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Actor Dana Green and Cutter/Draper Eva Steingrueber-Fagan during a fitting for the Lady Britomart character in Major Barbara.
Photo by Kate Szrom/courtesy Portland Center Stage at The Armory.
10 и 11 июня ПРЕМЬЕРА КорнягТЕАТР!!!!!! Пластический «Спектакль №7» – пластический спектакль на тему страха. Неизвестное всегда подстерегает нас. Неведомое парализует волю, и есть только один способ победить себя – взглянуть на ситуацию извне. Посмотреть на страх со стороны – именно это и предлагают зрителю актёры ( Светлана Аникей, Ольга Скворцова, Александр Казелло, Валентина Гарцуева, Виталий Кравченко.) и режиссёр Евгений Корняг.
Chris is really excited to be a part of The Racket Collective’s inaugural performance, especially in the world premiere of FLASH. Like many of this production’s members, Chris first began his artistic adventure in Chicago. The training he received there at Second City and from Loyola University, ultimately led Chris to make the leap to N.Y.C. In New York, Chris trained at the infamous William Esper Studio and Barrow Group Theatre, while performing with numerous Off-Off and Off-Broadway productions. Chris also could be seen in a recurring role on As The World Turns. Hollywood came calling shortly after and Chris made the trek out west. Recently, Chris performed in L.A’s Dirtiest Sketch Show at U.C.B where he garnered second place with The Ginger Man group. A lover of the outdoors, Chris often hikes the many great trails California offers.
It was called "an instant classic" when it was released in 2008 and the SAG National LGBT Actors Committee is pleased to be able to present a screening of Shelter for free to SAG members, along with a Q&A reunion of its cast and crew on Saturday, April 17 at SAG Headquarters.
The event will commemorate the many advancements made in LGBT films in recent years and is presented in association with SAG New Media signatory MIPtalk.com.
A GLAAD Media Award-winning film, Shelter is an iconic love story set in the world of surfing in Southern California; a tender and touching tale of awakening love that asks the viewer "How do you define what family means to you?" Shelter boasts multiple award-winning performances which bring to life an outstanding script by its visionary writer/director, Jonah Markowitz.
Panelists for the Q&A will include the writer/director of the film, the star of the film, Brad Rowe, as well as others from the cast and crew who will share their memories of making the film. Additional topics of discussion will include the state of LGBT cinema and casting LGBT actors.
British Art Photo postcard, no. 67. Photo: Metro-Goldwyn-Mayer Pictures.
American actor Chester Morris (1901-1970) was a Broadway star who billed himself as 'the youngest leading man in the country'. With his dark, good looks and chiselled jaw, he became a film star in the sound era. Morris was Oscar-nominated for Alibi (1929), but his greatest success was The Big House (1930). However, his star dimmed and by the end of the decade, he was appearing in B-pictures, From 1941, the Boston Blackie series at Columbia Pictures revived his career. In all, he appeared in 14 films as a detective.
Chester Morris was born John Chester Brooks Morris in New York City, in 1901. He was the son of actor William Morris and comedienne Etta Hawkins. As a teenager, Morris made his Broadway debut in 1918 in the play 'The Copperhead', in support of the great Lionel Barrymore. A year earlier, Chet Morris had made his film debut in Van Dyke Brooke's An Amateur Orphan (1917), but he didn't become a real film actor until the sound era. Instead, Morris appeared on Broadway in the plays 'Thunder' and 'The Mountain Man' in 1919. He returned to the Great White Way in 1922 in the comedy 'The Exciters'. He followed it up with the comedy-drama 'Extra' in 1923. Now established, Chester Morris began billing himself as 'the youngest leading man in the country'.
Chester Morris' dark, good looks and chiselled jaw made him a natural for movie stardom, but it wasn't until the transition from silent pictures to talkies that he became a film actor. He was one of the first actors to be nominated for an Academy Award when in 1930 (the second year of the as-yet non-nicknamed Oscars) he was recognised with a nod as Best Actor for Alibi (1929), his first talking picture. But it was his appearance in The Big House (1930), the film for which he is best known that he broke through to stardom. From 1930 through the middle of the decade, he was a star with good roles in first-rate pictures, usually assaying a tough guy. However, his star dimmed and by the end of the decade he was appearing in B-pictures, but beginning in 1941, the Boston Blackie series at Columbia Pictures revived his career. In all, he appeared in 14 pictures as the detective. He later segued to TV work in the 1950s and 1960s, appearing in the occasional film such as his last, The Great White Hope (1970), which meant he had been a working movie actor for seven decades. Although he was afflicted with cancer, it is unclear whether he took his own life as he was apparently in good spirits and left no note in 1970.
Sources: Jon C. Hopwood (IMDb) and IMDb.
And please check out our blog European Film Star Postcards.
Actor/Producer Anthony Aquilino Exclusive Photo Shoot for "The Southside" on Rodeo Drive in Beverly Hills on April 15, 2012-Photo by Winston Burris
Actor Cameron Bright attends "The Twilight Saga: New Moon" Photocall during Day 8 of the 4th International Rome Film Festival held at the Auditorium Parco della Musica on October 22, 2009 in Rome, Italy.
Actor Peter Facinelli, Melanie Segal, TV personality Rib Hillis and a guest attend Melanie Segal's MTV Movie Awards House Presented by Rev 3 - Day 1 on May 28, 2009 in Los Angeles, California.
A great actor with Theatrotechnis, a true Greek man and a fine friend and companion. Sadly missed by his friends. Rest in peace dear Mitso
Otra cualidad de una estrella es la vulnerabilidad emocional, esta es una de las caracteristicas más importantes que debe tener una estrella. Los actores interpretan a personas, y si esperan gustar a su público y conseguir que se identifique con ellos y sienta con ellos tiene que mostrarse vulnerable. Un ejemplo
El primer impulso que se podrría tener a la hora de interpretar un papel de un asesino, es el de darle poder , ambición y una emoción que sea el catalizador que pone en marcha la tragedia de los numerosos asesinatos. Pero esas mismas tragedias le hace perder la razón y acaban desembocando en su muerte. Por lo tanto tiene que ser vulnerable a pesar de su aparente poder. La vulnerabilidad no se traduce en debilidad, si no a nivel emocional. Uno de los mejores ejemplos es el clasico de Casablanca. Bogart es un duro, sólido como una roca, independiente pero muy vulnerable. Por debajo de todo eso, es todo dulzura