Canon 5D Mk II
- Canon EF 17-40 @21mm
- Lee 0.9 GND SE
- Lee BigStopper
====================================================================
Follow my work on: Flickr || 500px || Facebook
© Fernando Miguel Vicente, 2013
====================================================================
The aliens have come! Well actually no, this is the entrance to Tower 1 at the Petronas Twin Towers. Shot during Rajesh very, very short stay in KL. Ariffin was there too! For a more exaggerated view using fisheye, check out Ariffin's stream!
Tech Details: 9 exposure HDR. No blending, just straight old HDR processing.
::View Large On Black::Most Interesting according to Flickr:: View my HDR/DRI Collections::
Buy My Art at :: vedd.imagekind.com or Projeto Online Gallery UK
(Image taken with an Analog film camera).
(Press "L" or click on the image for a large view).
(Tech Data: Analog camera: Canon Elan 7, Lens: Canon EF 28-105mm f/3.5-4.5 II USM, Filter: none. Mode: Aperture Priority. Support: handheld. Film: Ilford FP4 @ISO 100. Light Meter: built-in camera, center weight. Developer: LegacyPro LMAX @75°f for 7 minutes, Scan: on Plustek 8100 @3,600dpi. with SilverFast 8. Edit contrast on free Silver Efex Pro 2. Shooting Data recorded: yes. Exif shooting data input: with AnalogExif).
(Location: Downton Orlando, Florida).
This image from my Album: Seeing in Black & White..
© 2008 Gert van Duinen. All rights reserved.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Before its organised colonisation and cultivation in the 19th Century, Bourtanger Moor was one of the largest continuous moors in Northern Europe. Thanks to many natural, cultural and historical links with the neighbouring Netherlands, the cross-border, international Nature Park Bourtanger Moor - Bargerveen was created here in the Summer of 2006.
Almost 4,000 hectares of peat moor land serve to protect nature and offer a habitat to a wide variety of plants and animals. Nature lovers and holidaymakers can enjoy colourful scenery along rambling paths totalling 17 kilometres in length: Ochre yellow and heather hues illuminate the sand and meadows, bluish-green and brown colours the moors and former peat digs. In between the green of the cattle pastures and the gold of wheat fields, small communities and villages are scattered across the countryside.
Sightseeing in the Nature Park Bourtanger Moor
* Emsland Moor Museum, Geeste-Groß Hesepe
* Nature Reserve Bargerveen, Zwartemeer (NL)
* Natural Gas-Oil Museum, Twist
* Collegiate Grounds with Pilgrim Church, Wietmarschen
* Shipping Museum, Haren (Ems)
Source: Tourismus Marketing Niedersachsen.
Tech info: 3 brackets of 30s, 13s at f/22,12mm, ISO 100.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Another shot from the "look out" point taken a bit earlier from the previous one. The one that almost didn't happen :-) Another view with the roof top is here.
An outing with Ariffin, Abah and Rekospective.
It was wet and slippery, we're on a roof top with nothing to hold us back if we slipped. Scary but worth it!!
Tech Specs: 9 exposures tone mapped HDR. Layer masking in CS3 for the light trails.
::View Large On Black::Most Interesting according to Flickr:: View my HDR/DRI Collections::
Buy My Art at :: vedd.imagekind.com or Projeto Online Gallery UK
One of those days where I start the day very early in the morning and not without any reasons - Mr. Ragstatic was in town and what better way to start the day with him. Taken at the Metropolitan Lake Garden in Gombak.
Tech details: A mix of tone mapped HDR and DRI. Around 8 exposures were used.
::View Large On Black::Most Interesting according to Flickr:: View my HDR/DRI Collections::
Buy My Art at :: vedd.imagekind.com or Projeto Online Gallery UK
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Tech info: f/16, 0.125 sec (1/8), ISO 100, 24 mm
Didn't have to do much on post-processing in order to get to this result. Setting the overall tone and pre-sharpening during Raw Conversion was enough for a jumpstart in PS this time. Levels, Curves and Selective Color contrast enhancement including one last post-sharpening with USM for the low-res screen version. Anyway, same old story. Hope ya'll like it.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
As the title says, I'm revisiting all the sweet spots that I've came across previously, mostly with Daniel and Ariffin. The reason is that, previously I don't own the EF-S 10-22mm and I felt that I didn't do those sweet spots any justice :-)
So here's to the first of the series! The best view of Kuala Lumpur, at any given time (except when it rained I guess :D)
Update: Thanks my dear friends! This one is currently #2 on Explore for October 28th, 2008!
