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As mentioned on a previous post I'm alternating spring/summer captures with autumn captures. This is a SPRING shot from last year.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
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From a frosty morning autumn walk from last year
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
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© 2017 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
All shots of this series done with the Samyang 135/2 wide-open plus reflector. In a way, the last year is still with us. Just as I am still around carrying all those years with me.
All shots of this series done with the Samyang 135/2 wide-open plus reflector (in this case the window pane through which the shot was done).
all shots by KHWD 2023
want to see more images or read the blog?
www.motorhome-travels.net/post/blog-194-travel-blog-eire-...
Absolutely, folks — this picture’s got all the ingredients you love: layered history, coastal drama, and a touch of poetic romance. Let’s dive in.
🌉 Blennerville Bridge & Reflections in the Water Blennerville Bridge spans the River Lee at its estuary, just west of Tralee in County Kerry. It’s a seven-bay stone bridge that forms a causeway between the canal and river, offering a striking view of the Slieve Mish mountains and the iconic Blennerville Windmill.
- On calm days, the tidal waters mirror the bridge, windmill, and surrounding village in stunning detail — a dream for photographers.
- The reflections often include clouds drifting over the mountains, adding layers of texture and mood to the scene.
- At sunrise or sunset, the water glows with amber and violet hues, turning the bridge into a silhouette against the sky — perfect for capturing symmetry and atmosphere.
Photographic Tips
- Position yourself near the Tralee Canal or the south bank of the River Lee for the best angles.
- Use a polarizing filter to manage glare and deepen the contrast in reflections.
- Try shooting during low tide when the water is stillest, especially in autumn when the light is soft and golden.
💔 The Maid of Tralee — Mary O’Connor She’s the heart of the famous ballad The Rose of Tralee, which inspired the international festival. Mary was a maid in service to the wealthy Mulchinock family in Tralee. William Pembroke Mulchinock, a poet from the household, fell deeply in love with her — but their romance was thwarted by class divisions and political turmoil.
- William wrote the song as a tribute to Mary’s beauty and truthfulness:
“She was lovely and fair as the rose of the summer,
Yet 'twas not her beauty alone that won me...”
- After being falsely accused of murder, William fled to India. When he returned years later, he learned that Mary had died of tuberculosis.
- Heartbroken, he was buried beside her in Clogherbrien graveyard, just outside Tralee.
🌹 Legacy The story of Mary and William became a symbol of enduring love and Irish identity, and the festival now celebrates women of Irish descent from around the world — not for beauty alone, but for character, kindness, and cultural pride.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
Oxeye daisy | Leucanthemum vulgare
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
All shot from the hip. The locals understandably did not allow focused photography in the old city market area.
Holywell is a Saxon ring village, one of only three in Cambridgeshire. It is served by a small road from Needingworth and is a dead end to motor traffic. There are approximately 80 houses, the oldest dating to the 16th century; a parish church; and a public house.
All shot with Panasonic Lumix DMC-FZ72 on 26-05-215
SARDENYA 2024 "Il paese di Petra."
In the Gulf of Asinara, in the extreme northwestern part of Sardinia, there is a tropical beach, one of the most beautiful in Europe and a natural paradise where fine sand and very shallow waters invite you to enjoy a totally relaxing time.
Fine, pure white sand, a transparent seabed, ankle-deep water for tens of metres, turquoise and blue colours of a sea that blends with the sky and a captivating landscape offered by the surrounding towers. The beach of La Pelosa lies between the Capo Falcone sea stacks, theIsola Pianaisland and Asinara, which protect it from the force of the open sea: it is a tropical paradise that will make you feel like you are in a film. This is how tourists from all over the world, after having visited it, define this perfect environment with its natural and historical elements competing with each other.During a holiday in the north of Sardinia, a visit to the iconic beach of Stintino is a must. This beach is universally considered one of the most beautiful in Europe.
Thanks to a natural barrier, the water is always calm, even when the northwesterly mistral wind is blowing hard. The surrounding Mediterranean scrub, particularly the junipers, reminds you that you are in Sardinia, despite the Caribbean appearance. Opposite the beach, there is an islet with an Aragonese tower dating back to 1578. It is the symbol of La Pelosa and you can get to it on foot, after crossing another delightful little cove, that of La Pelosetta, situated next to its 'big sister'. The area is watched over by the ancient Saracen Torre del Falcone (Tower of the Falcon). Opposite it, is the Isola Piana (Flat Island), once a place where livestock grazed and swam to dry land, pulled by large boats. The island is so flat that it does not in any way obstruct the view of the majestic Asinara cliffs that stand tall behind it. You will be able to explore the fascinating and mysterious island-park, where time seems to stand still, by setting out from the tourist port of Stintino or from the pier of Ancora onthe motor vessels or dinghies of authorized operators.
The evocative little village in the Stintino area is approximately five kilometers from the La Pelosa beach and is also connected by shuttle bus services. In the village and along the road leading to the beach, you will find accommodation facilities and restaurants, where you can savour the local delicacies: lobster and tuna roe above all. Fishing and processing of tuna is one of most ancient local traditions, which you can relive in the Museo del Tonnare. In the Stintino territory, you can also relax in other wonderful areasalong the coast, like on the white pebbles and the dazzling colours of the sea of the extremely long beach of Saline.
No claim to this being an original idea. Began as a bit of fun; quickly became a labour of love.
All shot with a Vivitar 55mm(@55mm) f2.8 macro.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
Another group of fall color photos from Lakes of the North (Mancelona, MI) or points close by.
All shots taken mid-October using a Sony 7R3 DSLR + Sigma 50-500mm OS lens.
The last in the series of sunset shots in Perth City. Shots all hand held taken from the Rooftop Bar at the Art Gallery of Western Australia (AGWA). The weather and colours were fabulous and the vibe in the bar was trendy and laid back. All shots used the Ethereal filter (Urth) to give a little cinematic twist to the shots.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
all shots by KHWD from our travels worldwide, originally shot 30/4/17
want to see more images of papamoa beach or read the blog?
Light nights and late evenings force me to shoot in my kitchen with black out curtains and the lights turned off...
For this one I turned the circuit board to make it way out of parallel with the focal plane to make some great out of focus points of light.
All shot in one photographic exposure with a combination of flashguns and LED lights.
The last in the series of sunset shots in Perth City. Shots all hand held taken from the Rooftop Bar at the Art Gallery of Western Australia (AGWA). The weather and colours were fabulous and the vibe in the bar was trendy and laid back. All shots used the Ethereal filter (Urth) to give a little cinematic twist to the shots. I believe the cranes here are part of the construction of the new Edith Cowan University campus in the city.
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Frosted Rosa canina fruit. From a frosty morning autumn walk from last year
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
All shots of the whale sharks were taken responsibly, i.e. snorkeling, without using flashes and with sufficient distance.
The animals were not fed and swam in plankton-rich waters in a natural seasonal migratory corridor for whale sharks. When they had had enough, they dived into the depths.
All shots in this *PHOtage* were taken at our nearby fishing village, known for its famous "Stonington Scallops" . . .