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Saturday 15th August 2015. Images by Grrl Alex Photography & Associates: Official Pride Cymru 2015 photographers - www.grrlalex.co.uk
Associate Holiday Luncheon and Service Awards at Nemours Children’s Hospital in Wilmington, Delaware Friday, December 6, 2024.
The Generative AI Breakout Session at the AFCEA Bethesda Health IT Summit 2024 at the Bethesda North Marriott Hotel and Convention Center in Bethesda, Md., on Tuesday, January 30, 2024. Panelists left to right include: Farhan Khan, Office of Technology and Delivery, OIMT, FDA, Director; Alastair Thomson. ARPA-H
Senior Advisor for Data Tech Innovation; Kevin Duvall, ACF, Chief Technology Officer, Acting Chief Information Officer; Travis Hoppe, National Center for Health Statistics, CDC,Associate Director, Data Science and Analytics; and Paul Brubaker (Moderator), Strategic Integration of Emerging Concepts, Office of Information and Technology (OIT), Department of Veterans Affairs.
Hope Village II is officially opened in Newark, NJ, Monday, January 8, 2024.
Courtesy of Bloomberg Philanthropies
Event // Friends & Associates Exhibition:
Photography // Stuart Crossett
Styling // Emma Elizabeth and Luci Grant
Charlotte Ka, Baby, You have Truly Come a Long, Long Way!
Mixed media
$3,000
Call to purchase, 412-261-7003
Logos Associates LTD provides commercial Furniture Repair & Restoration in the New York / New Jersey Metropolitan Area. We were able to put up this simple website for them in a matter of days! www.logosassociatesltd.com/
About Quint Cobb & Associates
•Quint Cobb & Associates specialize in Residential and Commercial Financing, Investment Planning and Mortgage Relief Assistance in all 50 States.
•Our team of mortgage analysts, attorneys, negotiators, processors and underwriters are chosen from the top 1% of their industries.
•We are dedicated to providing our clients with the absolute best financing options by delivering individualized service, unmatched loan approval percentages and unparalleled lending flexibility and speed.
•Quint Cobb & Associates have access to the power and speed of a direct banking line that has not been paralyzed by the losses and toxic loans that crippled the rest of the industry.
•Quint Cobb & Associates also have the flexibility to broker to all remaining lenders (with tier one pricing and FHA backing in all 50 states).
•We pride ourselves in our Underwriters (and the relationships and direct communication we maintain with them) to assure the highest loan approval percentages, loan processing speed and overall loan pull-through ratios possible.
•Quint Cobb & Associates specialize in FHA loans, Short Refinances, Conventional, Jumbo and Commercial Loans, Residential and Commercial Loan-Modification Assistance, Short Sale Guidance and Investment Planning.
•Quint Cobb & Associates pride themselves in providing cutting-edge market information and analysis.
•Quint Cobb & Associates have the unique ability to provide analysis across markets and property types. In addition to their reports and publications, information can be packaged to meet specific needs of investors by property type and submarket.
Clients are informed of the latest market trends and real-time data on buyer demand, pricing and local markets. We assist our clients in measuring the performance of their properties and look for new opportunities to maximize returns.
•Quint Cobb & Associates professional experience and knowledge will enable you to clearly and quickly identify a course of action that delivers maximum value to your company or to your individual portfolio (whether you are a Homeowner or a Realtor or Mortgage Professional looking for a home for your financing needs in all 50 states).
Associated with St Benedict In the 15th century this was considered the most powerful charm to ward off evil spirits and was hung over the doors to keep the devil out. The roots were once used to ward off flies and for flavouring ale. I tend to find it a nuisance weed in our garden and do what I can to dig it up or at least to stop it from seeding.
Many thanks for your friendship, comments, invites and good wishes. Also thank you to those who have made me their contact. Due to poor health, eye problems and low energy I regret I can't take on any new contacts but nearly always manage to reply to your comments.
One invite welcome-more, too many.
Texas Southmost College Associate Degree Nursing graduated the program on December 14, 2023 and celebrated with their families and TSC administration at the ITEC Center.
Associates Board President Willie Brown addressed attendees at the Associates Tailgate before the IWU-Wheaton football game.
Event // Friends & Associates Exhibition:
Photography // Stuart Crossett
Styling // Emma Elizabeth and Luci Grant
(Alside=Associated Materials, Hilltop Siding). Contractor did not realize that that there were two different colors on the garage, I had to point this out.
Hope Village II is officially opened in Newark, NJ, Monday, January 8, 2024.
