Jung and Jungians
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Analytical Cubism is the second period of the Cubism art movement that ran from 1909 to 1912.
This form of Cubism analyzed the use of rudimentary shapes and overlapping planes to depict the separate forms of the subjects in a painting.
Other distinguishing features of analytical cubism were a simplified palette of colours, so the viewer was not distracted from the structure of the form, and the density of the image at the center of the canvas.
Thanks to everyone for visits , comments , awards and invitations, I appreciate your feedback very much
Analytical Odysseys.
Предполагаемое знание феноменальных определений диссоциации, узнаваемая видимость исследований детерминированности сознания,
å utpeke øyeblikk sannheter inneholder viktige punkter for å forstå smarte brennende grunner tilfredshet innbefatter undersøkelser vitenskap,
disaccordi giustificati distinguendo contraddizioni osservazioni vuote scetticismo oggetti interi movimenti interi sistemi esistenza astratta,
ٹھوس جانکاری فوری حدود کی باتوں کا حواس خالص مختلف طریقوں سے پیچیدہ روابط اہم فصلوں کی عکاسی کے معاملات,
podstawowe uniwersalne prawdy obojętne relacje zachowujące zrozumiałe słowa uwierzytelnienia świadomość twierdzenia filozoficzne,
experiencias sensoriales que afirman sabidurías esferas profundas que devuelven sentidos dialécticos punteros del supuesto aprendizaje de la pluralidad contraria,
媒体の無関心な認識を考慮する極度の内なることは法を変えること規則を否定すること側面楽しむこと基礎変わらないこと規則否定規則依存性側面楽しさ基盤変わらない移動活動の本質的な機能動物の惨めさ.
Steve.D.Hammond.
Mark this day as it's the day I managed to get 10 Million views on my flickr account. It's been really busy this year and I managed to get all this views in just under a year. Thanks all for your appreciation and for spending time looking at my pictures and liking them and commenting on them.
This is certainly a great milestone.
Thanks for all the views and the likes and keep spreading the love for photography.
I've created my own tool to monitor all the likes and views of my account. The tool is still under construction but you can follow progress here:
You can find my solution on Github.
If you want to raise any issue on the app, you can do it here:
github.com/JordiCorbilla/FlickrPhotoStats/issues
Description of the application here
Thank you all for your appreciation.
Follow me on:
© 2015 Jordi Corbilla - All Rights Reserved.
Do not use any of my images
without permission.
at least an interesting camera 😄
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Can AI "photos" coexist with the "traditional" imagery? Who are we kidding. Can't imagine a Hollywood movie without AI. too many to mention
Do you feel "betrayed" when (if) you found out a photo was an Artificial "photo"... are we getting used to being "lied" too?
Things are likely to become yet more complex as use of artificial intelligence by artists becomes more widespread, and as the machines get better at producing creative works, further blurring the distinction between artwork that is made by a human and that made by a computer.
akilalparslan.blogspot.com/2023/01/an-analytical-perspect...
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This artwork was created with the help of Artificial Intelligence. Create your own AI-generated artworks using NightCafe Creator.
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HIT THE 'L' KEY FOR A BETTER VIEW! Thanks for the favs and comments. Much Appreciated.
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All of my photographs are under copyright ©. None of these photographs may be reproduced and/or used in any way without my permission. Just ask!
© VanveenJF Photography
Look at this, a second post on here within two weeks of my last! That hasn't happened in a while, but I'm hoping to change that and be a little more active on here as I still love LEGO. I just haven't had much time for it recently, but I'll be trying to do my best to build more. Anyway, this is an older build, which was actually built for and displayed at Bricks Cascade 2018. I'm not happy with the picture, but they all turned out fairly meh and this has long since been scrapped. Hope you guys enjoy it despite that!
The Jack Welch College of Business and the Office of Alumni Engagement presented “Careers in Analytics” on April 10, 2019, at the Martire Forum. The alumni panel featured Justin Baigert ’05, vice president, Data & Analytics at GE, Joseph Lucibello ’11, senior manager, data scientist at WWE and Suzanne May ’13, research manager at Purchased. The moderator was Khawaja Mamun, associate professor of economics. Photo by Mark F. Conrad
The Jack Welch College of Business and the Office of Alumni Engagement presented “Careers in Analytics” on April 10, 2019, at the Martire Forum. The alumni panel featured Justin Baigert ’05, vice president, Data & Analytics at GE, Joseph Lucibello ’11, senior manager, data scientist at WWE and Suzanne May ’13, research manager at Purchased. The moderator was Khawaja Mamun, associate professor of economics. Photo by Mark F. Conrad
In this article im gonna share with you a deep understanding of the Instagram analytics.
