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At 246 meters high, the waterfall of Ars is one of the most beautiful and imposing in the Pyrenees. It is divided into 3 large levels, which makes it even more impressive!
En su inaguracion, asi se llamó, ahora en el mismos lugar (con ciertos cambio, sobre todo en el contenido), es el Museo de Antropología de Castilla la Mancha, con un gran contenido de dinosaurios procedentes de Lo Hueco y de Las Ollas
Das Ars Electronica Center, auch als „Museum der Zukunft“ bezeichnet, ist ein Museum in Linz. Es wurde 1996 in Linz-Urfahr eröffnet und hat sich zum Ziel gesetzt, die Technologien der kommenden Generationen bereits in der Gegenwart für jede Altersstufe erfahrbar zu machen. Wikipedia
Jean-Baptiste-Marie Vianney, T.O.S.F. (8 May 1786 – 4 August 1859), commonly known in English as St. John Vianney, was a French parish priest who is venerated in the Catholic Church as a saint and as the patron saint of parish priests. He is often referred to as the "Curé d'Ars" (i.e., Parish Priest of Ars/priest given the care of the parish of Ars). He became internationally notable for his priestly and pastoral work in his parish in Ars, France, because of the radical spiritual transformation of the community and its surroundings. Catholics attribute this to his saintly life, mortification, his persevering ministry in the sacrament of confession, and his ardent devotion to the Blessed Virgin Mary. His feast day is August
In 1818, shortly after the death of Balley, Jean-Marie Vianney was appointed parish priest of the parish of Ars, a town of 230 inhabitants.[6] When Vianney’s bishop first assigned him to Ars, he got lost trying to find the town. Two young men tending flocks in the fields pointed him in the right direction.[8] With Catherine Lassagne and Benedicta Lardet, he established La Providence, a home for girls.[9]
As parish priest, Vianney realized that the Revolution's aftermath had resulted in religious ignorance and indifference, due to the devastation wrought on the Catholic Church in France. At the time, Sundays in rural areas were spent working in the fields, or dancing and drinking in taverns. Vianney spent time in the confessional and gave homilies against blasphemy and dancing.[6] If his parishioners did not give up dancing, he refused them absolution.[10]
Abbe Balley had been Vianney's greatest inspiration, since he was a priest who remained loyal to his faith, despite the Revolution.[11] Vianney felt compelled to fulfill the duties of a curé, just as did Balley, even when it was illegal. source wikipédia
Do not, do not misjudge me please.
At heart I'm always on my knees.
I don't kneel down, don't get me wrong:
I'm rising on my bended knees.
(Ágnes Nemes Nagy)
Ne, ne ítélj meg engemet.
Szívemben mindig térdelek.
De nem letérdelek, ne hidd:
föl,föl, föltérdelek.
( Nemes Nagy Ágnes)
Ars-sur-Formans, petit village de la Dombes, accueille chaque année 350 000 pèlerins et visiteurs du monde entier, venus marcher dans les pas de Jean-Marie Vianney, humble curé devenu Patron Saint de tous les curés de l’univers.
50 års tidshopp. Kameror i bilden, Kodak Brownie 1900, Komsomolets 1950. Fujifilm X-M1 2012. Mitt bidrag till Fotosöndag och veckans tema "tid".
50 years time jump. Cameras in the picture, Kodak Brownie 1900, Komsomolets 1950. Fujifilm X-M1 2012. My contribution to the Swedish group Fotosondag and this week's theme "time".
"It's not a question of material: it's a question of design" -- Martin Honzik, Festival Production Director
www.youtube.com/watch?v=kKS1P-BgNMU
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Sábado, 14 de Noviembre de 2009
Pozo Izquierdo, Gran Canaria