Tech spec: Blending of 2 tone maps from 2 sets of AEB (9 xp each). 1 tone map is to expose the foreground and the other one to expose the sky. There was insanely too much colors and tones for a 9 exposures only.
P/S: I use Photomatix 3.1 for the tone mapping. New features are CA correction and NR reduction at HDR level (not after tone mapping!) Verdict: I am IMPRESSED!
::View Large On Black::Most Interesting according to Flickr:: View my HDR/DRI Collections::
Buy My Art at :: vedd.imagekind.com or Projeto Online Gallery UK
Digital edit on 25 de Abril bridge over Tagus river in Lisbon.
Tech data:
- Canon 5D Mk II
- Canon EF 17-40 @40mm
- Lee 0.6 GND + BigStopper
Follow my work on:
- Flickr: www.flickr.com/fvicentept
- 500px: 500px.com/fvicente
- Facebook: www.facebook.com/FernandoVicentePhoto
© Fernando Miguel Vicente, 2013
Viewed in Explore # 52 on Dec 19, 08 Thank you all for making nice comments and making it fave.....very much appreciated...
180 deg view of Big sur coast, California. This photo has own 1st prize in Fremont Photographic Society (FPS) Dec 2008's competition under print-color category.
Friends - wish you a very happy and colorful holidays !!!
Tech Note: 3 exposures DRI blending. Nikkor 10.5mm fisheye lens
Best viewd in MEGA SIZE
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Trying out the Bulb mode without a remote. An ode to my steady finger...
Tech info: 84s, 30s, 4s at f/22,12mm, ISO 100.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Tech Details:
Canon 5D MK2
Canon 24-105mm f4 L @ 58mm
Exposure: 109 sec, f/18
B+W ND110
ISO: 100
Capture One 6 (raw conversion)
CS3 Ext & Silver Efex Pro2
viewed in Explore on Aug 21, 2008 #389
looks like a natural fireworsk LOL :-))
Tech note: Single Exposure RAW file processed in Nikon Capture Nx pro 2.0, added layer in photoshop. No editing on flower or stem.
It was nice to get a few in-flight shots of this adult Red-tailed Hawk. Lately, I've seen many, many immature birds but only a couple adults.
Tech Note: The background on this shot is Sumas Mountain. On location, visually, the backgrounds looks to be a mix of brown and greens. This makes sense because it's the side of a mountain in the winter. However, for some technical reason, this mountainside appears as blue in a photo take with my Nikon cameras. Anybody have any theories on why??
Phellinus fungus ( Phellinus linteus )
Tech info: single exposure at f16 - mixed light | optic : Pentax SMC 28mm f/2.8 | camera body : sony A7
Vacation in the East Coast of Malaysia. Perfect place to catch a sunrise. The place I was staying has an endless stretch of beach, without a single rock. It was a bit dull and oh boy am I lucky to find this boat.
If you're wondering about the long exposure when the sun was up, well I was using a Hoya ND400 filter - worth every 9 stops :D
Note: I'm sleepy. Just reached home and I'll probably end up in the east coast again next week :D Will catch up with your stream once I've got my beauty sleep and rest hehe
Tech Specs: 9 exposures tone mapped HDR using Hoya ND400, so yeah this is one very long sequence of exposure bracketing. Layer masking with one single exposure in CS3. Vignetting was intentionally increased in CS3.
::View Large On Black::Most Interesting according to Flickr:: View my HDR/DRI Collections::
Buy My Art at :: vedd.imagekind.com or Projeto Online Gallery UK
A painted-wing tachinid fly ( Ectophasia sp.)