Courtesy of Bloomberg Philanthropies
Associate Programme participant receives certificate from OPCW Deputy Director-General, Ms Odette Melono, and OPCW Director-General, Ambassador Fernando Arias
Sam Gilliam - American, 1933 - 2022
Shoot Six, 1965
Gilliam is an innovative color field painter who has advanced the inventions associated with the Washington Color School. During the late 1970s, Sam Gilliam discovered that by cutting and rearranging geometric shapes from thickly painted canvases, he could expand his experiments in color and improvisation. The shifting irregular patterns in these randomly patterned canvases resemble those found in African American "crazy quilts." His large scale installations in metro stations and airports are as stimulating as his studio pieces.
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www.nga.gov/about/welcome-to-the-east-building.html
The East Building opened in 1978 in response to the changing needs of the National Gallery, mainly to house a growing collection of modern and contemporary art. The building itself is a modern masterpiece. The site's trapezoidal shape prompted architect I.M. Pei's dramatic approach: two interlocking spaces shaped like triangles provide room for a library, galleries, auditoriums, and administrative offices. Inside the ax-blade-like southwest corner, a colorful, 76-foot-long Alexander Calder mobile dominates the sunlight atrium. Visitors can view a dynamic 500-piece collection of photography, paintings, sculpture, works on paper, and media arts in thought-provoking chronological, thematic, and stylistic arrangements.
Highlights include galleries devoted to Mark Rothko's giant, glowing canvases; Barnett Newman's 14 stark black, gray, and white canvas paintings from The Stations of the Cross, 1958–1966; and several colorful and whimsical Alexander Calder mobiles and sculptures. You can't miss Katharina Fritsch's Hahn/Cock, 2013, a tall blue rooster that appears to stand guard over the street and federal buildings from the roof terrace, which also offers views of the Capitol. The upper-level gallery showcases modern art from 1910 to 1980, including masterpieces by Constantin Brancusi, Marcel Duchamp, Sam Gilliam, Henri Matisse, Joan Miró, Piet Mondrian, Jackson Pollock, and Andy Warhol. Ground-level galleries are devoted to American art from 1900 to 1950, including pieces by George Bellows, Edward Hopper, Georgia O'Keeffe, Charles Sheeler, and Alfred Stieglitz. The concourse level is reserved for rotating special exhibitions.
The East Building Shop is on the concourse level, and the Terrace Café looks out over the atrium from the upper level.
www.theguardian.com/culture/2016/oct/03/national-gallery-...
"The structure asks for its visitors to gradually make their way up from the bottom, moving from the Gallery’s earliest acquisitions like the paintings of French Post-Impressionist Pierre Bonnard to its contemporary work, such as Janine Antoni’s much fussed over “Lick and Lather,” a series of busts composed of chocolate and soap. The bottom floors offer a more traditional viewing experience: small taupe-colored rooms leading to more small taupe-colored rooms. As one moves upward, however, the spaces open up, offering more dramatic and artful exhibition rooms. The largest single aspect of the I.M. Pei-designed building’s renovation has been the addition of a roof terrace flanked by a reimagination two of the three original “tower” rooms of Pei’s design.
On one side is a space dedicated to sculptor Alexander Calder, with gently spinning mobiles of all shapes and sizes delicately cascading from the ceiling. The subtle movements of the fine wire pieces mimic the effect of a slight breeze through wind chimes—it’s both relaxing and slightly mesmerizing, especially when we’re used to art that stands stock still. Delight is a relatively rare emotion to emerge in a museum, making it all the more compelling.
But it’s the tower space on the other side—a divided hexagonal room—that caused several visitors to gasp as I surveyed it. On one side of the division (the room you enter from the roof terrace) hang Barnett Newman’s fourteen “Stations of the Cross,” the human-sized renderings of secular suffering and pain conceived in conversation with the Bible story. Entirely black and white, with just a tinge of red in the final painting, the series wraps around the viewer, fully encapsulating you in the small but meaningful differentiations between paintings. Hung as a series, the paintings gain a narrative they might otherwise have lost.
The light edging around either side of the room’s division invite the viewer to move from Newman’s chiaroscuric works, which require you to move from painting to painting searching for the scene in each, to a mirror image of that space covered in Mark Rothko’s giant, glowing canvases, which require the viewer to step back and attempt to take in the sight of so much hazy, vivid color all at once. The dichotomy is stark, and yet the paintings all work together somehow, rather than one set repelling the other.
With light filtering through the glass ceiling above, the tower room does feel like a crescendo of sorts, but not in the way many museums’ most famous or valuable pieces often do. The room isn’t dedicated to ensuring that visitors snake their way into the belly of the museum, to first be captured and then let out through the gift shop. Instead, it’s a reminder that in a space dedicated to honoring the modern and the contemporary that the evolution of art remains just as integral as any singular Marilyn Monroe by Andy Warhol or Donald Judd aluminum box. There’s still a story in abstract art."
www.washingtonian.com/2016/09/28/national-gallery-art-eas...