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At 246 meters high, the waterfall of Ars is one of the most beautiful and imposing in the Pyrenees. It is divided into 3 large levels, which makes it even more impressive!
The fantastic sound machine to Peter Bullick !
Deborah Bonham - 20 Novembre 2022 - La Traverse - Cléon (76)
on explore 2022 November 25th
El Museo Palacio Episcopal ARS Málaga de Málaga es un ejemplo de la arquitectura civil malagueña, inspirado en el barroco tardío del siglo XVIII. Su fachada complementa perfectamente con la de la Catedral, siendo lo más notorio en ella el cuerpo central formado por tres vanos superpuestos, encontrándose en el superior una hornacina con una Virgen de las Angustias, obra del escultor Fernando Ortiz.
En su inaguracion, asi se llamó, ahora en el mismos lugar (con ciertos cambio, sobre todo en el contenido), es el Museo de Antropología de Castilla la Mancha, con un gran contenido de dinosaurios procedentes de Lo Hueco y de Las Ollas
Ebenfalls neu im Brenner-Verkehr anzutreffen sind die Loks der Baureihe 189, welche von TXLogistik bei Akiem angemietet wurden. Das französische Unternehmen hat Ende 2022 diverse Loks von MRCE übernommen und diese größtenteils in silber umlackiert. Am 04. März 2023 bespannte ein Tandem, bestehend aus der 189 113 und der 193 557, den Neuwagentransport DGS 48817 von Regensburg Ost nach Verona Q.E. in Norditalien. Am Bahnübergang bei Vogl konnte ich den einheitlich aus Waggons der Gattung Hccrrs gebildeten Zug fotografieren. Ladegut waren Fahrzeuge des Herstellers BMW für den italienischen Markt.
The class 189 locomotives, which were leased from Akiem by TXLogistik, are also new to Brenner traffic. The French company took over various locomotives from MRCE at the end of 2022 and repainted most of them in silver. On 04 March 2023, a tandem consisting of 189 113 and 193 557 hauled the new car transport DGS 48817 from Regensburg Ost to Verona Q.E. in northern Italy. At the level crossing at Vogl, I was able to photograph the train, which was uniformly made up of Hccrrs wagons. The load consisted of BMW vehicles for the Italian market.
seit 1996 gibt es dieses absolut coole Gebäude in Linz-Urfahr, Oberösterreich Es wechselt laufend die Farben. Hier spielt die Technik eine große Rolle und ist ein Highlight in unserer wunderschönen Landeshauptstadt.
Das Ars Electronica Center, wird auch „Museum der Zukunft“ genannt.
Das Ars Electronica Center, auch als „Museum der Zukunft“ bezeichnet, ist ein Museum in Linz. Es wurde 1996 in Linz-Urfahr eröffnet und hat sich zum Ziel gesetzt, die Technologien der kommenden Generationen bereits in der Gegenwart für jede Altersstufe erfahrbar zu machen. Wikipedia
Jean-Baptiste-Marie Vianney, T.O.S.F. (8 May 1786 – 4 August 1859), commonly known in English as St. John Vianney, was a French parish priest who is venerated in the Catholic Church as a saint and as the patron saint of parish priests. He is often referred to as the "Curé d'Ars" (i.e., Parish Priest of Ars/priest given the care of the parish of Ars). He became internationally notable for his priestly and pastoral work in his parish in Ars, France, because of the radical spiritual transformation of the community and its surroundings. Catholics attribute this to his saintly life, mortification, his persevering ministry in the sacrament of confession, and his ardent devotion to the Blessed Virgin Mary. His feast day is August
In 1818, shortly after the death of Balley, Jean-Marie Vianney was appointed parish priest of the parish of Ars, a town of 230 inhabitants.[6] When Vianney’s bishop first assigned him to Ars, he got lost trying to find the town. Two young men tending flocks in the fields pointed him in the right direction.[8] With Catherine Lassagne and Benedicta Lardet, he established La Providence, a home for girls.[9]
As parish priest, Vianney realized that the Revolution's aftermath had resulted in religious ignorance and indifference, due to the devastation wrought on the Catholic Church in France. At the time, Sundays in rural areas were spent working in the fields, or dancing and drinking in taverns. Vianney spent time in the confessional and gave homilies against blasphemy and dancing.[6] If his parishioners did not give up dancing, he refused them absolution.[10]
Abbe Balley had been Vianney's greatest inspiration, since he was a priest who remained loyal to his faith, despite the Revolution.[11] Vianney felt compelled to fulfill the duties of a curé, just as did Balley, even when it was illegal. source wikipédia
Paradoxical name for a shop that shows up live on the internet, a few blocks away.
09:20 CDT 9 Sep 2023;
Do not, do not misjudge me please.
At heart I'm always on my knees.
I don't kneel down, don't get me wrong:
I'm rising on my bended knees.
(Ágnes Nemes Nagy)
Ne, ne ítélj meg engemet.
Szívemben mindig térdelek.
De nem letérdelek, ne hidd:
föl,föl, föltérdelek.
( Nemes Nagy Ágnes)
50 års tidshopp. Kameror i bilden, Kodak Brownie 1900, Komsomolets 1950. Fujifilm X-M1 2012. Mitt bidrag till Fotosöndag och veckans tema "tid".
50 years time jump. Cameras in the picture, Kodak Brownie 1900, Komsomolets 1950. Fujifilm X-M1 2012. My contribution to the Swedish group Fotosondag and this week's theme "time".