Tech info | 61 natural light exposures stacked at f6.3, exp.time 0.8sec, ISO200
Stacking Soft / Zerene Stacker
canon mp-e 65mm/f2.8 1-5x macro lens | Metabones Canon EF to Sony E Smart Adapter (Mark IV) | Sony A7
Tech Details:
Nikon D7000
Sigma 17-70mm F2.8-4.5 @ 55mm
Exposure: 191.9 sec, f/16
ISO: 100
B+W ND110
Capture One 6 (raw conversion)
CS3 Ext & Silver Efex Pro2
Ursa Beach in Sintra's coastline.
Tech data:
- Canon 5D Mk II
- Canon EF 17-40 @17mm
- Lee 0.9 GND
Follow my work on:
- Flickr: www.flickr.com/fvicentept
- 500px: 500px.com/fvicente
- Facebook: www.facebook.com/FernandoVicentePhoto
© Fernando Miguel Vicente, 2013
Sunset @ Le Mont Saint-Michel, Normandy, France.
Tech:
Nikkor 70-300 mm VR
300 mm
ISO 320
f/10
1/800s
Tripod
Added lots of black and contrast in Lightroom. Used Nik's Dfine to reduce the noise in the sky. No vignetting was applied though!
Explore Frontpage on September 19, 2009. Thanks all!
Earthshots dot org Photo of the Day September 29, 2009.
Follow me:
[Shard - noun - a broken piece or fragment, as of pottery or glass.]
Architect Renzo Piano on the design of The Shard: “We will use clear glass – low iron glass. It’s also called extra white glass in England. This is very different from regular glass, which is very green (…) So depending on the day, the light and the position of the sun, the building will look different.” In other words: The Shard’s colour and mood are constantly changing, sensitive to the changing sky around it.
Processing method: same as for my B&W photos - see the tutorials on my website: www.bwvision.com or the eBook From Basics to Fine Art - B&W photography- architecture and beyond , written by me and co-author Julia Anna Gospodarou.
My images are processed to be printed large. A collection of my work can be seen as large format prints at the Rotella galleries in NYC and Las Vegas.
Tech info:
Photographed with the Formatt-Hitech 16 stops Firecrest ND filter.
ISO 200
f/6.3
Exposure time: 6 minutes 25s
Lens: Canon 24mm TS-E lens with upwards shift.
---------------------------------------------------------------------------------------------------
A photo of 'everyone' at the wedding.
I was asked by the bride and groom a few weeks prior to the wedding if I could "Get a photo with everyone at the wedding" I initally thought they meant family, wedding party, etc. only after them restating what they wanted on the phone did I begin to understand they wanted all 250+ people at the wedding in a single photo.
Well I decided 'why not' the couple was great and knew it might not turn out but what the heck why not try... this is the result.
Tech Info: Taken with Canon 5D and 15mm f/2.8 fisheye lens. Lighting provided by two White Lighting X1600 monolights at full power to camera right and left about 10ft. in the air... Flashes triggered with Pocket Wizard Plus II's. I also have to give a big nod here to my wife Joleen who also photographs weddings with me, she was really helpful in setting this up and helping keep people in line. Believe it or not, this shot was setup, photographed and torn down in less than ten minutes.
...yeah I wish my stupid shadow wasn't in the bottom of the frame, whatchagonnado... will watch it better next time.
NOTE: This photo made it into Flickr's 'Explore" as one of the top five hundred most interesting photos on a particular day. You can see all of my photo's that have made it into the Flickr Explore pages here.
Close up Macro shot that I took of wedding rings at a recent wedding I photographed for Davis Photography.
Overall I was pretty happy with it, although I think if I were to shoot it again I would have put a candle behind to bring a warmer color to the composition (something I liked a lot about this other macro ring shot I did a few months back) and then kept the shutter open longer so that the shot could have had more of the background light come in to also help warm things up.
Tech Details: Taken with a Canon 20D and 100mm f/2.8 macro lens using remote cable release cord. Camera mounted on a Manfrotto 3021BPRO tripod with 322RC2 ballhead.
Lighting Details: Two Canon 580EX flashes triggered by a Canon ST-E2 wireless transmitter. Both flashes were difused, one with a Gary Fong Lightsphere Cloud that was placed above the rings (maybe two feet above) with the other sitting on it's side off to the left (by about six inches) difused with a STO-FEN OmniBounce.
