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The two faces of this building were quite strongly contrasting, and I thought they made an interesting abstract in the strong light.
Taken at home.. and touched up in photoshop for the different colors. My thanks to all in advance for your comments :-)
غارقةٌ في بحرٍ من الخذلان ,
كل نبضٍ في داخلي يملئني سخرية ,
أنا لستُ سوا عالقة مع خيال
أشعرُ بالأسى على نفسي تتملكني رغبة بدفن وجهي بعيدا
عن فضول أصحابي الذين أريد أن أسألهم لمَ أصبحوا قساةً في حكمهم علي !
حزينة لدرجة لست أرى للحياة لونًا , أَعيشُ بحالة جنازة لروحي وكرامتي ,
أتعرف مابعد حالة الخذلان هذه ؟
أتعرف مرارة العيش ببقايا ماءٍ في وجهك , أن تدفن نفسك بأعمال تقلل فرصك للتفكير بما وصل له حالك ,
مابعد الخذلان أشبه بإعادة تأهيل لنفسك وتشكيلها كما يجب ,
بأن تكون أكثر قسوه بأن تتجرد من شعور السذاجة الملازم لك ,
أشبه بدخول معتقل من تقريع الذات !
, لا أعرف كيف أستطيع الخروج من هذا المعتقل ,
,,
لن أسامحك على شعور بالمراره التي بتُ أذوقها حتى في فمي ! خيبتي فيك عار يجب دفنه فلا فخر في ذكر خذلانك الطفولي يا ... رَجُلي!
بقلم .. أروى الحسين
To avoid confusion with some group invitations, all of my images are created from blank. Any image from a photo is clearly marked as such
Created from an original image by Grietje Haitsma for contest 27 in the Technicolour Abstract Art group
I`ve been reading a book by Freeman Patterson on seeing, this is what I`ve seen so far. You can shoot landscapes only so much of the time. Time to expand.
Tumblr - teresacoelho1.tumblr.com
Instagram - www.instagram.com/teresabcoelho/
Trying To Understand - teresabcoelho.blogspot.gr
"Forests ##" (unreleased)
Finally adventured out to check out a local grove of awesome trees. The light and repetition inspired me and of course abstracts were to happen. Here's a take on the scene with some exciting other ones coming later this week.
Thanks!
aF
© 2014 Thousand Word Images by Dustin Abbott
Yesterday I showed you an image that I had transformed through processing. Today I show an effect entirely prodused in the camera. I have only changed the color temperature to create a more wintry feel. I made this image by using a spotlight to highlight the falling snow. I focused relatively close and with a wide open aperture to create a shallow depth of field - I wanted the foreground texture to dominate and the background to be slightly dreamy. I then utilized the good stabilizer in this lens to handhold the shot with a slower shutter speed (you could also use a tripod), and allow the trail of the swirling snow to be captured. There is a sweet spot for this: too short an exposure, and you get no movement. Too long an exposure, and you just get busyness...or longer, the snow disappears. But here is a natural abstract that has a painterly quality...all in camera. To see yesterday's workflow article, click here:
Technical information Canon EOS 6D, Canon EF 35mm f/2 IS, Processed in Adobe Lightroom 5
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Idea from a magazine, saw it, liked it, worked it. Just simple folded paper and an L.E.D. torch. Camera on a tripod, manual focus, two minute time. Very little editing because I liked the result as it stands..thanks for looking :-)
I did something in gimp, something with circles...I can't remember, but I think it is quite abstract!