Instagram is the most popular social networking platform these days.
If you want to market your products and services then it’s the best ever platform for you.
All you need to make a free account and start promoting your products and services.
www.coremafia.com/instagram-analytics-to-grow-engagement-...
In alchemy, nigredo, or blackness, means putrefaction or decomposition. The alchemists believed that as a first step in the pathway to the philosopher's stone all alchemical ingredients had to be cleansed and cooked extensively to a uniform black matter.In analytical psychology, the term became a metaphor 'for the dark night of the soul, when an individual confronts the shadow within'.For Carl Jung, 'the rediscovery of the principles of alchemy came to be an important part of my work as a pioneer of psychology'. As a student of alchemy, he (and his followers) 'compared the "black work" of the alchemists (the nigredo) with the often highly critical involvement experienced by the ego, until it accepts the new equilibrium brought about by the creation of the self'.Jungians interpreted nigredo in two main psychological senses.
The first sense represented a subject's initial state of undifferentiated unawareness, 'the first nigredo, that of the unio naturalis, is an objective state, visible from the outside only...an unconscious state of non-differentiation between self and object, consciousness and the unconscious'. Here the subject is unaware of the unconscious; i.e. the connection with the instincts'.In the second sense, 'the nigredo of the process of individuation on the other hand is a subjectively experienced process brought about by the subject's painful, growing awareness of his shadow aspects'.It could be described as a moment of maximum despair, that is a prerequisite to personal development.As individuation unfolds, so 'confrontation with the shadow produces at first a dead balance, a standstill that hampers moral decisions and makes convictions ineffective or even impossible...nigredo, tenebrositas, chaos, melancholia'.Here is 'the darkest time, the time of despair, disillusionment, envious attacks; the time when Eros and Superego are at daggers drawn, and there seems no way forward...nigredo, the blackening'.Only subsequently would come 'an enantiodromia; the nigredo gives way to the albedo...the ever deepening descent into the unconscious suddenly becomes illumination from above'Further steps of the alchemical opus include such images as albedo (whiteness), citrinitas (yellowness), and rubedo (redness). Jung also found psychological equivalents for many other alchemical concepts, with 'the characterization of analytic work as an opus; the reference to the analytic relationship as a vas, vessel or container; the goal of the analytic process as the coniunctio, or union of conflicting opposites'.
The Institut de France (French pronunciation: [ɛ̃stity də fʁɑ̃s], French Institute) is a French learned society, grouping five académies, the most famous of which is the Académie française.The Institute, located in Paris, manages approximately 1,000 foundations, as well as museums and châteaux open for visit. It also awards prizes and subsidies, which amounted to a total of €5,028,190.55 for 2002. Most of these prizes are awarded by the Institute on the recommendation of the académies.The Académie originated as a council of five humanists, "scholars who were the most versed in the knowledge of history and antiquity": Jean Chapelain, François Charpentier, Jacques Cassagne, Amable de Bourzeys, and a M. Douvrier.The organizer was King Louis XIV's finance minister Jean-Baptiste Colbert. Its first name was the Académie royale des Inscriptions et Médailles, and its mission was to compose or obtain Latin inscriptions to be written on public monuments and medals issued to celebrate the events of Louis' reign. However, under Colbert's management, the Académie performed many additional roles, such as determining the art that would decorate the Palace of Versailles.In 1683 Minister Louvois increased the membership to eight. In 1701 its membership was expanded to 40 and reorganized under the leadership of Chancellor Pontchartrain. It met twice a week at the Louvre, its members began to receive significant pensions, and was made an official state institution on the king's decree.In January 1716 it was permanently renamed to the Académie royale des Inscriptions et Belles-Lettres with the broader goal of elevating the prestige of the French