View allAll Photos Tagged All_shots
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
REPOST
Flickr why aren't you letting me show my pictures in the right way? It refers to the problem I have now and then (previous post for example and most surely even this one) on some of my pictures which are not showing to my contacts and followers. I'm annoyed about this primarily not because of the low numbers but because there is a MALFUNCTIONING
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
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© 2017 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
_
© 2015 stefanorugolo | All rights reserved.
_
Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% aperture at 2.0)
_
© 2015 stefanorugolo | All rights reserved.
_
Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% aperture at 2.0)
_
© 2015 stefanorugolo | All rights reserved.
_
Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
_
© 2015 stefanorugolo | All rights reserved.
_
Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
_
© 2016 stefanorugolo | All rights reserved.
All shots of this series done with the Samyang 135/2 wide-open plus reflector. In a way, the last year is still with us. Just as I am still around carrying all those years with me.
The outdoor photos I uploaded today were all shot thru my kitchen window. During these troubled times, it is important to see the beauty in simple things around us. Please stay safe and hang in there. The world will get moving again.
All shots of this series done with the Samyang 135/2 wide-open plus reflector (in this case the window pane through which the shot was done).
all shots by KHWD 2023
want to see more images or read the blog?
www.motorhome-travels.net/post/blog-194-travel-blog-eire-...
Absolutely, folks — this picture’s got all the ingredients you love: layered history, coastal drama, and a touch of poetic romance. Let’s dive in.
🌉 Blennerville Bridge & Reflections in the Water Blennerville Bridge spans the River Lee at its estuary, just west of Tralee in County Kerry. It’s a seven-bay stone bridge that forms a causeway between the canal and river, offering a striking view of the Slieve Mish mountains and the iconic Blennerville Windmill.
- On calm days, the tidal waters mirror the bridge, windmill, and surrounding village in stunning detail — a dream for photographers.
- The reflections often include clouds drifting over the mountains, adding layers of texture and mood to the scene.
- At sunrise or sunset, the water glows with amber and violet hues, turning the bridge into a silhouette against the sky — perfect for capturing symmetry and atmosphere.
Photographic Tips
- Position yourself near the Tralee Canal or the south bank of the River Lee for the best angles.
- Use a polarizing filter to manage glare and deepen the contrast in reflections.
- Try shooting during low tide when the water is stillest, especially in autumn when the light is soft and golden.
💔 The Maid of Tralee — Mary O’Connor She’s the heart of the famous ballad The Rose of Tralee, which inspired the international festival. Mary was a maid in service to the wealthy Mulchinock family in Tralee. William Pembroke Mulchinock, a poet from the household, fell deeply in love with her — but their romance was thwarted by class divisions and political turmoil.
- William wrote the song as a tribute to Mary’s beauty and truthfulness:
“She was lovely and fair as the rose of the summer,
Yet 'twas not her beauty alone that won me...”
- After being falsely accused of murder, William fled to India. When he returned years later, he learned that Mary had died of tuberculosis.
- Heartbroken, he was buried beside her in Clogherbrien graveyard, just outside Tralee.
🌹 Legacy The story of Mary and William became a symbol of enduring love and Irish identity, and the festival now celebrates women of Irish descent from around the world — not for beauty alone, but for character, kindness, and cultural pride.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
_
© 2015 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
_
© 2016 stefanorugolo | All rights reserved.
Wagtail. Part of my continuing series with birds on boats, every wildlife image I see is usually a bird on a stick or in what is considered to be the natural habitat of the bird, but as man encroaches more and more into the wildlife habitat this is no longer necessarily the case, so I have decided to do a series with a difference, all the birds in this series are all shot on or about boats. The juxtaposition between nature and technology.
Another group of fall color photos from Lakes of the North (Mancelona, MI) or points close by.
All shots taken mid-October using a Sony 7R3 DSLR + Sigma 50-500mm OS lens.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
_
© 2015 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
_
© 2016 stefanorugolo | All rights reserved.
The last in the series of sunset shots in Perth City. Shots all hand held taken from the Rooftop Bar at the Art Gallery of Western Australia (AGWA). The weather and colours were fabulous and the vibe in the bar was trendy and laid back. All shots used the Ethereal filter (Urth) to give a little cinematic twist to the shots.
The Point of Ayr Lighthouse, is grade II listed and is situated on the north coast of Wales, on the Point of Ayr, near the village of Talacre
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
_
© 2015 stefanorugolo | All rights reserved.
The last in the series of sunset shots in Perth City. Shots all hand held taken from the Rooftop Bar at the Art Gallery of Western Australia (AGWA). The weather and colours were fabulous and the vibe in the bar was trendy and laid back. All shots used the Ethereal filter (Urth) to give a little cinematic twist to the shots. I believe the cranes here are part of the construction of the new Edith Cowan University campus in the city.
Very quick stop off in Onehunga on the way home tonight as I was passing the Manukau Harbour view. These rays burst through and being a sky nut a few hand held shots with the Grad Filter had to be done. The crepusculars were all over within a few mins sadly.
Please view Large
Have a good weekend all.
Shot: 1/125sec | f11 | ISO200 | 70mm | 3StopGnd (shot at -4/3 ev) | 16:9 format
More fun with details and colors. All shots are from Torrington town cruise / car show. Once again commenting will be mostly off
All shots of the whale sharks were taken responsibly, i.e. snorkeling, without using flashes and with sufficient distance.
The animals were not fed and swam in plankton-rich waters in a natural seasonal migratory corridor for whale sharks. When they had had enough, they dived into the depths.
All shots in this *PHOtage* were taken at our nearby fishing village, known for its famous "Stonington Scallops" . . .
All shots taken with the RF100-500mm at 500mm except the centre shot with background at full eclipse at 200mm.
The 3 moon shots on the left are the moon rising over the horizon taken from Bondi Beach. The rest were taken from my backyard in Sydney
This offers a similar but slightly different view from it’s more famous cousin, Tunnel View. Valley View offers views of El Capitan and Bridalveil Falls in the classic juxtaposition but Half Dome is not visible from this vantage point. However, instead of Half Dome, the lovely and serene Merced River graces the foreground between these two icons providing some beautiful texture to otherwise cold granite vistas. The view is particularly nice in fall when the grasses in the Merced River change color, in winter when the meadows are draped in snow, and early spring when Bridalveil Fall is at it’s peak.
Equipment=Canon 6D
Lens Used=Tokina 17-35mm Lens
Exposures=7
Location=Yosemite National park
Workflow=Aurora HDR
Adobe Lightroom 5,
ON1 Photo 10=Increase Color
Nik Color Efex=Brilliance Warmth/Sun