NOTE: This photo made it into Flickr's 'Explore" as one of the top five hundred most interesting photos on a particular day. You can see all of my photo's that have made it into the Flickr Explore pages here.
Happy New Year to everyone, thanks for all the comments and fav's over the past year ;0)
Better on Black.
Tech Details:
Nikon D300
Sigma 17-70mm F2.8-4.5 @ 18mm
Exposure: 121 sec, f/16
ISO: 200
B+W ND110
Cokin 0.9 ND se grad
Capture One 6 (raw conversion)
CS3 Ext & Silver Efex Pro2
Cyberjaya Lake Garden.
I've just started a new job this week and took the opportunity to explore the surrounding area, with a friend of mine Abah. Yes, we work in the same office if you're wondering.
Note: I need to rest. I got a sinus attack this morning and I'm on pain killers to reduce the pain. Will catch up with your streams later on.
Tech Specs: 9 exposures tone mapped HDR, blended with a single exposure using smart objects. The long exposure was done using the Hoya ND400 filter. Love it!
::View Large On Black::Most Interesting according to Flickr:: View my HDR/DRI Collections::
Buy My Art at :: vedd.imagekind.com or Projeto Online Gallery UK
Frontpage Explore #10 on Oct 23. Thanks you very much for your support ...
Explore Frontpage by Camera D80
180 deg ultra w-i-d-e angle sunrise in pacific ocean using Nikkor fisheye 10.5mm
Location: Pacific grove, California
Tech note: Progressive layer blending of DRI using 3 seperate exposures at f/16, f/11 and f/10 stops respectively at 6:00 am, 6:20 am and 6:45 am.
Must be viewed in LARGE
Believe me if you kindly switch off the light in the room and then click here in black ......
Shot of a Robber fly ( Asilidae sp. )
that i encountered on the mountain sessions this year
Tech info | 32 natural light exposures stacked at f4.5, exp.time 1/15sec, ISO200 Stacking Soft / Zerene Zerene Stacker
canon mp-e 65mm/f2.8 1-5x macro lens | Metabones Canon EF to Sony E Smart Adapter (Mark IV) | Sony A7
Our good friend Amanda went out shopping with me yesterday. I was going out to pick up a like new in box Canon ST-E2 wireless transmitter from a local store, I was all happy because someone just came in and sold all of his Canon gear for a Leica M8 (nice camera) and so I got my ST-E2 for $170.
After the salesperson remarking the guy had dumped his whole kit, I asked half jokingly he didn't happen to sell a Canon 24-70mm f/2.8L did he ( I knew Amanda loved my 24-70mm and wanted one of her own... )... he remarked "in fact he did, and it had basically never been used", Amanda asked how much... He said $950, but since the guy never submitted the rebate for the lens she could get $50 off the lens since she was buying it from an authorized Canon reseller... It took her only about 20 seconds to make up mind... he hadn't gotten a used 24-70mm in since I bought mine from him used well over a year ago.
...needless to say Amanda is a very, very happy girl. Quite an improvment over her 18-55mm kit lens.
Tech Details: Taken with a Canon 20D and Canon 24-70mm f/2.8L lens, shot to RAW and processed in Adobe Camera Raw/Photoshop CSIi.
Lighting Details: Two Photogenic 1250 strobes, at a 45 degree angle to the right with a Photogenic 4'x'3' softbox about 2.5 ft. away from the subject. The second Photogenic 1250 strobe 5' away to the left of the subject and powered down a bit to only provide fill lighting. Lighting triggered by Pocket Wizard plus units.
Tech Details:
Nikon D300
Sigma 10-20mm f4-5.6 @ 18mm
Exposure: 79 sec, f/16
ISO: 200
B+W ND110
Cokin 0.9 ND se grad
CS3 Ext & Silver Efex Pro2
Studio portrait of a Ground beetle
The Magnificent Procerus scabrosus from the family Carabidae
Tech info | 86 exposures stacked at f5, exp.time 15sec, ISO200, ~1.5x magnification at Zerene Stacker
The scene lit by two IKEA Jansjö led lamp and diffused with paper
canon mp-e 65mm/f2.8 1-5x macro lens | Metabones Canon EF to Sony E Smart Adapter (Mark IV) | Sony A7