monarchy using physical symbols uncovered or recovered through the methods of classical erudition.The Académie des Inscriptions et Belles-Lettres is a French learned society devoted to the humanities, founded in February 1663 as one of the five academies of the Institut de France.The Académie originated as a council of five humanists, "scholars who were the most versed in the knowledge of history and antiquity": Jean Chapelain, François Charpentier, Jacques Cassagne, Amable de Bourzeys, and a M. Douvrier.The organizer was King Louis XIV's finance minister Jean-Baptiste Colbert. Its first name was the Académie royale des Inscriptions et Médailles, and its mission was to compose or obtain Latin inscriptions to be written on public monuments and medals issued to celebrate the events of Louis' reign. However, under Colbert's management, the Académie performed many additional roles, such as determining the art that would decorate the Palace of Versailles.In 1683 Minister Louvois increased the membership to eight.In 1701 its membership was expanded to 40 and reorganized under the leadership of Chancellor Pontchartrain. It met twice a week at the Louvre, its members began to receive significant pensions, and was made an official state institution on the king's decree. In January 1716 it was permanently renamed to the Académie royale des Inscriptions et Belles-Lettres with the broader goal of elevating the prestige of the French monarchy using physical symbols uncovered or recovered through the methods of classical erudition.The Académie originated as a council of five humanists, "scholars who were the most versed in the knowledge of history and antiquity": Jean Chapelain, François Charpentier, Jacques Cassagne, Amable de Bourzeys, and a M. Douvrier. The organizer was King Louis XIV's finance minister Jean-Baptiste Colbert. Its first name was the Académie royale des Inscriptions et Médailles, and its mission was to compose or obtain Latin inscriptions to be written on public monuments and medals issued to celebrate the events of Louis' reign. However, under Colbert's management, the Académie performed many additional roles, such as determining the art that would decorate the Palace of Versailles.In 1683 Minister Louvois increased the membership to eight. In 1701 its membership was expanded to 40 and reorganized under the leadership of Chancellor Pontchartrain. It met twice a week at the Louvre, its members began to receive significant pensions, and was made an official state institution on the king's decree. In January 1716 it was permanently renamed to the Académie royale des Inscriptions et Belles-Lettres with the broader goal of elevating the prestige of the French monarchy using physical symbols uncovered or recovered through the methods of classical erudition.The Académie originated as a council of five humanists, "scholars who were the most versed in the knowledge of history and antiquity": Jean Chapelain, François Charpentier, Jacques Cassagne, Amable de Bourzeys, and a M. Douvrier.The organizer was King Louis XIV's finance minister Jean-Baptiste Colbert. Its first name was the Académie royale des Inscriptions et Médailles, and its mission was to compose or obtain Latin inscriptions to be written on public monuments and medals issued to celebrate the events of Louis' reign. However, under Colbert's management, the Académie performed many additional roles, such as determining the art that would decorate the Palace of Versailles.In 1683 Minister Louvois increased the membership to eight. In 1701 its membership was expanded to 40 and reorganized under the leadership of Chancellor Pontchartrain. It met twice a week at the Louvre, its members began to receive significant pensions, and was made an official state institution on the king's decree.In January 1716 it was permanently renamed to the Académie royale des Inscriptions et Belles-Lettres with the broader goal of elevating the prestige of the French monarchy using physical symbols uncovered or recovered through the methods of classical erudition.
en.wikipedia.org/wiki/Institut_de_France
Three days before his death, in March, 1661, Mazarin based a new college, intended to assure the free education of sixty young people native of four provinces which had gathered in France the treaties of Wesphalie in 1648 and the Treaty of the Pyrenees in 1659. They were Artois, Alsace, small part of the Savoie, Roussillon and Cerdanya. We called this new institution the College of Four Nations.
Comme tout homme d’État, Mazarin voulait laisser des traces de son passage. Proviseur du collège de Sorbonne, Richelieu avait fait édifier la superbe chapelle où s’élève encore aujourd’hui son tombeau. Trois jours avant sa mort, en mars 1661, Mazarin fondait un collège nouveau, destiné à assurer l’éducation gratuite de soixante jeunes gens originaires de quatre provinces qu’avaient réunies à la France les traités de Wesphalie en 1648 et le traité des Pyrénées en 1659. C’étaient l’Artois, l’Alsace, une petite partie de la Savoie, le Roussillon et la Cerdagne. On appela cette nouvelle institution le Collège des Quatre-Nations.Le cénotaphe de Mazarin. Sculpture de marbre blanc d'Antoine Coysevox (1640-1720)Le cardinal léguait quatre millions de livres pour financer la construction et une rente de soixante-cinq mille livres par an pour le fonctionnement, avant tout pour les bourses des étudiants. Son tombeau devait être placé dans la chapelle. Ce sera seulement son mausolée, le corps n’y ayant jamais été déposé.L’homme de confiance de Mazarin, Colbert, désigna l’architecte : Louis Le Vau, déjà architecte des agrandissements du Louvre. Il sera le principal architecte de Versailles. Le site choisi était prestigieux : sur l’emplacement de la porte de Nesles, face au Louvre. Le bâtiment sera une véritable scénographie urbaine : deux pavillons carrés encadrant la chapelle et sa coupole, le tout réuni en une vaste courbe.À la mort de Le Vau en 1670, François d’Orbay lui succède. C’est lui qui conçoit cette coupole haute de 44 mètres, une coupole circulaire à l’extérieur et en ellipse à l’intérieur. Le décor en est fait des médaillons des douze apôtres, des initiales de saint Louis et d’une citation du prophète Ezéchiel : "il siégera sous son ombre au milieu des nations".Trois sculpteurs, Coysevox, Tuby et le Hongre collaborent pour élever le mausolée.Le Collège accueille ses premiers élèves en 1688. Il sera prospère jusqu’à sa fermeture en 1791.Il avait reçu les quarante mille ouvrages réunis par le cardinal dans son hôtel de la rue Vivienne, celui-là même qui allait accueillir la Bibliothèque royale et où se trouve encore aujourd’hui une notable partie de la Bibliothèque nationale de France. Ces livres forment la base de la bibliothèque Mazarine, ouverte au public dès ses débuts et aujourd’hui riche d’un demi-million de manuscrits et d’imprimés.
Bridgei2i is very good provider of marketing analytics. Their marketing analytics ecosystem that provides a holistic view of the marketing data environment, enables innovation & technology for marketing automation, forecasting, and personalization and helps CMOs drive operationalization of analytics for improved effectiveness and ROI. They are very efficient. For more... www.bridgei2i.com/marketing-analytics-solutions
Illustration of a web analytics framework - data gathering, data reporting, data analysis - then the bonus stage of optimisation.
Inspired by a blog post by Avinash Kaushik (Occam's Razor)
www.kaushik.net/avinash/web-analytics-consulting-framewor...
Have you checked out Google Analytics? I have been using it for about two months on my blog, and it is very interesting to track...
Sure, it's not about quantity, but I do like the graphs :)
Yan Carrière-Swallow and Daniel Jiménez present the Analytical Corner #3 discussion on the topic of A Headwind To Recovery as part of the 2022 Spring Meetings.
IMF Photo/Kim Haughton
A7pril 2022
Washington, DC, United States
He's a cat person, I'm a dog person. He hates mushrooms, I like mushrooms. He's analytical, I'm flaky. He doesn't have tattoos, I have many. (he actually has one. I have eleven).
Opposites attract in We're Here! today.
The Jack Welch College of Business and the Office of Alumni Engagement presented “Careers in Analytics” on April 10, 2019, at the Martire Forum. The alumni panel featured Justin Baigert ’05, vice president, Data & Analytics at GE, Joseph Lucibello ’11, senior manager, data scientist at WWE and Suzanne May ’13, research manager at Purchased. The moderator was Khawaja Mamun, associate professor of economics. Photo by Mark F. Conrad
Jehann Jack and Tarak Jardak present during the Analytical Corner titled “Addressing the Looming Problem of Bad Loans in Sub-Saharan Africa” for the 2021 Annual Meetings at the International Monetary Fund.
IMF Photo/Cory Hancock
29 September 2021
Washington, DC, United States
Photo ref: CH210929044.arw
Jehann Jack and Tarak Jardak present during the Analytical Corner titled “Addressing the Looming Problem of Bad Loans in Sub-Saharan Africa” for the 2021 Annual Meetings at the International Monetary Fund.
IMF Photo/Cory Hancock
29 September 2021
Washington, DC, United States
Photo ref: CH210929039.arw